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Artykuły w czasopismach na temat „Actor”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Nenonen, Suvi, and Kaj Storbacka. "Actors, Actor Engagement and Value Creation." Journal of Creating Value 4, no. 2 (2018): 196–98. http://dx.doi.org/10.1177/2394964318809172.

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Barclay, Kari. "Willful Actors: Valuing Resistance in American Actor Training." Journal of Dramatic Theory and Criticism 34, no. 1 (2019): 123–41. http://dx.doi.org/10.1353/dtc.2019.0027.

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Munteanu, Radu, and Marin Apetroae. "Journal relatedness: An actor-actor and actor-objectives case study." Scientometrics 73, no. 2 (2007): 215–30. http://dx.doi.org/10.1007/s11192-007-1735-7.

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Plyukhin, Dan, Gul Agha, and Fabrizio Montesi. "CRGC: Fault-Recovering Actor Garbage Collection in Pekko." Proceedings of the ACM on Programming Languages 9, PLDI (2025): 945–69. https://doi.org/10.1145/3729288.

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Actors are lightweight reactive processes that communicate by asynchronous message-passing. Actors address common problems like concurrency control and fault tolerance, but resource management remains challenging: in all four of the most popular actor frameworks (Pekko, Akka, Erlang, and Elixir) programmers must explicitly kill actors to free up resources. To simplify resource management, researchers have devised actor garbage collectors (actor GCs) that monitor the application and detect when actors are safe to kill. However, existing actor GCs are impractical for distributed systems where th

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Jobbagy, Zoltan, Goran Boros, and Levente Sandor Kovats. "Some Remarks on the Dynamics of Strong Actor / Weak Actor Interaction." Land Forces Academy Review 26, no. 2 (2021): 108–17. http://dx.doi.org/10.2478/raft-2021-0016.

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Abstract The emergence of weak actors on global scale is one among the many undesired consequences of the post Cold War period. In a globalized world, weak actors increasingly possess the capability and will to challenge the existing status quo set earlier by strong actors. The complexity of the international theatre provides weak actors with an abundance of opportunities to become successful over a long period. From a military point of view strong actor / weak actor interaction becomes manifest when the latter prosecutes a special type of war. This war is asymmetric, irregular and of low inte

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Li, Loic Pengtao, Biljana Juric, and Roderick J. Brodie. "Actor engagement valence." Journal of Service Management 29, no. 3 (2018): 491–516. http://dx.doi.org/10.1108/josm-08-2016-0235.

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Purpose Valence is one of the key dimensions underlying actor engagement, yet there is limited research to provide a comprehensive understanding of the concept. The purpose of this paper is to conceptualise engagement valence in actor networks and develop an agenda for future research. Design/methodology/approach The exploration of the psychological foundations of the concept of valence and a systematic literature review from a multiple database search contribute to four sets of propositions defining the domain of the concept of actor engagement valence. Findings The propositions posit that va

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Grehan, Helena. "Actors, Spectators, and “Vibrant” Objects: Kris Verdonck’s ACTOR #1." TDR/The Drama Review 59, no. 3 (2015): 132–39. http://dx.doi.org/10.1162/dram_a_00475.

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In contrast to much new media performance, Kris Verdonck’s ACTOR #1 does not attempt to accelerate time or to enhance the spectatorial experience by juxtaposing theatrical elements. Instead the work presents a three-phase meditation that strips back the tools and techniques of theatre to allow, or perhaps even compel, spectators to focus on a single element, to inhabit one state, or to consider a single idea at a time.

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Herrera, Brian Eugenio. "My Actor Alibi." Theatre Survey 57, no. 3 (2016): 409–11. http://dx.doi.org/10.1017/s0040557416000417.

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I study the history of actors, emphasizing the historical conditions of their working and creative lives amid the ever shifting cultural and performance conventions guiding which bodies are privileged in the telling of which stories. My research expeditions have routinely prompted me to follow a given actor from the stage, often to screens large and small and, just as frequently, to the ostensibly nontheatrical realms of politics, community organizing, or education. Sometimes these actors return to the theatrical stage, but not always. But I go where actors go, no matter the industry, enterpri

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Rajaravivarma, K. R., and Suresh Chandra Das. "THERUKUTHU AS A TRAINING METHOD FOR CONTEMPORARY THEATRE ACTOR." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (2022): 115–22. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.147.

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The contemporary acting in theatre has resembling in many features of the Tamil traditional theatre form Therukuthu. So, this discussion intended to establish the possibilities of the Therukuthu as a method of actor training for contemporary theatre actors. The primary concern of the discussion includes the actor and acting of contemporary theatre; the way how actor presents the character and communicates with the audience as co-actors, which are the two significant features of contemporary theatre. So, the discussion considers at those factors of Therukuthu form and acting or performance thos

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Aryanto, Dhami, Catur Nugroho, Roro Retno Wulan, Astri Wulandari, and Jasmine Alya Pramesthi. "Social Media and Social Movement in Indonesia; Communication Network on Twitter Regarding the Kanjuruhan Football Supporter Tragedy." SHS Web of Conferences 204 (2024): 01004. http://dx.doi.org/10.1051/shsconf/202420401004.

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This research focuses on the communication network analysis method that discusses the relationships in the communication network on the hashtag #PrayForKanjuruhan on Twitter (X) social media. This research aims to find out the communication network pattern, the role of actors in the network, and the main actors in the communication network on the hashtag #PrayForKanjuruhan for the period October 1 - November 30, 2022. This study uses a quantitative method with a descriptive communication network analysis approach. Researchers chose four main actors to disseminate information related to the key

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11

Garritz, Andoni. "¿Quién es el primer actor en el acto educativo?" Educación Química 1, no. 3 (2018): 102. http://dx.doi.org/10.22201/fq.18708404e.1990.3.66997.

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Yao, Lei, Dong Dong Xu, Jie Zhou, and Jing Lin Du. "A Self-Healing Connectivity Recovery Algorithm in Wireless Sensor-Actor Networks." Applied Mechanics and Materials 668-669 (October 2014): 1219–22. http://dx.doi.org/10.4028/www.scientific.net/amm.668-669.1219.

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Wireless sensor and actor networks (WSANs) additionally employ actor nodes within the wireless sensor network (WSN) which can process the sensed data and perform certain actions based on this collected data. In most applications, inter-actor coordination is required to provide the best response. One actor failure may lead to partitioning the inter-actor networks, tolerating the actor failure and restoring the lost connectivity need to be performed while imposing the least overhead on the individual actors autonomously. In this paper, we present a Self-healing Connectivity Recovery Algorithm (S

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13

McNeill, David. "Speech-gesture mimicry in performance: an actor → audience, author → actor, audience → actor triangle." Journal for Cultural Research 19, no. 1 (2014): 15–29. http://dx.doi.org/10.1080/14797585.2014.920184.

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Holstrom, Chris. "Moving Towards an Actor-Based Model for Subject Indexing." NASKO 7, no. 1 (2019): 120. http://dx.doi.org/10.7152/nasko.v7i1.15631.

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This paper presents a preliminary exploration of an actor-based model for subject indexing, which considers four types of actors: professional indexers, domain experts, casual indexers, and machine algorithms. The paper describes each of the four actors, enumerating differences in approach, training, methodology, priorities, and tools, as well as similarities and historical collaborations between actors. The paper then explores how the actor-based model for subject indexing might serve as a complement to existing models that focus on processes, methods, disciplinary norms, and cultural biases

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15

Lipkin, Michaela, and Kristina Heinonen. "Customer ecosystems: exploring how ecosystem actors shape customer experience." Journal of Services Marketing 36, no. 9 (2022): 1–17. http://dx.doi.org/10.1108/jsm-03-2021-0080.

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Purpose This study aims to characterize how ecosystem actors shape customer experience (CX). The study also proposes implications for managers and research regarding the customer ecosystem, its actors and actor constellations in the context of CXs. Design/methodology/approach A qualitative study is conducted among activity tracker users to identify how actors within their ecosystems shape CXs. Data include 28 in-depth interviews and ten self-reported diaries. Findings This study delineates six actor categories in the customer ecosystem shaping CX within and beyond the service. The number of ac

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16

Gonçalves, Duarte. "Understanding Actors in Complex Security Problems." International Journal of Strategic Decision Sciences 9, no. 2 (2018): 1–18. http://dx.doi.org/10.4018/ijsds.2018040101.

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This article arose while working on the rhino poaching problem in South Africa and having to deal with the large number of stakeholders and complexity. The purpose of actor modelling is to develop a deeper understanding of how stakeholders and threats contribute to the complex security problems. This article is the author's reflection on two different attempts at modelling actors in the rhino problem. A framework is developed and a number of issues are raised with respect to actor modelling: First, values and perspectives are driven by actor needs. The knowledge acquired by actors is determine

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17

Lucanu, Tudor. "One Conscience or More: Is the Actor more than one at a Time?" Studia Universitatis Babeş-Bolyai Dramatica 65, no. 2 (2020): 243–60. http://dx.doi.org/10.24193/subbdrama.2020.2.12.

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"This paper approaches an important theme in the study of actors work: the multiplication of the consciousness, from the perspective of the actor’s training correlated to psychology and neuroscience. We will refer to some of the best known works used in the training of the actor or which have as object of study the art of the actor, namely K. Stanislavsky - An Actor Prepares; Michael Chekhov - To the Actor: On the technique of acting, Lee Strasberg - Strasberg at the Actors Studio, Jerzy Grotowski - Towards a Poor Theatre, Bertolt Brecht - Brecht on Theatre, Denis Diderot - Paradox of the Acto

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Freytag, Per Vagn, and Kristian Philipsen. "Shaping business through and within networks: evolving from a traditional to a digital firm." Journal of Business & Industrial Marketing 34, no. 5 (2019): 1079–92. http://dx.doi.org/10.1108/jbim-10-2018-0302.

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Purpose Although individual and business actors are often mentioned as an important part of clarifying the stages that firms and their networks go through from starting up to becoming established, most studies have emphasised activities and resources rather than actors. Therefore, more needs to be known about how actors shape and are shaped through and within firms’ networks. Design/methodology/approach To clarify the process of reshaping business in networks, the focus of this study is on the role of actors in firms’ networks during the main stages of development. The major events for each st

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Liu, Lingjie, Marc Habermann, Viktor Rudnev, Kripasindhu Sarkar, Jiatao Gu, and Christian Theobalt. "Neural actor." ACM Transactions on Graphics 40, no. 6 (2021): 1–16. http://dx.doi.org/10.1145/3478513.3480528.

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We propose Neural Actor (NA), a new method for high-quality synthesis of humans from arbitrary viewpoints and under arbitrary controllable poses. Our method is developed upon recent neural scene representation and rendering works which learn representations of geometry and appearance from only 2D images. While existing works demonstrated compelling rendering of static scenes and playback of dynamic scenes, photo-realistic reconstruction and rendering of humans with neural implicit methods, in particular under user-controlled novel poses, is still difficult. To address this problem, we utilize

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de Roo, Gert, and Geoff Porter. "Actor Consulting." disP - The Planning Review 51, no. 2 (2015): 16–27. http://dx.doi.org/10.1080/02513625.2015.1064644.

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Rewa, Natalie. "Actor Training." Canadian Theatre Review 78 (March 1994): 3. http://dx.doi.org/10.3138/ctr.78.fm.

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Though Canadian actors, designers, playwrights and technicians are articulate about the programs that they have experienced, the discussion of theatre training by those who offer it is sporadic. The most comprehensive account of the theory and practice of theatre education in Canada is the 164-page Report of the Committee of Inquiry into Theatre Training in Canada which was commissioned by the Canada Council and its Advisory Arts Panel and published in 1978. A major implication of the study was that theatre training had to be more closely allied with practice if it was to be more effective. Wh

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Tompkins, Craig. "Actor-musicianship." Voice and Speech Review 11, no. 2 (2017): 253–56. http://dx.doi.org/10.1080/23268263.2017.1378469.

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Tennent, Hamish, Dylan Moore, and Wendy Ju. "Character Actor." Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies 1, no. 4 (2018): 1–23. http://dx.doi.org/10.1145/3161407.

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Weiss, Peter. "Vanishing Actor." Science News 170, no. 17 (2006): 261. http://dx.doi.org/10.2307/4017494.

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Hodge, Alison. "Actor Training." Studies in Theatre and Performance 20, no. 3 (2000): 184–87. http://dx.doi.org/10.1080/14682761.2000.10807037.

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Janssens, D., and G. Rozenberg. "Actor grammars." Mathematical Systems Theory 22, no. 1 (1989): 75–107. http://dx.doi.org/10.1007/bf02088293.

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Coelho, Oliverio. "Best Actor." World Literature Today 98, no. 3 (2024): 38–39. http://dx.doi.org/10.1353/wlt.2024.a925273.

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Chow, Broderick D. V. "An actor manages: actor training and managerial ideology." Theatre, Dance and Performance Training 5, no. 2 (2014): 131–43. http://dx.doi.org/10.1080/19443927.2014.908141.

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Marshall, Emma M., Jeffry A. Simpson, and W. Steven Rholes. "Personality, Communication, and Depressive Symptoms across the Transition to Parenthood: A Dyadic Longitudinal Investigation." European Journal of Personality 29, no. 2 (2015): 216–34. http://dx.doi.org/10.1002/per.1980.

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This study adopted a person (actor) by partner perspective to examine how actor personality traits, partner personality traits, and specific actor by partner personality trait interactions predict actor's depressive symptoms across the first 2 years of the transition to parenthood. Data were collected from a large sample of new parents (both partners in each couple) 6 weeks before the birth of their first child, and then at 6, 12, 18, and 24 months postpartum. The results revealed that higher actor neuroticism and lower partner agreeableness predicted higher levels of depressive symptoms in ac

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Lin, Zhongxuan, and Liu Yang. "Smartphones as actors: A new digital disability care actor-network in China." International Journal of Cultural Studies 24, no. 4 (2021): 673–88. http://dx.doi.org/10.1177/1367877920964475.

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Disability care is an understudied yet important phenomenon within the realm of caring media studies. It not only adds another identity-based lens for caring media studies but also proposes new questions at the intersection of media, disability and cultural studies. This study proposes a Chinese contextualized understanding of disability caring media, which may have broader implications in other contexts, even a global one. Mainly based on actor-network theory (ANT), this study looks at the smartphone as a new condition and a key actor in the emerging digital disability care actor-network to e

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Floyd, Jacob. "Negotiating Publicity and Persona: The Work of Native Actors in Studio Hollywood." American Indian Culture and Research Journal 42, no. 3 (2018): 119–35. http://dx.doi.org/10.17953/aicrj.42.3.floyd.

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The majority of scholarship regarding Native Americans and film has focused on the images of Native Americans as constructed by non-Native filmmakers, but how might we better understand the careers of Native people working as actors in studio Hollywood? I propose studying film publicity material to find traces of the labor and negotiations performed by Native actors as they constructed and maintained their personas. Examining both the construction of studio publicity and analyzing the content of publicity regarding Chief Many Treaties (Blackfeet actor William Hazlett), Chief Yowlachie (Yakama

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Li, Loic Pengtao, Biljana Juric, and Roderick J. Brodie. "Dynamic multi-actor engagement in networks: the case of United Breaks Guitars." Journal of Service Theory and Practice 27, no. 4 (2017): 738–60. http://dx.doi.org/10.1108/jstp-04-2016-0066.

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Purpose The purpose of this paper is to explore the dynamic process of multi-actor engagement by examining how it evolves and spreads in actor networks. The authors challenge the dyadic perspective adopted by previous research. Design/methodology/approach An abductive theorizing approach uses a longitudinal case study to develop a theoretical framework of the iterative process of multi-actor engagement. The authors draw on the contemporary literature on engagement, service-dominant logic and value propositions. Findings The research shows that engagement conditions, via actors’ appraisals, lea

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Krueger, Joachim, Jacob J. Ham, and Kirsten M. Linford. "Perceptions of Behavioral Consistency: Are People Aware of the Actor-Observer Effect?" Psychological Science 7, no. 5 (1996): 259–64. http://dx.doi.org/10.1111/j.1467-9280.1996.tb00371.x.

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Actors view behavior relevant for personality traits as more variable than observers do This study was designed to replicate this actor-observer effect (AOE) in a common-target paradigm, test whether actors, observers, or both are intuitively aware of the AOE, and examine the effects of social projection on people's awareness of the AOE Within each actor-observer pair, subjects described the actor on a series of trait adjectives and rated the consistency of relevant behavior They then predicted the other person's ratings The AOE emerged, and actors, but not observers, were aware of the effect

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Bahari, Nurun Najwa, Paul Expert, and Fatimah Abdul Razak. "An Analysis of Actors in Malay Films: Small Worlds, Centralities and Genre Diversity." Mathematics 11, no. 5 (2023): 1252. http://dx.doi.org/10.3390/math11051252.

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This article utilizes social network analysis in addition to a measure of genre diversity to quantify the quality and capacity of actors in the Malay language film industry. We built a dataset by collecting data from various websites pertaining to Malay films. The data consists of 180 Malay films released from 2015 until 2020. The actor network is then built by connecting actors co-starring in a movie together and is compared to small world networks. We quantified the quality of actors in the network using five measures: number of films (TFA), degree centrality (DC), strength centrality (SC),

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Abdullah, Fuad, and Lulita. "Social actors in an Intercultural Communication classroom: A discursive lens of intercultural education." Indonesian JELT: Indonesian Journal of English Language Teaching 13, no. 1 (2018): 31–51. http://dx.doi.org/10.25170/ijelt.v13i1.1449.

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This study focused on how teachers and students as the social actors in an Intercultural Communication (IC) classroom were represented discursively. A video recording transcript of IC classroom activities at a state University in Indonesia was selected as the data source. The data source was rigorously analysed through van Leeuwen’s Socio-semantic inventory of social actors framework (Van Leeuwen, 1996). The main findings show that social actors in IC classroom can be categorised into two main thematic representations, namely positive and negative ones. disclosed that Hamzah as the representat

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Adamopoulos, Arthur, Martin Dick, and Bill Davey. "Actor-Network Theory and the Online Investor." International Journal of Actor-Network Theory and Technological Innovation 4, no. 2 (2012): 25–31. http://dx.doi.org/10.4018/jantti.2012040103.

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An actor-network analysis of the way in which online investors use Internet-based services has revealed a phenomenon that is not commonly reported in actor-network theory research. An aspect of the research that emerged from interviews of a wide range of online investors is a peculiar effect of changes in non-human actors on the human actors. In this paper, the authors report on the particular case and postulate that this effect may be found, if looked for, in many other actor-network theory applications.

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Howe, Adam C., Mark C. J. Stoddart, and David B. Tindall. "Media Coverage and Perceived Policy Influence of Environmental Actors: Good Strategy or Pyrrhic Victory?" Politics and Governance 8, no. 2 (2020): 298–310. http://dx.doi.org/10.17645/pag.v8i2.2595.

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In this article we analyze how media coverage for environmental actors (individual environmental activists and environmental movement organizations) is associated with their perceived policy influence in Canadian climate change policy networks. We conceptualize media coverage as the total number of media mentions an actor received in Canada’s two main national newspapers—the <em>Globe and Mail</em> and <em>National Post</em>. We conceptualize perceived policy influence as the total number of times an actor was nominated by other actors in a policy network as being perce

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Hudaya, Rida, and Cucun Wida Nurhaeti. "Actor-Actor Coordination in Wireless Sensor Actor Network Using Row Index Data Access Matrix Technique." Journal of Physics: Conference Series 1175 (March 2019): 012086. http://dx.doi.org/10.1088/1742-6596/1175/1/012086.

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Hamka, Muh, Sakinah Nadir, and Haryanto. "POLITIK ANGGARAN DAN RELASI AKTOR DALAM PENYUSUNAN ANGGARAN PENDAPATAN BELANJA DAERAH." Jurnal Politik Profetik 10, no. 1 (2022): 79–98. http://dx.doi.org/10.24252/profetik.v10i1a5.

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The making of regional budgets involves several actors who have an interest in the Regional Revenue and Expenditure Budget (APBD). The relationship between each actor forms a structured and systematic network and arranges strategies to accommodate the interests of actors in the APBD. This article aims to explain how the relationship between actors and budget politics forms interests in the making of the APBD. The research method used is qualitative with a descriptive analysis type to describe the relationship of each actor by using actor-network theory and public policy. The results of the stu

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Dima, Sofia Maria, Christos Antonopoulos, and Stavros Koubias. "Resource Aware Sensor-to-Actor Allocation Framework for WSANs Based on Voronoi Cells Theory." Journal of Sensors 2017 (2017): 1–16. http://dx.doi.org/10.1155/2017/4523945.

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Wireless sensor and actor networks (WSANs) have emerged as a promising research field and have been applied in a wide variety of application domains due to their capability of environment monitoring, event data processing, and decision-making by aiming at performing appropriate actions interacting with the environment. Coordination mechanisms among nodes and actors are a critical research challenge pertaining to the optimum allocation of sensors to a particular actor. Although efforts related to the node-to-actor coordination problem have been presented in the current literature, there is a si

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Normand, Jean-Marie, Bernhard Spanlang, Franco Tecchia, Marcello Carrozzino, David Swapp, and Mel Slater. "Full Body Acting Rehearsal in a Networked Virtual Environment — A Case Study." Presence: Teleoperators and Virtual Environments 21, no. 2 (2012): 229–43. http://dx.doi.org/10.1162/pres_a_00089.

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In order to rehearse for a play or a scene from a movie, it is generally required that the actors are physically present at the same time in the same place. In this paper we present an example and experience of a full body motion shared virtual environment (SVE) for rehearsal. The system allows actors and directors to meet in an SVE in order to rehearse scenes for a play or a movie, that is, to perform some dialogue and blocking (positions, movements, and displacements of actors in the scene) rehearsal through a full body interactive virtual reality (VR) system. The system combines immersive V

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Zhou, Haiyang, and Xin Guan. "A Study of Huawei’s 5G Technology Innovation Ecosystem Based on Actor-Network Theory." Highlights in Business, Economics and Management 28 (April 9, 2024): 470–89. http://dx.doi.org/10.54097/eq0r9v76.

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The 5G technology enables a more comprehensive satisfaction of individuals' varied requirements by capitalizing on its improved information transmission efficiency and stronger signals. Investigating the innovative development of 5G technology contributes to enhancing network security and stability, thereby furthering enterprise digital transformation. This paper analyzes all 55 texts from the “News” section of Huawei’s official website’s 5G topic, which contain descriptions of Huawei's 5G innovation ecosystem. Building upon the actor-network theory, the study employs text coding to discern an

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Liu, Yi. "An integrated simulation system using fuzzy logic and network simulator 3 (ns-3) for actor node selection in wireless sensor and actor networks (WSANs): Performance evaluation considering different parameters." Journal of High Speed Networks 31, no. 1 (2025): 90–101. https://doi.org/10.1177/09266801241297291.

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The wireless sensor and actor networks (WSANs) are considered a fundamental technology for the Internet of Things (IoT). These networks comprise numerous sensor and actor nodes and are anticipated to be utilized in various sectors. In WSANs, actor nodes must be positioned and moved optimally to ensure an efficient communication network among the actor nodes, as well as connecting actor nodes with sensor and other actor nodes. This research focuses on the selection process of actor nodes within WSANs. The proposed system selects the optimal actor node by employing fuzzy logic (FL) and the netwo

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Tahalea, Sylvert Prian, and Azhari SN. "Central Actor Identification of Crime Group using Semantic Social Network Analysis." Indonesian Journal of Information Systems 2, no. 1 (2019): 24. http://dx.doi.org/10.24002/ijis.v2i1.2354.

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The Police as law enforcers who authorize in terms of social protection are expected to do both the prevention and investigation efforts also the settlement of criminal cases that occurred in the society. This research can help police to identify the main actor faster and leads to solving crime-cases. The use of overall centrality is very helpful in determining the main actors from other centrality measures. The purpose of this research is to identify the central actor of crimes done by several people. Semantic Social Network Analysis is used to perform central actor identification using five

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Sari, Klara Kumala, and Ali Hanafiah. "Power Communication Actors Cash Social Support Program for Impacted COVID-19 Citizen." Journal of Transformative Governance and Social Justice 1, no. 2 (2023): 92–102. http://dx.doi.org/10.26905/j-tragos.v1i2.10269.

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Government as an important body in the framework of governance. The government must pay attention to peace and public order, the demands and expectations as well as the opinions of the people, the needs and interests of the community, environmental influences, communication and coordination arrangements, the participation of all levels of society and the existence of legitimacy. This study aims to analyze actor relationships by analyzing aspects of social network analysis calculations such as actor popularity (degree), actor closeness to other actors (closeness), and which actor functions as a

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Soares, Selda. "Actor Taborda: o homem, o actor e a imagem." Sinais de cena, no. 1 (June 2004): 121–31. http://dx.doi.org/10.51427/cet.sdc.2004.0031.

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Espinosa, Micha. "The expressive actor, integrated voice, movement, and actor training." Voice and Speech Review 10, no. 1 (2016): 83–85. http://dx.doi.org/10.1080/23268263.2016.1228795.

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Wajid, Anees, Muhammad Mustafa Raziq, Omer Farooq Malik, Shahab Alam Malik, and Nabila Khurshid. "Value co-creation through actor embeddedness and actor engagement." Marketing Intelligence & Planning 37, no. 3 (2019): 271–83. http://dx.doi.org/10.1108/mip-07-2018-0241.

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Purpose It is argued that the service-dominant (S-D) view of the value co-creation concept is mainly of a macro nature and is difficult to examine empirically. In this regard, marketing research using the micro-foundation theory proposes some conceptual models, through which relationships (involving value co-creation) at a micro/meso level may be studied. The purpose of this paper is to add to such exchanges regarding value co-creation and conceptualize the link of embeddedness of an actor (in a service-ecosystem) to their engagement in the value co-creation process. Design/methodology/approac

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Krishnakumar, Sita S., and Randal T. Abler. "Intelligent actor mobility in wireless sensor and actor networks." Telecommunication Systems 40, no. 3-4 (2008): 141–49. http://dx.doi.org/10.1007/s11235-008-9135-8.

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Hingorani, Dominic. "Ethnicity and actor training: A British Asian actor prepares." South Asian Popular Culture 7, no. 3 (2009): 165–78. http://dx.doi.org/10.1080/14746680903125515.

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