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Rozprawy doktorskie na temat „Authenticité (art)”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 lutego 2022

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1

Bonzon, Catherine. "Enjeux sociaux, culturels et éducatifs de la pratique autonome des musiques amplifiées chez les adolescents." Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20069.

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De nombreux jeunes « héritiers » aux pratiques culturelles diversifiées empruntent les nouveaux cursus d’apprentissage institutionnalisés des « musiques actuelles », d’autres en revanche, persistent à rester en marge, persuadés que l’esprit de contre-culture des années cinquante à soixante-quinze (du rock au punk) ou plus récemment de subculture spécifique au rap et aux musiques électroniques (house, techno…) ne sauraient suivre les chemins d’un enseignement formel et sous contrôle de l’adulte éducateur sans risquer de perdre leur âme et leur essence. C’est à ces adolescents que cette étude s’
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2

Bekkar, Anissa. "L'authenticité des oeuvres d'art." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAA022.

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C’est à partir du XIXème siècle, qui signe l’avènement de la conception romantique de l'artiste, que l'authenticité devient la qualité première de l’oeuvre d’art. Conditionnant la valeur de l’oeuvre sur les plans économique et artistique, l’authenticité apparaît toutefois comme difficile à définir dans la mesure où elle repose sur une réalité complexe. Elle est en outre mal aisée à prouver, l’incertitude étant le propre de l’histoire de l’art. Amené à composer avec ces contraintes, c’est principalement via l'erreur sur les qualités essentielles et le droit de la responsabilité civile que le dr
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3

Saint-Cricq, Frédéric. "L'architecture en mode mineur." Thesis, Montpellier 3, 2020. http://www.theses.fr/2020MON30007.

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La problématique de notre recherche trouve sa source dans les qualités sensibles des édifices que nous percevons mais ces qualités ne peuvent être attribuées à des concepts et des causes factuelles. Les mots ne peuvent circonscrire le sensible sous le régime de la signification et les concepts sont trop larges pour déterminer l’unicité d’un édifice ou d’un énoncé. Dans le mode majeur de la représentation, la pensée réfléchit des objets et des sujets déjà formés depuis lesquels les attributs sensibles sont signifiés. Mais ce mode majeur de la pensée ne peut saisir l’unicité d’un édifice ou de s
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4

De, Araujo Aguiar Luciana. "Les stratégies d’authenticité et les politiques de patrimoine culturel immatériel : une étude à partir de deux cas." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30058/document.

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Cette thèse a pour but de comprendre les stratégies de construction d’authenticité et les politiques de patrimoine culturel immatériel à partir de l’étude de deux pratiques culturelles reconnues actuellement comme patrimoine culturel immatériel : le fest-noz, présente dans les villes et campagnes de la région Bretagne, en France ; et le jongo, présente au sein des villes installées dans la vallée du fleuve Paraíba do Sul, dans la région Sudeste du Brésil. La démarche comparative présentée dans cette thèse résulte d’une double étude de cas, d’une part les rapports entre le fest-noz et l’authent
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5

Vignon, Charlotte. "Londres – New York – Paris : le commerce d’objets d’art de Duveen Frères entre 1880 et 1940." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040235.

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Pourquoi tant d’objets d’art décoratifs de collections européennes se trouvent-ils aujourd’hui dispersés aux quatre coins des Etats-Unis ? A partir de documents d’archives inédits et d’une lecture critique des sources, cette thèse appréhende l’exode du patrimoine européen vers les Etats-Unis du début du vingtième siècle à travers le parcours d’acteurs importants de ce phénomène : les marchands Joel, Henry et Joseph Duveen à la tête de la prestigieuse galerie d’objets d’art et de tableaux, Duveen Frères, établie à Londres et New York dès la fin du dix-neuvième siècle et en 1908 à Paris. Sont d’
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6

Miyoshi, Akihiko. "Art and authenticity /." Link to online version, 2005. https://ritdml.rit.edu/dspace/handle/1850/1106.

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7

Nakhli, Alia. "Le discours identitaire dans l’art contemporain en Tunisie : de la tunisianité à l’arabité (1956-1987)." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100032.

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Cette thèse porte sur la fabrique visuelle identitaire dans l’art contemporain, en Tunisie postcoloniale, de 1956 à 1987. Période coïncidant avec la construction d’un État-nation moderne, sur le modèle occidental. Dans une première partie, la recherche focalise sur la mise en place d’une iconographie académique figurative célébrant les us et coutumes ainsi que les scènes populaires. Ce qui a généré une esthétique officielle, véhiculant une image de la nouvelle nation tunisienne, conforme au discours politique exaltant le sentiment national de la tunisianité. Avec le constat d’échec de l’expéri
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8

Grady, C. Jill. "Huichol authenticity /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6445.

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9

Brower, Matthew Francis. "Signature style, art, authenticity and authorship." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0021/MQ48566.pdf.

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10

Gordon, Rebecca Alison. "Rethinking material significance and authenticity in contemporary art." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/3041/.

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The traditional notion of material authenticity as being the physical and aesthetic evidence of the artist’s hand in the ‘original’ materials is outmoded. With the changed nature of art must come a rethinking of the concept of authenticity. Authenticity was and is often discussed in relation to attribution, and is traditionally linked with the artwork’s material presence. This thesis questions that assumption, drawing on the literature of philosophy that describes authenticity as someone’s ‘true essence’ in order to propose the significance of the interrelation of the artwork’s multiple attrib
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11

Lequette-, de Kervenoaël Stéphanie. "L' authenticité des œuvres d'art /." Paris : L.G.D.J, 2006. http://www.gbv.de/dms/spk/sbb/recht/toc/51291883X.pdf.

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12

Schumacher, Allison N. "Crafting Authenticity." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1900.

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Authenticity is what we want from the world around us, from others, and crucially from ourselves and what we make. As it relates to graphic design, I define authenticity as a perceived match between form and purpose. For the designer, its quality is found in the process of simultaneously developing a concept and crafting the design/object.
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13

Hall, Stephanie Ann. "A Reexamination of Authenticity in Objects and Experiences." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338931103.

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14

Grassy, Elsa. "Le lieu musical : du texte à l’espace, un itinéraire sémantique. Poétique des catégories géographiques dans les musiques populaires américaines (1920-2007)." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040118.

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Il existe dans le discours de la presse musicale américaine de nombreux de termes géographiques, dont la fonction n’est pas uniquement de localiser l’origine des courants musicaux ou d’opérer leur catégorisation par genre ou sous-genre : ces mots sont l’indice d’une véritable esthétique géomusicale, par laquelle lieux et musique se donnent sens et valeur. L’ancrage dans un lieu confère à la musique la valeur de vérité et de réalité que recouvre la notion d’authenticité, et donne lieu à des jugements esthétiques imprégnés de déterminisme géographique. Cependant, le lien avec un lieu étant consi
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15

webb, sarah. "THE EXCHANGE: Curating Authenticity + Interaction." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4247.

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For a physical space to have an emotional impact on those who experience it, we must consider the connection and relationship between objects and experience, and how people make individual connections to insentient places. It is this symbiotic relationship that allows a building or space to attain a “soul”. Through the adaptive re-use of a Richmond, Virginia building, this thesis project explores strategies of staging physical interaction and organic experiences through art and culture in the context of a mixed-use niche hotel.
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16

Morin, Edwige. "Tchekhov : la parole au féminin." Master's thesis, Université Laval, 2017. http://hdl.handle.net/20.500.11794/28072.

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1ère partie : Réflexion autour de la déclinaison des motifs [1] dans le théâtre de Tchekhov. Analyse d'une méthode de création [2]. 2nde partie : La solitude des mots [3] : Recherche-création autour de la problématique de l'authenticité dans le jeu de l'acteur. A partir de la composition d'un monologue, prenant sa source dans les paroles des personnages féminins des pièces de Tchekhov, et de sa mise en espace, nous avons amorcé une réflexion sur l'authenticité du jeu de l'acteur. Nous avons décomposé cette notion pour découvrir les outils nécessaires à la création d'une partition actorale :
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17

Sedaghat, Soroush. "Web authenticity /." View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20031216.135109/index.html.

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Thesis (M.Sc.) (Honours) in Computing-- University of Western Sydney, 2002.<br>"A dissertation presented to the University of Western Sydney, School of Computing and Information Technology, in partial fulfillment of the requirements for the degree of Master of Science (Honours) in Computing. Bibliography: p. 438-471.
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18

Senyurt, Yasemin Emine. "Importance Of Art In Authenticating Dasein." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/2/12607002/index.pdf.

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The aim of this thesis is to try to establish a relationship between Heidegger&rsquo<br>s thought on authenticity and art, and to show the role of art in authentic being of Dasein. Dasein&rsquo<br>s being authentic depends on Dasein&rsquo<br>s revealing of itself as itself. In this respect art plays an important role in revealing Dasein as itself. Thus, the relation between art and authenticity can be based on alethia which is the revealing of being as itself. At the same time art plays an important role in authenticating Dasein by its world-disclosing feature as it allows Dasein&rsquo<br>s ow
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19

Bernard, Mary Grace Cathryn. "Non-Western Art and the Musée du Quai Branly: The Challenge of Authenticity." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/honors_theses/53.

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This thesis discusses the recent construction and anthropological collaboration of the Paris museum: Musée du quai Branly (MQB), an art museum dedicated to showcasing art collections specific to aboriginal and indigenous cultures in the Americas, Africa, Asia and Oceania. The opening of MQB in June 2006 raised a plethora of controversial questions concerning the museum’s methods of curatorial display of the art it has made its primary focus. One of the major issues discussed examines the Quai Branly’s authentic, or inauthentic, representation of certain artworks displayed throughout the museum
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20

Marchaza, Lauren M. "Selling authenticity the role of Zuni Knifewings and Rainbow gods in tourism of the American Southwest /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1180626964.

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21

Chiu, Chih-Yung. "Blurred boundaries and return to authenticity : image politics of arts in cyberspace /." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1125027077.

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22

Wehn, James R. III. "Inventing the Market: Authenticity, Replication, and the Prints of Israhel van Meckenem." Case Western Reserve University School of Graduate Studies / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case155428951539756.

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23

House, Theresa L. "Making authentic connections between art and life an evolution of student engagement in the process of learning art in an elementary classroom /." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1213021116.

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24

Hoben, Kelly Anne. "AUTHORSHIP, AGENCY, AND AUTHENTICITY IN THE STUDENT-CENTERED ART EXHIBITION: A PARTICIPATORY ACTION-RESEARCH CASE STUDY." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211980552.

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25

Beck, Emily Shea. "Place Removed: A Study of Authenticity in Remote Locations." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2408.

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Richmond, Virginia has, through recent design proposals and projects, sought reconciliation with the countries in West Africa that were once the source for slave trade in which the city was such an active participant. These admirable works address the nations’ shared history, perhaps at the expense of understanding modern cultures. This thesis seeks to create this understanding through the development of an educational facility that would interact with Richmond’s current landscape. In pursuit of respectful relationship, I address the ways in which design can authentically teach about place. T
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26

Sariot, Eray. "The Relevancy Of Art And Time In Heidegger&#039." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12610065/index.pdf.

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This thesis aims at propounding possible relations between the concepts of time and art in Martin Heidegger&rsquo<br>s thinking. Time and art which hold a central place in different periods of Heidegger&rsquo<br>s thinking in line with his fundamental question of Being are considered together mainly through the analysis of artwork&rsquo<br>s temporal characteristics. The temporality of the artwork in question is investigated specifically in terms of its basic elements of earth and world and with its relation to authenticity. In this respect, this thesis argues that the work of art bears a tem
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Makela, Daniel. "Art and Culture: The Transformation of Louisville's East Market District." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277497985.

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St-Onge, Colette G. "Symbols of Authenticity: Challenging the Static Imposition of Minority Identities through the Case Study of Contemporary Inuit Art." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20491.

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This thesis examines the use and promotion of shamanic themes in contemporary Canadian Inuit art, being the principle venue in which Inuit identity is presented to non-Inuit in Canada and internationally. The image of Inuit identity promoted through the arts since the mid-twentieth century is arguably the product of non-Inuit state authorities, but Inuit artists themselves are increasingly asserting their voice in their arts and crafts, thereby challenging the image of Inuit identity to non-Inuit. This project first problematizes the history of contemporary Inuit art, where the construction of
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29

Avis, Tami. "Authenticity : how do counselling psychologists know who their clients really are?" Thesis, City University London, 2010. http://openaccess.city.ac.uk/12067/.

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Counselling psychology trainees are obliged to undertake a minimum of 40 hours of personal therapy as part of the course requirements. This qualitative study explores how trainee counselling psychologists experience mandatory personal therapy and how chartered counselling psychologists experience having trainee counselling psychologists as clients. Phenomenological methodology - specifically, Interpretative Phenomenological Analysis (lPA) - was employed to access the lived experience of both trainees and qualified psychologists. Analysis of the results suggests that as the therapeutic relation
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30

Shipe, Rebekah C. "Authenticity, Originality and the Copy: Questions of Truth and Authorship in the Work of Mark Landis, Elizabeth Durack, and Richard Prince." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265281.

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Freestone, Mellor Paula. "Sir George Scharf and the problem of authenticity at the National Portrait Gallery." Thesis, University of Oxford, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.728997.

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Kalkat, Saloni Kaur. "Daughter, Wife, Mother: Women as Emblems of Indian Authenticity Throughout the Diaspora." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/925.

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It has been over a century since the maternal side of my family has resided in the natal land of our cultural heritage and religious proclivities – Punjab, India, where Sikhism was established. As an American I continue this extension of our roots from their source. Through the process of shifting location, cultural confluence, and passing time the experiences of the women in each successive generation of my family have altered significantly through our diasporic existence. However, even in the aftermath of colonization and immigration, the enduring responsibility of women is reliant upon thei
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33

House, Theresa L. "Making Authentic Connections Between Art And Life: An Evolution Of Student Engagement In The Process Of Learning Art In An Elementary Classroom." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1213021116.

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Menton, Sara. "Authenticity and the Copy: Analyzing Western Connoisseurship of Chinese Painting through the Works of Zhang Daqian." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/17918.

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This thesis examines conflicting attitudes regarding artistic authenticity and differing approaches to connoisseurship vis-à-vis the field of Chinese art and its reception in Europe and North America. Although this thesis examines both Chinese and Western approaches to the copy and highlights different cultural methods, this is not a Chinese versus the West argument. This thesis displays how concepts are combined in the Western art field to reach differing conclusions about a painting's authenticity. Specifically, this thesis analyzes the art of Chinese painter Zhang Daqian (1899-1983) and the
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35

Marchaza, Lauren Marie. "Selling Authenticity: The Role of Zuni Knifewings and Rainbow Gods in Tourism of the American Southwest." Ohio University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1180626964.

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36

Court, Clémence, and Rooij Mariska de. "Balancing the self and the relationship : Coping strategies of leaders when core values on which their authenticity is based are challenged." Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-53177.

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This thesis aimed to explore the coping strategies of leaders in situations in which their authenticity is put out of balance. Specifically, this means that this thesis describes the different actions shown by the leaders in order to deal with these particular situations. The literature suggests that leaders either stay with their own values and try to persuade them to the followers (Eagly 2005) or adapt to the group values and avoid showing damaging emotions (Gardner et al. 2005). As expected, this thesis shows that the leaders’ behavior does not simply fit into one group or the other. Instea
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37

Berensmeyer, Ingo. "John Banville : fictions of order : authority, authorship, authenticity /." Heidelberg : C. Winter, 2000. http://catalogue.bnf.fr/ark:/12148/cb388875984.

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38

Aiken, Emma, and n/a. "Interpersonal needs and values authenticity, belonging, independence and narcissism." Swinburne University of Technology, 2006. http://adt.lib.swin.edu.au./public/adt-VSWT20070730.134810.

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The nature of human well-being has been debated in psychological research since the beginning of the study of human behaviour. Mechanistic perspectives regard humans to be independent objects motivated by external contingencies, with needs to be both self sufficient and self-enhancing. Organismic perspectives describe humans as having innate self-organisational tendencies, which partly depend on qualities of relationships with others. Basic needs for well-being include being self-determined and socially integrated. Both perspectives claim empirical support. Drawing on Self-Determination Theory
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Aiken, Emma. "Interpersonal needs and values authenticity, belonging, independence and narcissism /." Australasian Digital Thesis Program, 2006. http://adt.lib.swin.edu.au/public/adt-VSWT20070730.134810/index.html.

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Thesis (DPsych) -- School of Life and Social Sciences, Swinburne University of Technology, 2006.<br>Submitted in fulfilment of requirements for the degree of the Doctorate in Counselling Psychology, School of Life and Social Sciences, Swinburne University of Technology, 2006. Includes bibliographical references (p. 233-244).
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40

Jurevičienė, Jūratė. "Vilniaus istoriniai priemiesčiai: autentiškumo aspektas." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060209_171545-12385.

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Autentiškumo išsaugojimo problema stiprėja augant visuomenės siekiams dalyvauti kultūros paveldo apsaugoje. Spartėjanti istorinės aplinkos pertvarka skatina daugiau dėmesio skirti urbanistikos paveldui ir plėsti leistinos jos pokyčių ribos paieškas. Lietuvos urbanistikos paveldo vertingųjų savybių išsaugojimo būtinybė ir poreikis keisti jo pavidalo bruožus ir susiklosčiusias paskirtis yra vienas svarbiausių iššūkių dabartiniame mūsų didmiesčių teritorinės plėtros laikmetyje.<br>This scientific research introduces the method of evaluation of authenticity of Vilnius historic suburbs. Proposed mo
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41

Wilson, Christopher E. "Autonomy-Dependency Paradox in Organization-Public Relationships: A Case Study Analysis of a University Art Museum." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3074.pdf.

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Schönle, Andreas. "Authenticity and fiction in the Russian literary journey, 1790-1840 /." Cambridge (Mass.) ; London : Harvard university press, 2000. http://catalogue.bnf.fr/ark:/12148/cb37194878g.

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43

Kuchmaner, Christina A. "ARE YOU FOR REAL? THE CONSUMPTION-DRIVEN SELF-AUTHENTICATION PROCESS AND ITS EFFECTS ON PERCEIVED BRAND AUTHENTICITY." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1584978108171991.

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44

Kersey, Melvin Eugene. ""Where are the originals?" : Britishness and problems of authenticity in post-union literature from Addison to Macpherson." Thesis, University of Leeds, 2001. http://etheses.whiterose.ac.uk/6768/.

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This thesis examines the relationship between the formation of British national identity and textual authenticity in the eighteenth century, focusing on literary practices of myth-making and nation-building by a range of authors from Joseph Addison to James Macpherson. Exploring a variety of 'authentic' as well as 'fabricated' sources, the thesis traces the origins of Britishness to authors as diverse as King Alfred, Tacitus and Julius Caesar. The question 'Where are the originals?', which Samuel Johnson levelled at the problematic Ossianic poetry of James Macpherson, serves as an organising p
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45

Foster, Tara E. "The Streets are Talking: The Aesthetics of Gentrification in Two Downriver New Orleans Neighborhoods." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1736.

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Since the 1970s, when neoliberal policies and changing consumer patterns began remaking cities, scholars have conducted research about gentrification. In New Orleans, these studies have helped explain the demographic and economic shifts in some neighborhoods. However, there has been limited focus on the built environment aspects of gentrification in New Orleans, specifically the interpretation of the external aesthetic shifts in streetscapes as part of the gentrification process. This thesis examines the relationship between these aesthetics, primarily graffiti and street art, and the gentrifi
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Gill, Deviraj. "The framing of CSR messages and how they are interlinked with brand heritage and authenticity for selected UK grocery retailers." Thesis, De Montfort University, 2016. http://hdl.handle.net/2086/11555.

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A review of past literature has highlighted that the incorporation of corporate social responsibility (CSR) values in brand communications is difficult to get right. In particular, limited prior research has examined the evolving nature of CSR and how it is enacted within brand heritage and authenticity. In addressing this gap, this research examines the CSR reporting of two organisations and seeks to interpret how CSR initiatives are enacted within their individual brand heritage and authenticity. A programme of qualitative enquiry was adopted; initially 26 semi-structured interviews were des
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Damm, Robert J. 1964. "American Indian Music in Elementary School Music Programs of Oklahoma : Repertoire, Authenticity and Instruction." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278099/.

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The purpose of this study was to determine the instructional methods of Oklahoma's elementary school music educators with respect to the inclusion of an authentic repertoire of American Indian music in the curriculum. The research was conducted through two methods. First, an analysis and review of adopted textbook series and pertinent supplemental resources on American Indian music was made. Second, a survey of K-6 grade elementary music specialists in Oklahoma during the 1997-1998 school year was conducted.
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Sari-Mostefa, Kara Fewzia. "Pouvoirs de l'écriture et authenticité essai sur l'oeuvre de Mohammed Dib." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb375998818.

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Barth, Amy K. "Into the Valley: Voices I Heard Along the Way." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc4006/.

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Into the Valley: Voices I Heard Along the Way contains a preface and a collection of five short stories. The preface discusses the use of voice as a technique to develop characters and create authenticity through elements such as sentence structure, diction, dialogue, and regional, cultural, and/or gender-specific affectations to make the words on the page become audible language in the mind of the reader. Each story is written with a unique voice that presents characters who struggle to come to terms with the truth and its various shades of reality.
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Persson, Julia. "Att marknadsföra kultur – utvecklingen av en ny visuell identitet för Malmö konsthall." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21475.

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In recent years the arts institutions’ role in society have changed. With increased demands on attracting greater number of visitors they use concepts from corporate marketing to communicate with greater success. Theories from museum studies show that the importance of rendering authenticity now has become the new imperative in order to retain the status of a reputable institution. This thesis aims to discuss the development of a new visual identity for the public and non-profit institution Malmö konsthall. Through a collaborative working process, the project’s practice part resulted in a visu
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