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1

Stolow, Jeremy. "Aesthetics/Ascetics." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 2, no. 1 (2007): 5–28. http://dx.doi.org/10.1558/post.v2i1.5.

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This article focuses on the relationship of aesthetics and ascetics with regard to the publication and popular reception of Kosher By Design, a cookbook published by a major American Jewish Orthodox press, ArtScroll Publications. The article analyses the ideological, rhetorical, discursive, and iconographic modes of address embedded within this text, treating them as instances of popular religion, and also as elements of a project in and through which the Orthodox Jewish intellectuals associated with ArtScroll seek to assert new forms of religious authority, in the context of a broader culture
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Mahmud, Nazia B. "The Aesthetic Asceticism of the Mad." COMPASS 3, no. 1 (2023): 8–19. http://dx.doi.org/10.29173/comp68.

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The Bauls of Bangladesh, West Bengal, and other parts of India are a distinct ascetic sect that practices spirituality through songs, music, and poetry that were passed down orally from a teacher (Guru) to a disciple (Shirsha). Their ideology is a mix of yogic-tantric practices of Buddhist Sahajiya, Vaishnavism Sahajiya, and later Sufi thoughts. Bauls are often called a heretic sect because of their rejection of institutionalized religion, consumerism, society, and, for many Bauls, even marriage. Baul songs and spirituality emphasize the search for the connection between man and the Divine and
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Classen, Constance. "Aesthetics and Asceticism in Inca Religion." Anthropologica 32, no. 1 (1990): 101. http://dx.doi.org/10.2307/25605560.

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Царенок, Андрій Вікторович. "ЕСТЕТИЧНИЙ ПОТЕНЦІАЛ ВІЗАНТІЙСЬКОЇ АСКЕТИКИ". Філософські обрії, № 37 (14 червня 2017): 111–23. https://doi.org/10.5281/zenodo.808788.

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As the author of the article proves, the thorough exploration of the Byzantine ascetic doctrine makes possible understanding of its great philosophical and aesthetical potential and value. Trying to point out the aesthetical senses of the Byzantine ascetic theology, the scientists must take into consideration, first of all, the outstanding role of Christian theocentrism and monotheism (Trinitary monotheism) as the factors of the develop-ment of the corresponding aesthetical tradition. As a matter of fact, Christian aesthetics (philosophy of beauty) can be re-garded as the true theocentrical on
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Flow, Christian. "Football-Meister Say ‘Feel the Hype’: The Aesthetics of Asceticism." Erudition and the Republic of Letters 8, no. 2 (2023): 190–208. http://dx.doi.org/10.1163/24055069-08020004.

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Fetisenko, O. L. "Konstantin Leontiev: ascetism and aesthetics." Solov’evskie issledovaniya, no. 3 (September 30, 2024): 83–98. http://dx.doi.org/10.17588/2076-9210.2024.3.083-098.

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The article briefly presents the main features and principles of K.N. Leontiev’s worldview and philosophizing. The main subject of the study is the relationship between the categories of “asceticism” and “aestheticism” in his philosophy, journalism and artistic creativity. The differences between Leontiev and the traditional idea of a conservative thinker are pointed out. The author pays attention to his “pedagogical” methodology, which manifested itself in communication with his closest students, and suggests that the universalism of the idea of “new eastern culture” developed by Leontiev is
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Arabatzis, George. "La catégorie de l’éthicoesthétique dans l’étude de la philosophie byzantine." Peitho. Examina Antiqua 11, no. 1 (2020): 171–84. http://dx.doi.org/10.14746/pea.2020.1.7.

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The category of the Ethico-Aesthetics, introduced by Søren Kierkegaard, was applied to the study of Byzantine Philosophy by the Greek philoso­pher and theologian Nikolaos Matsoukas (1934–2006). Matsoukas vehe­mently rejected the identification of Byzantine philosophy with a strict Christian moralism. Rather, he viewed it as an ethos which did not lead the ascetics to display Manichean contempt for the body. It was thus a kind of ‘mild asceticism’. This ethical acceptance of the body turns against Neoplatonic speculation and cultivates the habitus that leads to artistic creativity. Byzantine ph
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Albery, Henry. "Pleasure and Fear: On the Uneasy Relation between Indic Buddhist Monasticism and Art." Religions 13, no. 12 (2022): 1223. http://dx.doi.org/10.3390/rel13121223.

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When monastics of the Indic North and Northwest around the turn of the Common Era made the decision to introduce art into monasteries, current cultural assumptions regarding the aesthetic experience of such objects, which were axiomatically negated by Buddhist ideology, led to certain confrontations in law and praxis and an attempt to resolve these within certain monastic legal codes (vinaya) redacted during this period. Tracing the historical relation between monasticism and art in this context, this paper focuses on two such uneasy relations. The first deals with an opposition between the wo
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Jun, Nathan. "Romantic Anarchism: Asceticism, Aestheticism, and Education." Literature Compass 13, no. 1 (2016): 34–43. http://dx.doi.org/10.1111/lic3.12289.

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Mikheeva, Julia V. "Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics." Journal of Flm Arts and Film Studies 11, no. 3 (2019): 116–27. http://dx.doi.org/10.17816/vgik113116-127.

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The philosophical and aesthetic ideas of phenomenology have been present in cinema theory since the silent period. Methods of phenomenological theory can be found in the analysis of the visual aspects of films or the artistic style of their authors. The essay analyses signs of phenomenological thinking in the audiovisual aspects of films - a little studied but significant area of directorial aesthetics. Its theoretical and methodological foundation includes the phenomenology of Edmund Husserl and elements of phenomenological aesthetics in the works of Maurice Merleau-Ponty and Roman Ingarden.
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Tsarenok, Andrii Viktorovych. "CRITICISM OF SPECTACLE AND ENTERTAINMENT CULTURE IN THE CONTEXT OF BYZANTINE AESTHETICS OF THE ASCETICISM." SOCIAL WORK ISSUES: PHILOSOPHY, PSYCHOLOGY, SOCIOLOGY, no. 1(9) (2017): 78–85. http://dx.doi.org/10.25140/2412-1185-2017-1(9)-78-85.

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Ding, Yang, Polina Zueva, Indre Grazuleviciute-Vileniske, Hanna Yablonska, and Marek Początko. "A traditional Japanese garden and its lessons for modern times." Landscape architecture and art 19, no. 19 (2021): 85–97. http://dx.doi.org/10.22616/j.landarchart.2021.19.08.

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The study focuses on the origins and characteristics of traditional Japanese landscape design and its features. A comparative analysis of historical Chinese and Japanese horticultural traditions is carried out, as a result of which it is proved that in both cases the basis was religious syncretism with regional characteristics. A comparative analysis of Chinese and Japanese gardens has shown how, over time, they drifted further and further from each other, the Chinese garden continued to improve its hedonistic orientation, while the Japanese garden followed the path of maximum asceticism, the
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Dorofeev, D. Yu. "Russian Elders: Aesthetics of Good-Imaged Beauty." Discourse 6, no. 4 (2020): 5–21. http://dx.doi.org/10.32603/2412-8562-2020-6-4-5-21.

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Introduction. The paper substantiates the application of aesthetic characteristics to the examination of the image of Russian elders. It is proposed to move away from the traditional understanding of aesthetics only as a philosophy of art and beauty and consider it as a knowledge of the unique expressiveness of the essence of a sensually perceived phenomenon. The position is put forward that the phenomenal image of a person is a consequence of his lifestyle, and the image of the Russian elders, given the special way of their existence, is characterized by its original aesthetics of good-imaged
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Purnomo, Antonius Rahmat Pujo. "Ideology and Solidarity: A Portrait of Japanese and Indonesian Intellectual Relations as Recorded in Jawa Kantei Yowa by Asano Akira." KIRYOKU 8, no. 2 (2024): 581–89. https://doi.org/10.14710/kiryoku.v8i2.581-589.

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This research aims to discover the relationship between Japanese and Indonesian intellectuals during the Japanese military occupation of Indonesia, as recorded by Asano Akira during his assignment in Indonesia in 1942. Serving as members of the Propaganda Division in Indonesia, these Japanese intellectuals had to recruit and collaborate with Indonesian intellectuals to further Japan's military objectives in the Greater East Asia War. The method used in this research is qualitative, employing textual analysis. The research reveals that Asano's interest in the ideas of Arthur Schopenhauer and Ok
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15

Richey, Jeffrey. "ASCETICS AND AESTHETICS IN THE ANALECTS." Numen 47, no. 2 (2000): 161–74. http://dx.doi.org/10.1163/156852700511487.

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AbstractThe ancient Confucian Analects (Lunyu) often has been interpreted as nothing more than the "pure" ethical teachings of a humanistic Chinese sage, "Confucius" (Kongzi or Kong Qiu). A careful and historically-sensitive interpretation of the Lunyu reveals that the text is capable of resisting this reading, providing clues to an altogether different Confucius - not the storied pedant who dispenses common-sense wisdom to office-seeking disciples, but a spiritual teacher who guides his pupils toward sagehood through a combination of ascetic and aesthetic disciplines. Key references in the te
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16

Pristovšek, Jovita. "Sublime, Race, Racialization: Formalisation, Necessity, Contingency." AM Journal of Art and Media Studies, no. 14 (October 15, 2017): 45. http://dx.doi.org/10.25038/am.v0i14.202.

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If we speak about the sublimity of financial markets nowadays, this is mostly because we can already gaze into the contemporary version of ruins of (ambiguous) crises of capitalism and crisis politics, that left behind themselves desolated (social) landscapes, in which the absence of the human and of labor (read: gazing into the posthuman and at the emancipation within nonhuman terrain) once again testifies to a kind of sublimity. And from the historical point of view the revitalization of the discourse of (Cassius Longinus) sublime is situated precisely into a genealogy of treatises drawing t
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Kotin, Andrey. "The Motif of Sinful Passion and Marital Infidelity in the Novels King, Queen, Knave and Camera Obscura by V. Nabokov." Проблемы исторической поэтики 19, no. 3 (2021): 255–75. http://dx.doi.org/10.15393/j9.art.2021.9322.

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The article examines the artistic depiction of vicious passion in Vladimir Nabokov’s Russian-language novels King, Queen, Knave and Camera Obscura. The purpose of this work is to describe the stylistic and narrative mechanisms used by Nabokov to examine the roots, development and final reign of the forbidden passion that enslaves a human soul. Contrary to the common stereotype of Nabokov as a predominantly “aesthetic” writer, the texts of his works reveal a profound moral dimension. Moreover, Nabokov’s approach to the concepts of sin and virtue, ethics and aesthetics often echoes, and sometime
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Sulaksono, Djoko, Tya Resta Fitriana, and Prima Veronika. "The Begawan Ciptaning scene in the Gagrag Ngayogyakarta puppet show: Representation to approach the self to the essence of the God." IBDA` : Jurnal Kajian Islam dan Budaya 21, no. 1 (2023): 1–16. http://dx.doi.org/10.24090/ibda.v21i1.6454.

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Puppet stories or shows are literary works that contain didactic moral problems and aesthetic elements. Puppet shows also contain extensive guidelines (piwulang), such as religious values, philosophy, ethics, and character education for human life. Furthermore, the puppet has noble values ​​as role models and illustrations of daily human life (pathet) and crucial to build character and national identity. This study aims to describe and elaborate on the philosophical meaning of the Purwa Puppet of Gagrag Ngayogyakarta style performance, especially the scene of Arjuna’s asceticism or Begawan Cip
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Neymeyr, Barbara. "Hedonisten-Ästhetik und Asketen-Moral im Spiegel Nietzsches: Thomas Manns Renaissance-Drama 'Fiorenza'." Jahrbuch der Deutschen Schillergesellschaft: Internationales Organ für Neuere Deutsche Literatur 2024, no. 68 (2025): 245–80. https://doi.org/10.46500/83535662-010.

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Der Aufsatz analysiert Thomas Manns Drama ›Fiorenza‹ erstmals umfassend als Schnittfeld philosophischer Diskurse: Vor dem Horizont der von ihm kritisierten Renaissancismus-Mode spiegelt ›Fiorenza‹ vor allem seine produktive Nietzsche-Rezeption, aber auch Schopenhauers Askese-Ideal und Platons Eros-Philosophie. Der Antagonismus zwischen Lorenzo de’ Medici und Girolamo Savonarola, in dem hedonistischer Ästhetizismus und asketischer Moralismus aufeinanderprallen, ist durch Konzepte Nietzsches und Schopenhauers geprägt. Vergleichende Analysen machen die philosophischen Subtexte als konstitutive St
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முனைவர், ச. குருஞானாம்பிகா /. Dr. S. Gurugnanambiga. "மணிமேகலை உணர்த்தும் இருதிறக் கோட்பாடுகள் / Twinfold Perceptive of Manimegalai". செங்காந்தள் / Chenkaantal Volume 2, Issue 2 (2023): 12–25. https://doi.org/10.5281/zenodo.7981537.

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<em>Humanity has been prioritized right from Sangam literature to today&#39;s Tamil literature. &ldquo;Manimegalai&rdquo;, one of the five great epic poems, underpins Buddhism and emphasizes education, asceticism, courage, utility, this life, the afterlife, government, and people, but it emphasizes humanity the most. &ldquo;Manimegalai&rdquo; is created with simplicity and aesthetics. It explains the love of other lives, alleviation of hunger, highlighting impermanence and maintaining public welfare without selfishness. Although the purpose of the book is to highlight Buddhist religious concep
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Tsarenok, Andrii. "The problem of isychia in the asceticism's byzantine aesthetics." Humanitarian vision 3, no. 1 (2017): 73–80. http://dx.doi.org/10.23939/shv2017.01.073.

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Rudi, Tatiana R. "On the Asceticism of Holy Fools (from the History of Hagiographic Topoi)." Slovene 4, no. 1 (2015): 456–73. http://dx.doi.org/10.31168/2305-6754.2015.4.1.27.

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The present research is based on material from Old Russian lives of holy fools: Isaacius of the Cave Monastery, Procopius and John of Ustyug, Basil the Blessed, John Bolshoy Kolpak (Big Cap), Simon of Yuryevets, John Vlasaty (the Hairy), Maximus of Totma, Procopius of Vyatka, John Samsonovich of Solvychegodsk, Artemius Tretyak, and others. The main ascetic motifs that determine this type of hagiographic texts are examined in the context of hagiographic topoi. Many ascetic motifs of the lives of holy fools, which is an element of the system of hagiographic topoi, demonstrate kinship with asceti
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Ghorbanian, M. Reza. "Aesthetic Subjectivation and Identity in Seamus Heaney’s “Station Island”." Estudios Irlandeses, no. 16 (March 17, 2021): 28–41. http://dx.doi.org/10.24162/ei2021-9968.

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Seamus Heaney’s “Station Island” occupies an important place in Heaney’s work as it is an allegory of self-creation and subjectivation. It introduces a subject whose attempts at discovering and creating the self and identity are challenged by the socio-political atmosphere of Northern Ireland. This study sheds a new light on the process of aesthetic subjectivation, tracing the development of the subject’s personal and artistic abilities. Informed by different views about the art of self-creation, from philosophy, asceticism and art, including the ideas of Foucault and Deleuze, it traces the ar
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Yates, Christopher. "Stations of the Self: Aesthetics and Ascetics in Foucault’s Conversion Narrative." Foucault Studies, no. 8 (February 1, 2010): 78. http://dx.doi.org/10.22439/fs.v0i8.2933.

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Based primarily on his 1981-1982 course, The Hermeneutics of the Subject, I contend that Michel Foucault’s robust treatment of ancient models for self-salvation answers his systematic problem of a lost spiritual art of living primarily through a sustained dichotomy between the Hellenistic-Roman and Christian models of conversion. In this way his intended recovery of an aesthetic-ascetic spiritual “resistance” is accomplished through a methodology of resistance. He relies on an accelerating arrangement of polarities between the aim and practice of immanent self-return and what he takes to be th
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Paper, Jordan. "Eremitism in China." Journal of Asian and African Studies 34, no. 1 (1999): 46–55. http://dx.doi.org/10.1163/156852199x00167.

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The ascetic-eremitic life typical of the elite spirituality of Buddhism and pre-Protestant Christianity was not a part of Chinese culture prior to the introduction of Buddhism, and it has been viewed askance from the standpoint of normative Chinese values to the present. On the other hand, an unusual non-ascetic eremitism has a history in China that precedes Buddhism. The equivalent of the eremitic life in China into the present, for the elite, of course, was to refuse to hold governmental office or to be forced into retirement. This was a lifestyle understood as a religious one often related
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Lee, Jihyeon, and Shinmi Park. "An Analysis on Aesthetic Characteristics of Medieval Dress Appearing in Azzedine Alaïa’s Works : Focusing on Asceticism and Causticism." Journal of the Korean Society of Costume 71, no. 6 (2021): 75–96. http://dx.doi.org/10.7233/jksc.2021.71.6.075.

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Arani, Hamidreza Mahboobi. "The Dragon on the Path and the Emerald of Love: A Nietzschean reading of Rūmī’s concept of love." Open Theology 8, no. 1 (2022): 391–409. http://dx.doi.org/10.1515/opth-2022-0215.

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Abstract Facing suffering and death, or what is known as human fragility, does not seem all that difficult and challenging in the presence of a morally responsible God or the primordial source of all existence. However, if our theodicy does not allow for the existence of such a God or primordial source, as in Ashʿarite theology or Schopenhauer’s philosophy, then the encounter with human fragility necessitates a more sophisticated explanation. Schopenhauer, by rejecting the loving Christian God, adopts the Buddhist solution to death which, he claims, has been maintained in Sufism. While recogni
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Mezhuyev, Boris V. "THE CREATIVE HISTORY OF THE “THE JUSTIFICATION OF THE GOOD” BY V.S. SOLOVYOV. ARTICLE TWO." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 4 (2024): 12–37. https://doi.org/10.28995/2073-6401-2024-4-12-37.

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The second part of the article continues the study the history of V. Soloviev’s writing a special work of the 1890s on moral philosophy. In the previous part of the article, it was established that the decision to write the work could have come to the philosopher in the summer of 1894, since before that time he intended to present to the public the chapters of his work on aesthetics. In the work, as well as in the accompanying literary and critical studies, the philosopher intended to prove that the artist should be guided in his work by a true idea of the ultimate meaning of being. The author
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Vinogradova, Valentina I., and Anton Ya Kozhurin. "Mystical-Ascetic Features of the Religious-Philosophical Worldview of Kirill of Turov." Bulletin of Liberal Arts University 12, no. 2 (2024): 190–95. https://doi.org/10.35853/vestnik.gu.2024.12-2.13.

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The article analyzes the development of the ancient Russian philosophy of sacrifice in the religious works of Kirill of Turov, reveals the influence of the ascetic direction in the Christian teachings of the theologian on soteriological and epistemological criteria. Personal issues were perceived by the ancient Russian scribe through the prism of the theological views of the Holy Fathers of the Church. In life-meaning concepts of the outstanding preacher the priority was spiritual unity with God, eternal life in the Kingdom of Heaven. According to the views of the ancient Russian thinker, a be
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POLONSKIY, VADIM. "GEOPOETICS OF THE ART NOUVEAU ERA: SOUTHERN ITALY THROUGH THE EYES OF RUSSIAN AUTHORS OF THE LATE 19TH - EARLY 20TH CENTURY." Lomonosov Journal of Philology, no. 3, 2023 (June 19, 2023): 89–106. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-3-8.

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The article dwells on the semantically integral system of Southern Italy Russian reception in the heyday of Belle époque. Its connection with the European context dating back to Goethe and purely national features are shown. Based on Berdyaev’s relevant texts, the imagological constants of the Silver Age ‘Russian Italy’ are reconstructed. Three different models of it are demonstrated, opposing the aesthetic line of Italy reflection in the mirrors of the arts, embodied by P.P. Muratov (Images of Italy, 1912): in the works of D.S. Merezhkovsky, M.A. Osorgin and I.A. Bunin. It is proved that they
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Sánchez-Ávila, Estébanez F. "Michel Foucault, el placer del otro y la estética de la existencia." Dorsal. Revista de Estudios Foucaultianos 2 (June 15, 2017): 81–109. https://doi.org/10.5281/zenodo.804691.

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<strong>Resumen: </strong>David Halperin defendió en su <em>Saint Foucault</em> que el modo de vida gay, paradigmáticamente representado por la subcultura S&amp;M de San Francisco, era ‘estructuralmente isomorfo’ a las <em>technê</em> <em>tou biou </em>grecorromanas.<em> </em>Partiendo de esta hipótesis, analizamos la noción foucaultiana de ‘ascesis homosexual’<em> </em>en las primeras interpretaciones de la ética como estética de la existencia (<em>esthétique de l’existence, aesthetics of existence</em>), y cuestionaremos ciertas lecturas superficiales señalando el cariz ‘ontologizante’ que t
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Kuiper, Yme B. "Tolstoyans on a Mountain: From New Practices of Asceticism to the Deconstruction of the Myths of Monte Verità." Journal of Religion in Europe 6, no. 4 (2013): 464–81. http://dx.doi.org/10.1163/18748929-00604007.

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The decades before the Great War were a period of exciting cultural creativity and great social upheaval. Both men and women cultivated a great range of interests in ethical, feminist, mystical, spiritualist and sexual ideas and practices. Max Weber referred to this diversity as a ‘department store for worldviews’. Recent historiography has dubbed this period ‘the age of nervousness’ or ‘the quest for purity’. New fascinations held many people in their thrall: the culture of the body and, more specifically, the Life Reform movement. Some felt inspired by their ethical hero Count Leo Tolstoy, t
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Khrenov, N. A. "On the Blank Spots in the History of Aesthetic Teachings: Did the Tradition of Epicureanism Influence Kant&#x27;s “Critique of Taste”?" Политическая концептология: журнал метадисциплинарных исследований, no. 4 (December 25, 2024): 115–32. https://doi.org/10.18522/2949-0707.2024.4.115132.

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The article is dedicated to the outstanding German philosopher of the 11th century Immanuel Kant and is dedicated to the 300th anniversary of his birth. It is based on a report read at the Round Table “Reception of I. Kant&amp;#x27;s cultural and philosophical ideas in humanitarian discourse”, organized within the framework of the jubilee International Congress “The World Concept of Philosophy” in 2024 in Kaliningrad. The assessment of the philosophy of Kant, who is one of the most famous leaders of world philosophy, depends on how the subject of philosophy is understood today. In other words,
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Rivero-Vadillo, Alejandro. "Greening Black Metal: The EcoGothic Aesthethics of Botanist’s Lyrics." Ecozon@: European Journal of Literature, Culture and Environment 13, no. 1 (2022): 106–24. http://dx.doi.org/10.37536/ecozona.2022.13.1.4515.

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Environmentalist Black Metal has been a liminal subject of academic ecocriticism during the last decade, but it has rarely been addressed from the perspective of ecoGothic studies. Environmental discourses in Black Metal have taken diverse ideological forms based on the time and place in which they were generated. In the United States, many bands have focused on exploring what Hunter Hunt-Hendrix calls “aesthethics,” an affirmative and nihilist sense of transcendentalism carried out through a certain sense of aesthetics, ascetics (spirituality), and ethics. US bands like Botanist have usually
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ȘERBAN, Oana. "Critical Notes - A USEFUL, HAPPY BENTHAM: WHO SAVED HIM FROM MILL? WHEN FREEDOM IS MORE THAN JUST A MATTER OF TASTE." Annals of the University of Bucharest, Philosophy Series 72, no. 1/2023 (2024): 131–47. http://dx.doi.org/10.62229/aubpslxxi/1_23/8.

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When it comes to Bentham, both pro- and anti-utilitarianists are profoundly challenged by the hedonist inheritance that has been deeply criticized, undermined, and somewhat overshadowed by the Millian perspective, which confined the presuppositions of a higher and clearer moral purism within the logical framework of satisfaction and happiness. Since the real test of Bentham’s philosophy lies in the requirements of asceticism, which are, at least at first glance, incompatible with hedonism, the major difficulty seems to be that of using both his moral writings and aesthetic considerations on pl
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Chepeleva, Natalia Yu. "Schopenhauer’s theory of ideas." Philosophy Journal 14, no. 2 (2021): 95–110. http://dx.doi.org/10.21146/2072-0726-2021-14-2-95-110.

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The article is devoted to the Arthur Schopenhauer’s contradictory doctrines of ideas. The analysis is accompanied by a discussion of historical and philosophical mysteries di­rectly related to Schopenhauer’s doctrines of ideas. His theory of ideas is explored in its ontological and aesthetic aspects as well as in its relation to Schopenhauer’s ethics. In the article, Schopenhauer’s definition of idea is analyzed in comparison with that of Plato and Kant. Despite the fact that Schopenhauer himself claimed that he understood the notion of idea in its true, Platonic sense, the article claims that
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Denning-Bolle, Sara J., Vincent L. Wimbush, and Richard Valantasis. "Asceticism." Journal of the American Oriental Society 117, no. 4 (1997): 694. http://dx.doi.org/10.2307/606453.

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Gross, Francis L., Vincent L. Wimbush, and Richard Valantasis. "Asceticism." Review of Religious Research 38, no. 2 (1996): 184. http://dx.doi.org/10.2307/3512345.

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Queen, Christopher, Vincent L. Wimbush, and Richard Valantasis. "Asceticism." Philosophy East and West 49, no. 1 (1999): 75. http://dx.doi.org/10.2307/1400118.

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McWhorter, Ladelle. "Asceticism/Askēsis." Selected Studies in Phenomenology and Existential Philosophy 17 (1992): 243–54. http://dx.doi.org/10.5840/sspep19921717.

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Bischoff, Christina Johanna. "Ultra mensuram tendere. Zur Maßlosigkeit mönchischer Askese (David von Augsburg, García Jiménez de Cisneros, Bernardino de Laredo)." Das Mittelalter 23, no. 1 (2018): 29–47. http://dx.doi.org/10.1515/mial-2018-0004.

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AbstractThe present contribution deals with excess in medieval and early modern monastic asceticism. It claims that excess, in this context, is not an individual option, but a general problem inherent to Christian asceticism. By giving priority to self-denial, this type of asceticism promotes a self-regulated, autonomous subjectivity which is clearly an unintentional by-product of the asceticism. Therefore individual asceticism oscillates between prohibited self-fashioning and, as a response, intensified self-denial. The problem is outlined in an introductory chapter about ‘De exterioris et in
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Jonveaux, Isabelle. "Ascetism: an endangered value? Mutations of ascetism in contemporary monasticism." Scripta Instituti Donneriani Aboensis 23 (January 1, 2011): 186–96. http://dx.doi.org/10.30674/scripta.67386.

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This article seeks to understand the shifts which are affecting monastic asceticism in modern society. Is monastic asceticism really changing and in which terms? Why has the place of the body in religious virtuosity changed? As religious virtuosity is based on ascetic practices, we cannot consider that monastic life nowadays has totally eschewed asceticism. So we have to understand the new sense given to this traditional religious practice. It seems that both asceticism and the place of the body in monastic life are changing. Rather than a decline of asceticism, it is more accurate to say that
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Taneja, Leena. "Sweet Asceticism: An Ethnographic Study of Female Renouncers in the Chaitanya Vaiṣṇava Tradition". Religions 13, № 3 (2022): 231. http://dx.doi.org/10.3390/rel13030231.

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This paper is based on an ethnographic study which aims to examine female asceticism in the Chaitanya Vaishnava sect, a Hindu devotional school found in the region of Vrindavan in Northwest India. Asceticism, meaning to renounce worldly life, is deeply rooted in Hindu practice. Yet, despite its wide acceptance, female asceticism has remained on the margins of Hindu religious experience. Despite the lack of a model of asceticism for women, scripturally and sociologically, female ascetics are a growing religious group in India. This paper seeks to use empirical data collected during two years of
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Flood, Gavin. "Tight and Loose Asceticism." Common Knowledge 31, no. 1 (2025): 59–73. https://doi.org/10.1215/0961754x-11580680.

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Abstract Asceticism has been integral to human communities for millennia and is an important trait that sets humans apart from other hominins. This introductory survey of “tight” and “loose” asceticism reflects on what is meant by asceticism and on its place in history. A tight or strong sense of asceticism as world- and body-denial entails disavowal of the cultural values of family, material prosperity, and community; but a weak, or loose, sense of asceticism is a necessary condition for the affirmation of cultural values conducive to conventional life and its extension into future generation
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Jensen, Hans Jørgen Lundager. "Maria Magdalena i Provence: Tribal og post-aksial askese." Religionsvidenskabeligt Tidsskrift, no. 64 (March 11, 2016): 96. http://dx.doi.org/10.7146/rt.v0i64.23330.

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The final episode in the legend of Mary Magdale according to Legenda aurea is an example of extreme asceticism in a ‘historic (post-axial) religion’. But the scenario with the saint in the ‘desert’ is built on mythical and ritual themes well-known from ‘tribal’ and ‘archaic’ religions. Axaial asceticism contains a previously unknown, universal ideal about a durative, lifelong asceticism; but this ideal both prolongs and inverts forms of asceticism that were well-known in earlier forms of religion.
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Ghafir, Moh Ali. "Islamisasi Asketisme Barat Perspektif Teori Ismail Raji Al-Faruqi." Journal of Economic and Islamic Research 2, no. 1 (2023): 137–54. http://dx.doi.org/10.62730/journalofeconomicandislamicresearch.v2i1.86.

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The practice of asceticism according to Antonius (250/356) was that monks lived alone in the desert to maintain silence so they could live closer to God. According to Antonius ascese is a way of total rejection of the work of the flesh and insisting on the work of the spirit. With ascese, a monk frees himself from worldly things that disturb the soul. Basilius considered ascese as a principle aspect. For him, asceticism is a medium to free the soul from worldly attachments and lead people to unity with God. In this article we will focus on the Islamization of knowledge according to Al Faruqi's
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Alena O., Zadorina. "And they All Ate and Were Satisfied: Review of the Book “Abundance and Asceticism in Russian Literature”." Humanitarian Vector 15, no. 5 (2020): 189–91. http://dx.doi.org/10.21209/1996-7853-2020-15-5-189-191.

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The review provides an overview of scientific works included in the collection of articles “Abundance and Asceticism in Russian Literature.” Based on the definitions of “asceticism” and “abundance” proposed by the authors, a parallel is drawn with the binary opposition “a lot – little”, the differences from it are shown according to the principle of procedurality. Considerable attention is paid to the central article of the collection, written by M. Epstein; such parameters as the choice of genre, innovation (classification of types of asceticism), and the verifiability of the hypothesis are a
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Bosgraaf, Emke. "Asceticism in Transition: Exploring the Concepts of Memory, Performance and Ambiguity in 20th Century Dutch Monastic Life." Numen 55, no. 5 (2008): 536–60. http://dx.doi.org/10.1163/156852708x338068.

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AbstractAsceticism is a topic of interest among a wide range of scholars. In the past two decades the corpus on asceticism has been growing steadily and contributions have been made from a variety of perspectives (for an overview see Wimbusch and Valantasis, Asceticism [1995]). In this article I will focus on the almost unknown history of asceticism in 20th century Dutch monastic life. This is a history that, especially after the 1950s, reflects a period of transition in which a radical erosion of asceticism occurred. In order to understand and explore asceticism in this specific period and co
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Lawlor, Leonard. "Asceticism and Sexuality." Philosophy Today 46, no. 9999 (2002): 92–101. http://dx.doi.org/10.5840/philtoday200246supplement11.

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Hagman, Patrik. "Asceticism and Empire." Studia Theologica - Nordic Journal of Theology 65, no. 1 (2011): 39–53. http://dx.doi.org/10.1080/0039338x.2011.578366.

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