Gotowe bibliografie tematyczne / Apocalyptic genre

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Gotowa bibliografia na temat „Apocalyptic genre”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Apocalyptic genre"

Jones, Angela. "Musical Apocalypse: Tom Waits’ Bone Machine." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 05 (December 12, 2007): 1–16. http://dx.doi.org/10.2218/forum.05.586.

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Apocalypse derives from the Greek apocalypsis, meaning the act of uncovering, unveiling, or revelation. While the apocalyptic theme or genre continues to inform and inspire a number of different media and discourses into the twenty-first century, the representation of apocalypse within popular music remains a largely overlooked field of enquiry. Therefore in this paper I would like to discuss Tom Waits' 1992 CD, Bone Machine, as a popular musical rendition of the apocalyptic theme, in order to explore what the apocalyptic might sound like, were it to be rendered musically. To do so, I will be

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Salamoon, Daniel Kurniawan, and Cindy Muljosumarto. "Analisis Visual Warna pada Game Post Apocalyptic (Studi Game The Last Of Us, Metro Exodus, dan Horizon Zero Dawn)." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 6, no. 1 (2020): 18–31. http://dx.doi.org/10.33633/andharupa.v6i1.3232.

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AbstrakVideo game sebagai bentuk media visual di era modern memiliki peranan dalam masyarakat sebagai salah satu bentuk hiburan yang bersifat interaktif. Video game terus berkembang dalam tata visual sebagai bentuk evolusi dari teknologi video game tersebut. Evolusi dalam video game membuat genre dalam video game juga mengalami perkembangan. Salah satu genre yang menjadi tren adalah genre post apocalyptic. Penelitian ini mencoba melihat narasi yang hendak disampaikan lewat tata visual beberapa video game dengan genre post apocalyptic. Metode yang dilakukan adalah dengan mengumpulkan data scree

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Muwaffaq, Thafhan, Nurul Komar, and Rio Armandaru. "APOCALYPTIC NARRATIVE SCHEMAS IN DYSTOPIAN FILMS." International Journal of Humanity Studies (IJHS) 3, no. 2 (2020): 211–27. http://dx.doi.org/10.24071/ijhs.v3i2.2168.

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This research investigates the way dystopia as film genre is attributed with catastrophe or, what will be regarded here as apocalyptic events. We question the way in which the genre represents state of affairs of humanity in the face of catastrophe, in catastrophe, and after catastrophe. We conducted a narrative analysis under the account of semiotic cognitive approach, by identifying narrated events, and actions of the protagonist as constituting parts of event. We argue that narrative in dystopian films represent three types of apocalyptic schema (i.e. pre-apocalyptic, apocalyptic, and post-

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Hutahaean, Hasahatan. "Menafsir Genre Apokaliptik Kitab Daniel." ILLUMINATE: Jurnal Teologi dan Pendidikan Kristiani 3, no. 1 (2020): 25–39. http://dx.doi.org/10.54024/illuminate.v3i1.81.

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The Apocalyptic genre is one genre that is difficult to understand because of its long intricacies and requires accuracy. One reason for the difficulty in interpreting the apocalyptic genre is the use of symbols that are not uncommon for today's readers. The use of symbols is very close to the speaker and, the first reader. The Book of Daniel is identical to the many uses of the symbolic language of the two Apocalyptic genre Books in the Bible. Readers increasingly need to be careful and careful when classifying symbol languages because there are differences in the use of symbols and language

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Novak, Michael Anthony. "The Odes of Solomon as Apocalyptic Literature." Vigiliae Christianae 66, no. 5 (2012): 527–50. http://dx.doi.org/10.1163/157007212x635812.

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Abstract The Odes of Solomon is generally categorized as early Jewish-Christian apocrypha, particularly as a lyrics-book of early Christian worship songs. They give us a glimpse into earliest Christian worship and Christian understandings of the recent advent of the Messiah. As a matter of genre, they are easily discussed as liturgical texts, poetry, or musical lyrics. This examination reveals that the Odes are filled with themes of apocalyptic literature, far beyond the extent hitherto recognized. These apocalyptic themes situate the Odes in earliest Christian literature, revealing ties to th

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Musvosvi, Joel. "The Issue of genre and apocalyptic prophecy." Asia Adventist Seminary Studies 5, no. 1 (2023): 43. https://doi.org/10.63201/kfda9062.

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The study of the book of Revelation presents both challenges and rewards for the end-time people of God. In this enigmatic concluding book of the Bible, God provides both a chart and a compass to His homebound pilgrims as they traverse the final treacherous stretch of their pilgrimage. Amidst many uncertainties, Revelation presents the final generation with one great triumphant certainty—God is in ultimate control of history and will deliver the kingdom to the saints of the Most High.

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GURTNER, DANIEL M. "Interpreting Apocalyptic Symbolism in the Gospel of Matthew." Bulletin for Biblical Research 22, no. 4 (2012): 525–45. http://dx.doi.org/10.2307/26424337.

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Abstract The appearance of apocalyptic symbols is common in NT narratives, including in the Gospel of Matthew. But the identification and interpretation of such symbols is frequently allusive, indeterminate, and even contradictory in scholarly discussion. The purpose of this article is to offer some methodological controls for interpreting these texts. Drawing on seminal work done on apocalypses as a genre and their constituent features, this article posits that the employment of symbols is a defining element of apocalypses that provides an important point of entry for the identification and i

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Määttä, Jerry. "Keeping Count of the End of the World: A Statistical Analysis of the Historiography, Canonisation, and Historical Fluctuations of Anglophone Apocalyptic and Post-Apocalyptic Disaster Narratives." Culture Unbound 7, no. 3 (2015): 411–32. http://dx.doi.org/10.3384/cu.2000.1525.1572411.

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Over the past decade, apocalyptic and post-apocalyptic disaster narratives seem to have become more popular than ever before. Since its inception in secular form in the first decades of the nineteenth century, however, the genre has experienced a number of fluctuations in popularity, especially in the twentieth century. Inspired by Franco Moretti’s influential Graphs, Maps, Trees (2005), the aim of this study is to analyse the historiography, canonisation, and historical fluctuations of Anglo-phone apocalyptic and post-apocalyptic disaster narratives in literature and film through an elementar

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Flowers, Adam. "Reconsidering Qur'anic Genre." Journal of Qur'anic Studies 20, no. 2 (2018): 19–46. http://dx.doi.org/10.3366/jqs.2018.0336.

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The Qur'an's employment of diverse modes of discourse is, perhaps, the text's defining literary feature. These discourses, ranging from apocalyptic, to narrative, to legal, have long been observed by Western scholars. Genre studies of the Qur'an, however, have largely stagnated, and little progress has been made beyond cursory classifications. This stagnation is particularly stunting to the study of the textual history of the Qur'an, as vital questions concerning the development of individual genres and the relationship between Qur'anic genre and the unit of the sura remain unanswered. This ar

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Cormier, Matthew. "The Destruction of Nationalism in Twenty-First Century Canadian Apocalyptic Fiction." American, British and Canadian Studies 35, no. 1 (2020): 5–22. http://dx.doi.org/10.2478/abcsj-2020-0014.

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Abstract This article argues that, since the turn of the twenty-first century, fiction in Canada – whether by English-Canadian, Québécois, or Indigenous writers – has seen a re-emergence in the apocalyptic genre. While apocalyptic fiction also gained critical attention during the twentieth century, this initial wave was tied to disenfranchised, marginalized figures, excluded as failures in their attempts to reach a promised land. As a result, fiction at that time – and perhaps equally so in the divided English-Canadian and Québécois canons – was chiefly a (post)colonial, nationalist project. Y

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Rozprawy doktorskie na temat "Apocalyptic genre"

Miller, Anthony James. "To Fling a Light into the Future: The Scholar as Hero in Post-Apocalyptic Fiction." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/theses/1133.

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This thesis is an exploration of the type of protagonist that tends to appear in a particular sub-genre, a scholar who behaves in the role of the hero. It tries to serve as a wide-ranging analysis of the sub-genre as a whole, including multiple mediums, but pays particular attention to the texts A Canticle for Leibowtiz and Oryx and Crake. The thesis also addresses the cultural work performed by post-apocalyptic fiction, and contends that the sub-genre serves as a way of questioning what is considered valuable within a culture, and why.

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Harris, Emma Anne. "The post-apocalyptic film genre in American culture, 1968-2013." Thesis, University of Leicester, 2016. http://hdl.handle.net/2381/38758.

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This thesis examines post-apocalyptic films in American cinema in the period 1968-2013. These films will be analysed in relation to their status as a genre, their underpinning narrative structures, the influence of religious myths, and their relationship to American national identity. Three representative films will be analysed as case studies: The Ultimate Warrior (1975), Steel Dawn (1987), and I Am Legend (2007). A combined methodological approach will be used to study the post-apocalyptic genre. This approach utilises a ‘bottom-up’ thematic content analysis followed by close textual analysi

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Markley, John Robert. "Peter - apocalyptic seer : the influence of the apocalypse genre on Matthew's portrayal of Peter." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7761.

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This study fills a gap in previous research concerning the portrayal of Peter in Matthew, especially the research of narrative-critical studies. Although narrative-critical studies generally recognize that Matthew has portrayed Peter and the disciples as recipients of revelation at points, they almost entirely neglect the apocalypses or apocalyptic literature more broadly as a potentially helpful background for this motif, nor does the motif itself figure significantly into their conclusions. Therefore, Part 1 of this study examines fourteen different Jewish and Christian apocalypses in order

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Hayer, Tajinder S. "Opening up the post-apocalyptic genre to previously absent British Asian narratives through creative writing." Thesis, Anglia Ruskin University, 2017. http://arro.anglia.ac.uk/703598/.

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This submission consists of a post-apocalyptic play, North Country, and accompanying critical commentary. The creative work explores the city of Bradford and British Asian themes within a science fictional context. As a piece of writing, North Country is significant in terms of its subject matter and approach to genre; there is a notable shortage of British Asian writing and characters within a science fictional context (and a near absence when it comes to the post-apocalyptic genre, in particular). The critical commentary investigates six subject areas relating to the play: 1) the ways that t

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Stifflemire, Brett Samuel. "Visions of after the End| A History and Theory of the Post-apocalyptic Genre in Literature and Film." Thesis, The University of Alabama, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10635886.

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<p> Textual genre criticism and close readings of novels and films reveal that, in addition to chronicling catastrophes’ aftermaths, the post-apocalyptic genre envisions a future world in which traditional apocalyptic ideology is inadequate and unsatisfactory. While the full apocalyptic trajectory traditionally includes an end met by a new beginning, moments of cultural crisis have questioned the efficacy of apocalyptic metanarratives, allowing for a divergent, post-apocalyptic imagination that has been reflected in various fictional forms. </p><p> The post-apocalyptic genre imagines a

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Butterfield, Margaret R. "Redemption from Darkness: A Study of Form and Function, Sacred and Secular, within the Genre of Apocalypse." Digital Commons at Loyola Marymount University and Loyola Law School, 2016. https://digitalcommons.lmu.edu/etd/939.

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The genre of apocalypse has an irresistible draw. The concepts of beginning and end to humankind as well as the cosmos situate themselves in our daily stories, microcosmic narratives that repeat through time, placing the footprint of humankind a little more firmly into the earth, a place we have called our home from beginning and, naturally, to the end. In a world that constantly pushes forward to the next piece of technological equipment, reducing mass pandemics to mere over the counter solutions, and extending its hand into the abyss of the unknown universe, humanity craves the elusive next

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Stjernström, Elsa, and Jenny Emanuelsson. "Dystopi och jordens undergång : En genreanalys av dystopiska inslag i fiktiv film." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-21167.

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This study is a research on how dystopian features are expressed within different genres. The purpose is to discuss films that contain dystopian features in relation to genre and to examine if there are shared conventions in the films that can make dystopia a film genre on its own. The theoretical base includes genre theory and Rick Altman’s semantic/syntactic approach to film genre. Five films from different genres, all produced within the time period of 2000-2010, are analyzed with a semantic/syntactic approach to genre and then discussed in relation to dystopia and prior research. By using

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MELSOM, RYAN J. "West Coast Apocalyptic: A Site-Specific Approach to Genre." Thesis, 2011. http://hdl.handle.net/1974/6285.

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Key studies of apocalypse in previous years have consciously and unconsciously understood the genre in terms of its paradigmatic consistency across examples. This emphasis points out valuable similarities among a wide range of texts, but also diminishes the significance of a text’s locally and historically rooted ways of depicting experience. This study reflects an effort to rebalance the meaning of apocalypse by looking at a specific locale – the North American West Coast. I examine popular, critical, and literary representations of the West Coast to trace out the unique ways that they config

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Longtin-Martel, Nicolas. "L'inscription des genres et de l'intertexte dans Les Bergères de l'apocalypse de Françoise d'Eaubonne." Thèse, 2016. http://hdl.handle.net/1866/16121.

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Les bergères de l'Apocalypse est le récit de la protagoniste Ariane qui projette de réécrire, en marge du discours officiel, les événements qui ont conduit à la création d'une société gynocentrique. À la diversité des préoccupations qui alimentent cette vision utopiste de la société répond une indétermination générique qui rend le récit difficile à classer. Mettant en scène une société idéale qui n'en est pas une (puisque les femmes, après l'extermination des hommes, ont reproduit certaines structures de pouvoir patriarcales), l’ouvrage ne peut pas être identifié uniquement comme un roman de

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Książki na temat "Apocalyptic genre"

Wilson, John Christian. Five problems in the interpretation of the Shepherd of Hermas: Authorship, genre, canonicity, apocalyptic, and the absence of the name 'Jesus Christ'. Mellen Biblical Press, 1995.

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Cronin, Justin. The Passage: A Novel. 2nd ed. Ballantine Books, 2010.

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Cronin, Justin. Le passage. Robert Laffont, 2013.

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Cronin, Justin. The Passage. 2nd ed. Orion, 2010.

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Cronin, Justin. El pasaje. Urano, 2012.

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Cronin, Justin. The passage. Wheeler Pub., 2010.

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Cronin, Justin. De oversteek. Cargo, 2016.

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Cronin, Justin. The Passage. Orion, 2010.

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Cronin, Justin. The passage: A novel. Ballantine Books, 2011.

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Cronin, Justin. The Passage: A novel. 2nd ed. Ballantine Books, 2012.

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Części książek na temat "Apocalyptic genre"

Sinichkina, Daria. "Entre mythe et histoire, syncrétisme et fracture, universalité et russité: le recueil Mednyj Kit (Baleine de bronze) au coeur de l’esthétique révolutionnaire de Nikolaj Kljuev." In Biblioteca di Studi Slavistici. Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-507-4.18.

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Soon after greeting the February revolution, Klyuev turns to an aesthetic of violence and disruption. In the poetic cycle Medny Kit (1918), the utopia of “peasant paradise” stems from the apocalyptic destruction of old Russia. While the poet contemplates the cyclicity of Russian history, the lyrical subject comes transfigured out of the “red” baptism, identifying himself simultaneously to Rasputin and Avvakum. As the cycle captures the brutal melody of the times, the lyric genre is pushed to its limit – polyphony, which announces the transition to narrative and epic poetry.

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Gross, Andrew S. "The Post-Apocalyptic Western as a Bookish Genre: The Book of Eli’s Vision of an Archival Future." In The Post-2000 Film Western. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137531285_11.

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Zhu, Yeqi. "Impure Realism, Pure Eventness, and Horror Cinema in the Post-truth Era: A Case Study of One Cut of the Dead." In Truth Claims Across Media. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42064-1_10.

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AbstractThrough the case study of One Cut of the Dead—a 2017 zombie-comedy about how a film crew stage a zombie-film-within-a-zombie-film for live broadcast—this article examines contemporary media’s appropriation of the meta- or hyper-realism to represent “impure monsters” in the guise of the uncanny return of the repressed. By comparison, by moving away from the anthropomorphic realism that mainstreams zombie narratives as “alternative facts,” One Cut of the Dead interrupts the production of post-truth and liberates its characters from the “anthropological machine” responsible for people’s a

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Rich, Kate. "The Vagina Apocalypse." In Research Anthology on Feminist Studies and Gender Perceptions. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-4511-2.ch021.

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Intrauterine devices (IUDs) have been the subject of contentious debate on all sides of the political spectrum. In response, many have created various IUD-related texts that are not only controversial, but allude to apocalyptic themes. Apocalyptic discourse has previously been studied in relation to religion, mass media, the environment, and masculinity. The feminist or even feminine style apocalypse, however, has yet to be explored. Widespread feminist movements use the apocalyptic genre to communicate dystopian urgency about women's reproductive rights. Simultaneously, alternative medicine m

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Rich, Kate. "The Vagina Apocalypse." In Young Adult Sexuality in the Digital Age. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3187-7.ch006.

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Tharaud, Jerome. "Cosmic Modernity." In Apocalyptic Geographies. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691200101.003.0006.

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This chapter talks about Henry David Thoreau's Walden from 1854, which is a parody of a popular evangelical genre, the missionary memoir. It elaborates how reading Walden recovers a conception of “cosmic modernity” that challenges recent accounts of a secularized global modernity. It also discusses Thoreau's polemical engagement with missionary culture in the context of the transcendentalist project of comparative religion, which dramatizes how the modern encounter with global religious difference catalyzed new conceptions of the local and new spiritual communities. The chapter accepts Thoreau

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Reynolds, Benjamin E. "Conclusion." In John among the Apocalypses. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198784241.003.0009.

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The Gospel of John is similar to Jewish apocalypses because it is revelatory literature with a narrative framework in which an otherworldly mediator discloses heavenly revelation to a human recipient. The Gospel of John is a revelatory narration of Jesus’s life. Modern genre theory’s use of prototypes to assess participation in a genre allows for a methodologically sound way to compare the Gospel to Jewish apocalypses. Although it is similar in numerous ways, the Gospel does not participate in the genre of apocalypse. Instead, it participates in the gospel genre, yet is qualified by the genre

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Арефьева, Анастасия. "Постапокалиптический сюжет в русской литературе: первые примеры и проблемы исследования." In Slavica Iuvenum XXV. University of Ostrava, 2024. http://dx.doi.org/10.15452/slavicaiuvenum.xxv.19.

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In this chapter we focused on the early examples of post-apocalyptic plots in Russian literature. As we explored the issue, we found that until the 21st century, it was quite difficult to find a work in Russian literature with all the features characteristic of a postapocalyptic genre. Also, due to blurred boundaries in the field of science fiction, problems often arise with characterizing works within a single genre, and the examples mentioned in the article confirm this, not fully representing the post-apocalyptic genre but demonstrating only some of its features.

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Reynolds, Benjamin E. "John’s Gospel as “Apocalyptic” Gospel." In John among the Apocalypses. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198784241.003.0006.

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This chapter summarizes the conclusions of the previous two chapters and notes that the Gospel of John contains core elements of the Semeia 14 “master-paradigm” of an apocalypse. Even though the Gospel contains similar elements of form, content, and function, it is not an apocalypse. The manner of revelation (i.e., an otherworldly mediator disclosing heavenly revelation to a human recipient) draws attention to John’s similarity to Jewish apocalypses, but ironically, these form elements contain striking differences. For example, John has visual revelation, yet lacks visions, and John’s otherwor

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"CHAPTER 5: CLASSICAL APOCALYPTIC." In The Genre of the Book of Revelation from a Source-critical Perspective. DE GRUYTER, 1989. http://dx.doi.org/10.1515/9783110861877.157.

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Streszczenia konferencji na temat "Apocalyptic genre"

Xu, Chengkai, Weiting Li, Laila Zhong, et al. "Tradition, Desire, Techno-Orientalism and Popularity: Oriental Elements in the 21st-century Cyberpunk Video Games." In Intelligent Human Systems Integration (IHSI 2023) Integrating People and Intelligent Systems. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002894.

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Cyberpunk is one genre with distinctive features, which depicts an apocalyptic world seeing technology as associated with capitalist oligarchy with highly solidified social identity and social class (Akşit and Nazlı, 2021). Nowadays, research about cyberpunk video games mainly focuses on the visual aesthetics of cyberpunk video games (Johnson, 2017). We adopted content analysis first to identify the oriental visual elements in 6 video games: Cyberpunk 2077 (CD Projekt RED, 2020) (CP2077), Gamedec (Anshar Studios, 2021), The Red Strings Club (Deconstructeam, 2018) (TRSC), VA-11 Hall-A: Cyberpun

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