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Artykuły w czasopismach na temat "Auditory perception"

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Deny Nitalia Mindrawati, Grahita Chandrarin, and Harianto Respati. "The Determinant Of Auditor Career Survivability Adopting The Blockchain Technology." Brilliant International Journal Of Management And Tourism 4, no. 1 (2024): 151–73. http://dx.doi.org/10.55606/bijmt.v4i1.2758.

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This empirical study examined the influence of the auditor perspective on the supportive factors of blockchain technology adoption and the implication on auditory career survivability. The current research population consisted of all auditors in Indonesia, 6.034 individuals. The researchers used the Slovin formula to take 375 respondents. The researchers analyzed the obtained data with a validity test, reliability test, and path analysis. The results found the perception of the auditor about the positive and significant influencing factors toward the blockchain technology adoption and survivab
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Haas, Ellen C. "Auditory Perception." Proceedings of the Human Factors Society Annual Meeting 36, no. 3 (1992): 247. http://dx.doi.org/10.1518/107118192786751817.

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Auditory perception involves the human listener's awareness or apprehension of auditory stimuli in the environment. Auditory stimuli, which include speech communications as well as non-speech signals, occur in the presence and absence of environmental noise. Non-speech auditory signals range from simple pure tones to complex signals found in three-dimensional auditory displays. Special hearing protection device (HPD) designs, as well as additions to conventional protectors, have been developed to improve speech communication and auditory perception capabilities of those exposed to noise. The t
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PURWINS, HENDRIK, BENJAMIN BLANKERTZ, and KLAUS OBERMAYER. "Computing auditory perception." Organised Sound 5, no. 3 (2000): 159–71. http://dx.doi.org/10.1017/s1355771800005069.

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In this paper the ingredients of computing auditory perception are reviewed. On the basic level there is neurophysiology, which is abstracted to artificial neural nets (ANNs) and enhanced by statistics to machine learning. There are high-level cognitive models derived from psychoacoustics (especially Gestalt principles). The gap between neuroscience and psychoacoustics has to be filled by numerics, statistics and heuristics. Computerised auditory models have a broad and diverse range of applications: hearing aids and implants, compression in audio codices, automated music analysis, music compo
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NITIDARA, Ni Putu Amanda, Joko SARWONO, and S. SUPRIJANTO. "Exploring cross-modal perception: audio, visual, and thermal responses to changes in audio-visual Stimuli within virtual urban parks." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 270, no. 9 (2024): 2648–56. http://dx.doi.org/10.3397/in_2024_3215.

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Human perception is an essential factor in soundscape. Humans are multisensory beings, and thus, their perceptions are influenced by various multisensorial experiences. Our perception of a soundscape is not solely influenced by the sound in itself but also by various non-auditory factors. This research examines how visual factors, other than auditory, influence people's perceptions in public open spaces. An experiment was conducted using audio and visual stimuli. Three setups were compared: audio-only, visual-only, and combined audio-visual stimuli to observe differences in the respondent's pe
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Kiela, Douwe, and Stephen Clark. "Learning Neural Audio Embeddings for Grounding Semantics in Auditory Perception." Journal of Artificial Intelligence Research 60 (December 26, 2017): 1003–30. http://dx.doi.org/10.1613/jair.5665.

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Multi-modal semantics, which aims to ground semantic representations in perception, has relied on feature norms or raw image data for perceptual input. In this paper we examine grounding semantic representations in raw auditory data, using standard evaluations for multi-modal semantics. After having shown the quality of such auditorily grounded representations, we show how they can be applied to tasks where auditory perception is relevant, including two unsupervised categorization experiments, and provide further analysis. We find that features transfered from deep neural networks outperform b
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Waterlot, Muriel. "Welke aanpak voor de Nederlandse vertaling van Poolse auditieve verba sentiendi?" Neerlandica Wratislaviensia 33 (November 17, 2022): 139–49. http://dx.doi.org/10.19195/0860-0716.33.10.

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When translating verbs from auditory perception, the translator often limits himself to a semantic and syntactic analysis of the predicates in a sentence. However, there is also an enunciative dimension (i.e. the relationship between the speaker and the subject of auditory perception) to be taken into account. Linguists divide the verbs of auditory perception into two groups according to cognitive criteria: verbs of passive and active perception. In Polish, many auditory perception verbs have a prefi x. In this article, we analyse how Polish passive auditory perception verbs and active auditor
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Zahorik, Pavel. "Auditory/visual distance perception." Journal of the Acoustical Society of America 137, no. 4 (2015): 2374. http://dx.doi.org/10.1121/1.4920626.

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Merchel, Sebastian, and M. Ercan Altinsoy. "Auditory-tactile music perception." Journal of the Acoustical Society of America 133, no. 5 (2013): 3256. http://dx.doi.org/10.1121/1.4805254.

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Hirsh, Ira J. "Timing in auditory perception." Journal of the Acoustical Society of America 81, S1 (1987): S90. http://dx.doi.org/10.1121/1.2024468.

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Hirsh, Ira J., and Charles S. Watson. "AUDITORY PSYCHOPHYSICS AND PERCEPTION." Annual Review of Psychology 47, no. 1 (1996): 461–84. http://dx.doi.org/10.1146/annurev.psych.47.1.461.

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Rozprawy doktorskie na temat "Auditory perception"

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Akeroyd, Michael Alexis. "Auditory perception of temporal asymmetry." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243023.

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Lea, Andrew P. "Auditory modelling of vowel perception." Thesis, University of Nottingham, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315235.

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Talling, Janet C. "Porcine perception of auditory stimuli." Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/13076.

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Animals are adapted to live in fluctuating environments. Some stimuli to which they are exposed will be ignored, some will be avoided and others will be approached. Stimuli perceived as a threat or associated with a painful stimulation will tend to be avoided. Therefore to understand more fully how an animal copes with a particular situation, e.g. transportation, its perception of all stimuli needs to be determined. The aim of the study reported in this thesis was to determine how auditory stimuli, to which pigs are exposed during production, are perceived by individual pigs. A field study was
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Wilkie, Sonia. "Auditory manipulation of visual perception." Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/39802.

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Psychological research on cross-modal auditory-visual perception has focused predominantly on the manipulation of sensory information by visual information. There are relatively few studies of the way auditory stimuli may affect other sensory information. The Sound-induced Illusory Flash is one illusory paradigm that involves the auditory system biasing visual information. However, little is known about this cross-modal illusion. More research is needed into the structure of the illusion that investigates the different conditions under which the Sound induced Illusory Flash manifests and is en
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Wilkie, Sonia. "Auditory manipulation of visual perception." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/39802.

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Thesis (M.A. (Hons.))--University of Western Sydney, 2008.<br>Thesis accompanied by CD-ROM with demonstration of possible creative applications. A thesis presented to the University of Western Sydney, College of Arts, MARCS Auditory Laboratories, in fulfilment of the requirements for the degree of Master of Arts (Honours). Includes bibliographies. Thesis minus demonstration CD-ROM also available online at: http://handle.uws.edu.au:8081/1959.7/39849.
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Storms, Russell L. "Auditory-visual cross-modal perception phenomena." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1998. http://handle.dtic.mil/100.2/ADA355474.

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Dissertation (Ph.D. in Computer Science) Naval Postgraduate School, September 1998.<br>Dissertation supervisor(s): Michael J. Zyda. "September 1998." Includes bibliographical references (p. 207-222). Also Available online.
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Ash, Roisin L. "Perception of structure in auditory patterns." Thesis, University of Stirling, 1998. http://hdl.handle.net/1893/26669.

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The present research utilised five tasks to investigate non-musicians' perception of phrase, rhythm, pitch and beat structure in unaccompanied Gaelic melodies and musical sequences. Perception of phrase structure was examined using: i) a segmentation task in which listeners segmented Gaelic melodies into a series of meaningful units and ii) a novel click localisation task whereby listeners indicated where they perceived a superimposed click in the melody had occurred. Listeners consistently segmented the melodies into units of 2.4 - 5.4 seconds. Clicks which were positioned before and after pe
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Butcher, Andrew. "Free field auditory localization and perception." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Mathematics and Computer Sciencce, c2011, 2011. http://hdl.handle.net/10133/3113.

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We have designed a system suitable for auditory electroencephalographic (EEG) experiments, with the objective of enabling studies of auditory motion. This thesis details the perceptual cues involved in spatial auditory experiments, and compares a number of spatial panning algorithms while examining their suitability to this purpose. A behavioural experiment involving perception of static auditory objects was used in an attempt to differentiate these panning algorithms. This study was used to inform the panner choice used in an auditory EEG experiment. This auditory EEG experiment involved the
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Dooley, Gary John. "The perception of auditory dynamic stimuli." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253843.

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Merchel, Sebastian [Verfasser]. "Auditory-Tactile Music Perception / Sebastian Merchel." Aachen : Shaker, 2014. http://d-nb.info/106326569X/34.

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Książki na temat "Auditory perception"

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Yost, William A., Arthur N. Popper, and Richard R. Fay, eds. Auditory Perception of Sound Sources. Springer US, 2008. http://dx.doi.org/10.1007/978-0-387-71305-2.

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College), NATO Advanced Research Workshop on Auditory Frequency Selectivity (1986 Wolfson. Auditory frequency selectivity. Plenum Press, 1986.

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1938-, Hawkins Harold L., ed. Auditory computation. Springer Verlag, 1996.

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Warren, Richard. Auditory Perception: An Analysis and Synthesis. 3rd ed. Cambridge University Press, 2008.

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Warren, Richard M. Auditory perception: An analysis and synthesis. 3rd ed. Cambridge University Press, 2008.

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Werner, Lynne A. Human auditory development. Brown & Benchmark Publishers, 1996.

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Lopez-Poveda, Enrique A., Alan R. Palmer, and Ray Meddis, eds. The Neurophysiological Bases of Auditory Perception. Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5686-6.

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Urszula, Jorasz, ed. Auditory perception: Some principles and applications. Wydawn. Nauk. Uniwersytetu im. Adama Mickiewicza w Poznaniu, 1996.

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Storms, Russell L. Auditory-visual cross-modal perception phenomena. Naval Postgraduate School, 1998.

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Parsloe, Rachael. GRASPS: Graded auditory speech perception screen. STASS Publications, 1996.

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Części książek na temat "Auditory perception"

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McDermott, Hugh. "Music Perception." In Auditory Prostheses. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-9434-9_13.

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Yost, William A., and Stanley Sheft. "Auditory Perception." In Springer Handbook of Auditory Research. Springer New York, 1993. http://dx.doi.org/10.1007/978-1-4612-2728-1_6.

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Baldwin, Carryl L. "Auditory perception." In APA handbook of human systems integration. American Psychological Association, 2015. http://dx.doi.org/10.1037/14528-016.

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Talsma, Durk. "Auditory perception." In The Psychology of Cognition. Routledge, 2023. http://dx.doi.org/10.4324/9781003319344-10.

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Baker, Kevin. "Auditory perception." In An Introduction to Applied Cognitive Psychology, 3rd ed. Routledge, 2025. https://doi.org/10.4324/9781003396758-4.

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Grondin, Simon, Emi Hasuo, Tsuyoshi Kuroda, and Yoshitaka Nakajima. "Auditory Time Perception." In Springer Handbook of Systematic Musicology. Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-55004-5_21.

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Xiugui, Qin. "Auditory domain 1." In Perception and Metaphor. Routledge, 2021. http://dx.doi.org/10.4324/9781003186786-3.

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Panneton, Robin, and Rochelle Newman. "Development of Speech Perception." In Human Auditory Development. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-1421-6_7.

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Eilers, Rebecca E., and D. Kimbrough Oller. "Infant Speech Perception." In Auditory Development in Infancy. Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-9340-6_11.

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Morse, Philip A. "Infant Speech Perception." In Auditory Development in Infancy. Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-9340-6_12.

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Streszczenia konferencji na temat "Auditory perception"

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Lafuma, Louis, Guillaume Bouyer, Jean-Yves Didier, and Olivier Goguel. "Brightness Is More Efficient Than Delay to Induce Weight Perception in Augmented Reality." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.011.

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Multimodal feedback is used to convey various and rich informa- tion in virtual environments. It can also change users’ perceptions of the haptic properties of objects through the pseudo-haptic illusion. While visual feedback has been extensively examined to induce haptic properties like weight in virtual reality, only a handful of studies have explored the use of audio feedback, and even fewer in augmented reality. Our study aims to extend, in an augmented reality context, previous research findings that used sound to enhance the weight perception of virtual objects. Participants were asked t
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Bem, Milena Jonas, Samuel Chabot, and Jonas Braasch. "Exploring Spatialization: A Method for Subjective Assessment of Soundscape Preference Using Immersive Environments." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.026.

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This research explores the application of immersive environments, like the Panorama Screen System, for perception and psychoacoustic experiments. A system is developed to present architectural scenarios visually and sonically by using panoramic images combined with spatialized sound. These audiovisual results are displayed on a human-scale panoramic display, which is integrated with eight loudspeakers for spatial audio rendering. While immersed in this system, participants use a wireless interface as a controller to interact with the experiment and give subjective ratings for their preferences
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Deiana, Davide, Alessandro Ansani, Giovanni Di Pino, Domenico Formica, Charles Spence, and Nicola Di Stefano. "Auditory and Tactile Perception of Musical Intervals: A Pilot Study." In 2025 IEEE Medical Measurements & Applications (MeMeA). IEEE, 2025. https://doi.org/10.1109/memea65319.2025.11068071.

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Kapralos, Bill, Daniel Zikovitz, and Saad Khattak. "Auditory Motion Perception Threshold." In 2007 IEEE International Workshop on Haptic, Audio and Visual Environments and Games. IEEE, 2007. http://dx.doi.org/10.1109/have.2007.4371576.

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Merchel, Sebastian, and M. Ercan Altinsoy. "Auditory-Tactile Music Perception." In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4799137.

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Zhuo, Guangping, and Xueli Yu. "Real-world Audititory Perception Based on Auditory Feature Binding." In 2010 International Conference on Computational Aspects of Social Networks (CASoN 2010). IEEE, 2010. http://dx.doi.org/10.1109/cason.2010.86.

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Merchel, Sebastian, M. Ercan Altinsoy, and Anna Schwendicke. "Tactile intensity perception compared to auditory loudness perception." In 2015 IEEE World Haptics Conference (WHC). IEEE, 2015. http://dx.doi.org/10.1109/whc.2015.7177738.

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Ainsworth, William A. "Auditory mechanisms for speech perception." In 4th European Conference on Speech Communication and Technology (Eurospeech 1995). ISCA, 1995. http://dx.doi.org/10.21437/eurospeech.1995-2.

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Speigle, J. M., and J. M. Loomis. "Auditory distance perception by translating observers." In 1993 IEEE Research Properties in Virtual Reality Symposium. IEEE Comput. Soc. Press, 1993. http://dx.doi.org/10.1109/vrais.1993.378257.

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Burnham, Denis, Valter Ciocca, and Stephanie Stokes. "Auditory-visual perception of lexical tone." In 7th European Conference on Speech Communication and Technology (Eurospeech 2001). ISCA, 2001. http://dx.doi.org/10.21437/eurospeech.2001-63.

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Raporty organizacyjne na temat "Auditory perception"

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Cohen, Marion F. Auditory Perception. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada277414.

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Cohen, Marion F. Auditory Perception. Defense Technical Information Center, 1997. http://dx.doi.org/10.21236/ada379396.

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Cohen, Marion F. Auditory Perception. Defense Technical Information Center, 1989. http://dx.doi.org/10.21236/ada217012.

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Letowski, Tomasz R., and Szymon T. Letowski. Auditory Spatial Perception: Auditory Localization. Defense Technical Information Center, 2012. http://dx.doi.org/10.21236/ada562292.

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Watson, Charles S. Perception of Complex Auditory Patterns. Defense Technical Information Center, 1987. http://dx.doi.org/10.21236/ada190218.

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Feth, Lawrence L. Demodulation Processes in Auditory Perception. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada250203.

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Hirsh, Ira J. Auditory Perception of Complex Sounds. Defense Technical Information Center, 1990. http://dx.doi.org/10.21236/ada219927.

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Feth, Lawrence L. Demodulation Processes in Auditory Perception. Defense Technical Information Center, 1990. http://dx.doi.org/10.21236/ada226824.

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Thompson, Eric, and Billy Swayne. Perception of Complex Auditory Scenes. Defense Technical Information Center, 2014. http://dx.doi.org/10.21236/ada618207.

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Wakefield, Gregory H. Time-Frequency Factors in Auditory Perception. Defense Technical Information Center, 1989. http://dx.doi.org/10.21236/ada211491.

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