Gotowa bibliografia na temat „Auctorial figure”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Auctorial figure”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Auctorial figure":
NEBESNYUK, ULYANA A. "TEXT-FORMING FUNCTIONS OF THE NARRATIVE-ARTISTIC IMAGE “THE FRIEND OF THE HOUSE” AS A PERSONALIZED NARRATOR IN THE TEXTS OF CALENDAR STORIES BY J. P. HEBEL". Cherepovets State University Bulletin 3, nr 102 (2021): 119–32. http://dx.doi.org/10.23859/1994-0637-2021-3-102-9.
Delormas, Pascale. "Approche discursive de la généricité des monographies illustrées: le parti pris des « Albums de la Pléiade » et des « Écrivains de toujours »". Nottingham French Studies 58, nr 3 (grudzień 2019): 273–85. http://dx.doi.org/10.3366/nfs.2019.0257.
Vaillant, Alain. "Modernité, subjectivation littéraire et figure auctoriale". Romantisme 148, nr 2 (2010): 11. http://dx.doi.org/10.3917/rom.148.0011.
Massol, Chantal. "Présentation. — Des paradoxes de la figure auctoriale". Recherches & travaux, nr 64 (15.05.2004): 5–15. http://dx.doi.org/10.4000/recherchestravaux.1187.
Beaulieu, Jean-Philippe. "Marie de Gournay ou l'occultation d'une figure auctoriale". Renaissance and Reformation 36, nr 2 (1.01.2000): 23–34. http://dx.doi.org/10.33137/rr.v36i2.8605.
Lafond, Muriel. "Une figure autoriale dans le commentaire grammatical ?" Études littéraires 43, nr 2 (13.03.2013): 13–27. http://dx.doi.org/10.7202/1014723ar.
WATTHEE-DELMOTTE, Myriam. "L’affleurement d’un mythe personnel chez Henry Bauchau". Revue internationale Henry Bauchau. L’écriture à l’écoute, nr 5 (10.01.2013): 151–64. http://dx.doi.org/10.14428/rihb.v0i5.17233.
Zapata, Juan. "Baudelaire: traductor-auctoritas". Literatura: teoría, historia, crítica 19, nr 2 (1.07.2017): 19–50. http://dx.doi.org/10.15446/lthc.v19n2.62765.
Bélanger, David. "En contre-jour : la représentation évanescente de l’écrivain dans le roman québécois contemporain". Arborescences, nr 6 (23.09.2016): 54–71. http://dx.doi.org/10.7202/1037504ar.
Leroux, Louis Patrick. "Michel Ouellette, l’oeuvre correctrice du ré-écrivain". Dossier 34, nr 3 (14.07.2009): 53–66. http://dx.doi.org/10.7202/037664ar.
Rozprawy doktorskie na temat "Auctorial figure":
Miltgen, Geoffrey. "De Marguerite Donnadieu à la Duras et à M. D. : la construction d’une figure auctoriale à l’époque de la trilogie indochinoise". Thesis, Université de Lorraine, 2022. https://docnum.univ-lorraine.fr/public/DDOC_T_2022_0005_MILTGEN.pdf.
By focusing the reflection on the double question of literary posture and auctorial figure, the point will be to analyse how Marguerite Duras has succeeded, consciously or unconsciously, in betraying her readers, inventing her fate and setting herself up as an author, putting aside the question of autobiography and fiction, issues that have been treated so many times, and have often been overused. Questions on Duras converge towards the idea of the writer who builds her image, even beyond her death, from the thick fog she creates. It is also at the very heart of this “lie” one can find one of the author’s most secret manipulations, conscious or unconscious, that enables, with the help of her readers, the erection of her myth. When she became “La Duras”, at the end of a long process of creation, of memory, of game, of alienation, of dissociations, her everyday writing gave birth to her legend, knitting and unknitting it.Marguerite Duras is therefore a textbook case for whoever is interested in the way a writer builds her own public image, inspiring the reception of her work, and comforting its legitimation by critics and public. How did the little Marguerite Donnadieu become “La Duras”, and then finally “M. D.”? How did a writer, constantly evolving, manage to transform herself so as to enter History with her own story, even if she had to create it thoroughly? These questions are ever-present in Duras, who is also encouraging her reader to question the way a writer takes great care with her image, even selling “her soul”. Subsequently it would be interesting to analyse the way she played with the media, all the while mocking them. A legendary monster created by the media but freed by the “autobiographical” voice when “L’Amant” was published in 1984, she definitely forged herself a new identity by claiming to be the “High Priestess” of the novel thanks to a perpetual movement between real life and fantasized life
Kerninon, Julia. "Figures du romancier américain : l'entretien littéraire selon The Paris Review (1953-1973)". Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3094.
This dissertation examines the various figures of the American novelist which takes form in the famous literary interviews published by The Paris Review during the first two decades of its existence (1953-1973). In order to analyze the specificities and the impact of the new model of literary interview created by the inspired, yet inexperienced editors and interviewers of the review, this dissertation first traces the history of "little magazines" as well as the context in which the Paris Review interviews were shaped and polished, and then analyzes the complex history of the literary interview as a genre. Through the study of the archives of the review, the author casts a light on the collaboration between the editorial board and the interviewed novelists during the demanding rewriting process of the literary interviews. The literary interview thus appears as a space where negotiations take place, opposing the preconceptions of the interviewer to the various strategies displayed by the novelist in order to assert his legitimacy. What was originally designed as a single portrait composed by two instances actually turns into the novelist's controlled self-portrait.Ultimately The Paris Review literary interview becomes a form of biographical fiction, in which the writer, initally questioned on "the art of fiction", leaves center stage to the author, who takes great care of his own public persona
Theophilopoulou, Calliope-Catherine. "Figures du héros antique dans le roman médiéval : didactisme et œuvre romanesque". Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO29999.
Myths, as well as their dominant figures, heroes, have attracted people throughout time. Since their first days of existence, people turned to them whenever they were needed. Medieval people were an eloquent example. Therefore, references to those narrations which managed to survive through time, as well as to those heroes were frequent. At first, those references existed simply because nobody was able to object to or turn down these references. They were auctoritas which referred to real events. The authors of this era were not asked to create, but to pass them on to the illiterate. Furthermore, they possess a formating role. They constitute questioneless archetypal models. Medieval people also resort to those narrations so that they are able to determine their behavior or adapt an attitude appropriate to their origin, their gender and their age. In addition, reference to particular incidents intends to instruct them or prevent them by means of exposing the harmful results of an incompatible behavior with the laws of society or nature.Finally, writers refer to stories regarding ancient heroes because they realize that it is the optimal way to get through their message.The fact that they promote the model of the perfect leader, contributes to consolidation of aristocracy at a time when the class seems to be threatened by a new rising class, the bourgeoisie. Furthermore, they take the opportunity of inculcating their aspirations in an effort to form a better society. So according to them, the perfect lord should be generous, wise and educated, able to handle his fief wisely, in harmony. On the other hand, we acknowledge the authors’ contribution to the formation of society. Even if they are not members of the class of knights, they also contribute to the suitable management of society by the means of their knowledge
Książki na temat "Auctorial figure":
Conte, Maria, Antonio Montefusco i Samuela Simion. «Ad consolationem legentium». Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-439-4.
Części książek na temat "Auctorial figure":
Grauby, Françoise. "The “Ready-Made-Writer” in a Selection of Contemporary Francophone Literary Advice Manuals". W New Directions in Book History, 199–216. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_8.
Veysseyre, Géraldine. "« Translater » Bonaventure : la figure auctoriale des traducteurs français des Meditationes vitae Christi". W Quand les auteurs étaient des nains, 185–221. Turnhout, Belgium: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.bitam-eb.5.116696.
Manca, Massimo. "Optazianismi. Elementi formulari di un poeta visuale". W Antichistica. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-557-5/011.
Mohamed, Feisal G. "Introduction". W Sovereignty: Seventeenth-Century England and the Making of the Modern Political Imaginary, 1–15. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852131.003.0001.
Oksanish, John. "Vitruvius, man?" W Vitruvian Man, 31–58. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190696986.003.0002.