Gotowe bibliografie tematyczne / Architecture – japan – exhibitions

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Gotowa bibliografia na temat „Architecture – japan – exhibitions”

Autor: Grafiati

Data publikacji: 28 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Architecture – japan – exhibitions"

Bryol, Radek. "In the Shinkansen Country: Life from Open-air Museums in Japan." Muzeum Muzejní a vlastivedná práce 55, no. 1 (2017): 42–47. http://dx.doi.org/10.1515/mmvp-2017-0024.

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Historical wooden buildings can be seen not only in Japanese open-air museums and in the Japanese countryside, but also in the largest metropolises. On the individual Japanese islands we can find almost ten open-air museums, all of a different character. They include local, regional and national museums - thereby presenting several areas at the same time. Most of them are rural buildings that are primarily related to agricultural subsistence, while some of them also exhibit urban life. In addition to exhibitions of real life and thematic exhibitions, the museums also prepare such programmes as

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Gaskell, Rupert, and Xiaoyue Hu. "Preface: 2nd International Conference on Civil Engineering, Architecture and Transportation (CEAT 2024)." Highlights in Science, Engineering and Technology 86 (March 27, 2024): I. http://dx.doi.org/10.54097/7maq6m32.

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On the behalf of the organizing committee, the 2024 2nd International Conference on Civil Engineering, Architecture and Transportation (CEAT 2024) was successfully held in Kyoto, Japan during January 20-21, 2024. Related exhibitors from research laboratories, industrialists and suppliers were invited to propose exhibitions and demonstrations. CEAT 2024 allows for the free exchange of ideas and challenges faced by these two key stakeholders and encourage future collaboration between members of these groups. The conference also fosters cooperation among organizations and researchers involved in

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ÇAVDAR, Ayşegül ÇELENK, and Cengiz TAVŞAN. "Examining the Concepts of Future and Experimentation in Architecture through Expo2025." Proceedings of the international conference of contemporary affairs in architecture and urbanism-ICCAUA 8, no. 1 (2025): 327–42. https://doi.org/10.38027/iccaua2025tr0027.

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Architecture is a discipline that reflects changing trends, offering new perspectives on the evolving world and bridging the gap between the past and the present. Today’s rapidly advancing technologies are influencing design in pavilions at fairs, exhibitions, Expos, and biennales, introducing innovative approaches. This study aims to examine the concept of experimentation and analyze how new approaches in materials, design processes, and production techniques are applied in pavilions designed for future-oriented projects. The study will focus on pavilions designed for Expo 2025 in Japan, exam

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Tozer, Luke. "The Japanese House." Architectural Research Quarterly 21, no. 3 (2017): 203–7. http://dx.doi.org/10.1017/s135913551700032x.

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Western fascination with Japan and Japanese design is long established. The popularity of the recent exhibition The Japanese House: Architecture and Life After 1945 at London's Barbican illustrates that this fascination remains. This ‘blockbuster’ review of postwar domestic Japanese Architecture, supported by The Japan Foundation and previously hosted at MAXXI, National Museum of 21st Century Arts, Rome, responds to an enormous challenge: to try to account for the range and diversity of architectural approaches to domestic design within the broader contexts of traditional Japanese architecture

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Harbar, Maryna, and Viktoria Shchurova. "Prerequisites for the creation of a World Exhibition environment in Ukraine (on the example of EXPO-2020 experience)." Current problems of architecture and urban planning, no. 65 (March 17, 2023): 43–58. http://dx.doi.org/10.32347/2077-3455.2023.65.43-58.

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The article presents analytical material on the experience of organizing World Exhibitions, special attention is to EXPO-2020. The main postulates of the EXPO-2030 program in Ukraine are provide. Modern scientific approaches to the study of the problem of sustainable development, the economics of organizing exhibitions, social tasks, the aesthetics of the symbolism of the architectural composition of pavilions of different countries and exhibition sites in Dubai with the final Program for People and Planet are considered. The purpose of the publication is to identify the main chara

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Akcan, Esra. "Translations in Architecture." International Journal of Middle East Studies 45, no. 3 (2013): 578–80. http://dx.doi.org/10.1017/s0020743813000524.

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In a recently discovered photograph of German architect Bruno Taut's retrospective exhibition at the Istanbul Academy of Fine Arts, which opened on 4 June 1938, Taut in-exile stands with Erica Taut and his assistant Şinasi Lugal in front of a display (see Figure 1). What interests me in this image is not so much the frontal figures who posed for it as the documentary value of the exhibit in the background, the photographs inside the photograph. These images display Taut's Siedlungen (residential settlements/collective housing projects), designed and constructed as part of the Berlin Housing Pr

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Kim, Jihong, and Jeonghyun Kim. "Korea at the Exhibition: Making the Appearance of Korean Style with ‘Hybrid Roof’ in Early 20th Century." Buildings 12, no. 8 (2022): 1090. http://dx.doi.org/10.3390/buildings12081090.

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This study analyzed 15 unique cases of buildings designed by the Japanese that had the exterior appearance of traditional Korean architecture while the Western timber truss was applied. The characteristics of Korean-style roofs were first categorized into three parts: structural frame, roof curve, and eaves space. Then, the analytic drawings were prepared in order to scrutinize the cases in accordance with these characteristics. The analysis revealed that the Western truss was hybridized to embody the Korean-style roofs. The truss was segmented, diagonal supplementary building components were

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YAMASAKI, Yasuhiro, and Hiroshi MATSUKUMA. "DIFFERENT OUTLOOKS ON JAPANESE ARCHITECTURE BETWEEN JAPAN AND THE U.S. AMONG AN EXHIBITION ^|^ldquo;THE ARCHITECTURE OF JAPAN^|^rdquo; CIRCULATED BY MUSEUM OF MODERN ART, NEW YORK." Journal of Architecture and Planning (Transactions of AIJ) 78, no. 691 (2013): 2077–82. http://dx.doi.org/10.3130/aija.78.2077.

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Werdantara, I. Gede Putu Astamarsa, Tri Anggraini Prajnawrdhi, and Antonius Karel Muktiwibowo. "Kajian Arsitektur Bali pada Tampilan Bangunan Komersial di Koridor Jalan Danau Tamblingan, Kelurahan Sanur, Denpasar Selatan." RUANG-SPACE, Jurnal Lingkungan Binaan (Space : Journal of the Built Environment) 7, no. 2 (2020): 129. http://dx.doi.org/10.24843/jrs.2020.v07.i02.p02.

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The development brings inevitable changes to the built environment in which architectural design holds a significant part. Architecture, undoubtedly, has a strong association with identity and the character of a certain built urban environment. Changes in architectural principles and designs may bring two-side impacts, which may either strengthen or harm the existing urban identity. This is especially true when we discuss architectural changes and the formation of urban identity on the Island of Bali. This study aims to examine the conformance of numerous facades of commercial buildings locate

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Bridnia, Larysa. "NAKAGIN RESIDENTIAL TOWER IN TOKYO, JAPAN: A FUTURISTIC ARCHITECTURAL CONCEPT OF THE MID-20TH CENTURY AND REALITY." Urban development and spatial planning, no. 86 (May 31, 2024): 17–26. http://dx.doi.org/10.32347/2076-815x.2024.86.17-26.

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The work is devoted to a retrospective analysis of the historical and social conditions of the construction, existence and dismantling of the futuristic Nakagin capsule tower. The Nakagin Capsule Tower was built in 1970-1972 in central Tokyo by architect Kisho Kurokawa and was similar to the modernist building of the Shizuoka Press Center by architect Kenzo Tange. Both buildings appeared as a practical illustration of the concept of architectural metabolism, that is, the possibility of giving architecture the ability of living organisms to grow and renew themselves, adapting to the external en

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Rozprawy doktorskie na temat "Architecture – japan – exhibitions"

Ricci, Giada. "L’espace muséographique au Japon : concepts et spécificités de la mise en exposition des œuvres dans les musées d’art." Electronic Thesis or Diss., Université Paris sciences et lettres, 2020. http://www.theses.fr/2020UPSLP003.

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Au croisement de disciplines telles que l’architecture, la muséologie, la muséographie-scénographie, l’histoire des musées et de l’architecture, et avec l’objectif de dépasser l’approche historique et la simple description, cette recherche étudie l’espace muséographique dans les musées d’art au Japon. Depuis la première apparition dans le vocabulaire japonais du mot « musée d’art », bijutsukan, à l’occasion de la participation du Japon à l’Exposition universelle de Vienne en 1873, les musées du XXIe siècle portent des valeurs esthétiques et culturelles spécifiquement japonaises. Cette recherch

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Hsu, Tah-Chuan, and 許大川. "A Study from New/Old Architecture Viewpoint on the Exhibition Space Formation--Based on the Comparison of Himeji City Museum of Literature(Japan) and The National Museum of Taiwan Literature." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/54543606625326706683.

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碩士<br>國立成功大學<br>建築學系碩博士班<br>97<br>The National Museum of Taiwan Literature is the first Literature Museum in Taiwan and is of large significance. Nowadays, the museums worldwide have an abundant research achievement in the study of Literature Museums. As for Taiwan, references on the related study for Literature Museums are rare. Besides the fact that the researchers pay less attention to the special attribute of literature museums, the public is even more unfamiliar with their role and meaning, either. Different from what previous museum researcher focused on: The management aspect, the re-us

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Książki na temat "Architecture – japan – exhibitions"

Yoshikawa, Yuki. Japan-ness: Architecture et urbanisme au Japon depuis 1945. Centre Pompidou-Metz, 2017.

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Yale University. Art and Architecture Gallery. Revealing new ground: Yale Japan exhibition 2002. Yale University, School of Architecture, 2002.

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Adolph, Stiller, and Wiener Städtische Allgemeine Versicherung (Firm), eds. 45 unter 45 junge Architektur : Japan =: 45 under 45 young architecture : Japan = 45-sai ika no kenchikuka 45-nin ten : Nihon. Pustet, 2002.

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New Trends of Architecture in Europe and Japan Committee. New trends of architecture in Europe and Japan 2002. Gendai Kikakushitsu Publishers Co., 2002.

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Paolo, Polledri, and San Francisco Museum of Modern Art., eds. Shin Takamatsu. San Francisco Museum of Modern Art, 1993.

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1950-, Kishi Warō, and Kawatoko Masaru, eds. Shin Takamatsu. Electa architettura, 2012.

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Kusumi, Kawanabe, and Tōkyō Sutēshon Gyararī, eds. Josaia Kondoru Ten: Rokumeikan no kenchikuka = Josiah Conder : [a Victorian architect in Japan. Higashi Nihon Tetsudō Bunka Zaidan, 1997.

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Garō, Yoshii, ed. Nihon, soshite sono utsukushisa: Kenchikuka Imazato Takashi no kiseki = Japan, and so beautiful. Sugiyama Takashi Kenchiku Sekkei Jimusho, 2008.

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Itō, Toyoo. Toyo Ito: Blurring architecture. Charta, 1999.

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1921-, Ishimoto Yasuhiro, and Museum of Fine Arts, Houston., eds. Katsura: Picturing modernism in Japanese architecture. Museum of Fine Arts, Houston, 2010.

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Części książek na temat "Architecture – japan – exhibitions"

"Tipis and Domes." In Earth Diplomacy. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059493-005.

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Chapter 4 centers on the Crow lodge, a painted tipi by Blackfeet artist Darryl Blackman that was commissioned by the US Information Agency for the US Pavilion at Expo 70 in Japan. Garnering a record-breaking sixty-four million visitors, the first Asian exposition was charged with simulating a “city of the future” in an era of whole earth images, dome mega-architecture, and dystopian accounts of Western progress. During this period, Plains tipis circulated internationally alongside domes as icons of environmental holism and countercultural resistance. Yet comparatively little attention has been

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Streszczenia konferencji na temat "Architecture – japan – exhibitions"

Gutierrez-Calderon, Pablo Jesus. "Maestro y discípulos: Japón y el pabellón para la Exposición Internacional de París de 1937." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.648.

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Resumen: En 1937, Japón presentaba para la Exposición Internacional de París un pabellón que rompía con los modelos de arquitectura tradicional y vernácula que había construido en anteriores exposiciones. El descaro de la propuesta generó no poca controversia en el país nipón debido al lenguaje empleado, alejado de las tipologías y sistemas constructivos autóctonos para introducir un nuevo modelo, aplicando nuevos materiales como acero y vidrio. Entre el primer proyecto presentado a concurso, obra de Kunio Mayekawa y el proyecto finalmente construido, obra de Junzo Sakakura, aparecerá un común

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Konovalova, Nina. "The Latest Concepts of Contemporary Museums in Japan: Architecture, Design and Experimental Exhibition Projects." In 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022). Athena International Publishing B.V., 2022. http://dx.doi.org/10.55060/s.atssh.221107.004.

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