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Rozprawy doktorskie na temat „Auditory perception”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Akeroyd, Michael Alexis. "Auditory perception of temporal asymmetry." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243023.

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2

Lea, Andrew P. "Auditory modelling of vowel perception." Thesis, University of Nottingham, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315235.

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3

Talling, Janet C. "Porcine perception of auditory stimuli." Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/13076.

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Animals are adapted to live in fluctuating environments. Some stimuli to which they are exposed will be ignored, some will be avoided and others will be approached. Stimuli perceived as a threat or associated with a painful stimulation will tend to be avoided. Therefore to understand more fully how an animal copes with a particular situation, e.g. transportation, its perception of all stimuli needs to be determined. The aim of the study reported in this thesis was to determine how auditory stimuli, to which pigs are exposed during production, are perceived by individual pigs. A field study was

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4

Wilkie, Sonia. "Auditory manipulation of visual perception." Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/39802.

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Psychological research on cross-modal auditory-visual perception has focused predominantly on the manipulation of sensory information by visual information. There are relatively few studies of the way auditory stimuli may affect other sensory information. The Sound-induced Illusory Flash is one illusory paradigm that involves the auditory system biasing visual information. However, little is known about this cross-modal illusion. More research is needed into the structure of the illusion that investigates the different conditions under which the Sound induced Illusory Flash manifests and is en

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5

Wilkie, Sonia. "Auditory manipulation of visual perception." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/39802.

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Thesis (M.A. (Hons.))--University of Western Sydney, 2008.<br>Thesis accompanied by CD-ROM with demonstration of possible creative applications. A thesis presented to the University of Western Sydney, College of Arts, MARCS Auditory Laboratories, in fulfilment of the requirements for the degree of Master of Arts (Honours). Includes bibliographies. Thesis minus demonstration CD-ROM also available online at: http://handle.uws.edu.au:8081/1959.7/39849.

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6

Storms, Russell L. "Auditory-visual cross-modal perception phenomena." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1998. http://handle.dtic.mil/100.2/ADA355474.

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Dissertation (Ph.D. in Computer Science) Naval Postgraduate School, September 1998.<br>Dissertation supervisor(s): Michael J. Zyda. "September 1998." Includes bibliographical references (p. 207-222). Also Available online.

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7

Ash, Roisin L. "Perception of structure in auditory patterns." Thesis, University of Stirling, 1998. http://hdl.handle.net/1893/26669.

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The present research utilised five tasks to investigate non-musicians' perception of phrase, rhythm, pitch and beat structure in unaccompanied Gaelic melodies and musical sequences. Perception of phrase structure was examined using: i) a segmentation task in which listeners segmented Gaelic melodies into a series of meaningful units and ii) a novel click localisation task whereby listeners indicated where they perceived a superimposed click in the melody had occurred. Listeners consistently segmented the melodies into units of 2.4 - 5.4 seconds. Clicks which were positioned before and after pe

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8

Butcher, Andrew. "Free field auditory localization and perception." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Mathematics and Computer Sciencce, c2011, 2011. http://hdl.handle.net/10133/3113.

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We have designed a system suitable for auditory electroencephalographic (EEG) experiments, with the objective of enabling studies of auditory motion. This thesis details the perceptual cues involved in spatial auditory experiments, and compares a number of spatial panning algorithms while examining their suitability to this purpose. A behavioural experiment involving perception of static auditory objects was used in an attempt to differentiate these panning algorithms. This study was used to inform the panner choice used in an auditory EEG experiment. This auditory EEG experiment involved the

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9

Dooley, Gary John. "The perception of auditory dynamic stimuli." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253843.

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10

Merchel, Sebastian [Verfasser]. "Auditory-Tactile Music Perception / Sebastian Merchel." Aachen : Shaker, 2014. http://d-nb.info/106326569X/34.

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11

Bardolf, Lynnette Bosse. "Divided attention, perception, and auditory recall." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0014926.

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12

DEVALLEZ, Delphine. "Auditory perspective: perception, rendering, and applications." Doctoral thesis, Università degli Studi di Verona, 2009. http://hdl.handle.net/11562/337377.

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Nell'apprezzare gli ambienti acustici, la percezione della distanza e cruciale tanto quanto la lateralizzazione. Ancorche sia stato condotto del lavoro di ricerca sulla percezione della distanza, i moderni display uditivi non traggono ancora vantag- gio da cio al ne di fornire dell'informazione addizionale sulla disposizione nello spazio delle sorgenti acustiche in modo da arricchirsi, di conseguenza, di contenuto e qualita. Quando si progetta un display uditivo si deve tener conto dell'obiettivo dell'applicazione data e delle risorse disponibili al ne di scegliere l'approccio ot- timal

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13

Chen, Yuxiao. "Multimodal Perception of Auditoria: Influence of Auditory and Visual Factors on Preference." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29773.

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The enjoyment of a music performance is a multisensory experience, of which auditory and visual senses play the most important parts in conveying the content of the concerts. This thesis investigates the effects of and relationships between various auditory and visual factors on subjective preference, with an emphasis on the rarely-studied visual preference. The thesis includes four subjective evaluation experiments (all using head-mounted virtual reality display and headphones audio playback, 30 to 33 volunteers each) and one online survey (153 responses). The experimental method of virtual r

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14

Delmotte, Varinthira Duangudom. "Computational auditory saliency." Diss., Georgia Institute of Technology, 2012. http://hdl.handle.net/1853/45888.

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The objective of this dissertation research is to identify sounds that grab a listener's attention. These sounds that draw a person's attention are sounds that are considered salient. The focus here will be on investigating the role of saliency in the auditory attentional process. In order to identify these salient sounds, we have developed a computational auditory saliency model inspired by our understanding of the human auditory system and auditory perception. By identifying salient sounds we can obtain a better understanding of how sounds are processed by the auditory system, and in par

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15

STRYBEL, THOMAS ZIGMUNT. "AUDITORY APPARENT MOTION IN THE FREE FIELD." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184100.

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The purpose of this investigation was to examine the illusion of auditory apparent motion (AM), and compare it to the visual AM function. Visual explanations of this phenomenon rely on a two-process theory, with the spatial separation between the two stimuli determining which process is involved. A pilot experiment examined the role of spatial separation on auditory AM. Subjects were required to listen to a pair of 50 msec. uncorrelated white noise sources, led through two speakers, and separated in time by interstimulus onset intervals (ISOI's) ranging from 0 to 500 msec. The speakers were po

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16

King, Robert A. "Determinants of auditory display usage." Thesis, Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/29422.

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17

Schooneveldt, Gregory Paul. "Dynamic aspects of auditory masking." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304512.

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18

Lee, Mark D. "Multi-channel auditory search : toward understanding control processes in polychotic auditory listening." Diss., Georgia Institute of Technology, 1996. http://hdl.handle.net/1853/29225.

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19

Wright, James K. "Auditory object perception : counterpoint in a new context." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65537.

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20

Hutchison, Joanna Lynn. "Boundary extension in the auditory domain." Fort Worth, Tex. : Texas Christian University, 2007. http://etd.tcu.edu/etdfiles/available/etd-07232007-150552/unrestricted/Hutchison.pdf.

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21

Anderson, Elizabeth. "Audiovisual speech perception with degraded auditory cues." Connect to resource, 2006. http://hdl.handle.net/1811/6532.

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Thesis (Honors)--Ohio State University, 2006.<br>Title from first page of PDF file. Document formatted into pages: contains 35 p.; also includes graphics. Includes bibliographical references (p. 28-29). Available online via Ohio State University's Knowledge Bank.

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22

Motz, Benjamin A. "Expectations during the Perception of Auditory Rhythms." Thesis, Indiana University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10750871.

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<p> When someone hears regular, periodic sounds, such as drum beats, footsteps, or stressed syllables in speech, these individual stimuli tend to be grouped into a perceived rhythm. One of the hallmarks of rhythm perception is that the listener generates expectations for the timing of upcoming stimuli, which theorists have described as endogenous periodic modulations of attention around the time of anticipated sounds. By constructing an internal representation of a rhythm, perceptual processes can be augmented by proactively deploying attention at the expected moment of an upcoming stressed sy

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23

Hollander, Ari J. "An exploration of virtual auditory shape perception /." Connect to this title online (HTML format) Connect to this title online (RTF format), 1994. http://www.hitl.washington.edu/publications/hollander/.

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24

Gonzalez, Daniel. "An Adaptation of an Auditory Perception Test." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3772.

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The Auditory Perception Test for the Hearing Impaired, 3rd edition (APT/HI-3) was adapted into an auditory perception assessment tool for Spanish-speaking children called the Auditory Perception Test for the Hearing Impaired—Spanish (APT/HI-S). Test items from the APT/HI-S were then validated by three groups of Spanish-English bilinguals to determine if selected words were developmentally and linguistically appropriate for 3-year old children. Survey results revealed that 37 out of 62 words were considered developmentally and grammatically appropriate. The APT/HI-S was then administered to two

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25

Keating, Peter. "Plasticity and integration of auditory spatial cues." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561113.

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Although there is extensive evidence that auditory spatial processing can adapt to changes in auditory spatial cues both in infancy and adulthood, the mechanisms underlying adaptation appear to differ across species. Whereas barn owls compensate for unilateral hearing loss throughout development by learning abnormal mappings between cue values and spatial position, adult mammals seem to adapt by ignoring the acoustical input available to the affected ear and learning to rely more on unaltered spatial cues. To investigate these differences further, ferrets were raised with a unilateral earplug

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26

Leung, Johahn. "Auditory Motion in Motion." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15944.

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This thesis describes a number of studies conducted to examine three different facets of horizontal motion processing in the auditory system. Firstly, when a sound moved around a stationary listener (“source motion”); secondly, when subjects engaged in head rotations while sources remained stationary (“self motion”) and lastly when subjects engaged in self motion during simultaneous source motion. Previous studies in the field have explored these issues separately, and much remains unknown. For “source motion”, a localisation based “snapshot” psychophysical model remains the most commonly used

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27

Ciocca, Valter. "Effects of auditory streaming upon duplex perception of speech." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75866.

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When a formant transition (isolated transition) and the remainder (base) of a synthesized syllable are presented to opposite ears most subjects perceive two simultaneous sounds, a syllable and a nonspeech chirp. The isolated transition determines the identity of the syllable at one ear and, at the same time, is perceived as a chirp at the opposite ear. This phenomenon, called duplex perception, has been interpreted as the result of the independent operation of two perceptual modes, the phonetic and the auditory mode. In order to test this hypothesis, the isolated transition was preceded and fo

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28

Nisbet, Robert Stevenson. "Children's Matching of Melodies and Their Visual Representations." Thesis, Griffith University, 1998. http://hdl.handle.net/10072/367105.

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The matching of melodies with their visual representations is predicated on the ability to relate changes of melodic pitch with changes of spatial position, usually in a vertical direÃ³tion. Previous studies have investigated the matching process in terms of factors such as melodic tonality, contour complexity, presentation rate (in notes per second), modality (visual & auditory) and musical training. This investigation sought to answer a number of questions which arose from reflections on the results of such prior work - questions about musical training and the related notion of musical abili

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29

Ceballo, Charpentier Sebastian Arturo. "Causal manipulations of auditory perception and learning strategies in the mouse auditory cortex." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUS058.

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À travers des nos sens, le cerveau reçoit une énorme quantité des informations. Cette information doit être filtrée afin d'extraire les caractéristiques les plus saillantes pour guider notre comportement. La façon dont le cerveau génère différents percepts et conduit les comportements, reste comme deux des majeures questions de la neuroscience moderne. Dans ce travail, en utilisant une tâche de discrimination Go / noGo combinée à l’optogénétique pour inactiver le cortex auditif durant le comportement la souris, nous avons établi que le cortex auditif n’est pas utilisé pour les discriminations

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30

King, Lisa Charmayne. "Auditory ambience as an information display." Diss., Georgia Institute of Technology, 1994. http://hdl.handle.net/1853/28829.

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31

Rogers, Wendy Laurel. "Cumulative effects in auditory stream segregation." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70309.

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Nine experiments were done to test three theories of auditory stream segregation and to investigate some conditions under which segregated tones re-integrate. In two-part trials, subjects (adults with normal hearing) first heard a segregation-inducing "Induction Sequence" whose effects upon an immediately subsequent "Test Sequence" were measured. The Test Sequence always had tones that alternated rhythmically between two frequencies. Rhythm and total duration of Induction Sequence tones were varied in the first two studies. Similarity of Induction and Test Sequences aided segregation whereas r

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32

Lau, Lai-yi Kitty. "Listeners' perception of stuttering in Cantonese." Click to view the E-thesis via HKUTO, 1994. http://sunzi.lib.hku.hk/hkuto/record/B36208942.

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Thesis (B.Sc)--University of Hong Kong, 1994.<br>"A dissertation submitted in partial fulfilment of the requirements for the Bachelor of Science (Speech and Hearing Sciences), The University of Hong Kong, 29th April, 1994." Also available in print.

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33

Huang, Tsan. "Language-specificity in auditory perception of Chinese tones." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092856661.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains xix, 194 p.; also includes graphics. Includes bibliographical references (p. 183-194).

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34

Radeau, Monique. "Interaction audio-visuelle et modularité = Auditory-visual interaction and modularity." Doctoral thesis, Universite Libre de Bruxelles, 1991. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212982.

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35

Ver, Hulst Pamela. "Visual and auditory factors facilitating multimodal speech perception." Connect to resource, 2006. http://hdl.handle.net/1811/6629.

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Thesis (Honors)--Ohio State University, 2006.<br>Title from first page of PDF file. Document formatted into pages: contains 35 p.; also includes graphics. Includes bibliographical references (p. 24-26). Available online via Ohio State University's Knowledge Bank.

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36

Lee, Catherine. "Perception of synchrony between auditory and visual stimuli." Thesis, University of Ottawa (Canada), 2002. http://hdl.handle.net/10393/6375.

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The literature has fairly consistently reported a difference in how well humans perceive synchrony depending on the order of auditory and visual stimuli. When the auditory stimulus occurs first and the visual stimulus follows, subjects are more sensitive and so perceive asynchrony with smaller time delay between the stimuli. On the other hand, when the auditory follows the visual stimulus, the subjects are more tolerant and perceive stimuli with larger time delays as synchronous. Thresholds of synchrony perception in these two conditions are thus asymmetrical. The present study attempts to tes

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37

Don, Audrey Jean. "Auditory pattern perception in children with Williams syndrome." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ30287.pdf.

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38

Vallejos, Elvira PeÌrez. "What duplex perception tells us about auditory organisation." Thesis, University of Liverpool, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428233.

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39

Seton, John Christopher. "A psychophysical investigation of auditory rhythmic beat perception." Thesis, University of York, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329671.

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40

Hoskin, Robert. "The effect of psychological stress on auditory perception." Thesis, University of Sheffield, 2014. http://etheses.whiterose.ac.uk/6193/.

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Psychological stress appears to precede instances of auditory hallucinations in those vulnerable to them. This suggests that psychological stress acts on the auditory perceptual system in such a way as to encourage the generation of false percepts. This thesis investigated the impact of psychological stress on the perception of emotionally neutral sounds with the aim of identifying a potential mechanism to explain the influence of stress on the occurrence of auditory hallucinations. Two interconnected hypotheses, arising from the theory that stress reduces attentional control and therefore the

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41

Vitela, Antonia David. "General Auditory Model of Adaptive Perception of Speech." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/265343.

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One of the fundamental challenges for communication by speech is the variability in speech production/acoustics. Talkers vary in the size and shape of their vocal tract, in dialect, and in speaking mannerisms. These differences all impact the acoustic output. Despite this lack of invariance in the acoustic signal, listeners can correctly perceive the speech of many different talkers. This ability to adapt one's perception to the particular acoustic structure of a talker has been investigated for over fifty years. The prevailing explanation for this phenomenon is that listeners construct t

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42

Elangovan, Saravanan, and Andrew Stuart. "Auditory Temporal Processing in the Perception of Voicing." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/1559.

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43

Linke, Annika Carola. "Feature processing in human audition : the role of auditory cortex in perception, short-term memory and imagery." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610253.

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44

Cornew, Lauren A. "Emotion processing in the auditory modality the time course and development of emotional prosody recognition /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3330854.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed December 11, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.

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45

Leibold, Lori J. "Informational masking in infancy /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/8191.

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Vande, Kamp Mark E. "Auditory implicit association tests /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/9119.

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47

Weaver, Lisa L. "Effects of sequential context on the perception of brief tones." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0026/NQ50281.pdf.

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48

Duan, Mao Li. "The diagnosis and protection of the auditory peripheral system /." Stockholm, 1999. http://diss.kib.ki.se/1999/91-628-3315-4/.

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49

Ciocca, Valter. "Perceived continuity of steady-state and glided tones through a louder noise : evidence concerning a trajectory effect." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63303.

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50

Yim, Pui-kwan. "Random gap detection test normative values for Hong Kong young adults /." Click to view the E-thesis via HKU Scholars Hub, 2003. http://lookup.lib.hku.hk/lookup/bib/B38891037.

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Thesis (B.Sc.)--University of Hong Kong, 2003.<br>"A dissertation submitted in partial fulfilment of the requirements for the Bachelor of Science (Speech and Hearing Sciences), The University of Hong Kong, April 30, 2003." Includes bibliographical references (p. 28-30) Also available in print.

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