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Książki na temat „Author's stylistics”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Sun', Sinkay, and Irina Zhirova. "How steel was tempered" by Nikolai Ostrovsky: linguistic and cultural features of translation into Chinese and English. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2131556.

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The monograph presents the actual problems of intercultural adaptation of a literary text in the aspect of linguistic and cultural studies. The linguistic and cultural features of the author's text are compared. Ostrovsky's "How Steel was Tempered" and his translations into Chinese and English. The issues of evolutionary change in the general theory of translation, new directions in translation studies directly related to the intercultural adaptation of literary text are discussed. A translated literary text is considered as a socio-cultural object of cognition of the cultural and historical o

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Vilimonovic, Larisa. Structure and Features of Anna Komnene’s Alexiad. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462980389.

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The Alexiad, written in the twelfth century by a Byzantine princess, Anna Komnene, tells the story of the Byzantine Empire during the reign of her father, offering accounts of its political and military history, including its involvement with the First Crusade. Structure and Features of Anna Komnene’s Alexiad: Emergence of a Personal History introduces new methods of research for studying the Alexiad, aiming primarily at analysing Anna Komnene’s literary expression. The book’s approach focuses mainly on the author, the subject, the structure and the inner stylistic features, as well as the gen

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Lazareva, Tat'yana. Altar barriers of temples of Central Russia of Modern times (on the example of the Prioksky region). INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1903337.

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The monograph is the first attempt to study the previously unknown and mostly lost iconostases of Central Russia of Modern times, before the break in the history of the continuous evolution of the altar barrier. Based on the results of the art history analysis, the main trends in the stylistic and iconographic development of iconostases are revealed. The considered works of the XVIII — early XX century include monuments of the Oryol, Bryansk, Yelets, Ryazan, Nizhny Novgorod lands, unique ensembles of Arzamas and Murom. The lack of literature and sources is compensated by information from more

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Middelkoop, Norbert E., and Rudi E. O. Ekkart. Frans Hals. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048566068.

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Frans Hals (1582/83-1666) is rightfully considered one of the most important seventeenth-century Dutch painters. His portraits are admired for their virtuoso brushwork and their seemingly spontaneous character. This volume, with fourteen contributions by twenty-six specialists on Hals’s paintings and his artistic network in Haarlem and beyond, presents a rich palette of new research. The authors introduce subjects such as the artist’s clientele - from clergymen and fellow painters to governors of charitable institutions - as well as stylistic and technical aspects of individual paintings. Resu

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Pennisi, Rosa. Qindīl Umm Hāšim: La lampada di Umm Hāšim con l’autobiografia dell’autore. Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-598-8.

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Qindīl Umm Hāšim, ‘The Lamp of Umm Hāšim’, is the title of Yaḥyā Ḥaqqī’s collection of short stories, first published in 1944, that made the author famous. Its enormous success can be traced back to the novella of the same title that opens the collection. The novella, due to its themes and narrative form, perfectly synthesizes the nationalistic spirit and modern ideals that developed in the 1920s around the al-madrasa al-ḥadīṯa movement, ‘The Modern School’, and ranks among the classics of modern Arabic fiction. It is a formally and stylistically mature work that manages to communicate in a li

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Adleyba, Dzhulyetta. The stylistic and poetical-compositional system of a fairy tale. Volume 2 : Poetic-compositional and stylistic system of a fairy tale in comprehensive. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1474.978-5-317-06459-4_v2.

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In the present edition “The stylistic and poetical-compositional system of a fairy tale” in 2 volumes, the author's works in the field of the study of the stylistic system of a fairy tale, carried out within the framework of an experimental direction in folklore studies, are combined. The study of the problem in this direction was undertaken by the author on the initiative of the outstanding scientist V.M. Gatsak, Doctor of Philology, Corresponding Member RAS, and was conducted over a number of years. In the monograph “Poetic-compositional and stylistic system of a fairy tale in comprehensive

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Masters, Ben. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198766148.003.0001.

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The introduction shows how a general suspicion of stylistic flamboyance in post-war England led writers like Anthony Burgess, Angela Carter, and Martin Amis to feel at odds with English literary culture. Reconsidering these writers as sophisticated stylists and ethicists—the ‘stylists of excess’—the introduction outlines the major arguments of the ethical turn in literary criticism, describing some of the general antagonisms between the humanist revival and the new ethics, before suggesting a literary ethics that borrows from both without over-relying on notions of character and interiority (c

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Masters, Ben. Twenty-First-Century Excess. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198766148.003.0005.

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This chapter evaluates the legacy of Burgess, Carter, and Amis by examining the work of a new generation of excessive English stylists, including Zadie Smith, Nicola Barker, and David Mitchell. It begins by showing how arguments similar to those made against stylistic prolixity in the aftermath of World War Two have resurfaced post-9/11. It goes on, through close readings of three novels (NW, Darkmans, Cloud Atlas), to show how this newer generation of writers has adapted and expanded the methods of the earlier stylists of excess by staging a return to ideas of character, interiority, and empa

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Masters, Ben. Novel Style. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198766148.001.0001.

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Re-examining elaborate English stylists from the post-war period to the present day (including Anthony Burgess, Angela Carter, Martin Amis, Zadie Smith, Nicola Barker, and David Mitchell) through a fresh style of ethical criticism that does not over-rely on notions of character and interiority (the terrain of the ‘humanist revival’), and that returns the author to centre-stage (contra the approach of the ‘new ethics’, with its indebtedness to poststructuralism), Novel Style defends the stylistic excesses of writers who were conscious of both writing out of excessive times and of the need for n

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Adleyba, Dzhulyetta. The stylistic and poetical-compositional system of a fairy tale. Volume 1 : Oral stylistic foundations of a fairy tale. Experimental study on the Abkhaz material. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1473.978-5-317-06459-4_v1.

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In the present edition “The stylistic and poetical-compositional system of a fairy tale” in 2 volumes, the author's works in the field of the study of the stylistic system of a fairy tale, carried out within the framework of an experimental direction in folklore studies, are combined. The study of the problem in this direction was undertaken by the author on the initiative of the outstanding scientist V.M. Gatsak, Doctor of Philology, Corresponding Member RAS, and was conducted over a number of years. The monograph “Oral stylistic foundations of a fairy tale. Experimental study on the abkhaz m

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Emerging traditions: Towards a postcolonial stylistics of black South African fiction in English. Lexington Books, 2011.

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Stylistic arrangements: A study of William Butler Yeat's A vision. Bucknell University Press, 1987.

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Jockers, Matthew L. Style. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037528.003.0006.

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This chapter shows how stylistic signals can be derived from high-frequency features and how the usage, or nonusage, of those features was susceptible to influences that are external to the so-called “authorial style,” external influences such as genre, time, and gender. These aspects of style were explored using a controlled corpus of 106 British novels where genre was a key point of analysis. The chapter first provides an overview of statistical or quantitative authorship attribution before discussing the author's project, in which he analyzed the degree to which novelistic genres express a

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Kleppinger, Kathryn A. Branding the 'Beur' Author. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781381960.001.0001.

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Branding the Beur Author analyzes mainstream media promotion of literature written by the descendants of North African immigrants to France (often called beurs). Launched in the early 1980s, conversations between journalists and ‘beur’ authors delve into contemporary debates such as racism in the 1980s and Islam in French society in the 1990s. But the interests of journalists looking for sensational subject matter also heavily shape the promotion and reception of these novels: only the ‘beur’ authors who use a realist style to write about the challenges faced by the North African immigrant pop

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Raschieri, Amedeo. The Fragments of Republican Orators in Quintilian’s Institutio oratoria. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198788201.003.0006.

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This chapter analyses the quotations from the orators of the Republican period in Quintilian’s Institutio oratoria. The method of quotation is extremely varied and the author shows a good first-hand knowledge of many speeches, especially those of more recent writers including Caelius Rufus, Asinius Pollio, and Messala Corvinus. Regardless of Cicero’s excellence, these orators fit well within the large educational project proposed by Quintilian. They are used as moral models, as well as lexical, rhetorical, and stylistic examples, often accepted but sometimes rejected, and always included in a

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Jockers, Matthew L. Nationality. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037528.003.0007.

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This chapter explores the potential influences or entailments of nationality on authorial style. Nations have distinct linguistic habits of style. For example, the British have the propensity to drop the word the in front of certain nouns for which American speakers and writers always deploy the article. This explains why the mean relative frequency of the word the is lower in British and Irish novels than in American novels. In this chapter, an analysis of a corpus of 3,346 nineteenth-century American and British novels reveals that British authors use the word the at a rate of 5 percent, com

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Mansworth, Megan. Possible Worlds Theory and Readers' Emotional Responses to Literature. Bloomsbury Publishing Plc,, 2025. https://doi.org/10.5040/9781350428966.

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This book develops a cognitive stylistic exploration of readers’ emotional experiences of literature. Adopting Possible Worlds Theory as a framework, the volume constructs a stylistic analysis of some of the ways in which novels elicit readers’ emotions. A typology of past, present, and future textual actual and possible worlds is formulated to frame analysis of three novels: A Fine Balance by Rohinton Mistry, Revolutionary Road by Richard Yates, and The Trick Is to Keep Breathing by Janice Galloway. The author integrates close stylistic analysis with the use of empirical data drawn from reade

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Jockers, Matthew L. Influence. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037528.003.0009.

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This chapter explores literary influence and the idea that literature can and perhaps even must be read as an evolving system with certain inherent rules. Attempts to demonstrate literary imitation, intertextuality, and influence have relied almost entirely upon close reading. To chart influence empirically, we need to go beyond the individual cases and look to the aggregate. Information cascades theory provides an attractive framework for modeling literary influence and intertextuality at scale. This chapter discusses the results of the author's thematic-stylistic analyses of nineteenth-centu

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Hardwick, Louise. Joseph Zobel: Négritude and the Novel. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940735.001.0001.

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Joseph Zobel (1915-2006) is one of the best-known Francophone Caribbean authors, and is internationally recognized for his novel La Rue Cases-Nègres (1950). Yet very little is known about his other novels, and most readings of La Rue Cases-Nègres consider the text in isolation. Through a series of close readings of the author’s six published novels, with supporting references drawn from his published short stories, poetry and diaries, Joseph Zobel: Négritude and the Novel generates new insights into Zobel’s highly original decision to develop Négritude’s project of affirming pride in black ide

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Berman, Joshua A. Conclusion: A New Path Forward. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658809.003.0015.

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The conclusion argues that to renew the field of Pentateuchal criticism—indeed, the historical-critical paradigm in biblical studies more broadly—historical-critical scholars will need to adopt three new priorities in their work. The first is an epistemological shift toward modesty in our goals and toward accepting contingency in our results. The second is a far greater understanding of the rhetorical and compositional practices of the ancient Near East as we adduce notions of what constitutes a fissure in a text and how the biblical texts grew over time. Finally, scholars will need to ground

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Tučev, Nataša. AN INTRODUCTION TO THE MODERNIST NOVEL. Filozofski fakultet Niš, 2021. http://dx.doi.org/10.46630/imn.2021.

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This book is intended as an introduction to the modernist novel, primarily for the students and scholars of the English language and literature. Four major novelists – Joseph Conrad, D. H. Lawrence, James Joyce and Virginia Woolf – have been chosen to exemplify the stylistic features, aesthetic preoccupations and thematic concerns of the works of fiction written in English in the early decades of the twentieth century. The methodological principle used in this study is multilevel. First, these four authors are analysed by referring to their essays, philosophical treatises, prefaces to their no

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Temperley, David. The Musical Language of Rock. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.001.0001.

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A theory of the structure of rock music is presented, addressing aspects such as tonality/key, harmony, rhythm/meter, melody, phrase structure, timbre/instrumentation, form, and emotional expression. The book brings together ideas from the author’s previous articles but also contains substantial new material. Rock is defined broadly (as it often is) to include a wide range of late twentieth-century Anglo-American popular styles, including 1950s rock & roll, Motown, soul, “British invasion” rock, soft rock, heavy metal, disco, new wave, and alternative rock. The study largely employs the in

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Bacon, Henry, Kimmo Laine, and Jaakko Seppälä. ReFocus: The Films of Teuvo Tulio. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474442152.001.0001.

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Teuvo Tulio (1912–2000) was one of the most original directors in Finnish film history. Growing up in the newly independent Finland, he lived most of his life in the Finnish cultural and social context, yet he always remained something of an outsider and ended up as a total recluse. This is the first English-language study on this innovative director, exploring Tulio’s unique style and the extent and effect of his obsessive recirculation of story elements and stylistic patterns. The authors analyse how Tulio created his own brand of excessive melodrama, and follow the strange trajectory of his

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Shippey, Tom. Hard Reading. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382615.001.0001.

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This book makes an argument for the intellectual ambition and intellectual achievement of science fiction, a genre consistently undervalued by professional literary critics. It is pointed out repeatedly how much the genre owes to developments in anthropology, history, and other “soft sciences”; how the authority of the hard sciences is both asserted and challenged; and how the authority of ancient myths and modern values are likewise interrogated, with widely variant results. Science fiction, it is argued, has been a collective “thinking machine” for authors and readers alike, often (and espec

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Moffat, Kirstine. Aotearoa/New Zealand. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0010.

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The post-1950 novel in New Zealand can be described in terms of transition and innovation, as writers were energized by a sense of ferment, excitement, and shifting identities. This reflects the profound social, political, and cultural changes of the period. In the 1950s and 1960s, literary novelists were driven by two desires: to create a genuine local literature that was not derivative of British models and to awaken society from its socially conservative and ethnically homogeneous complacency. The chapter considers how the New Zealand novel has been shaped by postcolonial and feminist sensi

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Fo, Alessandro. Limiting Our Losses. Translated by Jelena Todorovic and Susanna Braund. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810810.003.0029.

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In this chapter (translated and reprinted here with kind permission), the arduous path of challenges faced by one of Virgil’s translators is mapped out with painstaking detail. Alessandro Fo, author of a recent translation of the Aeneid into Italian, offers an account of the main principles and criteria he adopted in approaching his task. From a metrical point of view, the translator opted for the ‘barbaric’ hexameter, striving to render the rhythmic flexibility of Latin verse. At a stylistic level, he decided to stick as close as possible to the epic and elevated (at times even alienating) di

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Hurley, Michael D., and Marcus Waithe, eds. Thinking Through Style. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737827.001.0001.

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What is ‘style’, and how does it relate to thought in language? It has often been treated as something merely linguistic, independent of thought, ornamental; stylishness for its own sake. Or else it has been said to subserve thought, by mimicking, delineating, or heightening ideas that are already expressed in the words. This ambitious and timely book explores a third, more radical possibility, in which style operates as a verbal mode of thinking through. Rather than figure thought as primary and pre-verbal, and language as a secondary delivery system, style is conceived here as having the cap

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Lewis, Hannah. La La Land. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197682616.001.0001.

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Abstract This book examines the development, style, and reception of the 2016 film musical La La Land. Directed by Damien Chazelle with music by Justin Hurwitz, the film told the story of a romance between an aspiring actress and jazz pianist as the two pursued their dreams in Los Angeles. It contemporized the classic Hollywood musical, using a vintage form to tell a modern story. Its blend of nostalgia and realism made it an instant classic, while prompting a range of critical and audience responses. Drawing on extensive personal interviews with director Damien Chazelle, composer Justin Hurwi

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Dinter, Martin T., Charles Guérin, and Marcos Martinho dos Santos, eds. Reading Roman Declamation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198746010.001.0001.

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Situated at the crossroads of rhetoric and fiction, the genre of declamatio offers its practitioners the freedom to experiment with new forms of discourse. This volume places the literariness of Roman declamation into the spotlight by showcasing its theoretical influences, stylistic devices, and generic conventions as related by Seneca the Elder, the author of the Controversiae and Suasoriae, which jointly make up the largest surviving collection of declamatory speeches from antiquity. In so doing, it draws attention to the complexity of these texts, and maps out, for the first time, the socio

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Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0014.

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The Part examines the rise of secular literature and its alignment with the stylistic conventions and linguistic norms of European classicism. The process was not streamlined, and types of writing new to Russia gained momentum from the second half of the eighteenth century. The Part outlines the development of the notion of authorship and readership in relation to publishing, education, and friendship networks, which constituted the literary field under the patronage of Catherine II and outside court. The Part shows how literature explored newfound ideas of sensibility and subjectivity, develo

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Foltz, Jonathan. The Novel after Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190676490.001.0001.

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The Novel After Film examines how literary fiction has been redefined in response to the emergence of narrative film. It charts the institutional, stylistic, and conceptual relays that linked literary and cinematic cultures, and that fundamentally changed the nature and status of storytelling in the early twentieth century. In the cinema, a generation of modernist writers found a medium whose bad form was also laced with the glamour of the popular, and whose unfamiliar visual language seemed to harbor a future for innovative writing after modernism. As The Novel After Film demonstrates, this f

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Porter, Laurence M. A Gustave Flaubert Encyclopedia. Greenwood, 2001. http://dx.doi.org/10.5040/9798400660825.

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Gustave Flaubert is probably the most famous novelist of nineteenth-century France, and his best known work,Madame Bovary,is read in numerous comparative literature and French courses. His fiction set the standard to which other authors turned to learn their craft, and his cult of art and his unrelenting search for stylistic perfection inspired many later writers, such as Maupassant, Proust, Conrad, Faulkner, and Joyce. His denunciation of materialistic, corrupt society; his fascination with altered states of consciousness; his oscillation between metaphysical longings and a radical nihilism;

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Jordan, Randolph. Acoustical Properties. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.44.

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One of the defining thematic preoccupations in the fiction filmmaking of Philippe Grandrieux, one of the leading figures in French Art Cinema, is that of the politics of property. InSombre, La Vie Nouvelle, andUn Lac, the relationship dynamics between a woman and a variety of agents competing to claim her are mapped out in the overlap between different registers of space. This overlap opens up complex dynamics between differing spatial practices that are evident within Grandrieux’s narratives and the stylistics with which he shapes them, breaking down conventional understanding of the distance

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Browning, Mark. Wes Anderson. ABC-CLIO, LLC, 2011. http://dx.doi.org/10.5040/9798216034445.

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This is the first full-length study devoted to the films of Wes Anderson, one of the most distinctive filmmakers working today. This first full-length consideration of this noted director's work, Wes Anderson: Why His Movies Matter is organized chronologically to encompass all of Anderson's films, from 1996's Bottle Rocket to Rushmore, The Royal Tenenbaums, and the 2009 release, The Fantastic Mr. Fox. The study includes analysis of Anderson's work in commercials, his representation of race and class, his main stylistic influences, and his innovations in the use of frame. Beyond that, author Ma

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Golubkov, Mikhail, Galina Zykova, N. Nerzenko, Olga Oktyabrskaya, and Anna Semina, eds. Orthodoxes and heretics of the Russian literature of the 20th – 21st centuries. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2577.978-5-317-06744-1.

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The collective monograph is written by disciples and colleagues of N. M. Solntseva. The edition features a wide range of literary phenomena and writers’ names of the end of the 19th and the first half of the 20th centuries (the creative works of F. Dostoevsky, M. Gorky, Z. Gippius, S. Sergeev-Tsensky, I. Shmelev, A. Blok, A. Gaidar, V. Shalamov etc.) and of the second half of the 20th century (the heritage of E. Kropivnitsky, V. Makanin, P. Sanaev, N. Abgaryan etc.). All the studied issues are related with the field of prof. N. M. Solntseva’s literary research. The long-term creative communica

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Garrett, Roberta, Jeannette Baxter, Liam Harrison, Peter Childs, Sebastian Groes, and Kaye Mitchell, eds. Rachel Cusk. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350371019.

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Rachel Cusk is one of the most critically acclaimed and controversial contemporary British authors. Her diverse body of work offers a striking portrait of trends in 21st-century literature, and the history of Cusk’s literary output is one of experimentation and a desire to push against established cultural models. Rachel Cusk: Contemporary Critical Perspectives is the first critical guide to Cusk’s work, spanning novels including Saving Agnes, A Country Life, and Second Place, her ‘autofictional’ Outline trilogy, and her nonfiction A Life’s Work, The Last Supper, Aftermath and the Coventry ess

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Cermakova, Anna, and Michaela Mahlberg, eds. Children’s Literature and Childhood Discourses. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350177017.

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Children’s fiction reflects social values and stereotypes, and it shapes what children learn about the world. Providing an interdisciplinary perspective on children’s fiction and childhood, this book offers a fresh insight into the key issues in fiction for children, such as gender, social stereotypes, embodied and spatial experience, and emotions. Connecting classic children’s texts such as Alice in Wonderland with contemporary fiction including Harry Potter, the book innovatively brings together perspectives from corpus linguistics, stylistics, cognitive linguistics, literary and cultural st

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Rice, Alison. Worldwide Women Writers in Paris. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845771.001.0001.

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Worldwide Women Writers in Paris brings together a variety of authors who are a part of a phenomenon of new writing by women in French. These individuals, all eighteen of whom hail from outside the hexagonal borders of France, have chosen to take up residence in the French capital and compose literary works in French. Whether they were born in Algeria, Hungary, India, Mauritius, South Korea, or elsewhere, these women writers are contributing to a transformation in the Francophone literary landscape through stylistic and thematic innovations that have emerged in part from their differing experi

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Matzner, Sebastian, and Gail Trimble, eds. Metalepsis. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198846987.001.0001.

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‘Metalepsis’ is a classical term. Ancient critics, however, only used it within the confines of rhetoric and stylistics to describe certain usages akin to metaphor and metonymy. In the twentieth century, metalepsis was then reframed much more broadly as a crossing of the boundaries that separate distinct narrative worlds. This modern notion of metalepsis, introduced by Gérard Genette, has proved highly insightful for exploring interactions between the worlds of author and text, such as scenarios in fiction—typically postmodern, typically novelistic or cinematic—where an author and a character

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Fitzsimmons, Lorna, and Charles McKnight, eds. The Oxford Handbook of Faust in Music. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780199935185.001.0001.

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The Oxford Handbook of Faust in Music comprises twenty-five chapters examining representative works in the history of the Faust theme in music from the nineteenth century to the present in Europe, North America, Australia, and the United Kingdom. Since its emergence in sixteenth-century Germany, the magician Faust has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testif

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Labatt, Annie Montgomery. Emerging Iconographies of Medieval Rome. The Rowman & Littlefield Publishing Group, Inc., 2019. https://doi.org/10.5040/9781666992519.

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Emerging Iconographies of Medieval Rome examines the development of Christian iconographies that had not yet established themselves as canonical images, but which were being tried out in various ways in early Christian Rome. This book focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries: the Anastasis, the Transfiguration, the Maria Regina, and the Sickness of Hezekiah—all of which were labeled “Byzantine” by major mid-twentieth century scholars. The trend has been to readily accede to the pronouncements of those prominent authors, subjugat

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Wilkinson, Ben. Don Paterson. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800855373.001.0001.

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The Scottish author Don Paterson is one of Britain’s leading contemporary poets. A popular writer as well as a formidably intelligent one, he has won both a dedicated readership and most of Britain’s major poetry prizes, including the T. S. Eliot Prize on two occasions, the Forward Prize in every category, and the Queen’s Gold Medal for Poetry. In this first comprehensive study of Paterson’s poetry, Ben Wilkinson presents him as a modern-day metaphysical, whose work is characterised by guileful use of form, musicality, colloquial diction and playful wit, negotiating the postmodern demands of t

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Kennedy, Sue, and Jane Thomas, eds. British Women's Writing, 1930 to 1960. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621822.001.0001.

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British Women Writers 1930 – 1960: Between the Waves contributes to the vital recuperative work on mid-twentieth century writing by and for women. Fourteen original essays from leading academics and emerging critical voices shed new light on writers commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The essays showcase the stylistic, cultural and political vitality of the fiction, non-fiction, drama, poetry and journalism of a selection authors including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain

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Levin, Yael. Joseph Conrad. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864370.001.0001.

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The book builds on current interventions in modernist scholarship in order to rethink Joseph Conrad’s contribution to literary history. It utilizes emerging critical modernisms, the work of Henri Bergson and Gilles Deleuze, and late modernist fiction, to stage an encounter between Conrad and a radically different literary tradition. It does so in order to uncover critical blind spots that have limited our appreciation of his poetics. The purpose of this investigation is threefold: first, to participate in recent critical attempts to correct a neglect of ontological preoccupations in Conrad’s w

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Loporcaro, Laura. Reading Quintilian. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198911531.001.0001.

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Abstract This book takes Quintilian’s Institutio oratoria as a literary work, worth reading in full. It examines how didactic authority is created and readers are guided through the work thanks to a coherent overarching framework. This framework is composed of several leitmotifs: Quintilian’s creation of a trustworthy didactic persona, statements of didactic intent and method, the depiction of an ideal didactic constellation, remarks giving the sense that the work proceeds gradually and in parallel with the pupil’s training and the author’s life, polemics against other authorities, and ‘prolep

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Caplin, William E. Cadence. Oxford University PressNew York, 2024. https://doi.org/10.1093/oso/9780190056445.001.0001.

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Abstract This work is the most comprehensive examination to date of how formal units in European art music of the tonal era achieve closure by means of cadence, a highly conventional device for ending middle-ground thematic units. Rooted in the author’s broader “theory of formal functions,” the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles

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Rice, Alison, ed. Transpositions. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781789621112.001.0001.

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Transpositions examines a variety of new Euro-Mediterranean literary, cinematic, artistic, and musical works that are inspired in many senses by the movements of contemporary migration. Divided into four parts, the collective volume focuses first on diverse representations of migration in chapters that explore “Mediterranean Crossings.” It then turns to questions of translation, multilingualism, and plurality in chapters united under the heading “Multilingual Aesthetics and Poetics.” In reflections on creative expression in genres ranging from theatrical works to films to the fine arts, the th

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Hart, George, and Scott Slovic, eds. Literature and the Environment. Greenwood Publishing Group, Inc., 2004. http://dx.doi.org/10.5040/9798400680106.

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The phrase literature and environment only achieved popularity in recent decades, yet writers dating back to the explorers of the 1500s—and later such 19th-century Romanticists as Thoreau—have long been addressing environmental issues through literary expression. This volume introduces students and educators to the field by tracing the evolution of environmental writing in the United States. Chapters written by distinguished scholars offer new perspectives on important environmental issues, guiding readers through 11 carefully selected literary works. Each chapter provides brief biographical i

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Brackett, Donald. Fleetwood Mac. Praeger, 2007. http://dx.doi.org/10.5040/9798400651854.

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Fleetwood Mac's distinctive sound, first really captured in the 1977 recordRumours, launched the group into the commercial stratosphere, and over the past three decades they have never looked back. All along the way their dysfunctional relationships have informed their professional success, as well as their personal downfalls. By writing and singing about their problems, Fleetwood Mac has transformed what breaks them apart into what keeps them together. They have turned their dark relationship dilemmas into glittering entertainment. In this highly entertaining chronicle, author Donald Brackett

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Smith, Larry David. Elvis Costello, Joni Mitchell, and the Torch Song Tradition. Praeger, 2004. http://dx.doi.org/10.5040/9798400644795.

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The torch song has long been a vehicle for expression—perhaps American song's most sheerly visceral one. Two artists in particular have built upon this tradition to express their own unique outlooks on their lives and the world around them.Joni Mitchell, Elvis Costello, and the Torch Song Traditioncombines biographical material, artist commentary, critical interpretation, and selected exemplars of the writers' work to reveal the power of authorship and the creative drive necessary to negotiate an artistic vision in the complicated mechanisms of the commercial music industry. Author Larry David

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