Gotowe bibliografie tematyczne / Authors, American – 20th century – Juvenile literature

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Gotowa bibliografia na temat „Authors, American – 20th century – Juvenile literature”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Authors, American – 20th century – Juvenile literature"

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Panova, Olga Yu. "American underground spirit: Dostoevsky’s Notes From Underground and the 20th century USA literature." Izvestiya of Saratov University. Philology. Journalism 21, no. 4 (2021): 412–19. http://dx.doi.org/10.18500/1817-7115-2021-21-4-412-419.

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F. Dostoevsky’s Notes from Underground (1864) exerted a considerable influence on American literature since 1940s. The works by outstanding authors beginning with Saul Bellow (Dangling Man, 1944) or Jerome Salinger’s prose and up to Bret Easton Ellis (American Psycho, 1991), Percy Walker, David Foster Wallace, show a persistent fascination of American writers with the novella and are based on re-reading and re-interpreting Dostoevsky’s ideas, motives and imagery.
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Voronchenko, T. V., M. N. Fomina, and E. V. Fyodorova. "Transcendentalist Ideas in Works of Mexican-American Border Writers of 20th Century: Mary Hunter Austin and Rudolfo Anaya." Nauchnyi dialog 13, no. 7 (2024): 237–55. http://dx.doi.org/10.24224/2227-1295-2024-13-7-237-255.

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This article explores the embodiment and development of transcendentalist ideas from the 1830s to the 1850s in the works of Mexican-American border writers Mary Austin and Rudolfo Anaya, spanning the early and late 20th century. An analysis of the ideological and thematic content of their texts is conducted, highlighting key images and motifs. The study identifies the specific ways in which these authors perceive the relationship between humanity and nature, characterizing their views on social and personal harmony within the context of ethnocultural interaction. The research material includes
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KANE, Mamadou Seydou, and Maurice GNING. "REVISITING THE TWENTIETH-CENTURY ENGLISH DYSTOPIAN NOVEL." International Journal of Language, Linguistics, Literature and Culture 04, no. 01 (2025): 62–72. https://doi.org/10.59009/ijlllc.2025.0099.

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Dystopian literature occupies a central place in the English literary landscape of the 20th century. This article examines this novelistic genre in order to identify its major features, specific orientation and various nuances. It is based on a corpus of 4 novels: Nineteen Eighty-Four by George Orwell, Brave New World by Aldous Huxley, A Clockwork Orange by Anthony Burgess and Fahrenheit 451 by the American writer Ray Bradbury. An examination of these novels, a fairly representative sample of 20th century English and Western dystopian literature, leads to the following two broad conclusions: T
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Wirth-Nesher, Hana. "Cross Scripts: Inscribing Hebrew into Jewish American Literature." Journal of Jewish Languages 8, no. 1-2 (2020): 90–107. http://dx.doi.org/10.1163/22134638-bja10001.

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Abstract Most Jewish immigrants to America during the early 20th century arrived speaking Yiddish or Ladino and using Hebrew and Aramaic for liturgical purposes. When subsequent generations abandoned the first two languages, Hebrew and Aramaic were retained, used primarily for liturgy and rites of passage. Jewish American writers have often inserted Hebrew into their English texts by either reproducing the original alphabet or transliterating into Latin letters. This essay focuses on diverse strategies for representing liturgical Hebrew with an emphasis on the poetic, thematic, and sociolingui
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Zeng, Ziyun. "Reform or Revolution? Socialism from China to Asian Communities." Journal of Education and Educational Research 8, no. 3 (2024): 238–40. http://dx.doi.org/10.54097/gb8zy189.

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“This article examines socialist ideologies in Asian American literature by comparing Karen Tei Yamashita's I-Hoteland H.T. Tsiang's And China Has Hands. Despite both novels centering on Chinese American experiences in the 20th century, they offer differing perspectives on socialism influenced by the authors' backgrounds and historical contexts. Tsiang's work, set in 1930s New York, portrays socialism as an experimental pursuit for Chinese revolutionaries amidst the clash between socialism and nationalism. Conversely, Yamashita's I-Hotel, set in 1960s and 1970s San Francisco, depicts Asian Ame
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De Santis, Marcelo Domingos. "A bibliographic review of the history of Dexiinae (Diptera, Tachinidae) taxonomy in the Neotropical Region with bibliographic notes on Dominik Bilimek and Fritz Plaumann." Arquivos de Zoologia 53, no. 4 (2022): 53–72. http://dx.doi.org/10.11606/2176-7793/2022.53.04.

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The knowledge of Dexiinae and Tachinidae diversity in the Neotropical Region, in contrast to other regions, e.g., the Palaearctic Region, is in a poor condition. The history of these taxa has gradually increased since the 18th Century from the works of European and North American authors such as Johan C. Fabricius, Christian R.W. Wiedemann, Jean B. Robineau-Desvoidy, Pierre J.-M. Macquart, Jacques M.F. Bigot, Francis Walker, Victor von Röeder, Ermanno Giglio-Tos, Friedrich M. Brauer and Julius E. Bergenstamm, Frederik M. van der Wulp, Charles H. Curran, John M. Aldrich, Charles H.T. Townsend,
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Voronchenko, T., E. Fedorova, and E. Gladkikh,. "Ethnocultural transformations in the annexed (1848) territories of Northern Mexico and the hypothetical future as imagined by Californian writers of the 19th and 20th centuries (Maria Amparo Ruiz de Burton, Helen Maria Hunt Jackson, Alejandro Morales)." TRANSBAIKAL STATE UNIVERSITY JOURNAL 28, no. 10 (2022): 64–72. http://dx.doi.org/10.21209/2227-9245-2022-28-10-64-72.

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The article focuses on defining the ways the 19th and 20th centuries authors presented ethnocultural transformations driven by ethnopolitical processes in the Mexican territories of Alta California annexed by the United States in 1848. The research includes the novels of the 19th-century American authors: The Squatter and the Don (1885) by Maria Amparo Ruiz de Burton, Ramona (1884) by Helen Maria Hunt Jackson; and The Rag Doll Plagues (1992) by the author of late 20th century Alejandro Morales. The object of the research is the historical reality as presented in the literature of California in
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Sivilov, Aleksander. "SOCIAL LITERATURE AND CENSORSHIP IN THE USA AT THE BEGINNING OF THE 20TH CENTURY." Izdatel XXVII, no. 1 (2025): 36–47. https://doi.org/10.70300/sbnvyaemne122.

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The text examines the manifestations of censorship on socially engaged literature in the USA during the first half of the 20th century, focusing on three emblematic works: Upton Sinclair’s The Jungle, Theodore Dreiser’s An American Tragedy, and John Steinbeck’s The Grapes of Wrath. The author considers censorship not only as the restriction of information but also as a means of political and moral control within so-called democratic societies. Each of the three works provoked sharp public and institutional reactions due to its social critique, leading to bans, surveillance by agencies, and pre
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Jatmiko, Rahmawan. "Revisiting Predictions about the Future of Human Life in 20th Century American Sci-Fis." Rubikon : Journal of Transnational American Studies 11, no. 1 (2024): 150. http://dx.doi.org/10.22146/rubikon.v11i1.93467.

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Predictions and illustrations of life in the future are often integrated in works of science fiction, which could not be immediately proven yet possibly fascinating when looked back on several decades later or at the times predicted in the works. Science fiction authors foretell such events by borrowing theories, concepts, or simply terms used by scientists. Those theories, concepts, and terms can be written in scientific journals or in more popular media. American science fiction works, for instance, illustrate the future by their adaptation in the forms of more popular media such as movies,
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Singh, Prateek. "The Poetics of Place: Regionalism and Landscape in Modern and Contemporary American Literature." International Journal of Research in Social Sciences and Humanities 14, no. 2 (2024): 26–37. https://doi.org/10.37648/ijrssh.v14i02.004.

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This paper explores the representation of regional identity and the American landscape in 20th- and 21st-century literature, focusing on the geographical diversity of the United States. Through the works of authors such as William Faulkner, John Steinbeck, Toni Morrison, and Leslie Marmon Silko, it examines how specific regions—such as the South, the West, the North, the Midwest, and Native American territories—serve as symbolic and literal settings for themes of cultural identity, racial dynamics, social conflict, and environmental change. The landscape is not merely a backdrop but a dynamic
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Rozprawy doktorskie na temat "Authors, American – 20th century – Juvenile literature"

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Li, Jing. "Self in community: twentieth-century American drama by women." HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/322.

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This thesis argues that twentieth-century American women playwrights spearhead the drama of transformation, and their plays become resistance discourses that protest, subvert, or change the representation of the female self in community. Many create antisocial, deviant, and self-reflexive characters who become misfits, criminals, or activists in order to lay bare women's moral-psychological crises in community. This thesis highlights how selected women playwrights engage with, and question various dominant, regional, racial, or ethnic female communities in order to redefine themselves. Sophie
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Potts, Dale E. "Woods Voices, Woods Knowledge: Work and Recreation in the Popular Literature of the Northeastern Forest, 1850-1963." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/PottsDE2007.pdf.

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Sagorje, Marina. "Self and society in Mary McCarthy's writing." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8fd1de71-c10c-4341-8283-ccebfeebf2a7.

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My thesis analyses the oeuvre of the American writer Mary McCarthy (1912-1989), with the focus on the figure of the outsider looking in. McCarthy uses outsider figures in her texts as prisms through which distinctive historical moments as well as problems of gender, race and religion are studied against the backdrop of the changing climate of the American 'red' 1930s, the anxious '50s, and the late '60s torn by the Vietnam war. Examples of McCarthy's recurring protagonists are the New York Bohemian girl of the '30s in the predominantly male world marred by the Great Depression, the Jewish char
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Balic, Iva. "Always Painting the Future: Utopian Desire and the Women's Movement in Selected Works by United States Female Writers at the Turn of the Twentieth Century." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11060/.

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This study explores six utopias by female authors written at the turn of the twentieth century: Mary Bradley Lane's Mizora (1881), Alice Ilgenfritz Jones and Ella Merchant's Unveiling Parallel (1893), Eloise O. Richberg's Reinstern (1900), Lena J. Fry's Other Worlds (1905), Charlotte Perkins Gilman's Herland (1915), and Martha Bensley Bruère's Mildred Carver, USA (1919). While the right to vote had become the central, most important point of the movement, women were concerned with many other issues affecting their lives. Positioned within the context of the late nineteenth century women's righ
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Greenshields, Mary Clare, and University of Lethbridge Faculty of Arts and Science. "The Amazon in the drawing room : Natalie Clifford Barney's Parisian salon, 1909-1970 / Mary Clare Greenshields." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, c2010, 2010. http://hdl.handle.net/10133/2606.

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This thesis is organised into two chapters and an appendix. The first chapter explores the significant American expatriate movement in France in the early part of the twentieth century, in an effort to answer the question ―Why France?‖ The second chapter examines the life and work of Natalie Clifford Barney, an American expatriate writer in Paris, who wrote predominantly in French and ran an important weekly salon for over sixty years. Specifically, her aesthetic and subject matter, her life, and her fraught publishing history are considered. The appendix is a translation of Barney's 1910 book
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Bennett, Sarah. "The American contexts of Irish poetry, 1950-present." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.

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Su, Suocai. "Inventing transnational Chinese American identities in Amy Tan's The Joy Luck Club, Shirley Geok-lin Lim's Among the white moon faces, and Shawn Hsu Wong's American knees." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1301632.

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My dissertation investigates how Chinese American writers invent transnational Chinese American identities in the 1980s and 1990s. In particular, I focus on Amy Tan's The JoyLuck Club (1989), Shirley Geok-lin Lim's Among the White Moon Faces: An Asian American Memoir of Homelands (1996), and Shawn Hsu Wong's American Knees(1995). 1 argue that Tan, Lim, and Wong challenge the conventional ideas of a singular, pure, and fixed identity but instead create Chinese American identities in the post-1965 era as multiple, hybrid, and constantly changing to accommodate to an open, diverse, and multicultu
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Wolfe, Andrea P. "Black mothers and the nation : claiming space and crafting signification for the black maternal body in American women's narratives of slavery, reconstruction, and segregation, 1852-2001." CardinalScholar 1.0, 2010. http://liblink.bsu.edu/uhtbin/catkey/1560845.

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“Black Mothers and the Nation” tracks the ways that texts produced by United States women throughout the nineteenth and twentieth centuries position the black maternal body as subversive to the white patriarchal power structure for which it labored and that has acted in many ways to abject it from the national body. This study points to the ways in which the black mother’s subversive potential has been repeatedly, violently, and surreptitiously circumscribed in some quarters even as it succeeds in others. Several important thematic threads run throughout the chapters of this study, sometimes a
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Reyes, Karen Stoner. "Finding a new voice : the Oregon writing community between the world wars." PDXScholar, 1986. https://pdxscholar.library.pdx.edu/open_access_etds/3602.

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The period of 1919 to 1939 was a significant one for the development of the literature of Oregon and the Pacific Northwest. The literary work produced in the region prior to the first world war was greatly influenced by the "Genteel tradition" of the late nineteenth century. By 1939, however, the literature of Oregon and the region had emerged from the outdated literary standards of the pre-war period and had found a new, realistic, natural voice, strongly regional in nature and rooted in the modern American tradition.
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Boettcher, Anna Margarete. "Through Women's Eyes: Contemporary Women's Fiction about the Old West." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4966.

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The myth of the West is still very much alive in contemporary America. Lately, there has been a resurgence of new Western movies, TV series, and fiction. Until recently the West has been the exclusive domain of the quintessential masculine man. Women characters have featured only in the margins of the Western hero's tale. Contemporary Western fiction by women, however, offers new perspectives. Women's writing about the Old and New West introduces strong female protagonists and gives voice to characters that are muted or ignored by traditional Western literature and history. Western scholarship
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Książki na temat "Authors, American – 20th century – Juvenile literature"

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Bredeson, Carmen. American writers of the 20th century. Enslow Publishers, 1996.

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Adler, David A. My writing day. R.C. Owen, 1999.

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Adler, David A. My writing day. R.C. Owen, 1999.

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Boerst, William J. Isaac Asimov: Writer of the future. Morgan Reynolds, 1998.

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Shapiro, Miles. Maya Angelou. Chelsea House, 1994.

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Ellis, Roger, 1943 May 18-, ed. Multicultural theatre: Scenes and monologs from new Hispanic, Asian, and African-American plays. Meriwether Pub. Ltd., 1996.

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Gottfried, Ted. James Baldwin: Voice from Harlem. F. Watts, 1997.

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Llanas, Sheila Griffin. Contemporary American poetry-"not the end, but the beginning". Enslow Publishers, 2010.

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Llanas, Sheila Griffin. Contemporary American poetry-"not the end, but the beginning". Enslow Publishers, 2010.

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1950-, Marcus Leonard S., and Blume Judy, eds. Author talk: Conversations with Judy Blume ... [et al.]. Simon & Schuster Books for Young Readers, 2000.

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Części książek na temat "Authors, American – 20th century – Juvenile literature"

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Panova, Olga Yu. "Fyodor Dostoevsky’s Notes from Underground and the 20th Century American Literature." In “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-462-509.

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F. Dostoevsky’s Notes from Underground (1864) exerted a considerable influence on American literature since 1940s. In contrast with 1920s–30s when its reception and impact used to be somewhat blurred and undistinguishable from “Dostoevsky complex” in toto, in the postwar period it was read and interpreted against the existentialist background that actually defined the reception of Dostoevsky’s novella in the United States and stimulated writers’ and readers’ interest in this text that became classical and canonical for American writers in the second half of the XXth–XXIst centuries. “Undergrou
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Leslie, Annie Ruth, Kim Brittingham Barnett, Matasha L. Harris, and Charles Adams. "Advancing the Demarginalization of African American Students." In The Black Experience and Navigating Higher Education Through a Virtual World. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7537-6.ch005.

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This chapter presents theoretical discussions about advancing the demarginalization of African American students at Historically Black Colleges and Universities (HBCUs) by bringing in insights from Afrocentric and symbolic-interaction perspectives. Here, the authors discuss demarginalization related to certain intra-racial and intersecting class, gender, and mental health issues emerging since COVID-19 and online learning. The ideas presented here are equally viable in student face-to-face and virtual learning environments. It begins with discussing marginalization and Afrocentric and symbolic
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Barberio, Michele Gabriele, and Donata Ippolito. "La letteratura spagnola nelle riviste italiane del secondo Novecento Verso un primo censimento." In Biblioteca di Rassegna iberistica. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-459-2/008.

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This article examines the results of a research conducted within Italian literary journals of the second half of the 20th century, with the aim of verifying the presence of Spanish-speaking literature in the Italian literary field of journals. The presence of Spanish and Spanish-American literature in this cultural field could be, in fact, indicative of a greater or lesser reception of such authors by the Italian public and cultural agents. After a brief presentation of the applied methodology, the results of the research will be discussed.
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Lederhendler, Eli. "Children of the Great Atlantic Migration: Narratives of Young Jewish Lives." In No Small Matter. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577301.003.0004.

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The experiences of children during the process of migration are explored with reference to the Great Atlantic Migration, specifically the Jewish immigration from Eastern Europe around the turn of the 20th century. These experiences, as recorded by them later in their lives, are also represented in literary works penned by immigrant and second-generation authors. The subjective and representational aspects of child-immigrant lives add substance and perspective to an array of social data available about that era, including the proportion of children and youth in the migration stream, the effect
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