Gotowe bibliografie tematyczne / Arts, Scottish

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Gotowa bibliografia na temat „Arts, Scottish”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Arts, Scottish"

Bell, Barbara. "The National Drama." Theatre Research International 17, no. 2 (1992): 96–108. http://dx.doi.org/10.1017/s0307883300016205.

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The National Drama was a nineteenth-century dramatic genre unique to Scotland, dealing with Scottish characters in Scottish settings. It has been neglected this century by scholars of theatre and of Scottish history in general. This is a curious oversight given the importance of the National Drama in the development of the Scottish theatre and to the image of Scotland as a nation at home and abroad. The omission may have been the result of a too close association with Sir Walter Scott in the minds of many for whom the phrase ‘High Tory Romanticism’ summed up Scott's career and influence. But,

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Bort, Eberhard. "Review: Scottish Arts and Crafts." Scottish Affairs 63 (First Serie, no. 1 (2008): 163–69. http://dx.doi.org/10.3366/scot.2008.0027.

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Williamson, Hilary. "The Scottish Visual Arts Group." Art Libraries Journal 28, no. 3 (2003): 11–14. http://dx.doi.org/10.1017/s0307472200013183.

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The Scottish Visual Arts Group is a relatively young co-operative of art librarians. However there is a significant history to the group, a substantial list of achievements and a whole new future just about to commence.

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Stenhouse, David. "Arts Policy and a Scottish Parliament." Scottish Affairs 17 (First Serie, no. 1 (1996): 1–10. http://dx.doi.org/10.3366/scot.1996.0050.

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McKinstry, Sam, and Marie Fletcher. "THE PERSONAL ACCOUNT BOOKS OF SIR WALTER SCOTT." Accounting Historians Journal 29, no. 2 (2002): 59–89. http://dx.doi.org/10.2308/0148-4184.29.2.59.

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This study examines the personal account books of Sir Walter Scott, the world-renowned Scottish author, a topic not explored before by Scott scholars or accounting historians. It sets the account books in the context of Scott's accounting education and experience, which took place at the time of the Scottish Enlightenment, an 18th century movement which saw a great flowering of writings on accountancy in Scotland as well as considerable progress in the arts and sciences. The style, layout and content of the account books is also studied from the point of view of elucidating Scott's domestic fi

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McKerrell, Simon. "Traditional arts and the state: The Scottish case." Cultural Trends 23, no. 3 (2014): 159–68. http://dx.doi.org/10.1080/09548963.2014.925281.

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Munro, Robert. "Performing the National? Scottish Cinema in the Time of Indyref." Journal of British Cinema and Television 17, no. 4 (2020): 425–48. http://dx.doi.org/10.3366/jbctv.2020.0541.

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This article examines Scottish cinema during the period 2012–17, assessing the ways in which the nation's constitutional debate, Scottish–English relations and discourses of national identity were engaged with thematically by films produced in this period. It argues that Scottish cinema in this period ‘performs the national’, in that a number of films flag their national status and engage with discourses of national identity at a distance, unburdened by any serious demand for national representativeness, as might be the case with a ‘national cinema’. From a corpus of texts in the period which

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Munro, Robert. "Scottish cinema now." Studies in European Cinema 13, no. 3 (2016): 270–72. http://dx.doi.org/10.1080/17411548.2016.1234833.

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Scullion, Adrienne. "Self and Nation: Issues of Identity in Modern Scottish Drama by Women." New Theatre Quarterly 17, no. 4 (2001): 373–90. http://dx.doi.org/10.1017/s0266464x00015001.

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The creation of the devolved Scottish parliament in 1999, argues Adrienne Scullion, has the potential to change everything that has been understood and imagined or thought and speculated about Scotland. The devolved parliament shifts the governance of the country, resets financial provisions and socio-economic management, recreates Scottish politics and Scottish society – and affects how Scotland is represented and imagined by artists of all kinds. The radical context of devolution should also afford Scottish criticism an unprecedented opportunity to rethink its more rigid paradigms and struct

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Turnbull, Alison. "Review of Scottish Arts Council'sQuality Framework – guidelines for arts organisations(2nd ed.), 2009." Cultural Trends 20, no. 2 (2011): 185–91. http://dx.doi.org/10.1080/09548963.2011.563913.

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Rozprawy doktorskie na temat "Arts, Scottish"

Robinson, Rebecca Grace. "Scottish television comedy audiences." Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/1177/.

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This study explores how Scottish people feel about representations of Scottishness in contemporary television comedy. The thesis is in two related parts, articulating an exploration of genre, comedy and Scottish television texts with the theory, methodology and analysis of empirical audience research. The thesis begins by exploring how current television comedy is poorly served by critical literature beyond notions of genre although this field of study too fails to indicate significant contemporary permeabilities between comedy sub-genres, and between comedy and other kinds of leisure shows. T

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Smith, Aileen. "The construction of cultural identity in the visual arts in Scotland, 1918-1945." Thesis, University of Aberdeen, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247759.

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This thesis examines the hitherto somewhat neglected subject of patronage of the arts in Scotland during the twentieth century. The introduction briefly discusses existing scholarly works dealing with this subject, pointing out that the role of Scottish myths in influencing Scottish culture merits careful and detailed attention. Chapter One looks at how Scottish artistic myths in twentieth century Scottish culture can be traced back as far as the eighteenth century. The nature and evolution of these myths are examined to show why they have had a direct impact in the creation of a distorted vie

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Norrie, K. M. "Cloth, cull and cocktail : anatomising the performer body of 'Alba'." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:c67e59e2-4556-4baf-8475-fa092952bf07.

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Where and how can the live experience 'being there' be positioned in Scottish live art culture? Such transformatively liminal corporeity is situated in three examples of performative objects intrinsically linked to readings of Scottish identity. By collating a 'blood culture imprint' of 1970s performance art with Scottish live artist Alastair McLennan's positioning of the artist body as art, the thesis presents a revised understanding of how and where the live can be placed within Highland Gaelic culture. The specificity of this frame is intrinsically linked to the 'blood culture imprint' of C

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Worthing, Katherine Genevieve. "The landscape of clearance : changing rural life in nineteenth-century Scottish painting." Thesis, University of Glasgow, 2006. http://theses.gla.ac.uk/5498/.

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This thesis explores the incidence and import of imagery surrounding the Highland Clearances in nineteenth-century Scottish painting. It recognises that the Clearances comprised a wide range of responses to the changing economic, agricultural, and social currents that shaped Highland landscape and life throughout the late-eighteenth and well into the nineteenth-century and consequently includes paintings that extend Clearance imagery beyond the most commonly reproduced works of the era. In the Introduction to the thesis, I present the subject of the Clearances and establish the common coincide

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Sidiropoulou, Panagiota. "Moral and other educational significance of the arts in philosophy and recent Scottish educational policy." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5836.

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The immense value of the arts has long been recognized by diverse cultures and such recognition has mostly guaranteed their inclusion in educational and school curricula the world over. The arts are considered valuable for numerous reasons, but their inclusion depends on particular interpretations of their merits that may sometimes have failed to realise their full or real potential. Although some ways of valuing the arts date back to antiquity, debates about the value of arts certainly deserve no less consideration in the modern context. Plato was sceptical about the moral value of the arts a

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Parsons, Julie Fox. "The First Battle for Scottish Independence: The Battle of Dunnichen, A.D. 685." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0328102-132641/unrestricted/ParsonsJ.pdf.

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Watry, Paul B. "Sixteenth century printing types and ornaments of Scotland with an introductory survey of the Scottish book trade." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356988.

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Graham, Deborah Jane. "The manifestation of national identities in late eighteenth-century Scottish art, c.1750-1800." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/110988/.

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This dissertation seeks to explore how national identities were manifest in eighteenth-century Scottish art. Understanding national identity to be a cultural and political phenomena, it considers symbols of national identity and examines in aesthetic and economic terms how the fine arts were both implicated in, and capable of expressing, the significant changes in national identity apparent in Scotland following the ’Forty-Five. The first chapter concerns itself with the issue of art and identity in Scotland between cl750 and 1800, and surveys the relevant literature, before introducing other

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Doroszenko, Rebekah. "Improvement and the Scottish rural estate : Sir Archibald Grant at Monymusk, 1715-1778." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6865/.

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The purpose of this study is ultimately to analyze the influence of cultural attitudes on the treatment of the Scottish estate in the first half of the 18th century (c.1715 – c.1776), making particular reference to the ideology of improvement, through the use of Sir Archibald Grant of Monymusk as a case study. Grant’s improvement of his estate is not understood as literally agricultural or economic development alone, but as a complex ideological commitment to the transformation of land, landscape and society. Whilst Grant of Monymusk has been discussed with reference to economic improvement, t

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Marshalsay, Karen Anne. "The Scottish National Players : in the nature of an experiment 1913-1934." Thesis, University of Glasgow, 1991. http://theses.gla.ac.uk/3488/.

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This thesis tries to provide a historical examination of the Scottish National Players, from the first proposals in 1913 until the disbandment of the Scottish National Theatre Society in 1934. The SNP aimed to produce plays of Scottish life and character; to encourage the public's taste for good drama of any kind; and to found a National Theatre. The golden years of the Players were the early and mid twenties, but by the end of the decade their ideals were crumbling away and they faced increasing dissatisfaction from the public and the press. They did not successfully fulfil any of their state

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Książki na temat "Arts, Scottish"

Burrell, Kirsty. The Scottish Arts Club. Homes & Interiors Scotland, 2004.

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Council, Scottish Arts. Scottish Arts Council annual report. Scottish Arts Council, 2003.

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Group, Scottish Folk Arts, ed. The Scottish folk arts directory. Scottish Folk Arts Group., 1991.

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Council, Scottish Arts, and Perth Museum and Art Gallery., eds. One from the Scottish Arts Council. (Perth Museum& Art Gallery), 1992.

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Ruth, Wishart, Dale Michael, and Scottish Arts Council, eds. Scottish arts in the 21st century. Scottish Arts Council, 1998.

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Council, Scottish Arts. Scottish Arts Council annual report 2003/04. Scottish Arts Council, 2004.

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Council, Scottish Arts. A quick guide to the Scottish Arts Council: Championing the arts in Scotland. Scottish Arts Council, 2003.

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Britain, Great, ed. Scottish Arts Council national lottery distribution fund account. HMSO., 1995.

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Council, Scottish Arts, ed. How the Scottish Arts Council works: Supporting and developing the arts in Scotland. Scottish Arts Council, 1996.

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Council, Scottish Arts. 25 years of the Scottish Arts Council 1967-92. TheCouncil, 1992.

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Części książek na temat "Arts, Scottish"

Sakhnini, Mohammad. "Orientalism, Arts, and Scottish Identity." In The Routledge Companion to Art and the Formation of Empire. Routledge, 2025. https://doi.org/10.4324/9781003414742-15.

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Kontou, Tatiana, Victoria Mills, Boris Jardine, and Joshua Nall. "G. Wilson, ‘Address as President of the Royal Scottish Society of Arts at its Annual General Meeting, November 23, 1857’." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400341-90.

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Smith, Neil Thomas, and Peter Peters. "9. Roundtable 3." In Classical Music Futures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.09.

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Classical music is often seen as a practice that struggles to react to contemporary events. Yet, it does register societal changes, with perhaps the most important being climate change. There is a sense of urgency, as well as a need for concrete action on this topic within the field. This chapter discusses how the classical music sector might respond. In this roundtable, Peter Peters is joined by four panellists with a stake in the issue: Teemu Kirjonen, general manager of the Finnish Lahti Symphony Orchestra, an orchestra that decided to go carbon neutral; Detlev Grooß from Germany, a violist

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Byrne, Charles. "30 Expressive Arts." In Scottish Education. Edinburgh University Press, 2018. http://dx.doi.org/10.1515/9781474437851-031.

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"12. Visual Arts and Architecture." In Modern Scottish Culture. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474468329-014.

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Riach, Alan. "Scottish Gothic Poetry." In Scottish Gothic. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474408196.003.0006.

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The first sentence of the Preface to Émile Mâle’s magisterial study of religious art in thirteenth-century France, The Gothic Image, reads: ‘To the Middle Ages, art was didactic’ (1972: vii). Gothic Scottish poetry may be described as engaging with the macabre, nightmare qualities of an unbearable or unresolvable vision, yet its historical connection to medieval Gothic art – all the arts, from music to architecture – reminds us that this engagement has didactic purpose. It teaches us how life is multifaceted and ultimately uncontrollable, how the irrational imposes itself inexplicably upon the

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Reynolds, Siân. "Gender, the Arts and Culture." In Gender in Scottish History Since 1700. Edinburgh University Press, 2006. http://dx.doi.org/10.3366/edinburgh/9780748617609.003.0007.

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Reynolds, Siân. "7. Gender, the Arts and Culture." In Gender in Scottish History Since 1700. Edinburgh University Press, 2006. http://dx.doi.org/10.1515/9780748626397-008.

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Emerson, Roger L. "The Arts Chairs." In Academic Patronage in the Scottish EnlightenmentGlasgow, Edinburgh and St Andrews Universities. Edinburgh University Press, 2008. http://dx.doi.org/10.3366/edinburgh/9780748625963.003.0012.

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Graham, Gordon. "Scottish Philosophy’s Progress." In Scottish Philosophy after the Enlightenment. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781399500906.003.0007.

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In an inaugural lecture delivered at St Andrews in 1891, Sir Henry Jones raised questions about the possibility of progress in philosophy explicitly re-opening doubts to which Hume had given memorable expression 150 years before. This chapter charts the remarkable extent to which, beginning with Thomas Brown, each generation of Scottish philosophers in the 19<sup>th</sup> century was initially hailed as one of brilliant originality, only to be decried as profoundly mistaken in the next. Given this history, the chapter seeks to articulate a conception of philosophical inquiry in which progressi

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Streszczenia konferencji na temat "Arts, Scottish"

Balandina, Irina. "LOVE THEME AND MEANS OF ITS LINGUISTIC REPRESENTATION IN THE CREATIVE WORKS OF A SCOTTISH POETESS CAROL ANN DUFFY." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s14.092.

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Istileulova, Yelena. "STEAM Approach: SMS (Stories Based on Music about Scientists) on Artificial Intelligence Created by Jacob Bruce (1669–1735)." In Socratic lectures 10. University of Lubljana Press, 2024. http://dx.doi.org/10.55295/psl.2024.ii15.

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Abstract: The proposed theme of this paper is how "Arts" and "Science," with the inclusion of the topic of "Health", can be combined through a story based on research about innovation in the Past. The goal of this paper is threefold. First, to present a research-based story about Jacob Bruce (1669–1735), a scholar of Scottish descent born in Moscow, and his innovation – the prototype of Artificial Intelligence, humanoid robot. Second, to illustrate the new experimental interdisciplinary method of storytelling - SMS (Stories based on Music about Scientists), a novel approach that integrates Art

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Kovačić, Pšenica. "A Reflection on Effect of Human on Evolution of Cats." In Socratic Lectures 7. University of Lubljana Press, 2022. http://dx.doi.org/10.55295/psl.2022.d20.

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In this text we focus on the problems in human interference with evolution of domestic cats. Based on documented records on pedigree cats, their exhibitions, and photographs, a brief comparison is made with the popular culture, status and situation of cats in the 21st century. Problems arising from physiological and psychological transformation of cats living with human are discussed. In particular, art is exposed as a possibility to influence the understanding of cats and their relation with human. Keywords: Persian cat; Exotic cat; Scottish lapwing cat; Munchkin cat; Sphynx cat; Cat breeds

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Raporty organizacyjne na temat "Arts, Scottish"

Bates, C. Richards, Melanie Chocholek, Clive Fox, John Howe, and Neil Jones. Scottish Inshore Fisheries Integrated Data System (SIFIDS): Work package (3) final report development of a novel, automated mechanism for the collection of scallop stock data. Edited by Mark James and Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2019. http://dx.doi.org/10.15664/10023.23449.

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[Extract from Executive Summary] This project, aimed at the development of a novel, automated mechanism for the collection of scallop stock data was a sub-part of the Scottish Inshore Fisheries Integrated Data Systems (SIFIDS) project. The project reviewed the state-of-the-art remote sensing (geophysical and camera-based) technologies available from industry and compared these to inexpensive, off-the -shelf equipment. Sea trials were conducted on scallop dredge sites and also hand-dived scallop sites. Data was analysed manually, and tests conducted with automated processing methods. It was con

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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i

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