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Gotowe bibliografie tematyczne / American Apparel (Firm)

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Gotowa bibliografia na temat „American Apparel (Firm)”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "American Apparel (Firm)"

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Idacavage, Sara, and Jeanne Swadosh. "Case study on cataloguing fashion adaptations." Art Libraries Journal 42, no. 1 (2016): 35–40. http://dx.doi.org/10.1017/alj.2016.45.

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The Herbert Sondheim, Inc. scrapbooks in the New School Archives and Special Collections document the activities of a notable early to mid-20th-century New York-based manufacturer of ready-to-wear women's fashions. A precursor to the contemporary fast fashion industry, Sondheim's employees sketched and kept detailed notes on materials and construction of garments produced by Parisian designers, which the firm then adapted into more affordable and easily obtainable apparel for American consumers. A retrospective visual materials cataloguing project resulting from a graduate student's interest i

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MINCHIN, TIMOTHY J. "The Crompton Closing: Imports and the Decline of America's Oldest Textile Company." Journal of American Studies 47, no. 1 (2012): 231–60. http://dx.doi.org/10.1017/s0021875812000709.

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This article explores the demise of the Crompton Company, which filed for bankruptcy in October 1984, causing 2,450 workers in five states to lose their jobs. Crompton was founded in 1807 in Providence, Rhode Island and when it went out of business it was the oldest textile firm in the country, having been in continuous operation for 178 years. Despite its history, scholars have overlooked Crompton, partly because most work on deindustrialization has concentrated on heavy manufacturing industries, especially steel and automobiles. I argue that Crompton's demise throws much light on the broader

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Suárez Pardo, Dante, Jairo Campuzano Hoyos, and Orlando E. Contreras Pacheco. "Crisis Lawyering: Navigating Reputation Challenges in Corporate Management." Novum Jus 19, no. 1 (2025): 207–36. https://doi.org/10.14718/novumjus.2025.19.1.8.

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In the realm of corporate crisis management, the interdependence between safeguarding public opinion and legal fortification stands as a fundamental yet often neglected nexus. This paper addresses this phenomenon, accentuating the exigency for legal professionals to embrace a multifaceted skill set beyond traditional legal domains. The Fabricato case, a once highly reputed Colombian textile company, unfolds as a compelling exemplar, delineating the intricate interplay between legal acumen and crisis management crucial for corporate reputation preservation. Fabricato’s precipitous descent from

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Urban-Mead, Wendy. "Negotiating 'Plainness' and Gender: Dancing and Apparel at Christian Weddings in Matabeleland, Zimbabwe, 1913-1944." Journal of Religion in Africa 38, no. 2 (2008): 209–46. http://dx.doi.org/10.1163/157006608x289684.

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AbstractThis article analyzes the phenomena of dancing and wedding apparel in weddings of rural members of an unusual Protestant denomination of Anabaptist origins in Matabeleland, colonial Zimbabwe. The focus is on gendered aspects of African Christian adaptation of mission teaching amongst Ndebele members of the Brethren in Christ Church. The church in North America was firm at home on the matter of dancing (it was forbidden), and internally conflicted regarding men's garb. In the decades preceding World War II, African members of the church embraced fashionable dress for grooms and dancing

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Frischtak, Claudio. "Multinational Firms' Responses to Integration of Latin American Markets." Business and Politics 6, no. 1 (2004): 1–37. http://dx.doi.org/10.2202/1469-3569.1081.

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This paper discusses how MNCs reacted to NAFTA and MERCOSUR in terms of their investment and operations patterns in three sectors - automotive, electronics, and apparel - and assesses the likely impact of the upcoming Free Trade Agreement of the Americas (FTAA). It shows that NAFTA functioned – at least in its first years - as an investment relocation engine, while MNCs' reaction to MERCOSUR was significant only in the automotive sector. The emergence of China and other Asian economies, with their low cost and vast markets, and the progressive enlargement in the scope of MNCs operations, seem

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Michaud, Marie-Christine. "Nuovomondo, Ellis Island, and Italian Immigrants: A New Appraisal by Emanuele Crialese." Quaderni d'italianistica 38, no. 1 (2018): 37–60. http://dx.doi.org/10.33137/q.i..v38i1.31140.

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Ellis Island remains in the American collective consciousness a centre of immigration where thousands of Europeans who expected to enter the United States between 1892 and 1954, went through. As such, Ellis Island was a symbolic bridge between the Old World and the New. It is the vision of this bridge, or rather a no man’s land between the two worlds that Emanuele Crialese wants to give of Ellis Island in his movie Nuovomondo (Golden Door in the international version). It deals with the journey to America of a Sicilian family at the beginning of the 20th century. It is divided into three parts

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Downey, Lynn. "Blue Denim by the Bay: The Levi Strauss & Co. Archives." Costume 43, no. 1 (2009): 150–65. http://dx.doi.org/10.1179/174963009x419782.

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The designer Bill Blass once famously stated that Levi's jeans are 'the best single item of apparel ever designed'. He may not have known, however, that his couture firm and Levi Strauss & Co. were two of only a handful of clothing companies to have formal archives programmes in place in the United States of America as the millennium approached. Established in 1989, the Levi Strauss & Co. Archives is now the benchmark for other denim and apparel companies who have recognized the usefulness of heritage in clothing design and marketing, among other business applications. This article sur

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Ferriter, Courtney D. "The Uses of Race and Religion: James Baldwin’s Pragmatist Politics in The Fire Next Time." James Baldwin Review 2, no. 1 (2016): 126–39. http://dx.doi.org/10.7227/jbr.2.7.

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In The Fire Next Time, James Baldwin argues that the American dream is far from being a reality in part because there is much Americans do not wish to know about themselves. Given the current political climate in the United States, this idea seems just as timely as it did in the 1960s. Baldwin’s politics and thinking about race and religion are informed by an optimistic belief in the human capacity to love and change for the better, in contrast with Ta-Nehisi Coates, the heir apparent to Baldwin’s legacy. Considering current events, it seems particularly useful to turn back to The Fire Next Ti

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Frutos-Bencze, Dina. "Country and Firm Level Environmental Sustainability in Latin America and the MENA Region." Cyrus Global Business Perspectives 6, no. 1 (2021): 9–30. http://dx.doi.org/10.52212/cgbp2021-v6i1m1.

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The paper examines and describes country and firm level trends as related to environmental sustainability in selected Latin American, Middle East & North Africa (MENA) countries. Composite indexes such as the Human Development Index, the Ecological Footprint Index and Biocapacity ratios provide a snapshot of a country’s environmental sustainability level over time. Firm level sustainability is based on a qualitative analysis of companies using the Global Reporting Initiative (GRI) framework and UN Global Compact participation. At the national level, all the selected countries, except Argen

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許炳華, 許炳華. "時尚設計著作權可分離性論戰──以美國Star Athletica案為核心". 中正財經法學 18, № 18 (2019): 215–81. http://dx.doi.org/10.53106/207873752019010018004.

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美國著作權法之概念上分離自1954年起即引發時尚業及司法實務之混亂，在著作權法之範疇，將美感與實用放在一起總是引發違和之感覺，實用性物品之可著作性為今日著作權法最艱難的爭議之一，「可分離性」原則即被用以處理上開疑難，然而該等原則描述容易，適用卻是困難，而多種現存之概念上分離的標準，使得著作權對於實用性物品之保護成為著作權法中最困難之領域，單一之標準容或降低司法實務間之緊張關係，而得以提供穩定之先例及可預測之結果。美國聯邦最高法院在最近之Star Athletica, L. L. C. v. Varsity Brands, Inc.案即被認為有釐清上開難題之機會，Star Athletica案提出可分離性之新途徑，著作權法並未定義可分離性，Star Athletica案可謂司法意欲填補該等模糊空間最新之嘗試，然而仍被批評所提出之標準缺乏明確性及清晰之指引，多數意見僅僅對法條加以釋義，且對於功能性之理論視若無睹。不過，Star Athletica案亦被認為對於時尚及配件產業，可謂恩賜，如果寬鬆地適用Star Athletica案最高法院所提出之新標準，有可能具備藝術特徵之實用性物品獲得著作權保護之機會將大增。 Conceptual separability in U. S. copyright law has been causing confusion in the fashion

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Rozprawy doktorskie na temat "American Apparel (Firm)"

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Semones, Marianne Rutledge. "Made in Vietnam American apparel and textile firms' operations in Vietnam /." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1126294341.

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Książki na temat "American Apparel (Firm)"

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Williams, Amie S. No sweat. Bal-Maiden Films, 2006.

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Werfel, Andreas. Composition Notebook: Shovelhead the Movie - American Apparel Fan Film Movie Notebook Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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Werfel, Andreas. Composition Notebook: Shutter! Retro Hip American Apparel Tee Fan Film Movie Notebook Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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Deakin, Pete. White Masculinity in Crisis in Hollywood’s Fin de Millennium Cinema. The Rowman & Littlefield Publishing Group, 2019. https://doi.org/10.5040/9781978739147.

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White Masculinity in Crisis in Hollywood’s Fin de Millennium Cinema claims that Hollywood cinema had a significant relationship with the millennial crisis of masculinity. From Fight Club (Fincher, 1999) and American Psycho (Harron, 2000), to Office Space (Judge, 1999), The Matrix (Wachowski’s, 1999) and American Beauty (Mendes, 1999), Pete Deakin attests that alongside the emergent “crisis” came a definitive body of some twenty-five Hollywood “crisis” titles; each film with a representational concern for the apparent “masculine malaise”. Asking whether Hollywood helped create, propel or sooth

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Mee, Laura. The Shining. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325444.001.0001.

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Taking a fresh look at The Shining (1980), this book situates the film within the history of the horror genre and examines its rightful status as one of the greatest horror movies ever made. It explores how Stanley Kubrick's filmmaking style, use of dark humour, and ambiguous approach to supernatural storytelling complements generic conventions, and it analyses the effective choices made in adapting King's book for the screen—stripping the novel's backstory, rejecting its clear explanations of the Overlook Hotel's hauntings, and emphasizing the strained relationships of the Torrance family. Th

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Canjels, Rudmer. Changing Views and Perspectives. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037689.003.0002.

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This chapter examines Pearl White's serials in France and the transformations made in tailoring them to the local French setting during World War I. It first provides an overview of the glocalization of American serial films in France before discussing two of Pearl White's serials, Les Mystères de New-York and The House of Hate (La Maison de la haine). It then considers the marketing adaptations and marketing tie-ins of the serials for the French market, along with the incorporation of anti-German propaganda in their French novelizations. In shows that the adaptation not only aligned promotion

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White, Christine. ‘Humming the Sets’. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.17.

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This chapter discusses the impact of stage design on musical theatre, and the development of musical theatre as a product packaged for consumption across the world. Its focus is chiefly on British musicals of the late twentieth and early twenty-first centuries, during which ‘scenography’ has become recognized as the term for describing the whole theatre-designed space, encompassing, set, costume, sound, light, and more recently including film, animations, and a host of projection technologies and digital media. The chapter refers to contemporary reviews of productions, their success and failur

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D’agati, Janine, and Hannah Schiff. From Sleepwear to Sportswear. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350232006.

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Women wearing pants poses provocative questions: When did it start? Who invented this fashion? How scandalous was it? Were women really arrested? Prior to the 1920s it was a rarity to see women in the Western world wearing pants, but as the silk pajama trouser suit moved from the boudoir to the beach in the early 1920s it cemented the image of the trousered woman. Worn by Jean Harlow and Marlene Dietrich, painted by Raoul Dufy and immortalized in F. Scott Fitzgerald’s Tender is the Night, pajamas came to symbolise much more than sleepwear: this book explores how much the pajama phenomenon was

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Części książek na temat "American Apparel (Firm)"

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Margalina, Vasilica-Maria, Marcela Karina Benítez Gaibor, Juan Pablo Martínez Mesías, and Edgar Freddy Robalino Peña. "Why the Latin American Footwear Industry Still Lags Behind in E-Commerce Adoption." In Management and Inter/Intra Organizational Relationships in the Textile and Apparel Industry. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1859-5.ch008.

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Latin American countries have made important investments in digital infrastructure, but there is still an important gap in information and communication technologies (ICT) and e-commerce adoption. The objective of this chapter is to analyze e-commerce adoption by the footwear manufacturing firms of Ecuador. For this purpose, a sample of firms of the province of Tungurahua has been analyzed. Results show that the dominance of micro-businesses in the sector, age, the low level of education and of computer literacy are barriers to e-commerce adoption in this industry. Additionally, it was found t

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Harvey, James. "Kaufman’s Dissensus." In Jacques Rancière and the Politics of Art Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423786.003.0004.

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Exploring the tensions between the themes and visual style, Charlie Kaufman’s Synecdoche, New York is an exemplary manifestation of dissensus: ‘the presence of two worlds in one’ (Rancière, 2010: 37). Staging and subsequently thwarting middle-class America and classical Hollywood style, the film ultimately allows us to envision ways of being beyond the apparent “end of history”. Yet, in so doing, the film also highlights the tendency towards irony in contemporary American art cinema: a feedback-loop, art-housing the art film spectator safely, intellectually, inside the space of the film. This

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Roett, Riordan. "Dilma Rousseff." In Brazil. Oxford University Press, 2016. http://dx.doi.org/10.1093/wentk/9780190224523.003.0007.

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Unlike many presidents in Latin America, Lula chose to follow the Constitution and not attempt to change it to allow for a third term. In spite of pressure from the PT, he remained firm and it soon became apparent that he had “chosen” the PT...

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Winters, Ben. "A Hollywood Compositional Toolbox." In Korngold in America. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197684818.003.0004.

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Abstract Chapter 3 suggests that—mindful of the apparent restrictions placed on his compositional process by the circumstances of production, and the richness of his creative interactions with colleagues—scoring films nonetheless offered Korngold opportunities to explore both his personal compositional methods and the nature of his own compositional toolbox. The chapter explores the ways in which he engaged with the technology of film, including his use of synchronization technologies during composition and recording. Then the attention turns to Korngold’s penchant for recycling material, befo

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Graber, Naomi. "Living History." In Kurt Weill's America. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190906580.003.0005.

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The national conversation about immigration shifted as the Great Depression gave way to World War II. This is apparent in two works that concern the “origin story” of America: the musical Knickerbocker Holiday (1938) and the film Where Do We Go from Here? (1944). Whereas Knickerbocker Holiday paints America as vulnerable to the fascism that had taken hold in Europe, Where Do We Go from Here? holds up the nation as a bastion of freedom and democracy. Weill also tried to feel out the international market with The Firebrand of Florence (1945), but that proved to be the greatest professional misca

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"Heritage and the Incompleteness of Democracy." In Heritage and Democracy, edited by Jon D. Daehnke and Kathryn Lafrenz Samuels. University Press of Florida, 2023. http://dx.doi.org/10.5744/florida/9780813069623.003.0013.

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The constant and often swiftly changing nature of contemporary events presents challenges to any effort to draw firm conclusions about the current state of democracy in general, and the role of heritage within the practice of democracy more specifically. Still, “heritage” provides a powerful proxy by which we can reflect upon these types of challenges present in fluid democratic situations. Heritage also provides an informative lens through which to view the ways that some communities are addressing the challenges of this ever-changing democratic landscape. This can be especially apparent in t

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Yazell, Bryan. "Tramps in the Machine: Interwar British Vagrancy." In The American Vagrant in Literature. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399506717.003.0004.

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The discursive project established in the previous chapter, which hinges on identifying and containing vagrant subjects, explodes to the forefront of government policy during the 1930s. As this chapter argues, the incorporation of vagrant white men into workhouses reflects a turning point in the popular discourse around migrancy: the tramp as Davies knew it disappears almost entirely during the interwar period. The social ramifications of this disappearance are apparent in George Orwell’s Down and Out in Paris and London (1933) and Charlie Chaplin’s film, Modern Times (1935), which both descri

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Leeder, Murray, and Murray Leeder. "Halloween: How It Came into the World." In Halloween. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733797.003.0002.

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This chapter discusses how Halloween (1978) was developed and created. John Carpenter's name appears above the title on Halloween, but the project existed before he came on board. Independent film producer Irwin Yablans rightly claims the mantle of ‘The Man Who Created Halloween’, the title of his 2012 autobiography. The project reached Carpenter with the tentative title The Babysitter Murders before it became Halloween shortly thereafter; but Carpenter is still quick to credit Yablans for conceiving the title and the concept. Yablans' marketing and distribution ingenuity played a large role i

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Baker, Courtney R. "Movin’ on Up—and Out." In Black Cultural Production after Civil Rights. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042775.003.0005.

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This chapter discusses the visual culture of 1970s Black America, focusing especially on popular culture artifacts such as film, television, and comics, to make sense of the idea of movement in the postsegregationist United States. It attends to the representation of black people in various locations—from the inner city to the suburbs to a historical memory of the plantation slavery, the middle passage, and an African motherland—in visual forms, including Afrocentrist iconography, photography, and fine art. By attending to popular images, an important if not fuller picture of Black visual poli

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Gibbs, Raymond W. "Metarepresentations in Staged Communicative Acts." In Metarepresentations. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195141146.003.0014.

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Abstract Speakers often say things to others that appear, on one level anyway, not to be serious. Consider the following conversation between two parents (Bill and Pat) and their teenage son (Grant) from the documentary film series The American Family. The conversation takes place in the family’s backyard by the swimming pool. Grant knew earlier that his parents wanted to talk about his apparent disinterest in summer work. In the preceding scene, Grant complained to his sister, Delilah, about his parents’ request to have this chat, so it is clear that Grant, and his parents to some extent, wer

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Streszczenia konferencji na temat "American Apparel (Firm)"

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Liza, Sharmine Akther, Naimur Rahman Chowdhury, and MD Rakib Rayhan. "Assessing Performance and Improving Productivity Through Identification of Sewing Defects: A Multi Criteria Based Case Study in an Apparel Firm in Bangladesh." In 2nd South American Conference on Industrial Engineering and Operations Management. IEOM Society International, 2021. http://dx.doi.org/10.46254/sa02.20210568.

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Taam, Damon M. K., and Chuck Conklin. "Supplemental Pit Fire Control Deluge System: Spokane Regional Waste to Energy Facility." In 17th Annual North American Waste-to-Energy Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/nawtec17-2338.

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After sixteen years of operation, it became apparent that the pit fire protection system installed during construction of the Spokane Regional Waste to Energy (WTE) Facility (1989–1991) was inadequate. A risk analysis was performed by Creighton Engineering Inc., a fire protection consulting firm, hired by the Spokane Regional Solid Waste System (Regional System) and Wheelabrator Spokane Inc. With input from Spokane County Fire District 10 and the City of Spokane Fire Department, a replacement supplemental fire protection system was designed and ultimately installed. This paper will describe th

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Chorney, Terris, and Denise Hamsher. "The Evolution of Risk Management at Enbridge Pipelines." In 2000 3rd International Pipeline Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/ipc2000-100.

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1999 marks an important anniversary for Enbridge Pipelines Inc. of Canada and its U.S.-based affiliate, the Lakehead Pipe Line Company Ltd.: for 50 years we have been the primary link between the large oil production areas of western Canada and major market hubs in the U.S. midwest and eastern Canada. In retrospect, this strong history of success is chiefly due to thorough and logical planning and choice selection in all aspects of company endeavors. At Enbridge, as in countless other firms in a wide-range of industries, decision making was often the product of expert consensus and years of so

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Raporty organizacyjne na temat "American Apparel (Firm)"

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Gallego, Juan Miguel, and Luis H. Gutiérrez. ICTs in Latin American and the Caribbean Firms: Stylized Facts, Programs and Policies: Knowledge Sharing Forum on Development Experiences: Comparative Experiences of Korea and Latin America and the Ca. Inter-American Development Bank, 2015. http://dx.doi.org/10.18235/0007003.

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Adoption of information and communication technologies (ICTs) has been slow in Latin American and the Caribbean (LAC) countries and is not widespread. There is a digital divide between and within countries, including a digital gap in firms' adoption of ICTs. Large and medium-sized enterprises generally have access to the Internet, but adoption of advanced ICTs is low for all firms in these economies, and small and micro enterprises lag way behind. The backwardness in ICT adoption is exacerbated when only a small fraction of society has high connectivity broadband. Thus the digital infrastructu

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Bernal, Raquel, and Marcela Eslava. Switching from Payroll Taxes to Corporate Income Taxes. Inter-American Development Bank, 2017. http://dx.doi.org/10.18235/0009369.

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The Colombian 2012 tax reform reduced payroll taxes and employer contributions to health insurance by 13.5%, while also increasing corporate income taxes, and leaving untouched the benefits to workers financed through these taxes. Shifting taxation from formal employment to other business activities is a policy recipe under heated discussion in Latin America. In this context, the reform offers an ideal laboratory to study empirically the potential distortions against formal employment associated with payroll taxes in contrast to other taxes to firms. Using monthly firm-level data on all formal

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Lazonick, William, Philip Moss, and Joshua Weitz. The Unmaking of the Black Blue-Collar Middle Class. Institute for New Economic Thinking Working Paper Series, 2021. http://dx.doi.org/10.36687/inetwp159.

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In the decade after the Civil Rights Act of 1964, African Americans made historic gains in accessing employment opportunities in racially integrated workplaces in U.S. business firms and government agencies. In the previous working papers in this series, we have shown that in the 1960s and 1970s, Blacks without college degrees were gaining access to the American middle class by moving into well-paid unionized jobs in capital-intensive mass production industries. At that time, major U.S. companies paid these blue-collar workers middle-class wages, offered stable employment, and provided employe

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