Gotowe bibliografie tematyczne / Alleluja

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Gotowa bibliografia na temat „Alleluja”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Alleluja"

Otten, Jürgen. "ALLELUJA!" Opernwelt 66, no. 1 (2025): 24–26. https://doi.org/10.5771/0030-3690-2025-1-024-1.

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Rubinkiewicz, Ryszard. "Liturgia uobecnieniem zwycięstwa Boga nad mocami zła." Verbum Vitae 2 (December 14, 2002): 296–99. http://dx.doi.org/10.31743/vv.1335.

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Jones, Michael E. "The Historicity of the Alleluja Victory." Albion 18, no. 3 (1986): 363–73. http://dx.doi.org/10.2307/4049979.

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The subject of this paper is a celebrated incident in Constantius' Life of St. Germanus. The work is a near contemporary piece, evidently drawing on eye witness accounts. It was composed in Gaul about 480 A.D. Constantius provides several interesting and possibly historical details concerning conditions in Britain during the transition from Celtic independence to Saxon dominance. St. Germanus visited Britain in 429 to combat the Pelagian heresy. While there, according to Constantius, he led the Britons in a military victory over invading Picts and Saxons, the Alleluja Victory. He thereafter pa

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Pfisterer, Andreas. "Christopher Schmidt: Ars Jubilandi. Wandlung und Verwandlung im einstimmigen Alleluja." Die Musikforschung 62, no. 4 (2025): 385–86. https://doi.org/10.52412/mf.2009.h4.4318.

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HUGHES, DAVID G. "The paschal alleluia in medieval France." Plainsong and Medieval Music 14, no. 1 (2005): 11–57. http://dx.doi.org/10.1017/s0961137105000197.

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The alleluia was the last proper chant of the Mass to be standardized. Through the twelfth century and beyond, different churches assigned different alleluias to the same Masses, and the composition of new alleluia chants flourished throughout the latter Middle Ages. The Masses from Easter to the octave of Pentecost witness this. A collation of ca. 200 manuscripts demonstrates that identical series of chants are to be found only in sources emanating from the same church (or churches in the same city). Most of the alleluia chants from the eleventh century onward have New Testament or non-script

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Nowak, Jacek. "Archetyp liturgii słowa w liturgii synagogalnej." Ruch Biblijny i Liturgiczny 71, no. 1 (2018): 25. http://dx.doi.org/10.21906/rbl.3608.

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Genezy chrześcijańskiej liturgii słowa należy upatrywać w Biblii, ponieważ z niej wywodzi się liturgia synagogalna. Artykuł jest podzielony na trzy części: (1) Liturgia słowa, (2) Aklamacje, (3) Ambona. Pokazane są zestawy czytań w zależności od święta, a także zachowania lektorów i wiernych. Największe znaczenia miała Tora. Mniejsze znaczenie miało czytanie proroków. Do istotnych momentów liturgii słowa należy w synagodze także homilia i śpiew psalmów. Zgromadzenie kończyło się udzieleniem błogosławieństwa. Liturgia chrześcijańska przyjęła również aklamacje: Amen i Alleluja. W synagodze znajd

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Wodzianowska, Irena, and Ewa Ziółek. "„…Kiedy biją dzwony niebieskie na Alleluja”. Apoteoza męczeństwa ks. prałata Konstantego Budkiewicza na obrazie Władysława Barwickiego." Roczniki Humanistyczne 72, no. 4 (2024): 215–60. http://dx.doi.org/10.18290/rh24724-7.

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Pokazowy proces abpa Jana Cieplaka i 14 księży, który miał miejsce w marcu 1923 r. w Moskwie, odbił się szerokim echem w Polsce i na całym świecie. W wyniku wyroku zapadłego na tym procesie został rozstrzelany ks. prałat Konstanty Budkiewicz. Opinia publiczna uznała go za męczennika bolszewizmu, co skutkowało licznymi upamiętnieniami jego osoby. Jednym z takich upamiętnień był obraz lubelskiego malarza Władysława Barwickiego. Jest to wielowarstwowa alegoria męczeństwa księdza oraz duchowieństwa katolickiego i prawosławnego w bolszewickiej Rosji. Jest to też alegoria zderzenia cywilizacji łaciń

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Towarek, Piot. "Messe Kompositionen zu Ehren der Hailigen Anna. Umriss der Problematik." Roczniki Humanistyczne 69, no. 12 (2021): 183–96. http://dx.doi.org/10.18290/rh216912-12.

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Die Verehrung der heiligen Anna, die sich im Westen seit dem 14. Jahrhundert entwickelt hat, ist mit liturgischen Werken, einschließlich musikalischer Kompositionen, verbunden. Dazu gehören die Messeproprien: Alleluja-Akklamationen mit Strophen, Sequenzen, und vor allem zahlreiche Motetten (Festa, Senfl, Mouton, de Mantua, Lhéritrier, di Lasso, Charpentier). Der vorliegende Artikel konzentriert sich jedoch nur auf ausgewählte Messen als Musikformen, die mit dem Namen der heiligen Großmutter Jesu verbunden sind. Diese Sammlung umfasst Kompositionen von Künstlern wie Pierre de la Rue, Marcin Mie

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Chmielewski, Marek T. "Od Angoli do Zairu. Życie konsekrowane na pielgrzymich szlakach Jana Pawła II, red. Kazimierz Wojtowicz CR, Wydawnictwo Zmartwychwstańców „Alleluja”, Kraków 2004." Seminare. Poszukiwania naukowe 23 (June 30, 2006): 494–96. http://dx.doi.org/10.21852/sem.2006.23.46.

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Hughes, David G. "The alleluias Dies sanctificatus and Vidimus stellam as examples of late chant transmission." Plainsong and Medieval Music 7, no. 2 (1998): 101–28. http://dx.doi.org/10.1017/s0961137100001480.

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It is well known that the two alleluias cited in the title are textings of the same tune – indeed they are only two of many textings of that tune. Along with the alleluia Video celos, these two were sung over a rather short space of time in the liturgical year: on the feasts of Christmas, St Stephen's and Epiphany. It happens that for another purpose, involving the transmission of chant in later manuscripts, I have collated the alleluia Dies sanctificatus and alleluia Vidimus stellam in over a hundred manuscripts, most of them late French sources. The choice of these manuscripts rather than ot

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Rozprawy doktorskie na temat "Alleluja"

Cieminski, Theresa. "A Wedding Ceremony: Processional, Kyrie, Alleluia!, Hosanna!, Recessional." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc279062/.

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A Wedding Ceremony is a composition of approximately 17 minutes in duration and is scored for horn in F, two trumpets in B-flat, trombone, two percussionists (timpani, roto toms, chimes, snare, triangle, suspended cymbal), 2-part boys choir, female soprano, and organ. The work consists of five parts of a mass, the Processional, Kyrie, Alleluia!, Hosanna!, and Recessional, with texted sections being taken from the Latin mass. The work is intended for a sacred wedding service of any denomination. The work was composed with the traditional aspects of the Latin mass in combination with a contempor

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Wilton, Peter John Stuart. "The transmission of the Alleluia prosula : stability, variation and change." Thesis, Royal Holloway, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325480.

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Miller, J. Scott. "A tearful alleluia the funeral as lament and witness to the resurrection /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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Brooks, Jeremy. "Weeping at the grave, we make our song : Alleluia : lament and thanksgiving in Church of England funerals." Thesis, King's College London (University of London), 2013. https://kclpure.kcl.ac.uk/portal/en/theses/weeping-at-the-grave-we-make-our-song(bf12af74-22b4-4208-83bf-3bffa0db2272).html.

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The thesis considers the changing nature of funerals carried in England over the last twenty years and a possible response by Church of England ministers. Those changes are outlined in terms of the changes in venue of funerals, the changes in content and the changes in officials conducting funerals. As a theological basis for a response, the thesis examines the work of Hans Urs von Balthasar, and in particular his book Mysterium Paschale. Balthasar considers each of the three days of Easter in turn, finding particular power and importance in Holy Saturday. It is this weight that he gives to th

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Alleluia, I. B. /de [Verfasser]. "Festkoerperchemische Untersuchungen zum System Uranoxid-Dysprosiumoxid und ueber Silikate der dreiwertigen Transurane (Pu,Am,Cm) / I. B. de Alleluia." Karlsruhe : KIT-Bibliothek, 2011. http://d-nb.info/1189178397/34.

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TROMBELLI, Leonardo. "Suscettibilità Genetica alla Parodontite Aggressiva: Analisi di Polimorfismi in Geni Candidati." Doctoral thesis, Università degli studi di Ferrara, 2009. http://hdl.handle.net/11392/2389152.

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BACKGROUND & RATIONALE Aggressive Periodontitis (AgP) is a complex multifactorial periodontal disease where genetic and environmental factors are thought to play a paramount pathogenic role. Patients with AgP are characterized by a rapid and severe periodontal destruction in mainly younger individuals. While putative perio-pathogenic bacteria constitute the primary extrinsic agent in the etiology of AgP, the risk of developing periodontal disease is not the same for all individuals, suggesting that host factors, potentially related to the genetic make-up, are involved in determining

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Hutcheon, Robert Alan. "From lamentation to alleluia: An interpretation of the theology of the present-day Byzantine-rite funeral service analyzed through its practical relationship to bereaved persons." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/29117.

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The dissertation's Chapter One focuses on the 'shape' of the Byzantine-rite Funeral Service for Lay-persons (= BF), an ordo whose contents (presented in Greek text with parallel English translation in Appendix I) were effectively canonized by the advent of printed euchologies in the sixteenth century. Amongst western communities of Byzantine-rite Christians (as indeed, increasingly, in Byzantine-rite homelands), this 'traditional' ordo is often abbreviated by the omission or condensation of much of its psalmody and hymnography. Chapter Two prepares for my intended interpretation and analysis

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Cunningham-Fleming, Jeryl Lee. "“WE SANG ALLELUIA, PRAISE THE LORD!”: AFRICAN-AMERICAN IDENTITY AND THE USE AND RECEPTION OF MUSIC WITHIN A SEVENTH-DAY ADVENTIST CHURCH IN NEW YORK CITY, 1970 – 2010." UKnowledge, 2013. http://uknowledge.uky.edu/music_etds/15.

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The Ephesus Seventh-day Church, one of the first Black SDA churches that were formed in the New York City area during the late 1920s and early 1930s, is one church that has been faced with the challenge of maintaining traditional repertoire and musical practices, while including more popular genres and styles that lay outside the SDA guidelines. Located in Central Harlem, Ephesus is surrounded by the cultural and historical influences within the Harlem community. The Ephesus Church, based on extant hymnals and the recollections of church members, continued in the Euro-centric musical tradition

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Motta, B. M. "UNA VARIANTE ALLELICA NEL LOCUS DEL GENE DEP DOMAIN CONTAINING 5 (DEPDC5) SI ASSOCIA AD AVANZATA FIBROSI IN SOGGETTI CON INFEZIONE CRONICA DA HCV." Doctoral thesis, Università degli Studi di Milano, 2014. http://hdl.handle.net/2434/233993.

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BACKGROUND E SCOPO L’epatocarcinoma (HCC) rappresenta la terza causa di mortalità per tumore. Il principale fattore di rischio è determinato dalla presenza di malattia epatica avanzata, in particolare legata ad infezioni virali croniche, tra cui HCV predomina nel bacino mediterraneo. Esistono forti differenze di suscettibilità individuale legata a fattori genetici. Due studi di associazione genome-wide (GWAS) hanno identificato un’associazione tra i geni DEP domain containing 5 (DEPDC5) e MHC class I polypeptide-related sequence A (MICA) e il epatocarcinoma (HCC) in soggetti asiatici con i

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Lu, Ying-Hui, and 盧盈慧. "A Research on Modern Choral Music in Alleluia." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/51628023859973371980.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>103<br>The purpose of this paper is to study the musical content of 「Alleluia」 in a choir setting. The first chapter is an introduction showing the scope of research and purposes of the song. Discussing the origins of the Catholic mass ceremony followed by the development and exploration of the song's ceremonial status as well as its meaning. Through representation during different periods and composers: Palesitelina in the Renaissance era, the Baroque period as classical via Wolfgang Amadeus Mozart and Handel. Also understanding their life, the religious works and c

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Książki na temat "Alleluja"

Chimirri, Giovanna Finocchiaro. Alleluja per Turoldo. C.U.E.C.M., 1992.

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Anton, Stingl. Alleluia, dulce carmen: Aspekte des gregorianischen Alleluia. EOS Editions, 2018.

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Nowak, Jerzy Robert. Alleluja i pod prąd: Świadectwa o Radiu Maryja. Wydawn. "MaRoN", 2009.

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Nowak, Jerzy Robert. Alleluja i pod prąd: Świadectwa o Radiu Maryja. Wydawn. "MaRoN", 2009.

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Kazel, Dorothy Chapon. Alleluia woman. Resource Publications, 1989.

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1926-, Sastre Robert Codjo, ed. Amen, alleluia! Impr. Notre-Dame, 1997.

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Kazel, Dorothy Chapon. Alleluia woman. Chapel Publications, 1987.

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Christian, Mary Blount. Gory alleluia. Contemporary Books, 1998.

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Joel, Snyder, ed. An Easter alleluia. Concordia Pub. House, 2003.

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Morel, François. Alleluias. Doberman-Yppan, 2008.

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Części książek na temat "Alleluja"

Ferro, Maria Chiara. "Una prassi liturgica controversa nella Russia del Cinquecento: il «Breve discorso» sull’alleluia di Massimo il Greco." In Europe in between. Histories, cultures and languages from Central Europe to the Eurasian Steppes. Firenze University Press, 2024. https://doi.org/10.36253/979-12-215-0646-4.16.

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This article focuses on a particular controversy that swept through Eastern Slavic Christianity between the 16th and 18th centuries: the so-called “alleluia dispute” (spor ob allilue), i.e. the problem of the performance of the hymn with the triple or double repetition of the Hebrew term ‘alleluia’ before the verse ‘Glory to you, O Lord’. In this debate, one of the contributing voices was that of Maximus the Greek. This study presents and analyzes his short discourse to those who dared to say “alleluia” three times (Slovco k’’ smějuščim’’ triždy glagolati «alliluia» črez predania cerkovnago, a

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Iversen, Gunilla. "Psallite regi nostro, psallite: Singing ‘Alleluia’ in Ninth-Century Poetry." In Sapientia et eloquentia. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.disput-eb.3.459.

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Cooper, Daniel G. "Alleluia and the Akawaio: The Spiritual Geography of a Highland Revitalization Movement." In The Latin American Studies Book Series. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-29153-2_10.

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Troelsgård, Christian. "Hail, Bride Without Bridegroom! Alleluia!: The Akathistos Refrains in Simple Chant and Artful Composition." In New Approaches to Byzantine History and Culture. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-62788-0_3.

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Courtray, Régis. "Les Pères latins face aux mots hébreux et araméens non traduits : alleluia, amen, hosanna, maranatha." In Instrumenta Patristica et Mediaevalia. Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.ipm-eb.5.114523.

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Jones, Michael Ε. "The Historicity of the Alleluja Victory." In Warfare in the Dark Ages. Routledge, 2017. http://dx.doi.org/10.4324/9781315234311-11.

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Hiley, David. "Post-Pentecost Alleluias in Medieval British Liturgies." In Music in the Medieval English Liturgy. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780193161252.003.0006.

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Abstract It may well have been Walter Howard Frere who first pointed out how useful post-Pentecost alleluias were in determining the derivation of a missal or gradual. At least, I am aware of no earlier reference. In the introduction to Graduate Sarisburiense he wrote: ‘ a synoptic table of Alleluias is by far the best test by which to discriminate between varying uses ’.Frere himself never followed through this recommendation with any systematic published survey of alleluia series. Nor did his colleague John Wickham Legg in the extensive commentary for his edition of the ‘Lytlington Missal ’

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Rosie, Martin. "Wyobcowanie i rezonans. Wyprawy Teatru Węgajty z perspektywy uczestnika." In Polyphony. The Story of the Węgajty Theatre’s Creative Work. Institute of Art Polish Academy of Science, 2023. http://dx.doi.org/10.36744/9788366519657.11.

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The article puts together the personal experience of participation in the Węgajty expeditions with the critical theory of late-modern temporality formulated by Hartmut Rosa, a German sociologist. Drawing not only from contemporary sociology but also from philosophy, especially hermeneutics and phenomenology, Rosa seeks answers to questions concerning the condition of the modern subject and their experience of time; the questions posed also through the Węgajty Theatre’s endeavours. Can a slowdown become an antidote to the madness of civilizational acceleration? Can being in the “here-and-now” w

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Nardini, Luisa. "Prosulas for Alleluia and Offertories." In Chants, Hypertext, and Prosulas. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197514139.003.0005.

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Alleluia and offertory prosulas are the most numerous (about a hundred, 80% of which are alleluias) in all European manuscripts. They exploit the freely flowing, but at times carefully balanced, contours of the parent chants, so that the structure of the new text often reflects the phrasal structure of melodies. These prosulas also employ textual assonances for which the position of vowels in the prosula often coincides to that of the parent chant. In local sources some of these prosulas display the use of the Latin cursus, which opens a new perspective on the understanding of melodic cadences

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"Front Matter." In Alleluia! 1517 Media, 2020. http://dx.doi.org/10.2307/j.ctvzcz47t.1.

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