Gotowe bibliografie tematyczne / Ballroom dancing. Ballroom dancing Ballroom dancing

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  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Ballroom dancing. Ballroom dancing Ballroom dancing”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 lutego 2022

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Artykuły w czasopismach na temat "Ballroom dancing. Ballroom dancing Ballroom dancing"

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Jackson, Fleda Brown. "Ballroom Dancing". Iowa Review 21, nr 1 (styczeń 1991): 102. http://dx.doi.org/10.17077/0021-065x.3967.

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Blanchard, Chrys. "Ballroom dancing". Practical Pre-School 2009, nr 104 (wrzesień 2009): 9–10. http://dx.doi.org/10.12968/prps.2009.1.104.44081.

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Euler, Houston. "Mathematical Ballroom Dancing". Mathematics Magazine 66, nr 5 (1.12.1993): 321. http://dx.doi.org/10.2307/2690512.

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Euler, Houston. "Mathematical Ballroom Dancing". Mathematics Magazine 66, nr 5 (grudzień 1993): 321. http://dx.doi.org/10.1080/0025570x.1993.11996156.

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Ershova, Olga, i Evgeny Smirnov. "Sports and ballroom dancing competitive infrastructure analysis in the context of international organizations on sports and ballroom dancing". Tambov University Review. Series: Humanities, nr 182 (2019): 123–29. http://dx.doi.org/10.20310/1810-0201-2019-24-182-123-129.

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We consider current problems of scientific and theoretical representations development about competitive infrastructure of Sports and ballroom dancing which are not provided with sufficient scientific comprehension. The purpose is to determine the basis of division used in the world practice of international organizations for sports and ballroom dancing for the classification of competitions, performers, their skills, etc. Interest in sports and ballroom dancing, as a form of social, cultural and leisure activities, increases every year not only abroad but also in Russia. Sports and ballroom dancing in its structure have two programs: Latin American, which includes dances – Cha-cha-cha, Rumba, Samba, Jive, Pasodoble and European, dance – slow waltz, Viennese (fast) waltz, Slow Foxtrot, Quickstep, Tango. Dance and sports clubs cover in their work all age categories from children of three years to people of retirement age. Dance associations are based in cultural institutions, cultural and leisure type, in secondary schools, and in higher educa-tion institutions in the framework of additional education or the organization of cultural and leisure activities. Each dance and sports club, as an element of the structure, is registered in any Russian official organization for ballroom dancing, which, in turn, is a regional and part of the international organization for ballroom dancing. Now, there are actively there are four: 1) WDSF – World DanceSport Federation; 2) WDC – World Dance Council; 3) IDSU – International Dance Sport Union; 4) IDSCA – International Dance Studios and Clubs Association. Each of the organizations provides, contests, competitions, tournaments, Championships of Europe, Asia, world, etc. To analyze the material, we use a comparative typological method. We discover the similarities features and differences in the international organizations activities in sports and ballroom dancing, this information is scientifically investigated for the first time. We define the importance of sports and ballroom dancing competitive and amateur infrastructure for the development of culture and strengthening of a population healthy lifestyle. Also, for the first time in scientific circulation we introduce a systematic material on the activities of international organizations in sports and ballroom dancing.
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Issaliyev, A., А. Abakayeva i A. Karymbaeva. "The main stages and trends in the development of sports ballroom dance in the Republic of Kazakhstan (period 1968-1988)". Pedagogy and Psychology 44, nr 3 (30.09.2020): 263–69. http://dx.doi.org/10.51889/2020-3.2077-6861.32.

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The article describes the main stages and trends in the development of sports ballroom dancing in the Republic of Kazakhstan. The method of data presentation was chosen chronological, since it allows us to trace the dynamics of the process of development and formation of the pedagogical activity of trainers of ballroom dance. Two main stages of the formation and development of domestic sports ballroom dancing are given. The contribution of such figures as Leonid Petrovich Vekshin, Valentina Vasilyevna Evseeva, Valery Valentinovich Antsyshkin to the development of sports and ballroom dancing in the Republic is described. The first schools for European and Latin American dances, dance-sport clubs in our country, as well as the first competitions in these dances were established. The names of foreign experts who helped the development of sports dancing in Kazakhstan are given. The difficulties with which ballroom dancing was encountered during the existence of the USSR are described. The information on the formation of the dance-sport club «Raduga».
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Cohen, Sara, i Jan Fairley. "Introduction to ‘Dance’ special issue". Popular Music 25, nr 3 (11.09.2006): 345–46. http://dx.doi.org/10.1017/s0261143006000948.

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‘Are ye dancin’?' ‘Are ye askin’?' ‘Yes I’m askin” ‘Then I’m dancin'!' This was the exchange between couples in Glasgow early in the twentieth century at the height of the ballroom dancing boom that made the city one of the dancing capitals of the world. It lingers on in Scottish dancing parlance. In Havana, people were dancing danzón; in Buenos Aires, tango; and in Río de Janeiro, samba. It was a time of big orchestras when women wore evening dresses and men wore suits. Today, whilst the clothes may have changed, dance with its link to sensual pleasure continues to be fundamental to our cultures.
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Spinul, Igor, i Elena Spinul. "THEORETICAL AND METHODOLOGICAL FUNDAMENTALS OF TRAINING OF FUTURE SPECIALISTS OF MODERN BALLOT DANCES". Academic Notes Series Pedagogical Science 1, nr 195 (2021): 128–33. http://dx.doi.org/10.36550/2415-7988-2021-1-195-128-133.

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In recent decades, modern ballroom dancing as an artistic phenomenon is spreading around the world. During the twentieth century, the society formed a clear idea of ​​ballroom dancing as a folk dance (waltz, tango, etc.) and sports competitions of ten standardized ballroom dances. However, in recent times, modern ballroom dancing is increasingly fighting for the right to recognize it as an independent phenomenon of choreographic culture, given the original system of means of expression, which distinguishes it from other types of ballroom choreography (sports and household) and stage forms of folk dance. Modern society places high demands on the professional training of future teachers in the field of culture and art. Fundamental knowledge of philosophy, pedagogy and psychology, ethics and aesthetics, other sciences help to organize the educational process with its main purpose, didactic, educational, developmental tasks, traditional and interactive methods, learning technologies and organizational forms determined by the teacher in accordance with modern requirements. put forward by the «Law of Ukraine on Higher Education» and state educational standards. The process of training a specialist in the field of ballroom dancing is based on the presence of practical training, adjustment, consolidation of movements and skills of the teacher, because without in-depth analysis of body movements in various dance performances, the idea of ​​ballroom dancing Constant quality control and the creation of individual tasks will promote self-analysis of the student, his understanding and understanding of the importance of the balance between mental activity, physical and spiritual development. In the article the author explores the specifics of teaching modern ballroom dancing in higher education; defines the essence, criteria, requirements of choreographic and performing skills as a competence. The characteristics and features of the teacher-choreographer, his personal qualities are presented.
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Buckland, Theresa Jill. "How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack". Dance Research 36, nr 1 (maj 2018): 1–32. http://dx.doi.org/10.3366/drs.2018.0218.

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This two-part article examines the contested transition in London's fashionable ballrooms from the established Victorian rotary waltz to the modern English waltz of the early 1920s. Existing scholarship on the dance culture of this period and locale has tended to focus on issues of national identity, gender, race, class and the institutionalisation of popular dance practices. Although these are of profound significance and are here integrated into the analysis, this fresh study focuses on the waltz's choreological aspects and relationship to its ballroom companions; on the dance backgrounds and agency of the waltz's most influential practitioners and advocates, and on the fruitful nexus between theatre, clubs, pedagogy, the press and competitions in transforming style and practice towards modern English ballroom dancing as both a social and artistic form. Part One discusses the kinetic problems that waltzing couples encountered in the face of ragtime dances and tango, the impact of World War One on social dance practices in fashionable London and the response of the press and the dance pedagogic profession to the post-war dance craze. Improvisational strategies are considered as contributory factors in the waltz's muted persistence throughout the war while throwing light on how certain social choreomusical practices might lead to the transmutation of dances into newly recognised forms. The persuasive role of London-based leaders such as Philip Richardson, Madame Vandyck and Belle Harding in these early years of modern ballroom dancing is brought to fresh attention. Part One concludes with the dance teachers’ inconclusive attempts during 1920–21 to define and recommend a waltz form compatible with both a discrete choreomusical identity and the stylistic dictates of modern ballroom dancing
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Wang, Chien-Hsin, i Angel Yin Chu. "Older Adults' Participation in Ballroom Dancing: Practical Application of the Sport Commitment Model". Social Behavior and Personality: an international journal 44, nr 3 (12.04.2016): 445–52. http://dx.doi.org/10.2224/sbp.2016.44.3.445.

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We investigated potential differences in level of sport commitment and its associated antecedents for older adult ballroom dancers in Taiwan. Participants were 150 older adult ballroom dancers who completed a sport commitment questionnaire. Results showed that participation method, experience level, and frequency of participation all had a significant effect on personal investment in ballroom dancing. Frequency of participation also had a significant effect on sport commitment and involvement opportunities. Our findings provide new insights into how older adults perceive ballroom dancing as their chosen physical activity. The results of this study may be used to help leisure service providers and dance instructors understand that sport enjoyment, personal investment, and involvement opportunities are important determinants for participation retention among older adult ballroom dancers.
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Rozprawy doktorskie na temat "Ballroom dancing. Ballroom dancing Ballroom dancing"

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Penny, Patricia A. "Contemporary competitive ballroom dancing : an ethnography". Thesis, University of Surrey, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245223.

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Holden, Patsy. "Civilized Dancing: The Evolution of Ballroom Dancing from African Trance and Folk Dance". Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1173.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Humanities
Philosophy
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Green, Alida Maria. "Dancing in borrowed shoes : a history of ballroom dancing in South Africa (1600s-1940s)". Diss., Pretoria : [S.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-10202009-190259.

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Hanke, Ramona. "The impact of ballroom dancing on the marriage relationship". Diss., Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-04132007-163833.

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Nurse, Gwendoline. "Competitive ballroom dancing as a social phenomenon : an anthropological approach". Thesis, University of Roehampton, 2007. https://pure.roehampton.ac.uk/portal/en/studentthesis/competitive-ballroom-dancing-as-a-social-phenomenon(3c1eadf1-9c6a-4911-b514-362e8b6ddbd1).html.

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The following investigation develops a critique of Competitive Ballroom Dancing as a social phenomenon from an anthropological perspective and that of a non-dancer. In order to do this the thesis is concerned with interrelating dance with anthropology. The concepts of how people express themselves and communicate in society provide the study with the scope to explore certain issues. The first aspect shows how a person would prepare to be a dancer in competition, this involves, among other things, learning to dance, finding a suitable partner and the overall appearance of the dancer. Secondly looking at competition, which involves sport and dance, judgement and perception of how the dancers and spectators view it. The embodied content of the competitive dancer is seen as an important issue, since it can affect how the dancers dance and how the dance is perceived, despite the fact that competitive ballroom dancing is such a highly formal, structured and rule-governed form of dance. Ritual and performance theories integrating emic and etic tendencies are juxtaposed with what appears to happen in this form of dance. In addition various types of altered state of mind are examined, in view of comments made by dancers about how they feel when dancing. Furthermore this thesis explores an understanding of how important this form of dancing is to its participants and how the activity can be a life-long pursuit whether as a dancer or subsequently as a spectator. It also illustrates the extent to which younger people enjoy an activity where there is great emphasis on being fit and how they have come to link it with sport.
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Riding, Teri J. "Contributions of muscle fatigue to a neuromuscular neck injury in female standard ballroom dancers /". Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1529.pdf.

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Riding, Teri. "Contributions of Muscle Fatigue to a Neuromuscular Neck Injury in Female Standard Ballroom Dancers". BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/755.

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Objective: To investigate the potential etiology of a loss of neck control injury in female standard ballroom dancers. The median frequency (MF) as measured by electromyography (EMG) of the left upper trapezius (UT), left splenius capitius (SPL), and right sternocleidomastoid (SCM) of injured dancers was compared to non-injured dancers. This comparison was performed to identify whether dancers with a history of loss of neck control have a greater amount of fatigue than those with no history of this particular injury. Design and Setting: A 2 x 6 factorial design was used for this investigation. The independent variables were group (injured vs. non-injured) and time (before and after the three rounds of dancing). The dependent variables were MF as measured by EMG, range of motion, and neck length. All testing was performed at the university biomechanics laboratory and ballroom dance studio. Subjects: Twenty female subjects (10 injured group {mean height 167.40 ± 4.12 cm and weight 59.30 ± 5.41 kg}, 10 non-injured group {mean height 166.76 ± 4.62 cm and weight 58.93 ± 5.30 kg}), with at least one year experience in competitive ballroom dancing, in the standard division participated in this study. All subjects competed at a Dancesport competition either in the novice, pre-championship, and/or amateur standard classifications. Inclusion criteria for the injured group included female ballroom dancers who had a loss of neck control episode. Measurements: Surface EMG activity was recorded from the left UT, left SPL, and right SCM muscles before and after dancing the five standard dances. Results: The decrease in EMG MF was not significant between groups. There was no difference in neck lengths from the external occipital protuberance to inferior angle of the scapula between groups. There were also no significant differences in range of motion of left and right lateral flexion and extension in either group from pre to post dancing. Conclusions: Based on the results of this study, subjects with a history of neuromuscular neck injury did not appear to have acute fatigue of the three muscles studied here following the routine used in this study.
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Marion, Jonathan Saul. "Dance as self, culture, and community the construction of personal and collective meaning and identity in competitive ballroom and salsa dancing /". Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3213856.

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Thesis (Ph. D.)--University of California, San Diego, 2006.
Title from first page of PDF file (viewed June 27, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 853-893).
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JUNIOR, SIDNEY DETTINO. "LINKING VALUE IN CONSUMPTION BEHAVIOR: AN EXPLORATORY STUDY ABOUT BALLROOM DANCING PRACTICE IN RIO DE JANEIRO". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12287@1.

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No intuito de contribuir com as recentes abordagens de marketing e de comportamento do consumidor que tratam de tribos e comunidades pós-modernas (Cova, 1997; Cova e Cova, 2002), e seguindo o caminho da coletivização na literatura de sociologia (Bauman, 2003; Maffesoli, 2002), que discute o retorno do homem contemporâneo a uma nova busca pela coletividade, esta pesquisa, de caráter qualitativo, tem como principal objetivo colaborar para o entendimento da dinâmica de adoção à prática da dança de salão, esta entendida como o conjunto de danças praticadas a dois (Massena, 2006). Para isto, foi investigado se (e como) esta atividade exerce o papel de valor de ligação (Cova, 1997) entre os membros da comunidade da dança, e identificado se outros bens e serviços relacionados a esta atividade também exercem essa função de valor de ligação. Deste modo, vinte pessoas (oito do sexo masculino e doze do sexo feminino), moradores do Rio de Janeiro e alunos de uma renomada escola de dança de salão do bairro de Botafogo, foram submetidas a entrevistas em profundidade, ao longo do mês de fevereiro de 2008. Os resultados sugerem que a dança de salão funciona como valor de ligação entre os membros dessa comunidade, uma vez que, segundo os informantes, esse serviço é muito mais um elemento de conexão com o outro que um elemento individualizante e diferenciador. Entretanto, não ficou evidente a existência de outros produtos relacionados a esta atividade que funcione como valor de ligação.
In intention to contribute with the recent approaches of marketing and consumer behavior that deal with tribes and postmodern communities (Cova, 1997; Cova and Cova, 2002), and following the way of the collectivization in the literature of sociology (Bauman, 2003; Maffesoli, 2002), that discuss the return of the contemporary man to a new search for the collectivity, this research, of qualitative character, have as main objective to collaborate for the understanding of the dynamics of adoption to the practical of the ballroom dancing, this understood as the set of practiced danced by two (Massena, 2006). For this, it was investigated if (and as) this activity exerts the function of linking value (Cova, 1997) enters the members of the community of the dance, and identified if other related goods and services to this activity also they exert this function of linking value. In this way, twenty people (eight of masculine sex and twelve of the feminine sex), inhabitants of Rio de Janeiro and pupils of a famous ballroom dancing school from the neighborhood of Botafogo, had been submitted the interviews, throughout the February of 2008. The results suggest that the ballroom dancing functions as linking value between the members of this community, according to informants, this service is much more an element of connection with the other than a individual and differentiator element. However, the existence of other products related to this activity was not evident that functions as linking value.
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ARAUJO, FABIO FRANCISCO DE. "MEANINGS OF LEISURE FOR THE ELDERLY PEOPLE: AN INTERPRETIVE STUDY OF SERESTA AND BALLROOM DANCING GROUPS". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25256@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Este estudo investiga os significados atribuídos ao lazer por consumidores de Terceira Idade que frequentam grupos de reunião musical e aulas de dança de salão. Especificamente, buscou-se estudar a experiência desses consumidores em atividades de lazer em grupo e de que forma atribuem significado às vivências e às relações sociais e de amizade que ocorrem em espaços sociais de lazer. No contexto desta pesquisa, o consumo de lazer não é visto apenas por seu aspecto utilitário, mas é compreendido a partir de seu conteúdo simbólico, em que os consumidores atribuem significados ao consumo expressando seus valores, estilos de vida, categorias, identidades sociais e projetos coletivos. Ao privilegiar, a dimensão simbólica do consumo sob a perspectiva de marketing, o presente estudo se insere em uma linha de estudos em marketing que se apresenta como CCT – Consumer Culture Theory. Nesse contexto, a presente tese se filia ao paradigma interpretativo, ao partir dos aspectos subjetivos do consumo para perceber as relações dinâmicas das ações de consumidores e os significados socialmente construídos. Para condução do presente estudo, optou-se por utilizar métodos de inspiração etnográfica – a observação participante e as entrevistas em profundidade – buscando fazer parte da experiência vivida pelo idoso para compreender os significados a ela atribuídos. A pesquisa de campo incluiu dois grupos de idosos. O primeiro grupo é um encontro musical de seresta, sendo realizada a observação participante por um período de aproximadamente seis meses. As entrevistas em profundidade foram realizadas com 15 idosos participantes do grupo e com o fundador e líder do grupo. O segundo grupo estudado é voltado para dança de salão. Novamente, foi feita a observação participante durante um período de seis meses e entrevistas em profundidade com 16 idosos participantes. Os registros em diário de campo e as entrevistas foram analisados conjuntamente e permitiram identificar os significados que os idosos associam ao consumo das atividades de lazer analisadas. Realizou-se, inicialmente, uma análise de cada atividade de lazer. Para cada grupo, os significados identificados emergiram das análises. Em seguida, foi feita uma análise cruzada dos resultados obtidos para os dois grupos. Verificou-se que, embora possa haver significados comuns às atividades de lazer, há também significados distintos atribuídos à mesma atividade e a diferentes atividades. Estes resultados sugerem a existência de grande variedade de necessidades por detrás das escolhas de lazer dos idosos. Tais resultados sugerem ainda que a pesquisa sobre lazer de idosos deve levar em conta a heterogeneidade deste grupo de consumidores, evitando trata-los de forma reducionista, como se se tratasse de grupo homogêneo, caracterizado unicamente a partir de suas dificuldades físicas. Já no que se refere à aplicação empresarial, os resultados do estudo sugerem que os consumidores idosos podem ser segmentados a partir de distintos significados atribuídos ao lazer, que parecem traduzir os benefícios buscados por esses consumidores.
This study investigates the meanings of leisure for the elderly people who attend a musical encounter and a ballroom dancing class. Specifically, the study investigates these consumers experience of leisure group activities; and how they extract meaning from these experiences and from the social relationships that occur in these social spaces of leisure. In the context of this research, consumption is not seen only by its utilitarian nature, but it is rather understood in its symbolic aspects, as consumers create meanings in order to express their values, lifestyles, categories, social identities, and collective projects. By focusing on the symbolic dimension of consumption from the marketing perspective, this study is positioned as part of a line of research in marketing known as CCT - Consumer Culture Theory. In this context, this thesis is affiliated to the interpretive paradigm, departing from the subjective aspects of consumption to understand the dynamic relationships between the consumers actions and the social and cultural meanings created. Methods of ethnographic inspiration – participant observation and in-depth interviews – were used to conduct this study. These methods permitted to be part of the leisure experience lived by the elderly as a means of understanding the meanings attributed to the experience. Fieldwork included two groups of elderly people. The first group is a musical encounter group called Seresta. Participant observation covered a six-month period; 15 elderly participants were interviewed in-depth, plus the founder and leader of the group. The second group included the elderly that participated in ballroom dancing classes. Again, participant observation lasted for six months and in-depth interviews were conducted with 16 participants. Fieldnotes and transcripts of the interviews together permitted to extract the meanings assigned by older people to these leisure activities. First, each activity was analyzed separately. For each group, meanings emerged from the analyses. Then a cross-group analysis was performed. The results showed that, despite meanings that are shared by the two leisure activities, each activity showed different meanings, or different nuances of the same meaning, and some of the meanings identified only appeared in one of the activities. These results suggest that there is a great variety of needs behind the leisure choices made by the elderly. In addition, the results indicate that leisure research focusing the elderly should take into account the heterogeneity of this group of consumers, therefore avoiding a reductionist approach that considers the elderly as a homogeneous group based on their physical limitations. As to managerial implications, the results of the study suggest that firms can segment the elderly consumers by the different meanings attributed to leisure, which can be equated to the benefits aimed when choosing their leisure activities.
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Książki na temat "Ballroom dancing. Ballroom dancing Ballroom dancing"

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Horwood, Craig Revel. Ballroom dancing. Chicago: Contemporary Books, 2005.

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Ballroom dancing. New York, N.Y: Routledge, 2002.

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Ballroom dancing. Chicago, Ill: Raintree, 2008.

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1920-, Spencer Peggy, red. Ballroom dancing. Lincolnwood, Ill: NTC Pub. Group, 1992.

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Bottomer, Paul. Ballroom Dancing. S.l: Southwater, 2007.

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Underwood, Deborah. Ballroom dancing. Chicago, Ill: Raintree, 2008.

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Ballroom dancing. London: Raintree, 2010.

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Modern ballroom dancing. North Pomfret, Vt: Trafalgar Square Pub., 2005.

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Bryan, Allen, red. Modern ballroom dancing. London: Cresset Press, 1992.

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Regan, Frank. Championship ballroom dancing. Minneapolis, Minn: EAB Press, 1994.

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Części książek na temat "Ballroom dancing. Ballroom dancing Ballroom dancing"

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Harman, Vicki. "Who Cares About Ballroom Dancing?" W The Sexual Politics of Ballroom Dancing, 1–28. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-02939-3_1.

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Dodds, Sherril. "Mad Hot Ballroom and the Politics of Transformation". W Decentring Dancing Texts, 160–76. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584426_10.

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Harman, Vicki. "A Social History of Ballroom and Latin Dancing". W The Sexual Politics of Ballroom Dancing, 29–50. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-02939-3_2.

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Harman, Vicki. "Starting to Dance". W The Sexual Politics of Ballroom Dancing, 51–73. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-02939-3_3.

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Harman, Vicki. "Building a Serious Leisure Career in Ballroom and Latin American Dancing". W The Sexual Politics of Ballroom Dancing, 75–89. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-02939-3_4.

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Harman, Vicki. "Social Networks and Team Spirit". W The Sexual Politics of Ballroom Dancing, 91–104. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-02939-3_5.

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Harman, Vicki. "Performing Serious Leisure: Competitions". W The Sexual Politics of Ballroom Dancing, 105–25. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-02939-3_6.

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Harman, Vicki. "Gender, Ideals and Body Image". W The Sexual Politics of Ballroom Dancing, 127–49. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-02939-3_7.

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Harman, Vicki. "Conclusion". W The Sexual Politics of Ballroom Dancing, 151–65. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-02939-3_8.

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Harman, Vicki, i Yen Nee Wong. "Same-sex Pairings on Strictly Come Dancing: LGBTQ+ Identity and Leisure Participation in Ballroom Dancing". W Positive Sociology of Leisure, 159–73. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41812-0_10.

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Streszczenia konferencji na temat "Ballroom dancing. Ballroom dancing Ballroom dancing"

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Martell, Janice L., Arya Ebrahimpour i Marco P. Schoen. "Intelligent Approach to Floor Vibration Control". W ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-80037.

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Streszczenie:
Genetic Algorithms (GAs) have been used to solve a multiple of engineering problems with the civil engineering applications ranging from optimal placement of sensors and actuators on structures to pipeline layouts. GAs are especially useful in finding optimal solutions to problems that have many parameters with complex search spaces and a high level of interaction among the describing parameters. The novel experimental control approach presented in this paper uses a GA and a piezoelectric actuator to control the vibration of an aluminum cantilever beam. This set-up is based on a floor vibration problem, where the human perception of vibration dictates the sensitivities in the cost function of the GA. Lightweight floors can be excited by occupant activities such as walking, jumping and dancing. Humans are especially sensitive to vibrations in the range of 4 to 8 Hz. The occupancy of a floor system — whether the floor is used in an office, a shopping mall, or a ballroom — determines the degree to which humans are annoyed by the vibration. In this paper, the GA based control limits the peak acceleration within a predefined bandwidth. Since the cantilever beam has a higher natural frequency than a lightweight floor system a bandwidth of approximately 1.6–15.9 Hz (10–100 rad/s) is used as the frequency range to control. The control to be designed will be a genetic algorithm-robust controller. The analytical results indicate that this novel approach works well.
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