Gotowe bibliografie tematyczne / Balthasar, Hans Urs von

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Gotowa bibliografia na temat „Balthasar, Hans Urs von”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 lutego 2022

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Artykuły w czasopismach na temat "Balthasar, Hans Urs von"

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Lauber, David. "Response to Alyssa Lyra Pitstick,Light in Darkness". Scottish Journal of Theology 62, nr 2 (maj 2009): 195–201. http://dx.doi.org/10.1017/s0036930609004682.

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In her remarkably forceful and learned book,Light in Darkness: Hans Urs von Balthasar and the Catholic Doctrine of Christ's Descent into Hell, Alyssa Lyra Pitstick offers a comprehensive critique of Hans Urs von Balthasar's theology of the descent into hell. Pitstick contributes to a sharpening of readings of Balthasar and forces one to make precise interpretative judgements. Clearly, she has produced a work with which anyone interested in Balthasar must engage, and the conversation and debate the book has started will, to be sure, continue for many years ahead. This said, I am afraid that Dr Pitstick's unrelenting and totalising prosecution of Balthasar's theology leads her to disallow any charitable reading and critical appropriation of Balthasar's creative and, at times, sublime theology. Although not necessarily the final evaluative word on Balthasar, or on the doctrine of the descent into hell, Pitstick's book provides a tremendous spark for those interested in Balthasar's theology and for much needed reflection on the significance of the church's confession that Jesus Christ descended into hell.
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Havenga, M. "Justice as Beauty-in-Action? Insights from Hans Urs von Balthasar’s Aesthetics and Dramatics". Acta Theologica Supp, nr 29 (30.11.2020): 37–49. http://dx.doi.org/10.18820/23099089/actat.sup29.3.

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This essay explores the relation between beauty and justice by turning to the thought of the Swiss Catholic theologian Hans Urs von Balthasar. It begins by giving an exposition of Balthasar’s theological aesthetics, as developed in his work The glory of the Lord, which shows how, for Von Balthasar, earthly beauty participates in, and expresses something of God’s divine glory and reaches its apex in the revelation of the beautiful form of Jesus Christ. This is then followed by an exposition of Von Balthasar’s theological dramatics, as developed in his work Theo-drama, which shows how, for Von Balthasar, this beautiful form of Christ is not merely a static image, icon, or artwork but, in fact, a dynamic event, a dramatic act, an embodied performance which reveals to us, along with God’s glory and beauty, God’s unbounded goodness. The essay subsequently turns to questions of justice (in light of Von Balthasar’s understanding of the relation between beauty and goodness), and ultimately argues that, according to Von Balthasar’s thought, justice can be viewed as a form of beauty-in-action that asks to be performed in the world.
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Dewa, Anton. "Teologi Inkarnasi dan Gereja Yang Inkarnatoris menurut Hans Urs von Balthasar". Media (Jurnal Filsafat dan Teologi) 2, nr 1 (3.03.2021): 25–59. http://dx.doi.org/10.53396/media.v2i1.18.

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The uniqueness of Balthasar's theology of incarnation lies in the fact that he bases his arguments of kenosis primarily on the Bible and the theology of patristics. On this basis, he confronts the systematic theological exposition of incarnation with the question of God in modern times. Balthasar represents the centre of his theological principle in the "drama of God". This drama became visible to all men when Christ, Son of God, died for the salvation of the world. That is an act of solidarity and became for Balthasar the central concept of soteriology. Based on the incarnation of Christ, Balthasar calls the church to a living practice of kenosis in her missions.
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Walatka, Todd. "Hans Urs von Balthasar and the Meaning of Christmas". Theological Studies 81, nr 4 (grudzień 2020): 929–50. http://dx.doi.org/10.1177/0040563920986549.

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Balthasar’s reflections on the mystery of Christmas provide not only a basic entry into his thought, but also an expanded view of his theological vision. Drawing primarily upon his sermons and scriptural meditations, this essay presents a Balthasar both familiar and new: ideas at the heart of his Christology, Trinitarian theology, Mariology, and anthropology receive significant attention. Yet Balthasar’s reflections on Christmas also provide some of his most important engagements with less-noticed themes—particularly regarding Christian praxis toward the poor and oppressed. More than in other texts, these shorter pieces routinely insist that each Christian is called to follow the path taken by the Son of God and set out into the world in service of the poor and lowly.
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Takayanagi, Shun’ichi. "Hans Urs von Balthasar and Aesthetics". Modern Schoolman 81, nr 2 (2004): 121–34. http://dx.doi.org/10.5840/schoolman20048128.

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Pagé, Jean-Guy. "Hommage à Hans Urs von Balthasar". Laval théologique et philosophique 44, nr 3 (1988): 275. http://dx.doi.org/10.7202/400392ar.

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Horne, B. L. "Book Review: Hans Urs von Balthasar". Theology 96, nr 774 (listopad 1993): 484–85. http://dx.doi.org/10.1177/0040571x9309600613.

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Oakes, Edward T. "Hans Urs von Balthasar. John O'Donnell". Journal of Religion 74, nr 2 (kwiecień 1994): 266–67. http://dx.doi.org/10.1086/489367.

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Lett, Jacob. "Divine Roominess: Spatial and Music Analogies in Hans Urs von Balthasar and Robert Jenson". Pro Ecclesia: A Journal of Catholic and Evangelical Theology 28, nr 3 (7.05.2019): 267–77. http://dx.doi.org/10.1177/1063851219846681.

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Hans Urs von Balthasar and Robert Jenson both spatialize God by depicting the triune life as “roomy”. Theologians have employed spatial analogies readily since the inception of the “trinitarian revival” of the 20th century. In recent days, however, theologians have begun critiquing divine spatial imagery. In particular, the spatialized grammar of Balthasar’s trinitarian theology has attracted criticism. In this article, I review Balthasar’s divine spatial analogies and show how “bodily” readings of them have provoked criticism. I then repair Balthasar by applying Jenson’s musical rendition of “divine roominess” to Balthasar’s spatial analogies, suggesting that musical conceptions of space resolve some of the concerns theologians raise with Balthasar’s trinitarian theology in particular and spatial analogies in general.
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Jankūnas, Gediminas. "Hans Urs von Balthasar: on the Cross as a Trinitarian Event Hans". SOTER: Journal of Religious Science 71, nr 99 (2019): 7–17. http://dx.doi.org/10.7220/2335-8785.71(99).1.

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Rozprawy doktorskie na temat "Balthasar, Hans Urs von"

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Wedler, Esther-Maria. "Splendor caritatis : ein ökumenisches Gespräch mit Hans Urs von Balthasar zur Theologie in der Moderne /". Würzburg : Echter Verlag, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=2966645&prov=M&dok_var=1&dok_ext=htm.

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Steck, Christopher W. "The ethical thought of Hans Urs von Balthasar /". New York : Herder, 2001. http://catalogue.bnf.fr/ark:/12148/cb388067487.

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Lewis, Albert. "Responsorisch Kirche sein : Antwortgestalt und Sendung der Kirche nach Hans Urs von Balthasar /". Berlin : Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2922802&prov=M&dok_var=1&dok_ext=htm.

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Engelhard, Markus. "Gotteserfahrung im Werk Hans Urs von Balthasars /". Sankt-Ottilien : Eos Verl, 1998. http://catalogue.bnf.fr/ark:/12148/cb390036360.

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Klaghofer-Treitler, Wolfgang. "Gotteswort im Menschenwort : Inhalt und Form von Theologie nach Hans Urs von Balthasar /". Innsbruck : Tyrolia-Verl, 1992. http://catalogue.bnf.fr/ark:/12148/cb35597454h.

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Endriß, Stefan. "Hans Urs von Balthasar versus Sören Kierkegaard : ein Beitrag zur Diskussion über das Verhältnis von Theologie und Ästhetik /". Hamburg : Kovač, 2006. http://www.verlagdrkovac.de/3-8300-2342-1.htm.

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Healy, Nicholas J. "The trinitarian eschatology of Hans Urs von Balthasar". Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365480.

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Kaiser, Christoph. "Theologie der Ehe : der Beitrag Hans Urs von Balthasars /". Würzburg : Echter, 1997. http://catalogue.bnf.fr/ark:/12148/cb39136652r.

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Endriss, Stefan. "Hans Urs von Balthasar versus Sören Kierkegaard : ein Beitrag zur Diskussion über das Verhältnis von Theologie und Ästhetik /". Hamburg : Dr. Kovač, 2006. http://catalogue.bnf.fr/ark:/12148/cb411434233.

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REIS, JAIR LUIS. "DIE SAKRAMENTALITAT DER OFFENBARUNG IN HANS URS VON BALTHASAR". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6175@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
Die Sakramentalitat der Offenbarung erreicht ihren hochsten Ausdruck in der Person Jesu Christi, da sich uns in ihm die Totalitat des Seins Gottes manifestiert hat. In seiner menschlich-gottlichen Doppelnatur ist er zum Grundsakrament geworden, notwendiges Mittel, welches den Willen Gottes mitteilt und anzeigt, wie der Mensch mit Gott kommunizieren kann, vermittelt durch die Kirche, welcher aufgetragen ist, die heilswirsamen Geheimnisse durch ihre Okonomie zu verlangern: das Wort, die Sakramente und die Nachstenliebe. Ausgehend von der offenbarungstheologischen Reflektion Hans Urs von Balthasars versucht diese Studie die Grundmomente der sakramentalen Konstitution der Kirche aufzuzeigen, als wie auch der Vater sich in seinem Sohn durch den Heiligen Geist gegenwartig macht und seine heilswirksame Gnade mitteilt, zum gleichen Zeitpunkt, da er die Mittel zu ihrer historischen Visibilita hervorbringt. Gott hat sich fleischliches und horbares Wort gemacht. Deshalb bezieht sich die sakramentale Form auf Christus. Von ihm aus, seine Taten, Gesten und Worten, gewinnt das Göttliche ewigen Ausdruck in der Mitte der Geschichte. Er verleiht Elemente, welche die Präsenz und die Aktin Gottes in der Geschichte hervorheben, vor allem am Kreuz, hochster Moment der Sakramentalitat und der Offenbarung. Unser Ziel ist es deshalb die Wurzeln der sakramentalen Erfahrung hervorzuheben, vor allem um die ekklesiale Praxis zu erhellen, im Blick auf eine Aufwertung und ein Verstehen der sakramentalen Wirksamkeit und des geoffenbarten Wortes als auch dessen Fortbestehen in der Existenz der Kircher.
A sacramentalidade da revelação alcança sua plena expressão na pessoa de Jesus Cristo, porque por meio dele nos é manifestada a totalidade do Ser de Deus. Com suas duas naturezas: humano-divina, ele se torna o sacramento fonte, o meio indispensável que comunica a vontade divina e indica como o ser humano pode se comunicar com Deus, intermediado pela Igreja, a qual encarrega-se de prolongar os mistérios salvíficos, por sua economia sacramental: a palavra, os sacramentos e a caridade. A partir do pensamento teológico-revelacional de Hans Urs Von Balthasar o presente trabalho procura expor os momentos basilares da constituição sacramental da Igreja e como o próprio Pai, na pessoa do seu Filho e no Espírito Santo, se faz presente e comunica eficazmente a graça salvífica, ao mesmo tempo em que cria meios para sua visibilidade histórica. Deus se fez palavra carnal e palavra audível em Jesus Cristo. Assim, a forma sacramental remete a Cristo. É a partir dele, de seus atos, gestos e palavras, que o divino encontra expressividade eterna no seio da história. Ele concede elementos que assinalam e comunicam a presença e ação de Deus na história, essencialmente na cruz, momento cume da sacramentalidade e da revelação. O nosso objetivo, portanto, consiste em expor as raízes da experiência sacramental com o intuito de iluminar a prática eclesial, para uma valoração e compreensão do alcance e da eficácia sacramental e da Palavra revelada, como também da sua perenidade no existir da Igreja.
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Książki na temat "Balthasar, Hans Urs von"

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Guerriero, Elio. Hans Urs von Balthasar. Brescia: Morcelliana, 2006.

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O'Donnell, John J. Hans Urs von Balthasar. Collegeville, MN: Liturgical Press, 1992.

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Hans Urs von Balthasar. London: Geoffrey Chapman, 1992.

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Guerriero, Elio. Hans Urs von Balthasar. Cinisello Balsamo (Milano): Edizioni paoline, 1991.

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Michael, Schulz. Hans Urs von Balthasar begegnen. Augsburg: Sankt Ulrich Verlag, 2002.

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Hans Urs von Balthasar, 1905-1988. Paris: Cerf, 2012.

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Krenski, Thomas Rudolf. Hans Urs von Balthasar: Das Gottesdrama. Mainz: Matthias-Grünewald-Verlag, 1995.

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Hans Urs von Balthasar: A theological style. Edinburgh: T&T Clark, 1995.

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Hans Urs von Balthasar: A theological style. Grand Rapids, Mich: William B. Eerdmans Pub. Co., 1995.

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Löser, Werner. Kleine Hinführung zu Hans Urs von Balthasar. Freiburg im Breisgau: Herder, 2005.

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Części książek na temat "Balthasar, Hans Urs von"

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Coulson, John. "Hans Urs von Balthasar". W The Critical Spirit and the Will to Believe, 218–32. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20122-8_14.

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Kapp, Volker. "von Balthasar, Hans Urs". W Theologen, 31–34. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02948-5_23.

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McIntosh, Mark. "Hans Urs Von Balthasar (1905-88)". W The Student's Companion to the Theologians, 353–66. Oxford: Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118427170.ch48.

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Aidan Nichols, O. P. "Hans Urs von Balthasar on Art as Redemptive Beauty". W Redeeming Beauty, 53–69. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315245119-5.

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Ciraulo, Jonathan Martin. "Hans Urs von Balthasar’s indifference to divinization". W Mystical Doctrines of Deification, 165–85. New York : Routledge, 2018. | Series: Contemporary theological explorations in mysticism: Routledge, 2018. http://dx.doi.org/10.4324/9781351189118-13.

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Murphy, Michael Patrick. "Hans Urs von Balthasar". W A Theology of Criticism, 27–52. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195333527.003.0002.

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"Hans Urs von Balthasar". W Understanding the 'Imago Dei', 93–138. Routledge, 2016. http://dx.doi.org/10.4324/9781315549095-10.

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"Hans Urs von Balthasar". W The Routledge Companion to Modern Christian Thought, 214–24. Routledge, 2013. http://dx.doi.org/10.4324/9780203387856-26.

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"Works by Hans Urs von Balthasar". W A Generous Symphony, 277–80. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt1c84g5w.13.

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"Phänomenologische Einholung: Hans Urs von Balthasar". W Endliche Freiheit unendlich zu sein, 185–227. Verlag Ferdinand Schöningh, 2012. http://dx.doi.org/10.30965/9783657770151_008.

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