Gotowe bibliografie tematyczne / Artist

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Artist”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Artist"

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Shields, Alison Lea, Ingrid Mary Percy, and Teresa Vander Meer-Chassé. "Making Time and Space for Art: An Examination of an Artist-in-Residence Within a Postsecondary Art Education Program." Canadian Review of Art Education 48, no. 1 (2021): 73–99. http://dx.doi.org/10.26443/crae.v48i1.96.

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Abstract: This article examines the process and impact of an artist-in-residence program in Art Education at the University of Victoria. After an open call to artists, contemporary Upper Tanana visual artist, Teresa Vander Meer-Chassé, member of the White River First Nation of Beaver Creek, Yukon and Alaska was selected as the inaugural artist-in-residence. Through research-creation and qualitative methods this research examines the artist’s artistic process and the impact of an artist-in-residence on students’ and faculty’s perception of artistic practice and their experience working with an
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Traduzido por Talita Trizoli, Howardena Pindell. "CONSELHOS PARA UM JOVEM ARTISTA NEGRO / Advices to a young black artist." arte e ensaios 27, no. 42 (2022): 336–41. http://dx.doi.org/10.37235/ae.n42.22.

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Nesse ensaio confessional, a artista afro-americana Howardena Pindell rememora alguns epis�dios de racismo em sua trajet�ria profissional como artista e curadora, al�m de oferecer alguns conselhos profissionais para jovens artistas negros, a fim de escapar de rela��es abusivas de trabalho, golpes e demais�problemas existentes no sistema das artes.Palavras-chave:Ensaio de artista. Sistema das artes. Conselhos.�AbstractIn this confessional essay, the African-American artist Howardena Pindell recalls�some episodes of racism in her professional trajectory as an artist and curator, as well as offer
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Marter, Joan, and Amy J. Wolf. "Significant Others: Artist Wives of Artists." Woman's Art Journal 15, no. 2 (1994): 57. http://dx.doi.org/10.2307/1358612.

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Ahmad Budi Sulistio Yuwono, S.E., M.M, Ahmad Budi Sulistio Yuwono, S. E. ,. M. M. "INOVASI HAK CIPTA DALAM BISNIS DAN INDUSTRI MUSIK DALAM KOMUNIKASI MASSA." Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian 2, no. 2 (2025): 51–68. https://doi.org/10.56849/jpf.v2i2.33.

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In our increasingly modern world, the digital era brings various kinds of changes in people's behavior in all areas of life. This is no exception in the field of copyright protection, which is part of intellectual property. The task of artist management is to organize or regulate the professional life of celebrities such as actors, artists, singers, models, and other figures in the entertainment industry. Without artist management, artists have difficulty organizing their lives, from managing schedules to negotiating commissions. How does artist management help ensure legal protection, specifi
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Yu, Sang-Min, and Yun-Suk Lee. "A Study on the Relationship between Institutional Factors and Stress in Popular Culture Artists." Korea Association Of Cultural Economics 27, no. 1 (2024): 181–207. http://dx.doi.org/10.36234/kace.2024.27.1.181.

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This study aims to analyze the stress experienced by popular culture artists in the changing work environment. This study used the data from the '2021 Survey on Artists & Activities' in Korea. We analyzed the impact of institutional factors on artists' stress by popular culture field through Ordered logistic regression analysis between film, broadcast, and popular music artists and their stress levels. Career Interruption, Activities period, education, On-the-job injury, residence area and full-time status of broadcast artist significantly affected artist's stress. Also, Public Pension Sal
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Nicholas Addison and 정옥희. "Artist Teachers/Teaching Artists: Negotiating Pedagogic Identities." Journal of Research in Art Education 11, no. 1 (2010): 51–84. http://dx.doi.org/10.20977/kkosea.2010.11.1.51.

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MacDonald, Margaret Flora. "James McNeill Whistler: An Artist on Artists." Visual Culture in Britain 16, no. 2 (2015): 200–222. http://dx.doi.org/10.1080/14714787.2015.1038437.

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Ashby, James B. "Bridging the Gaps: The Puppets Up! International Puppet Festival." Canadian Theatre Review 138 (March 2009): 33–38. http://dx.doi.org/10.3138/ctr.138.006.

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Puppet artists, from the fatherly Geppetto in The Adventures of Pinocchio to the more troubled Craig Schwartz in Being John Malkovich, are often represented as loners, pursuing their chosen art without any outside aid. The solitary puppet artist certainly exists, but as Steve Tillis points out, “[T]he opportunity for control that puppetry offers the artist is frequently taken up less for artistic reasons than for financial ones, at least in America”; and the situation is not markedly different in Canada: “[I]t is often only by working alone that an artist can earn a living” (33). Even the lone
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Sooudi, Olga Kanzaki. "Alternative Spaces & Artist Agency in the Art Market." Arts 9, no. 4 (2020): 116. http://dx.doi.org/10.3390/arts9040116.

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This article explores what alternative, or artist-led, spaces are in Mumbai today and their role within the city’s artworld. Drawing on ethnographic fieldwork in two alternative spaces, it argues that these are artist attempts to exercise agency in their work for an uncertain market context. In other words, these spaces are a strategy for artists to exercise control over their work in an uncertain art market, and a means to counterbalance their dependence on galleries in their careers. Furthermore, artists do so through collectivist practices. These spaces, I argue, challenge models of artisti
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Caire da Silva, Regiane Aparecida. "A formação do artista botânico no século XIX: fronteira entre ciência e arte." História da Ciência e Ensino: construindo interfaces 20 (December 29, 2019): 823–35. http://dx.doi.org/10.23925/2178-2911.2019v20espp823-835.

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ResumoA imagem botânica percorreu tendências e possibilidades técnicas singulares ao longo da sua história. Diferentes teorias influenciaram na representação das imagens das plantas, bem como a importante relação entre artista, desenhista, gravador e cientista, uma confluência entre teoria e prática - ciência e arte – apresentadas em edições fundamentais da historiografia botânica. Houve, portanto, a necessidade de formação do ilustrador para as edições científicas e de distingui-lo do artista paisagista ou pintor de flores. Contudo, essa distinção foi tênue, levando-se em conta que a própria
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Rozprawy doktorskie na temat "Artist"

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Mantooth, Jennifer R. "Muse as artist : selected artists past and present /." Online version of thesis, 1992. http://hdl.handle.net/1850/11227.

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O'Neil, Maryvelma Smith. "Giovanni Baglione : seventeenth-century artist, draughtsman and biographer of artists." Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:b1494a9e-8c16-4d48-9553-0f63da44cb6c.

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This thesis explores Baglione's contributions to art and to the history of art by examining the nature of his artistic and critical originality and the significant influences thereon. In the work for which he is best known, Le Vite ... (1642), Baglione was an interesting and generous critic who was unusually receptive to pictorial effects, even when in architecture and sculpture. He assesses Caravaggio's accomplishments with well chosen observations thereby breaking his restriction to discuss only accessible works of art. A broad view of his paintings and drawings shows Baglione's complex, ori
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Mujica, Alejandro. "Escape Artist." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5346.

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My thesis, Escape Artist, is a composite novel written as a fictitious memoir, similar in style to Tim O'Brien's The Things They Carried, that describes my experiences between the years 2001 and 2011. During that time I went through Marine Corps Boot Camp, became a military police officer, patrolled Yuma, AZ, was sent to Iraq for a seven-month tour as a security detail just before the start of Operation Iraqi Freedom, and made it back home four years later. The novel also looks into my struggles with Post-Traumatic Stress Disorder symptoms, how they affected the people around me, and what I've
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Gustina, Charles F. "Escape Artist." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1494.

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This thesis reviews the background, influences, and evolution of the body of work entitled Folia, which forms the basis for the candidate's thesis exhibition. It traces the development of the candidate's artistic inclinations from drawing to photography. Directorial and Pictorialist photography are discussed as forebears in the Influences chapter. Evolution of the Body of Work details how the current work grew from both the candidate's background and influences. A Brief Anthology of Quotations references Susan Sontag's influential work, On Photography, with quotations that have either infl
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Lamb, Justin. "Escape Artist." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2621.

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This poetry manuscript explores themes of family and addiction, education and New Orleans, and fear and escape in the span of three parts. Its preface examines the poet’s background and influences, his relationship with performance and humor, and the levity he hopes to create in his work.
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Ladbon, Halima. "Artist Statement." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/916.

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Calvert, Robyne Erica. "Fashioning the artist : artistic dress in Victorian Britain 1848-1900." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3279/.

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My research comprises a study focused on Artistic Dress circa 1848-1900, presenting a roughly chronological survey that seeks to further our knowledge on its development, varied manifestations, and influence, both during its time and on subsequent fashion trends. While Artistic Dress is a category that is acknowledged in the current literature on fashion history, it has had limited and at times conflicting treatment. It is most often employed to describe sartorial codes in which significant arts practitioners and patrons—particularly those associated with Pre-Raphaelitism, the Arts and Crafts
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Taft, William W. Jr. "The Special Artist." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/120.

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Earner, Meaghan. "Allston Artist Village." View thesis online, 2009. http://docs.rwu.edu/archthese/13/.

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Lange, Shara K. "Guest Artist Talk." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3652.

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Książki na temat "Artist"

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Rodrigo, Alonso, González Valeria, and Sánchez Julio, eds. Arte contemporáneo argentino: Artista por artista = contemporary Argentine art : artist by artist. Papers Editores, 2008.

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Clive, Phillpot, and Weatherspoon Art Gallery, eds. Artist/author: Contemporary artists' books. Distributed Art Publishers, 1998.

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1895-, Corona Salvador, ed. Corona: Torero y artista = bullfighter & artist. Sunstone Press, 1989.

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Cemović, Danilo R. Artist. Narodna knjiga Alfa, 2007.

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Guest, Harry. The artist on the artist. Elm Bank Publications, 2000.

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Ōba, Tsugumi. Bakuman: Artist and manga artist. VIZ Media, 2012.

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Keene, Charles Samuel. Charles Keene: 'the artists' artist' 1823-1891. Christie, Manson & Woods, 1991.

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(Project), Imago Mundi, ed. Zimbabwe--occupation, artist: Contemporary artists from Zimbabwe. Fabrica, 2014.

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John, Gruen. The artist observed: 28 interviews with contemporary artists. A Cappella Books, 1991.

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Rachel, Bean, ed. The artist revealed: Artists and their self-portraits. Grange Books, 2003.

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Części książek na temat "Artist"

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Ray, Mary Beth. "Artist." In Digital Connectivity and Music Culture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68291-4_2.

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Dumolyn, Jan, and Andrew Murray. "Artist." In Keywords for Marxist Art History Today. V&R unipress, 2020. http://dx.doi.org/10.14220/9783737011143.21.

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Molina del Pozo, Carlos Francisco, and Covadonga Reyes Assiego. "Artist." In Dictionary of Statuses within EU Law. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-00554-2_5.

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Morrow, Guy. "The artist–artist manager relationship." In Artist Management. Routledge, 2018. http://dx.doi.org/10.4324/9781315520896-6.

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Demidov, Nikolai. "On Artistry and the Artist." In Nikolai Demidov, edited by Andrei Malaev-Babel and Margarita Laskina. Routledge, 2016. http://dx.doi.org/10.4324/9781315621685-7.

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Kilroy, Robert. "The Artist." In Marcel Duchamp’s Fountain. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-69158-9_6.

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Biehl, Brigitte. "Artist Management." In Management in der Kreativwirtschaft. Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-28817-4_7.

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Freitas, Molly J. "The Artist." In From Subjection to Survival. Routledge, 2022. http://dx.doi.org/10.4324/9781003362579-2.

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Doshi, Marcus. "Artist/Artwork." In Towards Good Lighting for the Stage. Routledge, 2022. http://dx.doi.org/10.4324/9781003206460-3.

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Jones, Michael L. "Artist Managers." In The Music Industries. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137027061_5.

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Streszczenia konferencji na temat "Artist"

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Chen, Jiaxuan, Yu Qi, Yueming Wang, and Gang Pan. "Mind Artist: Creating Artistic Snapshots with Human Thought." In 2024 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2024. http://dx.doi.org/10.1109/cvpr52733.2024.02569.

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de Luise, Daniela López, Felix Vanni Duvergel Chapman, and Fernando Furundarena. "LUMIERE: a Digital Artist of Feelings." In 2024 IEEE Biennial Congress of Argentina (ARGENCON). IEEE, 2024. http://dx.doi.org/10.1109/argencon62399.2024.10735991.

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Xu, Yingyan, Prashanth Chandran, Sebastian Weiss, Markus Gross, Gaspard Zoss, and Derek Bradley. "Artist-Friendly Relightable and Animatable Neural Heads." In 2024 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2024. http://dx.doi.org/10.1109/cvpr52733.2024.00238.

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Hoang, Trong-Vu, Quang-Binh Nguyen, Duy-Nam Ly, et al. "ARtVista: Gateway To Empower Anyone Into Artist." In CHI '24: CHI Conference on Human Factors in Computing Systems. ACM, 2024. http://dx.doi.org/10.1145/3613905.3650760.

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Wolf, Katrin. "Artist Pointer." In CHI '17: CHI Conference on Human Factors in Computing Systems. ACM, 2017. http://dx.doi.org/10.1145/3027063.3052544.

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Kegeleers, Marie, and Rafael Bidarra. "Story ARtist." In 2020 IEEE International Conference on Artificial Intelligence and Virtual Reality (AIVR). IEEE, 2020. http://dx.doi.org/10.1109/aivr50618.2020.00067.

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Hmimid, Hanae, and Matthew Mosher. "Date the Artist." In HT '20: 31st ACM Conference on Hypertext and Social Media. ACM, 2020. http://dx.doi.org/10.1145/3372923.3404803.

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Ascott, Roy, Donna Cox, Margaret Dolinsky, et al. "Artist Round Tables." In ACM SIGGRAPH 2004 Art gallery. ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185995.

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Faggin, Marzia. "Artist meets computer." In Electronic Imaging '97, edited by Giordano B. Beretta and Reiner Eschbach. SPIE, 1997. http://dx.doi.org/10.1117/12.271594.

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Galkin, Ivan A., Grigori M. Khmyrov, Alexander V. Kozlov, et al. "The ARTIST 5." In RADIO SOUNDING AND PLASMA PHYSICS. AIP, 2008. http://dx.doi.org/10.1063/1.2885024.

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Raporty organizacyjne na temat "Artist"

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Hylander, Lance E. The Operational Artist as Creative Artist. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada298173.

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Tang, Jane, Robert R. Gamache, and Bodo W. Reinisch. Progress on Artist Improvements. Defense Technical Information Center, 1988. http://dx.doi.org/10.21236/ada219799.

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Greer, Stephen, and Bryony White. Live Art Scotland Practitioner Directory. University of Glasgow, 2022. http://dx.doi.org/10.36399/gla.pubs.265874.

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Pierson, Ted A. Saddam Hussein: Operational Artist or Madman? Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada348338.

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Fuh, Chiou S., Kong-Yee Pun, and Robert M. Owens. ARTIST: A Silicon Assembler for Mesh Arrays. Defense Technical Information Center, 1986. http://dx.doi.org/10.21236/ada184861.

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Galenson, David. Painting by Proxy: The Conceptual Artist as Manufacturer. National Bureau of Economic Research, 2006. http://dx.doi.org/10.3386/w12714.

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Luksik, Lance J. The Operational Artist and the Air Power Palette. Defense Technical Information Center, 2007. http://dx.doi.org/10.21236/ada470755.

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Larson, Mark E. General George S. Patton was not an Operational Artist. Defense Technical Information Center, 2015. http://dx.doi.org/10.21236/ad1001520.

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Abrams, David, Ufuk Akcigit, Gokhan Oz, and Jeremy Pearce. The Patent Troll: Benign Middleman or Stick-Up Artist? National Bureau of Economic Research, 2019. http://dx.doi.org/10.3386/w25713.

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Kerby, Jessica, and Rebecca O'Neil. Lessons from Artist in Residence Program Design and Impact. Office of Scientific and Technical Information (OSTI), 2024. http://dx.doi.org/10.2172/2477277.

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