Gotowa bibliografia na temat „Australian independent film”

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Artykuły w czasopismach na temat "Australian independent film"

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Cunningham, Stuart. "Regionalism in Audiovisual Production: The Case of Queensland." Queensland Review 1, no. 1 (June 1994): 47–54. http://dx.doi.org/10.1017/s1321816600000490.

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A great deal has been made of the boom in audiovisual production based in southern Queensland (and to some extent in northern Queensland) in the 1990s. This follows a pattern throughout the so-called ‘revival’ period (since the early 1970s) in Australia which has seen successive moments of regional upsurge. In the 1970s, it was South Australia, under the energetic leadership of the South Australian Film Corporation, that saw many of the best feature films and several of the early historical mini-series of the early revival period made in that state (see, for example, Moran). During the early t
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Smaill, Belinda. "Commissioning Difference? The Case of SBS Independent and Documentary." Media International Australia 107, no. 1 (May 2003): 105–16. http://dx.doi.org/10.1177/1329878x0310700111.

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SBS Independent (SBSI) is the arm of SBS Television responsible for commissioning new work. Since 1994, SBSI has been working in conjunction with other screen funding bodies to commission feature film, short drama, animation and documentary. The charter that dictates the practices of SBS Television also provides guidelines for SBSI, which is consequently required to focus on work that is innovative and concerned with Indigenous issues and cultural diversity. This article focuses on the case of documentary in Australia and the impact of SBSI on a filmmaking community and contemporary documentar
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Hogan, Trevor, and Priti Singh. "Modes of indigenous modernity." Thesis Eleven 145, no. 1 (March 26, 2018): 3–9. http://dx.doi.org/10.1177/0725513618763836.

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This special issue is the outcome of a collaborative venture – a three-day workshop between La Trobe University and Ateneo de Manila University, held in Manila. It brought together indigenous and non-indigenous researchers from both the Philippines and Australia and included aboriginal researchers in business studies, history, literature and anthropology, and non-indigenous researchers working on themes of indigenous history, material culture, film studies, literature, the visual arts, law and linguistics. The ‘indigenous’ peoples of the Philippines are very different to Australian Aborigines
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L. Mack, Andrew, Debra D. Wright, J. Ross Sinclair, and Banak Gamui. "Should there be efforts to establish two Australasian conservation biology societies?" Pacific Conservation Biology 8, no. 1 (2002): 2. http://dx.doi.org/10.1071/pc020002.

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In a recent editorial, H. Recher presents some history on why there is not currently an Australasian conservation biology society. He asserts that a motion to create such a society was abandoned because the Ecological Society of Australia (ESA) and the Australian Institute of Biology (AlB) promised to assume greater roles in conservation biology and obviated the need for a separate society, but that these organizations have not fulfilled this promise. The Society for Conservation Biology (SCB) has initiated a drive to develop a regional Australasian chapter and Recher raises the question: "is
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Murray, Virginia, and Katya Johanson. "The cut-through concept:52 Tuesdays, festivals and the distribution of independent Australian films." Studies in Australasian Cinema 9, no. 1 (January 2, 2015): 52–65. http://dx.doi.org/10.1080/17503175.2014.1002270.

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Hughes, Peter. "The films of John Hughes: a history of independent screen production in Australia." Studies in Documentary Film 10, no. 2 (May 3, 2016): 212–13. http://dx.doi.org/10.1080/17503280.2016.1222716.

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Appuhami, Ranjith. "The signalling role of audit committee characteristics and the cost of equity capital." Pacific Accounting Review 30, no. 3 (August 6, 2018): 387–406. http://dx.doi.org/10.1108/par-12-2016-0120.

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Purpose The purpose of this study is to examine whether audit committee characteristics influence the cost of equity capital. Design/methodology/approach Drawing on signalling theory, this study hypothesises that the presence of an AC with adequate characteristics serves as a market “signal” of the credibility of the effective monitoring process and hence affects the perception of capital providers on the cost of equity capital. The study uses a multiple regression analysis on data collected from a sample of top Australian listed firms. Findings The study finds that audit committee characteris
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Ohtsuka, Keis, Eric Bruton, Louisa Deluca, and Victoria Borg. "Sex Differences in Pathological Gambling Using Gaming Machines." Psychological Reports 80, no. 3 (June 1997): 1051–57. http://dx.doi.org/10.2466/pr0.1997.80.3.1051.

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With recent introduction of poker machines in Australia, there have been claims of increases in the number of women with gambling-related problems. Research in the United States indicates, however, that men have a higher incidence of pathological gambling. The aims of this study were to ascertain among game machine users in a major city in Australia whether (a) more women than men exhibited symptoms of pathological gambling, (b) women reported higher guilt associated with their gambling, and (c) gamblers' self-assessment on several mood states was predictive of pathological gambling. A modifie
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Peden, Amy E., Pooria Sarrami, Michael Dinh, Christine Lassen, Benjamin Hall, Hatem Alkhouri, Lovana Daniel, and Brian Burns. "Description and prediction of outcome of drowning patients in New South Wales, Australia: protocol for a data linkage study." BMJ Open 11, no. 1 (January 2021): e042489. http://dx.doi.org/10.1136/bmjopen-2020-042489.

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IntroductionDespite being a preventable cause of death, drowning is a global public health threat. Australia records an average of 288 unintentional drowning deaths per year; an estimated annual economic burden of $1.24 billion AUD ($2017). On average, a further 712 hospitalisations occur due to non-fatal drowning annually. The Australian state of New South Wales (NSW) is the most populous and accounts for 34% of the average fatal drowning burden. This study aims to explore the demographics and outcome of patients who are admitted to hospitals for drowning in NSW and also investigates predicti
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Tachedjian, Gilda. "Microbicides for HIV." Microbiology Australia 31, no. 4 (2010): 188. http://dx.doi.org/10.1071/ma10188.

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Microbicides are chemical entities that can be incorporated in gels, films, tablets or rings for application to the vagina or rectum to prevent the transmission of HIV and other sexually transmitted infections. Leading Australian microbicide efforts include the development of a dendrimer nanoparticle with broad-spectrum activity against HIV, HSV and HPV, and a natural factor produced by lactobacilli in the healthy female genital tract. Clinical trials have revealed that nonspecific agents such as nonoxynol-9 and moderately specific linear polyanions lack efficacy in preventing male to female H
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Rozprawy doktorskie na temat "Australian independent film"

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au, larissa sextonfinck@uwa edu, and Larissa Claire Sexton-Finck. "Be(com)ing Reel Independent Woman: An Autoethnographic Journey Through Female Subjectivity and Agency in Contemporary Cinema with Particular Reference to Independent Scriptwriting Practice." Murdoch University, 2009. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20100512.122302.

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Women exert only a modicum of production power in 21st century cinema despite its growing accessibility and spectatorship through the developing technologies of the digital era. In 2007, of the top 250 grossing films in Hollywood, only 10% were written, and 6% directed, by women, and just 16% contained leading female protagonists. Why, after the gains of the film feminist movement, is there such a significant gender imbalance in mainstream film, and an imbalance that is only increasing over time? More significantly, what are the possibilities and limitations for reel woman’s subjectivity and a
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Ryan, Mark David. "A dark new world : anatomy of Australian horror films." Queensland University of Technology, 2008. http://eprints.qut.edu.au/18351/.

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After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector co
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Mikhail, Samia, and fasisami@netspace net au. "The experimental art of Arthur and Corinne Cantrill." RMIT University. Applied Communication, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20061222.094324.

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This thesis analyses the effect of the personal history of Arthur and Corinne Cantrill, two Australian independent filmmakers, on their style of filmmaking. It analyses their representation of film-form experimentation within national Australian art in a range of independent film works. It reflects on their cultural relation to the general history of independent filmmaking in Australia, America and Europe. It studies the circumstances tat resulted in the appearance of the Cantrills' experimental film and their relation to international art theories and film experimentation. This thesis will ex
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Catling, Aaron. "The Ending Needs Work AKA the Good, the Bad and the Ugly of being an independent filmmaker in Australia." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16091/.

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Over the period of candidature, write and direct a feature film to completion. Furthermore, undertake a thorough reflective phase which involves the analysis of each aspect relating to those key components, writing and directing. Through this form of creative practice and utilising state of the art digital filmmaking techniques it is hoped that an addition to knowledge will be achieved.
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Lang, Ian William, and n/a. "Conditional Truths: Remapping Paths To Documentary 'Independence'." Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031112.105737.

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(Synopsis to introductory statement): An introductory statement to five documentary films made by Ian Lang in Australia between 1981 and 1997 exemplifying  a 'democratising' model of sustainable and ethical documentary film production. This document critically reflects on the production process of these films to accompany their submission for the degree of Doctor of Philosophy by Publication at Griffith University. It finds that a contemporary tendency towards 'post-industrial' conditions allows an observational film-maker to negotiate a critical inter-dependence rather than a romantically co
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Książki na temat "Australian independent film"

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Goodall, Heather. Beyond Borders. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462981454.

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Beyond Borders: Indians, Australians and the Indonesian Revolution, 1939 to 1950 rediscovers an intense internationalism — and charts its loss — in the Indonesian Revolution. Momentous far beyond Indonesia itself, and not just for elites, generals, or diplomats, the Indonesian anti-colonial struggle from 1945 to 1949 also became a powerful symbol of hope at the most grassroots levels in India and Australia. As the news flashed across crumbling colonial borders by cable, radio, and photograph, ordinary men and women became caught up in in the struggle. Whether seamen, soldiers, journalists, act
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Annette, Blonski, Creed Barbara, and Freiberg Freda, eds. Don't shoot darling!: Women's independent filmmaking in Australia. Richmond, Australia: Greenhouse Publications, 1987.

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Blonski, Annette. Don't Shoot Darling: Women's Independent Filmmaking in Australia. Australia in Print, 1988.

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Części książek na temat "Australian independent film"

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Williams, Deane, and John Hughes. "No Going Back: Continuity and Change in Australian Documentary." In Post-1990 Documentary. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748694136.003.0003.

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This chapter discusses how, over the years, Australian filmmakers have responded to the public broadcaster's control over documentary funding, forms, production, and distribution patterns. It assess the evolution of the role of Australian television by focusing on a group of films dealing with asylum seekers, refugees, and immigration. Here, independence is not only understood in terms of production and distribution patterns, but also in terms of political stance and social commitment. The chapter examines two projects: one that sits at the commencement of official government filmmaking, and another, a television series emblematic of recent developments in Australian factual programming. Both of these projects, Mike and Stefani (1952) and Go Back to Where You Came From (2011) address Australian responses to asylum seekers and refugees.
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"television, constrained at the time from such a move by Independent Broadcasting Association regulations (Willock 1992). Coronation Street and Crossroads had been stripped across three evenings, and EastEnders across two. Stripping across five days/nights had long been common in Australian television. This was first done for Number 96 (1972–1977) by Ian Holmes, later the Grundy Organisation’s president. So successful was the stripping of Neighbours across five days that the same principle has since been adopted in the UK for Home and Away. David Liddiment, Head of Entertainment at Granada, which produces Coronation Street and Families, both Neighbours competitors, went so far as to say: “In future, no-one will contemplate running a daytime serial in the UK except as a strip. It’s inevitable that you build success more quickly when you strip a soap” (Liddiment 1989: 20). Second, on scheduling, Loughton made the schedules more cost-effective by repeating each edition daily (Patterson 1992). “The time-slots chosen by the BBC were 1.30 pm, with a repeat the following morning at 9.05. It attracted a typical audience of housewives, shift workers, the unemployed, people home sick” (Oram 1988: 48). After the unexpected success of Neighbours’ first year, it was decided to reschedule the next morning repeat for the same evening, at 5:35 p.m. This was to cater for working mothers, but most of all for schoolchildren who had previously played truant to watch the series. The most famous story attributes the schedule change to the representations made to no less than Michael Grade himself by his daughter. Rescheduled in January 1988, Neighbours nearly doubled its audience to 16.25 million within six weeks. By Christmas 1988, audiences topped 20 million. Five-day stripping and repeat screenings, then, offered a regularity and familiarity significant in capturing such huge audiences, representing one-third of the UK population. The third precondition was the UK “mediascape.” This included a very broad familiarity with Australian soaps. When Neighbours was launched on October 27, 1986, The Sullivans, A Country Practice, Young Doctors, Flying Doctors, Richmond Hills, Prisoner: Cell Block H, and others had broadened the paths already beaten by many Australian films released in the UK. Michael Collins, executive in charge of production at JNP, producers of A Country Practice, maintains that the serial, screened in the UK since 1983, “was a forerunner in getting audiences used to Australian drama” (Collins 1991). And one factor contributing to Neighbours’s topping the ratings late in 1988 would have been the demise of Crossroads, the British soap created by Reg Watson, in spring 1988 after a twenty-four-year run. Fourth, tabloids, television, and un(der)employment. Under Thatcher and Murdoch, the tabloid press in Britain expanded in the mid-1980s, producing what one television executive described, albeit parodically, as “one page of news, one page of sex, and twenty-two pages of television and sport” (Patterson 1992). So when Neighbours was stripped over five days, “the papers really noticed it” (Willock 1992). Together with Woman, Woman’s Day, Jackie, Scoop, and other teen magazines, the tabloids ran myriad stories on Kylie, Jason, Peter O’Brien, and so on, as is indicated by the three sample headlines from three successive days:." In To Be Continued..., 113. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-15.

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Streszczenia konferencji na temat "Australian independent film"

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Melchers, R. E., X. L. Jiang, and K. J. Lu. "Coating Life Prediction for Water Ballast Tank." In ASME 2005 24th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2005. http://dx.doi.org/10.1115/omae2005-67425.

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Corrosion is the key factor responsible for the degradation of ship structures and in no place is this truer than water ballast tanks. Coating protection system is a continual research interest for classification societies and coating industries. Up to now, most coating performance analyses are qualitative not quantitative. Coating life prediction is almost always based on experience and various assumptions, due to unavailability of practical data support systems. This paper describes a preliminary impartial investigation of coating life carried out with interviewees from the Australian Defenc
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