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Artykuły w czasopismach na temat „Authors, American – 20th century – Juvenile literature”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Panova, Olga Yu. "American underground spirit: Dostoevsky’s Notes From Underground and the 20th century USA literature." Izvestiya of Saratov University. Philology. Journalism 21, no. 4 (2021): 412–19. http://dx.doi.org/10.18500/1817-7115-2021-21-4-412-419.

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F. Dostoevsky’s Notes from Underground (1864) exerted a considerable influence on American literature since 1940s. The works by outstanding authors beginning with Saul Bellow (Dangling Man, 1944) or Jerome Salinger’s prose and up to Bret Easton Ellis (American Psycho, 1991), Percy Walker, David Foster Wallace, show a persistent fascination of American writers with the novella and are based on re-reading and re-interpreting Dostoevsky’s ideas, motives and imagery.

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Voronchenko, T. V., M. N. Fomina, and E. V. Fyodorova. "Transcendentalist Ideas in Works of Mexican-American Border Writers of 20th Century: Mary Hunter Austin and Rudolfo Anaya." Nauchnyi dialog 13, no. 7 (2024): 237–55. http://dx.doi.org/10.24224/2227-1295-2024-13-7-237-255.

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This article explores the embodiment and development of transcendentalist ideas from the 1830s to the 1850s in the works of Mexican-American border writers Mary Austin and Rudolfo Anaya, spanning the early and late 20th century. An analysis of the ideological and thematic content of their texts is conducted, highlighting key images and motifs. The study identifies the specific ways in which these authors perceive the relationship between humanity and nature, characterizing their views on social and personal harmony within the context of ethnocultural interaction. The research material includes

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KANE, Mamadou Seydou, and Maurice GNING. "REVISITING THE TWENTIETH-CENTURY ENGLISH DYSTOPIAN NOVEL." International Journal of Language, Linguistics, Literature and Culture 04, no. 01 (2025): 62–72. https://doi.org/10.59009/ijlllc.2025.0099.

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Dystopian literature occupies a central place in the English literary landscape of the 20th century. This article examines this novelistic genre in order to identify its major features, specific orientation and various nuances. It is based on a corpus of 4 novels: Nineteen Eighty-Four by George Orwell, Brave New World by Aldous Huxley, A Clockwork Orange by Anthony Burgess and Fahrenheit 451 by the American writer Ray Bradbury. An examination of these novels, a fairly representative sample of 20th century English and Western dystopian literature, leads to the following two broad conclusions: T

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Wirth-Nesher, Hana. "Cross Scripts: Inscribing Hebrew into Jewish American Literature." Journal of Jewish Languages 8, no. 1-2 (2020): 90–107. http://dx.doi.org/10.1163/22134638-bja10001.

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Abstract Most Jewish immigrants to America during the early 20th century arrived speaking Yiddish or Ladino and using Hebrew and Aramaic for liturgical purposes. When subsequent generations abandoned the first two languages, Hebrew and Aramaic were retained, used primarily for liturgy and rites of passage. Jewish American writers have often inserted Hebrew into their English texts by either reproducing the original alphabet or transliterating into Latin letters. This essay focuses on diverse strategies for representing liturgical Hebrew with an emphasis on the poetic, thematic, and sociolingui

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Zeng, Ziyun. "Reform or Revolution? Socialism from China to Asian Communities." Journal of Education and Educational Research 8, no. 3 (2024): 238–40. http://dx.doi.org/10.54097/gb8zy189.

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“This article examines socialist ideologies in Asian American literature by comparing Karen Tei Yamashita's I-Hoteland H.T. Tsiang's And China Has Hands. Despite both novels centering on Chinese American experiences in the 20th century, they offer differing perspectives on socialism influenced by the authors' backgrounds and historical contexts. Tsiang's work, set in 1930s New York, portrays socialism as an experimental pursuit for Chinese revolutionaries amidst the clash between socialism and nationalism. Conversely, Yamashita's I-Hotel, set in 1960s and 1970s San Francisco, depicts Asian Ame

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De Santis, Marcelo Domingos. "A bibliographic review of the history of Dexiinae (Diptera, Tachinidae) taxonomy in the Neotropical Region with bibliographic notes on Dominik Bilimek and Fritz Plaumann." Arquivos de Zoologia 53, no. 4 (2022): 53–72. http://dx.doi.org/10.11606/2176-7793/2022.53.04.

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The knowledge of Dexiinae and Tachinidae diversity in the Neotropical Region, in contrast to other regions, e.g., the Palaearctic Region, is in a poor condition. The history of these taxa has gradually increased since the 18th Century from the works of European and North American authors such as Johan C. Fabricius, Christian R.W. Wiedemann, Jean B. Robineau-Desvoidy, Pierre J.-M. Macquart, Jacques M.F. Bigot, Francis Walker, Victor von Röeder, Ermanno Giglio-Tos, Friedrich M. Brauer and Julius E. Bergenstamm, Frederik M. van der Wulp, Charles H. Curran, John M. Aldrich, Charles H.T. Townsend,

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Voronchenko, T., E. Fedorova, and E. Gladkikh,. "Ethnocultural transformations in the annexed (1848) territories of Northern Mexico and the hypothetical future as imagined by Californian writers of the 19th and 20th centuries (Maria Amparo Ruiz de Burton, Helen Maria Hunt Jackson, Alejandro Morales)." TRANSBAIKAL STATE UNIVERSITY JOURNAL 28, no. 10 (2022): 64–72. http://dx.doi.org/10.21209/2227-9245-2022-28-10-64-72.

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The article focuses on defining the ways the 19th and 20th centuries authors presented ethnocultural transformations driven by ethnopolitical processes in the Mexican territories of Alta California annexed by the United States in 1848. The research includes the novels of the 19th-century American authors: The Squatter and the Don (1885) by Maria Amparo Ruiz de Burton, Ramona (1884) by Helen Maria Hunt Jackson; and The Rag Doll Plagues (1992) by the author of late 20th century Alejandro Morales. The object of the research is the historical reality as presented in the literature of California in

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Sivilov, Aleksander. "SOCIAL LITERATURE AND CENSORSHIP IN THE USA AT THE BEGINNING OF THE 20TH CENTURY." Izdatel XXVII, no. 1 (2025): 36–47. https://doi.org/10.70300/sbnvyaemne122.

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The text examines the manifestations of censorship on socially engaged literature in the USA during the first half of the 20th century, focusing on three emblematic works: Upton Sinclair’s The Jungle, Theodore Dreiser’s An American Tragedy, and John Steinbeck’s The Grapes of Wrath. The author considers censorship not only as the restriction of information but also as a means of political and moral control within so-called democratic societies. Each of the three works provoked sharp public and institutional reactions due to its social critique, leading to bans, surveillance by agencies, and pre

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Jatmiko, Rahmawan. "Revisiting Predictions about the Future of Human Life in 20th Century American Sci-Fis." Rubikon : Journal of Transnational American Studies 11, no. 1 (2024): 150. http://dx.doi.org/10.22146/rubikon.v11i1.93467.

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Predictions and illustrations of life in the future are often integrated in works of science fiction, which could not be immediately proven yet possibly fascinating when looked back on several decades later or at the times predicted in the works. Science fiction authors foretell such events by borrowing theories, concepts, or simply terms used by scientists. Those theories, concepts, and terms can be written in scientific journals or in more popular media. American science fiction works, for instance, illustrate the future by their adaptation in the forms of more popular media such as movies,

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Singh, Prateek. "The Poetics of Place: Regionalism and Landscape in Modern and Contemporary American Literature." International Journal of Research in Social Sciences and Humanities 14, no. 2 (2024): 26–37. https://doi.org/10.37648/ijrssh.v14i02.004.

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This paper explores the representation of regional identity and the American landscape in 20th- and 21st-century literature, focusing on the geographical diversity of the United States. Through the works of authors such as William Faulkner, John Steinbeck, Toni Morrison, and Leslie Marmon Silko, it examines how specific regions—such as the South, the West, the North, the Midwest, and Native American territories—serve as symbolic and literal settings for themes of cultural identity, racial dynamics, social conflict, and environmental change. The landscape is not merely a backdrop but a dynamic

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Akhmedov, Rafael. "Factors of International Dominance of American Science Fiction of the 20th Century." Bulletin of Gulistan State University 87, no. 3 (2021): 45–53. https://doi.org/10.5281/zenodo.7348031.

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The article analyzes the factors that influenced the development of American science fiction as dominant in this genre, and as confirmation of the hypotheses put forward, the author’s own research results as well as the opinions of leading literary critics are presented. Modern SF since 1945 was primarily an American phenomenon, and much of the genre was written either by Americans or by authors who adopted the American idiom. This dominance was the product of various related factors which include mainly the English language that became the world language of literature and science and ma

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Anisimova, Olga Vladimirovna, and Tat'yana Aleksandrovna Savushkina. "From the literature of the "New Wave" to contemporary English-language fantasy: Zelazny, Martin, Gaiman." Litera, no. 4 (April 2025): 49–59. https://doi.org/10.25136/2409-8698.2025.4.73928.

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The article is dedicated to the study of the evolution of "New Wave" fantasy literature from the 1960s to the 1970s, based on the works of three central figures in contemporary English-language fantasy literature: Roger Zelazny, George Martin, and Neil Gaiman. It specifically discusses the transformation that fantasy underwent over several decades, starting with the movement of so-called "New Wave" authors in the second half of the 20th century, up to the postmodern literature of the early 21st century. The focus is primarily on identifying and characterizing key features of contemporary Engli

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Feshchenko, Vladimir V. "Language-Centered Poetry in the USA and in Russia: Trajectories of Interaction." Literature of the Americas, no. 12 (2022): 66–101. http://dx.doi.org/10.22455/2541-7894-2022-12-66-101.

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To date, it becomes obvious that “language writing” is one of the largest trends in American literature and poetic thought of the last decades, and among the avant-garde trends, it is probably the most significant, extensive and innovative. American literature has spawned several significant schools and communities over the 20th century, from Imagists and beatniks to the San Francisco Renaissance and the New York school. Language poetry in this row, on the one hand, is an equally powerful literary movement (in the number of authors, published books, magazines, etc.), but on the other hand it i

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Żabski, Tadeusz. "The Mode of Being of Popular Literature in the 20th Century." Literatura i Kultura Popularna 29 (May 17, 2024): 359–80. http://dx.doi.org/10.19195/0867-7441.29.23.

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The article is devoted to the functioning of literature (and, more broadly, cultural texts) in popular circulation and the transformation of their role in the 20th century. The starting point for the analysis is the link between commercialisation (as an immanent feature of the ‘lowbrow’ circulation) and the artistic quality of the output that is part of it. The examples of the phenomena under discussion come from different linguistic milieux. This highlights the transnational nature of popular works, which feature invariant solutions to plots. In these two contradictory yet simultaneous tenden

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Ulanov, Alexander M. "Russian and American Poetry: Towards New Language Abilities." Literature of the Americas, no. 16 (2024): 425–33. http://dx.doi.org/10.22455/2541-7894-2024-16-425-433.

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The book by Vladimir Feshchenko, a Russian researcher of the language of poetry and a publisher of avant-garde literature, is devoted to Russian and American poetry of the language experiment in the 20th and early 21st century. Using examples from Andrei Bely, Russian futurists, Alexander Vvedensky, Ezra Pound, Gertrude Stein, E.E. Cummings to the American poets of “language writing” and modern Russian-speaking young poets, the similarity of the philosophical and linguistic foundations of the language experiment, the convergence and differences of literatures, the personal interaction of autho

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Hemalatha, G., M. Divya Sri, I. Shruthi Antonia, M. Narmatha, and E. Arun Kumar. "The Voice of Africans’ Journey of Culture and their Historical Evidence through Literature." International Journal of Research Publication and Reviews 04, no. 01 (2023): 1610–13. http://dx.doi.org/10.55248/gengpi.2023.4145.

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Women authors from Africa have been and continue to be able to assert themselves as writers on a national and international scale. African-American women's voices are among the most potent literary voices of the latter half of the 20th century. However, regarding the literary tradition, particularly in the middle of the 19th century, there has always been a connection between white supremacy and male superiority throughout the history of the United States. The masculinization of the literary field at the time meant that the male perspective, whether black or white, seemed to speak for both gen

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Nuriadi, Nuriadi. "BOOK REVIEW. DISTOPIA." Jurnal Humaniora 27, no. 3 (2016): 384. http://dx.doi.org/10.22146/jh.v27i3.22440.

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Robert Frost, one of the most prominent American poets of the mid-20th century, once stated that “literature is a performance in words” (Barnet et al., 1961: 1). The phrase “performance in words” specifically refers to the real significance of language in the presentation of a literary work. If there is no language, then there will be absolutely no literature or literary work. Language serves not only as a medium for the work’s existence but also for a work to be called a work of art. Related to this proposition, poetry as a literary genre certainly exists because of the language by which the

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Vysotska, Natalia. "LASTING ECHO OF THE HOLOCAUST: MEDIATED TRAUMA IN LATE 20TH — EARLY 21ST CENTURY AMERICAN FICTION AND DRAMA." CONTEMPORARY LITERARY STUDIES, no. 19 (March 15, 2023): 7–14. http://dx.doi.org/10.32589/2411-3883.19.2022.274000.

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Literature is one of the most effective ways for representing traumatic memory since it accomplishes this task by means of imagery. In American literary studies, the extensive research of the Holocaust literature tended to deploy the prevalent model focusing on the tragic fate of European Jewry through the prism of the victims’ psychology. The survivors of the unspeakable experience are striving to express (or repress) it from the perspective of their new American reality. Based on fiction and drama of the late 20th — early 21st centuries, the paper seeks to present an alternative mode of addr

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Karasik-Updike, Olga B. "Contemporary Jewish Prose in the USA." Literature of the Americas, no. 10 (2021): 100–134. http://dx.doi.org/10.22455/2541-7894-2021-10-100-134.

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The essay presents an overview of Jewish American prose of the second half of the 20th — first two decades of the 21st century within the context of multicultural literature of the USA. The definition of Jewish literature remains a matter of debate. The author of the essay based on the opinions of critics concludes on the criterion for assigning a writer to Jewish literature. It is the artistic embodiment of the personal Jewish experience and identity in the works of literature, the view “from inside,” the perspective of collective memory and the connection to history and culture. Jewish liter

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Corkin, Stanley, and Phyllis Frus. "An Ex-centric Approach to American Cultural Studies: The Interesting Case of Zora Neale Hurston as a Noncanonical Writer." Prospects 21 (October 1996): 193–228. http://dx.doi.org/10.1017/s0361233300006530.

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The authors of these passages share more than a belief in the efficacy of the category of “race” and a need to assert pride in their African-American heritage. Both have, of late, experienced notable recognition and affirmation from constituencies that typically evince little interest in black Americans and their culture. Zora Neale Hurston is one of only three or four 20th-century writers who have achieved canonical status, with the result that her works invariably appear in courses offered in American literature or American Studies, not just in more narrowly de-fined courses, such as African

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Simsone, Bārbala. "THE IMAGE OF THE VAMPIRE IN WORLD AND LATVIAN LITERATURE." Culture Crossroads 7 (November 14, 2022): 241–48. http://dx.doi.org/10.55877/cc.vol7.244.

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The theme of the article is evolution of the popular folklore image of the vampire in world literature. From the monster of folk narrative the image of the vampire entered literary culture at the beginning of the 19th century when writers of the age of Romanticism sought material for their work in folk tales. The novel “Dracula” written by the Irish writer Bram Stoker set a large part of attributes for the image of the vampire in readers’ consciousness. It became a turning point in the evolution of the vampire. In the following years the vampire was a popular symbol in the 20th century literar

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Zakharova, N. V., A. V. Mirgorodova, and M. G. Selimov. "Literature of East Asian and Southeast Asian Countries: Artistic Movements at Turn of Modern and Contemporary Eras." Nauchnyi dialog 13, no. 8 (2024): 230–48. http://dx.doi.org/10.24224/2227-1295-2024-13-8-230-248.

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This study presents an analysis of the evolution of traditional and the emergence of new artistic movements in East Asian (China and Japan) and Southeast Asian (Thailand) countries at the turn of the Modern and Contemporary eras. The research identifies common typological features in the development of literature across these nations. It is confirmed that accelerated development — a term coined by G. Gachev — was characteristic of all three countries. The findings demonstrate that the chronological boundaries for transitioning to a new historical formation did not align. In Japan, the feudal s

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Rita, Annabela, and Zuzana Burianová. "Apresentação - Dossiê Temático." e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes, no. 09 (December 29, 2022): 9–13. http://dx.doi.org/10.53943/elcv.0222_09-13.

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Literature, like other art forms, has always served an instrument for resistance, which through various discursive strategies responds to manifestations of oppression, despotism and dogmatism of various kinds. Above all, 20th century literary production — a century that witnessed a proliferation of dictatorships and authoritarian regimes, armed conflicts, wars and genocides, despite humanity's extraordinary progress in multiple areas — was marked by a strong sense of social, cultural or political engagement, which also extends to literary creation in the 21st century. Also in the Portuguese-sp

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KIROVA, Milena. "EROTICA – A CURE OR A DISEASE OF OUR DEMOCRACY? (ACCORDING TO THE BULGARIAN LITERATURE OF THE EARLY 21ST CENTURY)." Ezikov Svyat (Orbis Linguarum), ezs.swu.v20i2 (May 30, 2022): 269–76. http://dx.doi.org/10.37708/ezs.swu.bg.v20i2.11.

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Anyone who experienced the late 20th century remembers the astonishing sexualization of Bulgarian culture that erupted with the first steps of the longed-for democracy. Bulgarian literature likewise took an active part in this process. It used the erotic narrative as a sign of its own ability to evolve; it tried to tie up the broken ties with the modernism between the two world wars, emulating American writers such as Henry Miller and Charles Bukowski. The article examines the work of those writers who revived the erotic narrative in Bulgarian literature in the 1990s and the beginning of the 2

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Collier, Deirdre M. "Reintroducing John Maurice Clark to the Accounting Academy." Accounting Historians Journal 46, no. 1 (2019): 19–33. http://dx.doi.org/10.2308/aahj-52407.

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ABSTRACT This paper reintroduces economist John Maurice Clark to the accounting academic community while investigating his role in the development of managerial accounting. Clark was a prominent American economist during the early half of the 20th century, whose first major book, Studies in the Economics of Overhead Costs (Clark 1923a), has been described by diverse authors as foundational to the field of managerial accounting, especially overhead estimation and differential analysis. An overview of Clark's life is provided, followed by discussion of the importance of his work to accounting. C

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Stričević Gladić, Mila N. "SCREENING THE GOTHIC: PARODY OF THE GOTHIC GENRE IN TIM BURTON’S DARK SHADOWS." ZBORNIK ZA JEZIKE I KNJIŽEVNOSTI FILOZOFSKOG FAKULTETA U NOVOM SADU 8, no. 8 (2019): 131–43. http://dx.doi.org/10.19090/zjik.2018.8.131-143.

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Since the first Gothic work, Horace Walpole’s The Castle of Otranto, was published in 1764, the Gothic genre has constantly been changing and evolving. One of its main purposes has always been social criticism, and therefore Gothic literature had to change together with the society. In the 20th and especially in the 21st century with the arrival of new technologies, Gothic moved from the paper to the screen. Film and television offered a whole new range of possibilities for the postmodern authors of Gothic works to express themselves. One such artist is certainly the American director Tim Burt

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Ovcharenko, Nataliia. "Poetological dominants of historical memory in works of asian immigrant writers in Canada." Слово і Час, no. 6 (November 26, 2020): 87–101. http://dx.doi.org/10.33608/0236-1477.2020.06.87-101.

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Poetological dominants of historical memory in works of asian immigrant writers in Canada The paper highlights the development of literature related to the historical memory concept of Canadian immigrants from Asian countries. It covers the period of the late 20th ― first decades of the 21st century. The complex of problems, analyzed and structured within the semantic field of the modern historical memory concept, is often applicable both to Canada and Ukraine. The research broadens the knowledge of Canadian literature introducing the names of researchers and writers new to Ukrainian lit

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Avrutina, Appolinaria S., and Sabri Gürses. "Fyodor Mikhailovich Dostoevsky in Turkey: History of Translations." Vestnik of Saint Petersburg University. Asian and African Studies 14, no. 3 (2022): 415–32. http://dx.doi.org/10.21638/spbu13.2022.303.

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The article is devoted to the review of the history of translations of Fyodor Dostoevsky into Turkish. Currently, Dostoevsky is one of the most popular foreign writers in Turkey, and according to the Turkish book market, one of the most purchased authors. By decision of the Ministry of Public Education, since 2004, the works of the Russian classic have been included in the recommendatory part of the school curriculum, so it is difficult to find a person inTurkey who would not read Dostoevsky. The history of Dostoevsky’s translations into Turkish evolved in a special way: back in the late 19th

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Grigorovskaya, Anastasiya V. "Specificity of the National Character in the Description of Entrepreneurs in Cameron Hawley’s and Ayn Rand’s Novels." Imagologiya i komparativistika, no. 14 (2020): 122–42. http://dx.doi.org/10.17223/24099554/14/6.

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The novels of the American writer Cameron Hawley (Cash McCall, Executive Suit) and the American writer and philosopher from Russia Ayn Rand (Fountainhead, Atlas Shrugged) are analyzed in the article. The entrepreneur image that has a brightly expressed national specificity is the key image for the comparison. In the first part of the research, a review of the genealogy of the national image of the entrepreneur as a character is done, and the evolution of this image in Russian and American cultures is traced. The conclusion here is that the image of a businessman in American literature was posi

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Mashchenko, Olena A. "EXISTENTIAL PERSPECTIVE OF THE LOST GENERATION IN J. OKADA’S NOVEL NO-NO BOY." Alfred Nobel University Journal of Philology 1, no. 29 (2025): 50–60. https://doi.org/10.32342/3041-217x-2025-1-29-3.

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John Okada is one of the most famous representatives of Asian American literature, that received a powerful impetus for development after World War II. The writer was one of the first to depict the premis- es and consequences of the complex self-identification that Japanese Americans had to go through during and after World War II. The writer, who saw the horrors of war and the forced policy that broke the fates of people of the country with his own eyes, creates a novel that reflects the confusion of the representatives of the “nisei” generation, who find themselves at a crossroads in their o

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Rallo, Michael S., and Gavin P. Dunn. "The deep roots of military service in neurological surgery: an academic genealogical analysis of the founding generation." Neurosurgical Focus 53, no. 3 (2022): E18. http://dx.doi.org/10.3171/2022.6.focus22269.

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Throughout human history, advancements in medicine have evolved out of periods of war. The carnage of battlefield injuries provided wartime surgeons an unprecedented opportunity to study anatomy, develop novel techniques, and improve systems of care. As a specialty that was established and evolved during the first half of the 20th century, neurological surgery was heavily influenced by the experiences of its founders during the World Wars I and II. Utilizing the published Neurosurgery Tree, the authors conducted an academic genealogical analysis to systematically define the influence of wartim

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DeKoven Ezrahi, Sidra. "From Zurishaddai to Menachem Mendel: The Shlemiel’s Journey from Ancient to Modern Israel." Naharaim 18, no. 1 (2024): 45–65. http://dx.doi.org/10.1515/naha-2024-0002.

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Abstract This essay explores the evolution and resilience of the shlemiel, a central figure in two millennia of Jewish culture. Rooted in biblical narratives, the shlemiel transitions eventually into a symbol of Yiddish and Eastern European diasporic life, embodying both comedic and tragic elements. Tracing his journey through cultural history, from German to Yiddish and modern Hebrew and American literature, theater, and film, the essay delves into the complexities of his character, rooted in folklore and revolving around mistaken identity. Themes of gender and sexuality, along with interpret

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Wagner, Keith B., and Michael A. Unger. "Photographic and cinematic appropriation of atrocity images from Cambodia: auto-genocide in Western museum culture and The Missing Picture." Visual Communication 18, no. 1 (2018): 83–106. http://dx.doi.org/10.1177/1470357217742333.

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As a harrowing sub-discipline of English and Comparative Literature, Trauma Studies is in need of geographical expansion beyond its moorings in European genocides of the 20th century. In this article, the authors chart the institutional and cinematic appropriation of atrocity images in relation to the Khmer Rouge’s auto-genocide from 1975–1979 in Cambodia. They analyse the cultural and scholarly value of these images in conjunction with genocide studies to reveal principles often overlooked, taken for granted, or pushed to the periphery in photography studies and film studies. Through grim app

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Alipova, Anna A. "The Image of the Hero and the Function of Biblical Allusions in the Genre of Southern Gothic: a Case Study of Mark Richard’s Story ‘Gentleman’s Agreement’." Вестник Пермского университета. Российская и зарубежная филология 15, no. 4 (2023): 80–87. http://dx.doi.org/10.17072/2073-6681-2023-4-80-87.

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The article deals with the Southern gothic genre, which is characterized by American authors’ close attention to the history of the South, tragic worldview, and interest in the barely noticeable movements of the human soul as well as by a focus on religious themes, bitter humor, detailed description of various types of violence, the use of ‘shock therapy’ techniques, and bringing into the plot a minute analysis of the actions of an endless string of marginal characters. The article gives a brief excursus into the history of the genre and its roots: from its emergence in the first half of the 2

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O.A., Mashchenko. "THE WRITINGS OF LEE YAN PHOU AND JADE SNOW WONG: TRADITION IMITATION VS. SHAPING THE NEW TRADITION." South archive (philological sciences), no. 87 (September 29, 2021): 66–70. http://dx.doi.org/10.32999/ksu2663-2691/2021-87-10.

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Purpose. The goal is to present the works of the first and second generation of Sino-American writers not as “duplication” and “imitating” the Euro-Atlantic literary tradition, but as creating the premise for the inception of new shapes (forms) of national literatures. Research methods – historical-literary, analytical, comparative. Results. American literature, written by authors of Asian descent, came to the attention of literary scholars when most of the writers whose prose modern literary theorists associate with the genesis of the Asian-American canon were practically forgotten. Some pass

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SMUSHCHYNSKA, Iryna, and Iryna TSYRKUNOVA. "MODERN DETECTIVE NOVEL: FORMATION STAGES (BASED ON FRENCH AND SPANISH LITERATURE)." Linguistic and Conceptual Views of the World, no. 78 (2) (2025): 106–27. https://doi.org/10.17721/2520-6397.2025.2.06.

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The article is devoted to a special genre of modern fiction – the detective novel. The analysis is made on the material of French and Spanish prose. The stages of formation of this genre in France and Spain, from its origin in the middle of the nineteenth century, are studied. Special attention is paid to its general features as a genre, as well as to linguistic and cultural features in the countries of the Romance world. The transitivity of forms and methods is analyzed. The main stages of the development and formation of the detective novel are highlighted with an analysis of the contributio

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DOLGUSHINA, MARINA. "CROSS-CULTURAL CONNECTIONS IN BRIGHT SHENG'S OPERA THE SONG OF MAJNUN." Культурный код, no. 2023-1 (2023): 100–111. http://dx.doi.org/10.36945/2658-3852-2023-1-100-111.

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The article is devoted to the opera The Song of Majnun by Bright Sheng, the modern American composer of Chinese origin. This one-act opera was composed in 1992 and premiered in Chicago. In Russian musicology, this work is being studied for the first time. The authors analyze the history of the creation of the opera, the plot, composition, dramaturgy, and the specifics of the musical style. They pay special attention to the search for cross-cultural connections - the interaction of elements of Eastern (Persian, Chinese, Tibetan) and Western European cultures. The libretto of the opera is based

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Carrasquer, Luna. "The Spanish Civil War through the Female Gaze: A Valley of Betrayal (2007) by Tricia Goyer." Feminismo/s, no. 46 (July 3, 2025): 206–32. https://doi.org/10.14198/fem.2025.46.09.

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War literature is a highly gendered genre, having historically been almost exclusively associated with men. This resulted in the exclusion of women writers from the canon of war literature. However, particularly since the two World Wars, women have been increasingly participating in and writing about war. An example of this relates to the Spanish Civil War (1936-39), a conflict that still sparks the interest of both Spanish and international, and both male and female authors in the 21st century. Within this context, this paper analyses, from a gender perspective, Tricia Goyer’s Spanish Civil W

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А., О. Івахненко. "ПЕРЕДУМОВИ ВИНИКНЕННЯ ІДІОСТИЛЮ ЕМІЛІ ДІКІНСОН". Вчені записки ХГУ «НУА», № 26 (8 травня 2020): 327–34. https://doi.org/10.5281/zenodo.3816992.

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The object of this article is the idiostyle of Emily Dickinson, the subject is the basis on which it was created. The research material is the scientific works of domestic and foreign authors. The actual value of the work, in our opinion, lies in the constant interest of Ukrainian scientists towards the work of E. Dickinson, and the novelty lies in an attempt to systematize the existing views on the interconnection of significant events of her biography with the main themes of her work: God, death, love, friendship. The author of the article notes that Emily Dickinson is one of the most promin

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S Kukushkina, Evgeniya. "Echo Across the Ocean- Selected Prose Of Hamzah Hussin and The House Of Earth Trilogy By Pearl S. Buck." Malay Literature 32, no. 1 (2019): 93–115. http://dx.doi.org/10.37052/ml.32(1)no5.

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This paper focuses on the issue of external contacts in early modern Malay literature in the 20th century. It applies historical and comparative methods of research to three renowned novels by the Malay author, Hamzah Hussin, written between 1951 and 1956. This paper aims to trace their possible connection with the famed The House of Earth trilogy (1931-1935) by the American Nobel Prize Laureate, Pearl S. Buck. The results of analysis demonstrate notable correspondences between the respective novels of Hamzah Hussin and Pearl S. Buck on the level of issues raised and storyline. Both sets of no

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Romaniv, Rostyslav. "Apperception of information in behavioral accounting: a critique of contemporary approaches." Herald of Ternopil National Economic University, no. 2(88) (June 6, 2018): 94–101. http://dx.doi.org/10.35774/visnyk2018.02.094.

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The paper determines the essential nature of apperception, examines the evolution of the concept and its interpretation in economic literature. The study also reveals a connection between the theory of economic behavior within the behavioral theory and a psychological approach to accounting. The essential foundations of behavioral accounting are examined, the key development trends are outlined and the way apperception of information is included into the concept is identified. A behavioral approach attaches particular importance to the relevance of decisions taken when reporting information an

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McAnany, Patricia A., and Ian Hodder. "Thinking about stratigraphic sequence in social terms." Archaeological Dialogues 16, no. 1 (2009): 1–22. http://dx.doi.org/10.1017/s1380203809002748.

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AbstractFor archaeologists, stratification is an important character of archaeological deposits. Through it, layering is discerned and cultural and evolutionary interpretations are proposed. Archaeologists possess much implicit knowledge about the social practices that produce stratigraphic sequence and the specific, contextualized manner in which layers were built upon or cut into previous deposits. The aim of this paper is to gather together and formalize this knowledge so as to codify conceptual ‘tools to think by’ when recording and interpreting stratigraphy. Relevant literature is widely

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Ryazanova, S. V. "Fantastic theology of Robert Sheckley: A pseudo-secular world." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 1(48) (March 2, 2020): 167–76. http://dx.doi.org/10.20874/2071-0437-2020-48-1-15.

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The article considers one of the views on God existing within the modern Western literary tradition and out-side of religious systems. The image of God was chosen as a cultural phenomenon relevant for interpretation, which exists both in religious and secular discourse. The research involved the creative heritage of Robert Sheck-ley – one of the most popular authors of fantastic literature in the mid-20th century. The analysis was based on fantastic tales, since they provide the opportunity to prove all strategies for social behaviour, as well as different views on life. The image of God creat

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Колевинскене, Ж. "МЕЖДУ ЛИТВОЙ И АМЕРИКОЙ: ТЕКСТЫ И КОНТЕКСТЫ... ЛИТОВСКО-АМЕРИКАНСКИХ АВТОРОВ". Русистика и компаративистика, № 13 (24 червня 2019): 64–79. http://dx.doi.org/10.25688/2619-0656.2019.13.04.

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В статье при обсуждении проблематики идентитета в современной литовской эмигрантской литературе в качестве опорной точки выбрана трехчленная структура: земля, язык, история. Проблематика идентичности и эмигрантский опыт раскрываются в текстах на английском языке, написанных американскими авторами литовского происхождения Рутой Шяпятис, Бируте Путриус, Антанасoм Шилейкой и др. Основной контекст роман Эптона Синклера Джунгли In nowadays world the issue of mature modernity and similar personal identity remains of great signi cance. The research is dedicated to the Americanborn authors and authors

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Pomelov, Vladimir B. "The formation of the tendency of pragmatism and business-like efficiency in the American social thought and the pedagogy in the first half of the 20th century." Perspectives of Science and Education 66, no. 6 (2023): 502–15. http://dx.doi.org/10.32744/pse.2023.6.29.

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Introduction. The relevance of the research is connected with the need of modern Russian pedagogical science to study the patterns and features of the development of American public thought and pedagogy. The purpose of the study is to study the process of formation of the trend of pragmatism and efficiency in American public thought and pedagogy in the first half of the XX century. Methods and methodological approaches. The leading research methods are a critical analysis of the original scientific and pedagogical literature, mainly of the American authors, and a scientific and pedagogical int

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Н.К., Титова. "ТЕХНОЛОГИЯ РАЗВИТИЯ КРИТИЧЕСКОГО МЫШЛЕНИЯ". Человеческий капитал, № 4(148) (24 квітня 2021): 151–56. http://dx.doi.org/10.25629/hc.2021.04.14.

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В статье цель и задачи исследования связаны с изучением механизма развития знаний, стадий, особенностей, средств и методов, структуры технологии развития критического мышления у студентов. В результате анализа литературы американских авторов конца XX века выявлена технология развития критического мышления через чтение и письмо, содержащая, механизм развития знаний обучающихся и состоящая из трех стадий. Установлено также, что эффективность технологии развития критического мышления обусловлена рядом ее особенностей. Выявлено, что основными методами, представленными в технологии развития критиче

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Yakimovich, Alexander K. "Film Art Against Avant-Garde? On the Onthology of Artistic Means." Journal of Flm Arts and Film Studies 10, no. 2 (2018): 8–26. http://dx.doi.org/10.17816/vgik1028-26.

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The first decade of the 20th century witnessed two revolutions in the world of arts: firstly, the upcoming of Avant-Garde art, and secondly - the birth of cinematic art. In painting, architecture and literature new revolutionary languages actually finalized the process of onthologisation which has begun much earlier. ttis process signaled its appearance with Modernity itself and reached its climax in the late 19 th century. We can observe since then a new species of artists whose artworks actually defy ideological meanings. Meanings and messages of artworks clearly distance themselves from con

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Repp, Anna. "Multicultural component and its linguistic representation in Langston Hughes’ poetry." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 22 (2020): 73–78. http://dx.doi.org/10.34079/2226-3055-2020-13-22-73-78.

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Nowadays, the problem of the representation of multiculturalism in modern poetry needs special consideration. Our research is devoted to the investigation of the specific features of the multicultural component in the poetry of Langston Hughes. The main tasks of the paper are to investigate such notions, as «multiculturalism», «realia», «national identity» and «blues»; and to analyze the linguistic and cultural specificity of Hughes’ poetry. Multiculturalism is a term that came into usage after the idea of a “melting pot». Such scholars as Glazer, Hollinger, and Taylor have been investigating

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Osipov, Sergey. "Friends among strangers: Russians in "The Sopranos" TV series." Культура и искусство, no. 12 (December 2024): 87–109. https://doi.org/10.7256/2454-0625.2024.12.69681.

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The subject of the study is the representation of Russians and Russia in the influential and extremely important for the development of American television series "The Sopranos Clan" (The Sopranos, 1997–2005), taking into account both the ways of presenting information embedded in the media text and the ambiguity of interpretations of this information. The series' innovation in the representation of Russian characters is proved: These are heroes whose behavior and actions are largely determined by the Soviet/Russian past; they are not just present in the story space, but their actions (and wor

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Makeeva, Svetlana. "Problems of Uneven Development of China in the Works of Chinese Area Studies Scholars." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 1 (February 2019): 225–36. http://dx.doi.org/10.15688/jvolsu4.2019.1.20.

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Introduction. Based on the analysis of Chinese scholars’ works in the field of area studies, such problem as the uneven development of the territory of China has been identified. Intense social and economic transformations in China at the end of the 20th century influenced the emergence of regional problems, the solution of which was possible only through the competent regional policy of the Chinese leadership. As part of the study of regional disproportionality, Chinese researchers highlight the characteristic features inherent in each of the provinces and autonomous regions of the Northeast,

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