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Artykuły w czasopismach na temat „Aristocracy (Social class) – Drama”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Miyake, Salete. "A DAMA DAS CAMÉLIAS EM VERSOS: DO DRAMA AO CORDEL." Revista Épicas NE7, mai 2024 (2024): 66–82. http://dx.doi.org/10.47044/2527-080x.2024.ne7.6682.

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This is a comparative analysis between the novel The Lady of the Camellias (1848) and its theater adaptation (1852), both written by Alexandre Dumas Filho, with the version in cordel (2010), produced by Evaristo Geraldo. The story deals with the tragic relationship between the courtesan, Marguerite Gautier, and the young bourgeois, Armand Duval. The figure of the young man from a traditional family who falls in love with the sinner had already been represented by other writers, inspired by the forbidden relationships between lovers of different ancestries and social classes, such as Victor Hug

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Ardian, Edi. "Democracy and Feudalistic between Daisy Miller and Mrs. Costello through Sociological Approach as reflected in Daisy Miller (1879)." ENGLISH JOURNAL OF INDRAGIRI 3, no. 2 (2019): 60–71. http://dx.doi.org/10.32520/eji.v3i2.603.

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There are several kinds of literary works. They are a poem, novel, fiction, drama,etc. Daisy Miller is one of the famous and popular novels. This novel is written inthe spring of London. The Author is Henry James. The writer analyzed this novel bythe sociological approach. This research applies qualitative research which thedata are taken from the analysis document and material from books and internetresearch. Data analysis concerns the interpretative technique that focuses onexamining data. The main source of this research is the novel Daisy Miller thisresearch is going to answer the research

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Marina, O. V. "CONSTRUCTION OF A MALE IDENTITY IN THE DRAMATIC DISCOURSE OF THE ENGLISH RESTORATION." Writings in Romance-Germanic Philology, no. 2(47) (January 15, 2022): 147–54. http://dx.doi.org/10.18524/2307-4604.2021.2(47).245952.

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In this article, the notions of discourse and identity are considered within the framework of a cognitive-communicative paradigm. I argue, that the dramatic discourse of the English Restoration was a product of a society in transition from one cultural, social, and political order to another and was constructed under the oppressive influence of Charles II, who actively used the institution of theatre as an instrument of spreading new ideas and reestablishing his royal power. In this paper, I substantiate, that the male identities constructed in the dramatic discourse of the English Restoration

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Kevers, Laetitia. "Re-establishing Class Privilege: The Ideological Uses of Middle and Working-Class Female Characters in Downton Abbey." Anglica. An International Journal of English Studies, no. 26/1 (September 11, 2017): 221–34. http://dx.doi.org/10.7311/0860-5734.26.1.14.

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This paper argues that the British period drama Downton Abbey, which aired between 2010 and 2015 and encountered worldwide success, uses working class and middle-class female characters to promote the aristocracy and conservative ideas, while hiding behind historical accuracy and seemingly progressive patterns of behaviour. Through a close reading of four female characters, I will demonstrate how the series’ author, Julian Fellowes, uses the show to endorse his own political agenda, as a Conservative member of the House of Lords in the British Parliament.

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ILIUKOVICH, ILIA. "MODERN BRITISH CULTURE AND ARISTOCRACY." Культурный код, no. 2022-4 (2022): 9–22. http://dx.doi.org/10.36945/2658-3852-2022-4-9-22.

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The article provides an analysis of the contemporary British aristocracy, which promotes the monarchical principle. The aristocratic aspect, class division and social hierarchy remain important components of the modern culture of Great Britain. In addition to the traditional hereditary aristocracy, which actively participates in public life, one can also talk about the aristocracy of the middle class, which partly adopted and inherited the traditions of high society.

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Barrow, Clyde W. "Beyond Progressivism: Charles A. Beard's Social Democratic Theory of American Political Development." Studies in American Political Development 8, no. 2 (1994): 231–81. http://dx.doi.org/10.1017/s0898588x00001255.

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In one of his last published works, Vernon Louis Parrington authored the introduction to a book entitledThe Growth and Decadence of Constitutional Government. In it he endorsed the book's claim that ratification of the U.S. Constitution had been accompanied by “bitter class divisions.” In Parrington's view, the struggle for ratification was accurately described as both a political “clash between aristocracy and democracy” and an economic class struggle “between the greater landed and financial interests and the agrarian interests” of the new republic. He concurred with the author that “the two

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Connolly, John, and Paddy Dolan. "Social class tensions, habitus and the advertising of Guinness." Sociological Review 65, no. 1 (2016): 100–116. http://dx.doi.org/10.1111/1467-954x.12388.

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Drawing from an Eliasian perspective we examine how an ‘advertising subjectivity’ became more firmly embedded within the bourgeois habitus. We explain how and why advertising slowly developed and expanded within a commercial organization despite initial opposition, ambivalence and even hostility from some of its bourgeois senior management towards the practice – the very social class sometimes identified with advertising’s origins and advance. Our empirical case is based on Arthur Guinness & Sons Ltd, the Irish company which came to be renowned for the alcohol beverage which carried its na

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GOODRICH, AMANDA. "UNDERSTANDING A LANGUAGE OF ‘ARISTOCRACY’, 1700–1850." Historical Journal 56, no. 2 (2013): 369–98. http://dx.doi.org/10.1017/s0018246x12000635.

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ABSTRACTThis article engages with current debates about linguistic usage in a new way. It examines linguistic change, the shifts in frequency of usage of ‘aristocracy’, both qualitatively and quantitatively, at specific moments and over time, in print during the period 1700 to 1850. Digital resources are utilized to provide broad quantitative evidence not previously available to historians. The potential use and value of digitized sources is also explored in calculating the volume and frequency of keyword appearance within a broad set of genres. This article also examines qualitatively usage o

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Abbar, Najlaa Hayyawi. "Examining the Impact of Social Classism and Sacrifice in Dickens's a Tale of Two Cities." Pindus Journal of Culture, Literature, and ELT 4, no. 1 (2024): 21–27. http://dx.doi.org/10.51699/pjcle.v4i1.869.

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The present study examines the social stratification in the novel of Charles Dickens's A Tale of Two Cities (1859). It shows how the novel traces the conflict between different categories of society. In so doing , the study discovers the core ideas that shape the disparity that exists between the working class and the aristocrats. In his novel A Tale of Two Cities, Charles Dickens discusses the role of cultural domination in France and England as well as demonstrating the goals of the aristocracy. According to Marx's theory of social construction depends on class relationships and division. Th

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Miller, Etta, Bill Vanderhoof, Henry J. Patterson, and Luther B. Clegg. "Integrating Drama into the Social Studies Class." Clearing House: A Journal of Educational Strategies, Issues and Ideas 63, no. 1 (1989): 26–28. http://dx.doi.org/10.1080/00098655.1989.9955715.

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Basid, Abdul, Zulhizawati Zulhizawati, and Muh Zuhdy Hamzah. "PERTENTANGAN KELAS SOSIAL PADA TOKOH UTAMA DALAM DRAMA THE HEIRS BERDASARKAN PERSPEKTIF TEORI SASTRA MARXIS." KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya 4, no. 2 (2018): 119. http://dx.doi.org/10.22219/kembara.vol4.no2.119-127.

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The purpose of this study is to reveal the form and cause of social class opposition to the main character in drama the heirs based on the perspective of Marxist literary theory. The type of this research is descriptive qualitative research. The main data source in this study is the drama The Heirs. The technique of data collection is watching, reading, and record. While the technique of data analysis is Miles and Huberman model. The results of this study is: 1) the form of social class disagreement on the main character in the drama The Heirs is oppression; and 2) the cause of social class op

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Solahudin, Satiri, and Nadilah Zahrani. "Stratifikasi Sosial pada Tokoh-Tokoh Naskah Drama Nyonya-Nyonya Karya Wisran Hadi." Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia 9, no. 2 (2022): 190–201. http://dx.doi.org/10.15408/dialektika.v9i2.25110.

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In every society, it is not strange for us to find the existence of different levels of social class or social position. Starting from the existence of class differences in society, an idea emerged, namely social stratification. Social stratification takes many forms. However, the researcher chose social stratification based on the class level in the society, criteria of honor, economy, and position or status in the society. The researcher proves the forms of social stratification through dialogue contained in the drama script of Nyonya-nyonya. The purpose of this study is to describe the soci

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Dejung, Christof, and David Motadel. "Global Social History: Rethinking Class and Social Transformation in the Modern World." Historical Journal 67, no. 4 (2024): 611–33. http://dx.doi.org/10.1017/s0018246x24000207.

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AbstractThe rise of global history has fundamentally reshaped historical scholarship over recent years. Questions about class structures, however, have rarely been specifically addressed by global historians. Scholars of social history, meanwhile, have traditionally studied social stratification within national frameworks. The introduction to this special issue addresses these shortcomings, exploring global social history as a new field of historical inquiry. Interweaving global and social history, it demonstrates that we cannot understand the emergence and transformation of social groups acro

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Phillip, Olivia Yuriko, and Wulan Purnama Sari. "Kelas Sosial dalam Serial Drama Squid Game (Studi Semiotika Roland Barthes dari Perspektif Karl Marx)." Koneksi 7, no. 2 (2023): 437–45. http://dx.doi.org/10.24912/kn.v7i2.21484.

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A film is a complex piece of mass media. Movies consist of audio and video that can affect the audience's emotions. There are various categories in film, one of which is drama series. This study uses Karl Marx's theory to describe and analyze the social class in the drama series 'Squid Game.' The research method used is semiotics, according to Roland Barthes. Karl Marx defines the concept of social class based on the integration of economic relations, occupation, and education. Based on the results of Roland Barthes' semiotic analysis that has been carried out in the drama series 'Squid Game,'

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Queimada e Silva, Tiago. "Lectio praecursoria: The Good Noblemen Who Conquered the Kingdom: Islam, Historiography, and Aristocratic Legitimation in Late-Medieval Portugal." Mirator 23, no. 1 (2023): 44–46. http://dx.doi.org/10.54334/mirator.v23i1.130693.

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This text consists of the 'lectio praecursoria' given at the defense of my doctoral dissertation "The Good Noblemen Who Conquered the Kingdom: Islam, Historiography, and Aristocratic Legitimation in Late-Medieval Portugal". This dissertation deals with aristocratic historiography and political legitimation in late-medieval Portugal (late thirteenth and fourteenth centuries). It offers a perspective into the historical imaginary of the late-medieval Portuguese aristocracy; an imaginary that underlay the argumentation of members of this social class in defence of their traditional rights and jur

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Kusdiyana, Eman. "REFLEKSI GEKOKUJO DALAM TEKS DRAMA KYOUGEN BERJUDUL “BUAKU”." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (2017): 249–65. http://dx.doi.org/10.47269/gb.v3i2.19.

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AbstrakDrama Kyougen berjudul Buaku menceritakan tentang konflik sosial antara golongan sosial atas (penguasa) dengan golongan sosial bawah (petani, buruh, tukang dan pedagang) yang terjadi di Jepang pada zaman Muromachi (1350—1573). Secara sosiologis yang ditekankan pada cerita Buaku ini adalah konflik sosial berupa perlawanan golongan sosial bawah terutama petani desa terhadap golongan sosial atas(Shugo Daimyo, Daikan) yang dikenal dengan istilah Gekokujo (bawahan melawan atasan). Dalam gerakan Gekokujo esensinya adalah rakyat bangkit, berpikir kritis, bersatu, dan menciptakan rasa kebersama

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Proleiev, Sergii. "Social drama of independence." Filosofska dumka (Philosophical Thought) -, no. 3 (2021): 64–78. http://dx.doi.org/10.15407/fd2021.03.064.

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The article analyzes the problem of Ukraine's development since independence. A comparison of the way of organizing social reality in modern Ukraine and in the Soviet period is carried out. The main regulatory factor in the life of Soviet society was the principle of domination. Ukraine has inherited the principle of domination and retains its leading role in the current social order. Its various manifestations that determine the structure of Ukrainian society, in particular the growth of the bureaucratic class and bureaucratic pressure on all spheres and sections of life, are analyzed. The do

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Ikegame, Aya. "Space of kinship, space of empire." Indian Economic & Social History Review 46, no. 3 (2009): 343–72. http://dx.doi.org/10.1177/001946460904600304.

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This article centres on perceptions of ‘space’ amongst members of the Mysore royal caste from the late nineteenth to the early twentieth century. There were several perceptions of space coexisting at the time. One was based upon a traditional idea of space that prohibited the aristocracy, especially the king, from travelling beyond a certain area. Another was the imposed perception of empire, which gave Indian royals the idea that parts of their world were connected horizontally through the expansion of empire. The Mysore royals tried to embody perceptions of both spaces through restrictions o

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Clarke, Laura H. "The Legend of the Legion: Nihilism and the Restoration of the Aristocracy in Ouida’s Under Two Flags." Victoriographies 12, no. 2 (2022): 153–67. http://dx.doi.org/10.3366/vic.2022.0455.

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Ouida’s Under Two Flags (1867) is not a widely read Victorian novel today, but it is offers important insight into the philosophical concerns of a novelist who was hugely popular in her time. In Under Two Flags, Ouida explores what she saw as the epistemological problem developing in the nineteenth century, a nihilistic view that promoted scepticism, aestheticism, and idleness, which is a perspective she believed was responsible for the demise of the aristocracy. Wishing to restore the power and position of the aristocracy, Ouida sends her protagonist Bertie Cecil, a dandy who embodies the aes

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Rosler, Brenda. "Process Drama in One Fifth-Grade Social Studies Class." Social Studies 99, no. 6 (2008): 265–72. http://dx.doi.org/10.3200/tsss.99.6.265-272.

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Yahr, Jayme. "Appropriating Identity: William Hogarth, Thomas Gainsborough, and Britain’s Myth of the Self-Made Man." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 11 (December 12, 2010): 1–14. http://dx.doi.org/10.2218/forum.11.659.

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Britain’s self-made man was defined by taste, money, influence, and most importantly, middle-class rank in the early decades of the Industrial Revolution. During the mid-1700s, a change began to take place between the social classes, stripping the aristocracy of their role as Britain’s foremost connoisseurs and trendsetters. The shift from aristocratic indulgences to those of the newly wealthy middle class stemmed from a number of factors. For one, the economy was changing during the 18th-century. An industrial environment, which often included factories and workers, was the new-found key to t

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Yeo, Jinsook, and Younghak Kim. "A Study on the perception of the times inherent in the drama “The Youngest Son of a Chaebol Family”." Barun Academy of History 22 (October 31, 2024): 403–30. http://dx.doi.org/10.55793/jkhc.2024.22.403.

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This paper analyzes the TV drama “The Youngest Son of a Chaebol Family” and explores its narrative structure and social meaning. The drama unfolds through a fantastical narrative structure that symbolically highlights inequality and the rigidity of hierarchical structures in modern Korean society. It reflects the challenges of social mobility and the unfair social structures in a capitalist system, centering on the class difference symbolized by the “dirt spoon” and “gold spoon.” The fantasy structure is particularly tied to the “spoon class theory” in Korean society, functioning as a device t

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Morris, Ronald V. "Teaching Social Studies Through Drama: Student Meanings." Journal of Social Studies Research 25, no. 1 (2001): 3–15. https://doi.org/10.1177/235227982001025001001.

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A qualitative research study examines what the use of drama in a seventh grade social studies class means to the students. The students use structured role-play and scripted play to examine social studies through the content of ancient history. The students exhibit problem solving, decision-making, empathizing, linking events, sharing ideas, and conceptualizing. Drama is another powerful method of teaching social studies calling on students to demonstrate knowledge skills, attitudes, and participation.

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Puspita, Eva, Singgih Kuncara, and Fatimah M. "Social Class Oppression in Ally Condie's Crossed Novel: A Marxist Criticism." Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya 7, no. 4 (2023): 1333. http://dx.doi.org/10.30872/jbssb.v7i4.8295.

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This study examined social class oppression in Ally Condie’s Crossed novel as the object of the research. This research applied Tyson’s social class and Young’s types of oppression theory. This research used qualitative research as a method and used a Marxist approach to conduct research. This research showed five indicators of social class: Aristocracy is portrayed as an Institution that has unlimited jobs and financial security. The upper class is the people in Tana provinces who are economically privileged which is they had small facilities for production. The middle class referred to the O

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Suzuki, Mihoko. "Gender, Class, and the Social Order in Late Elizabethan Drama." Theatre Journal 44, no. 1 (1992): 31. http://dx.doi.org/10.2307/3208514.

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Maan, Dr Samanveer. "Social Spectrum in the Plays of Mahesh Dattani." Journal of Research in Humanities and Social Science 13, no. 3 (2025): 08–10. https://doi.org/10.35629/9467-13030810.

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Mahesh Dattani is a unique and popular dramatist of Indian English Drama. He has created a vibrant new theatrical form which is a marked development for hither to stagnant stage of Indian English drama. All his plays throws light on the less discussed and untouched themes such as homosexuality, gender discrimination, eunuch issues, communalism etc relating to middle and upper middle class of urban society but these plays due to their universal appeal, crosses the linguistic and geographical barriers and appreciated by all types of audiences.

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Fikri, Husnul, and Hasanuddin WS Hasanuddin WS. "Pertentangan Kelas Sosial dalam Naskah Drama Kapai-Kapai Karya Arifin C. Noer." Persona: Kajian Bahasa dan Sastra 2, no. 1 (2023): 75–85. http://dx.doi.org/10.24036/jpers.v2i1.124.

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This study aims to reveal the forms of social class conflict, the factors that cause social class conflict, and the impact of social class conflict in the play Kapai-Kapai by Arifin C. Noer. This type of research is descriptive qualitative research. The main data source in this research is Kapai-Kapai drama script by Arifin C. Noer. The research data collection techniques are; (1) Reading and understanding the play Kapai-Kapai by Arifin C. Noer; (2) Literature review in order to obtain an understanding of the problem to be studied; and (3) Inventory of data related to social class opposition d

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O’Mara, Joanne. "Understanding the Complexity of Social Issues through Process Drama." Talking Points 14, no. 1 (2002): 27–30. http://dx.doi.org/10.58680/tp20022594.

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Middle level teacher Joanne O’Mara uses process drama as a means for her students to explore multiple perspectives. In the teaching vignette she shares here, her class challenges their understanding of deforestation through dramatizing Judith Nichol’s A Poem for the Rainforest.

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Savage, Gail. "They Would if They Could: Class, Gender, and Popular Representation of English Divorce Litigation, 1858-1908." Journal of Family History 36, no. 2 (2011): 173–90. http://dx.doi.org/10.1177/0363199011398587.

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A systematic sample of the petitions presented to the English Divorce Court from 1858 through 1908 makes it possible to assess the differential contribution of discrete social and economic subgroups to the litigation the Court oversaw. An examination of four of these—the titled aristocracy, those employed in the theater, those in receipt of financial aid, and laborers—shows that English divorce litigants exhibited a broader social profile than commonly attributed to it by the newspaper coverage of divorce litigation, which gave a skewed impression of its social profile. Analysis of these cases

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Adinda, Afifah Anwar, Haryono Akhmad, and Wibisono Bambang. "Social Status Differences, Social Class Stereotypes, and Cross-Cultural Communication in the Korean Drama 'Little Women'." International Journal of Social Science and Human Research 07, no. 01 (2024): 1–8. https://doi.org/10.5281/zenodo.10450202.

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Little Women tells the story of three poor sisters who are involved in a case related to the richest family in South Korea. This article aims to reveal the social class stereotypes contained in the little women series, the factors that influence social class inequality, and also the solutions to these problems. The subjects studied were the three main siblings in the series, namely Oh In Joo, Oh In Kyung, and Oh in Hye. The research method is descriptive qualitative using Hofstede's cultural theory analysis. The analysis is carried out through five dimensions of culture according to Hofstede,

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Zaitseva, Еvgeniya S. "Social Status of Roman Senators According to the Theodosian Code: Legislation and Reality." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 3 (2022): 200–214. http://dx.doi.org/10.15826/izv2.2022.24.3.053.

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In 438, at the initiative of Emperor Theodosius II, one of the most significant legislative collections of the late Roman Empire, the Codex Theodosianus (Eng. Theodosian Code), was published, which is a valuable source on the social history of the Roman state in Late Antiquity. Based on the data of the Codex Theodosianus and Novellae of Emperors, the author of the article reconstructs the most important components of the social status of Roman senators of the fourth century BC. It is revealed that in the view of the emperor and the compilers of the Theodosian Code, the senatorial aristocracy w

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Hao, Shuang, Nalini Arumugam, Wenlin Li, and Zefu Huang. "Drama Experience in Upgrading Marketing Learners’ Competence in Improving Customer Satisfaction." International Journal of Religion 5, no. 11 (2024): 710–24. http://dx.doi.org/10.61707/gg35jc16.

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Currently, a major issue faced by Marketing learners in China is how to enhance their competence in improving customer satisfaction. Solving this problem will help them effectively meet market demands once they enter the workforce after graduation. This study investigated the impact of drama experience on the competence in improving customer satisfaction of Chinese Marketing learners and the mediating role of self-efficacy. Recently, research on drama education has increasingly explored its impact on college student’s social skills, with drama even becoming a powerful tool for interdisciplinar

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Yasa, I. Nyoman. "DUNIA ABSURD DAN PERLAWANAN KELAS PADA DRAMA DAG-DIG-DUG KARYA PUTU WIJAYA." Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa 3, no. 2 (2010): 136. http://dx.doi.org/10.24036/ld.v3i2.7374.

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Research on drama in Indonesia is an effort to apply and express the theory in Indonesia. Naturally a theory existence from research accumulation to applied skills. It is hoped that this research can accumulate the science, mainly drama. The term of absurd was used by Martin Esslin for kind of theater that used the failure of language as main of communication. Besides, this term is popularized by Eugene Ionesco. He is a writer of absurd theater. Many of his drama already translated and performed in Indonesia. The data that already collected is analyzed by using the concept of absurdity to reve

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Gabashvili, Valerian, and Manana Gabashvili. "Social Movements in Near Eastern Cities from the 9th to the 13th Century." Journal of Persianate Studies 1, no. 2 (2008): 123–47. https://doi.org/10.1163/18747167-00102003.

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This essay by the lace Prof. V. Gabashvili (1911-1985) examines medieval social movements in the cities of a key area in the Persianace civilizational wne, screeching from Syria and Iraq in the west to Georgia and the Caucasus in the north and Iran, Khorasan and Transoxania co the east and northeast. The analytical framework is Marxian, and the underlying unity of the region called the Near and Middle East is explained in terms of the common class structure and its transformation. The author argues that the 'feudal context' is crucial for understanding these social movements, which he divides

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Armytha, Nana. "NILAI-NILAI SOSIAL NASKAH DRAMA “CERMIN” KARYA NANO RIANTIARNO SEBAGAI ALTERNATIF BAHAN AJAR APRESIASI SASTRA DI SMA." LITERASI: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah 13, no. 1 (2023): 72–84. http://dx.doi.org/10.23969/literasi.v13i1.6646.

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This study aims to analyzeethe social values econtained in the drama script "Cermin" and its relevance as an alternative to the selection of literary appreciation materials in high school. The reason the researcher did this research is because the drama script "Cermin" by Nano Riantiarno has deep life values, especially social values. Drama scripts, besides being able to be staged, can also be used as teaching materials. The social values contained in drama scripts can be used as alternative teaching materials for literary appreciation in high school. This research methodeis descriptive qua

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Tarkowski, Mikołaj. "System przedstawicielski w poglądach Borysa Cziczerina." Opolskie Studia Administracyjno-Prawne 14, no. 2 (2016): 159–69. http://dx.doi.org/10.25167/osap.1561.

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The article is devoted to the representative system, which was one of the elements of the social and political thought of the Russian philosopher Boris Chicherin, who worked in the second half of the nineteenth century. The author analyzes the structure of national representation and the factors which – according to Boris Chicherin – weakened or strengthened the system. In this article, the author emphasizes the role of different factors: social groups (aristocracy, middle class), political liberty and property, that were important for the formation of representative institutions. The analysis

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Oliveira, Susan. "«Por ser mulher e não saber ler»: Do legado de opressão colonial à luta pelo protagonismo na literatura." e-Letras com Vida: Revista de Estudos Globais - Humanidades, Ciências e Artes 14 (June 30, 2025): 021–29. https://doi.org/10.53943/elcv.0125_21-29.

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This article seeks to present an overview of the presence of women in Brazilian literature, from the perspective of their historical exclusion from the means and possibilities of reading and writing, whether due to the distinctive cultural capital enjoyed by white women belonging to the aristocracy, or due to the distinctive structural racism experienced by enslaved and segregated indigenous and Afrodescendant women. Contemporary literature has been a space for confronting this legacy of racial, social class and gender oppression both in Brazil and in the post-colonial world.

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Wu, Yue, and Jinsong Shen. "Place, Class, and the Destruction of the American Dream in The Great Gatsby From the Perspective of Space." Theory and Practice in Language Studies 13, no. 10 (2023): 2500–2505. http://dx.doi.org/10.17507/tpls.1310.08.

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This study is a spatial analysis of The Great Gatsby (1925). This novel presents the power game among various white classes in American society in the context of the Roaring Twenties, with obvious spatial characteristics. The geographical distribution between East Egg, West Egg, and the Valley of Ashes presents the high-and-low-class distinction of different classes in social space. The upper classes practice class oppression and exploitation through space, while the lower classes also use space to resist oppression and climb the class ladder. This paper draws on French philosopher Henri Lefeb

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Oktaviani, Betsi, Maria Cholifah, Rizky Lutviana, and Novi Sriwulandari. "ANALYSIS OF THE CHARACTERIZATION IN “ITAEWON CLASS” KOREAN DRAMA." HUMANIS: Jurnal Ilmu-Ilmu Sosial dan Humaniora 16, no. 2 (2024): 13–20. http://dx.doi.org/10.52166/humanis.v16i2.6343.

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This research is aimed at analyzing the characterizations of the five main characters in “Itaewon Class” korean drama. The analysis of the characterization includes the appearance of the characters, the personality of the characters, the social status of the characters, and the social relationship of the characters. The object of this research is the four main characters, namely Park Sae Ro-Yi, Jo Yi-Seo, Oh Soo-Ah, and Jang Dae-Hee This research applied descriptive qualitative research design. Data collection process includes: (1) watching the “Itaewon Class” drama, (2) reading the story of “

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Boyko, Vladimir. "The Second Russian Revolution and N.A. Berdyaev’s Utopian Project of Spiritual Aristocracy." Ideas and Ideals 15, no. 3-1 (2023): 56–78. http://dx.doi.org/10.17212/2075-0862-2023-15.3.1-56-78.

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Throughout many years Berdyaev discusses the problem of spiritual aristocracy formation in Russia. The Russian philosopher defends an imperishable value of spiritual aristocracy, as he doesn’t see a direct connection between the socio-historical environment and the emergence of “knights of spirit”. In his works he underlines the priority of the universal objective Divine will, calls for renewing Christianity and all aspects of public life, connects religious revival only with the development of a person. Berdyaev believes that the ‘people-nation’ can be aristocratic if it is ready to subordina

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Putra, Ferro Oktawan, and Muhammad Adek. "Diskriminasi Sosial dalam Novel Rasina karya Iksaka Banu." Persona: Kajian Bahasa dan Sastra 3, no. 3 (2024): 475–83. http://dx.doi.org/10.24036/jpers.v3i3.256.

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This study endeavors to provide an academic account of the social class division depicted in the novel Rasina by Iksaka Banu, as well as an analysis of the portrayal of social discrimination and its implications in the narrative. The primary focus of this research is the novel Rasina, authored by Iksaka Banu and published in 2023. The research employs a descriptive literary research methodology, scrutinizing the words, phrases, clauses, and sentences pertaining to social class, discrimination, and the characters' dialogue and actions within the novel. The data collection technique employed enc

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PAUL, NICHOLAS L. "THE THEATER OF WAR: EUROPEAN NOBILITY, CULTURAL CAPITAL, AND CRUSADING TO THE EASTERN MEDITERRANEAN." Traditio 79 (2024): 227–56. https://doi.org/10.1017/tdo.2024.6.

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From its beginnings in the eleventh century through its decline in the early modern period, the movement of Christian holy war known as the crusades was sustained by the enthusiasm and willing participation of the European military aristocracy. Despite this, historians have yet to explain the continuing value of crusading and the maintenance of the crusading frontier for the aristocracy. This article argues for a fundamental re-evaluation of the nature of crusading, as it was perceived and experienced by European elites. Rather than large-scale military expeditions with global geo-political ob

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Hatem, Mervat F. "Economic and Political Liberation in Egypt and the Demise of State Feminism." International Journal of Middle East Studies 24, no. 2 (1992): 231–51. http://dx.doi.org/10.1017/s0020743800021541.

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In the late 1950s and the 1960s, an Egyptian welfare state was developed to provide the economic basis of a new social contract between the Nasser regime and its key class allies. Its main beneficiaries were the men and women of both the middle class and the labor aristocracy, who were to staff and run its expanding state sector. For Egyptian women, who were scorned by the pre-1952 states, the new welfare state offered explicit commitment to public equality for women. It contributed to the development of state feminism as a legal, economic, and ideological strategy to introduce changes to Egyp

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Hwang, Jiyoung. "A study of “youth meritocracy” in fantasy school drama - Focusing on Korean OTT Original Dramas in the 2020s -." Education Research Institute, Chungbuk National University 45, no. 1 (2024): 1–30. http://dx.doi.org/10.55152/kerj.45.1.1.

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This paper analyzes fantasy school dramas among the original Korean OTT dramas in the 2020s that deal with adolescents' entrance exams, competition, survival, and struggles. Exploring the “youth meritocracy” in these dramas. Originally, the meritocracy was considered the opposite of aristocracy, affirming that intelligence and hard work are the forces that create class mobility. However, over time, it has transformed into a meritocracy based on education and exams. Especially in Korea, it reinforces the obsession with prestigious universities and eventually becomes a way to justify endless com

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Devina, Gina. "“Sang Kuriang” Drama Script by Utuy T. Sontani for Learning Material in Drama Apreciation Learning Senior High School Class XII." LOKABASA 13, no. 2 (2022): 172–79. http://dx.doi.org/10.17509/jlb.v13i1.48341.

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This research is taken from the drama script "Sang Kuriang" by Utuy T. Sontani which was divided into two parts, namely libretto, two rounds, and three-part drama. The purpose of this study is to describe the two-round drama scripts in the form of (1) the facts of the story in the drama script "Sang Kuriang by Utuy T. Sontani which includes the facts of the story (lines, characters, and settings), (2) moral values (religious, psychological and social aspects), and (3) the application of the fact story and moral values analysis results for learning material of drama appreciation in class XII hi

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Forrest, David, and Beth Johnson. "Erasing Diversity: Mediating Class, Place, Gender and Race in The Moorside." Journal of British Cinema and Television 17, no. 1 (2020): 91–111. http://dx.doi.org/10.3366/jbctv.2020.0509.

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This article is focused on the 2017 BBC drama, The Moorside. Over two episodes, it revisits the events surrounding the ‘disappearance’ of Shannon Matthews, a nine-year-old schoolgirl from Dewsbury in West Yorkshire, with the drama culminating in the arrest of Shannon's mother, Karen, on charges of child neglect and perverting the course of justice. We identify the events depicted in The Moorside and, in particular, the media's framing of them, as central to the formation of pervasive and corrosive narratives of ‘broken Britain’. In revisiting the Matthews case, The Moorside re-animates and, we

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Vitsou, Magda, and Maria Papadopoulou. "Getting them back to class: A project to engage refugee children in school using drama pedagogy." Scenario: A Journal for Performative Teaching, Learning, Research XIV, no. 2 (2020): 42–59. http://dx.doi.org/10.33178/scenario.14.2.3.

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The paper presents aspects of a drama based six months’ project with refugee children during their first period of schooling in Greece. The project aimed to investigate whether drama sessions could facilitate second language learning, strengthen children’s participation in classroom communication and enhance interaction among pupils and teachers with few shared language resources in an attempt to provide them with positive experiences. Drama strategies were used to provide a joyful and welcoming environment and boost children’s communication skills. In most cases, drawing and painting, music a

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Fuchs, Christian. "Engels@200: Friedrich Engels and Digital Capitalism. How Relevant Are Engels’s Works 200 Years After His Birth?" tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 19, no. 1 (2020): 15–51. http://dx.doi.org/10.31269/triplec.v19i1.1228.

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This paper takes Friedrich Engels 200th birthday on 28 November 2020 as occasion to ask: How relevant are Friedrich Engels’s works in the age of digital capitalism? It shows that Engels class-struggle oriented theory can and should inform 21st century social science and digital social research. Based on a reading of Engels’s works, the article discusses how to think of scientific socialism as critical social science today, presents a critique of computational social science as digital positivism, engages with foundations of digital labour analysis, the analysis of the international divis

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Clark, Sandra. "Women, class, and the language of madness in early modern English drama." Sederi, no. 24 (2014): 7–26. http://dx.doi.org/10.34136/sederi.2014.1.

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This paper discusses the depiction of madwomen in a range of early modern English plays including some by Shakespeare in order to show how their madness operates at the intersection of gender, genre, and social class. Its particular focus is on language, and it argues that the speech styles of madwomen are essentially similar whatever their social class. For women, madness is a linguistically liberating condition, bringing together high and low cultural discourses. While stage madwomen’s language has similarities with that of madmen, it is more licentious and transgressive because the violatio

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Roos, Liina-Ly. "Mediating a pluralized ‘we’: Amateur first-person filmmaking in Gabriela Pichler’s Amateurs." Journal of Scandinavian Cinema 12, no. 1 (2022): 29–36. http://dx.doi.org/10.1386/jsca_00061_1.

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This article analyses the incorporation of amateur and first-person filmmaking in Gabriela Pichler’s comedy drama Amatörer (Amateurs) (2018) as a contradiction and alternative to the professional economies of media that tend to reinforce middle-class Swedish Whiteness and silence the experiences of minority populations of divergent races, ethnicities and social class.

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