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Gotowe bibliografie tematyczne / Barbers – Fiction

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Gotowa bibliografia na temat „Barbers – Fiction”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Barbers – Fiction"

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Mack, Robert L. "Confronting the ‘Real’ Sweeney Todd: a Personal Journey of Discovery." Victorian Popular Fictions Journal 4, no. 2 (2023): 136–45. http://dx.doi.org/10.46911/ukud3206.

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Robert L. Mack’s coda, a memoir in miniature, demonstrates why penny fiction should matter to global popular audiences today. Mack recovers an important moment in the history of the metafictional transmedia traditions that penny fiction generated: the 1979 appearance of Stephen Sondheim and Hugh Wheeler’s revolutionary Broadway operetta Sweeney Todd, the Demon Barber of Fleet Street, a Musical Thriller. With Sweeney Todd’s premiere, the murderous barber got his chance to go global and succeeded terrifically. Drawing upon journalism, archival evidence, and personal experience, Mack reconstructs

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Kyobutungi Tumwesigye, Alice Jossy. "Young Adult Vulnerabilities in the Fiction of a Ugandan Woman Writer." Global Research in Higher Education 5, no. 1 (2022): p22. http://dx.doi.org/10.22158/grhe.v5n1p22.

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Questions of identity, power, autonomy and vulnerability carry a particular weight in cultures that have emerged from colonialism. Although few writers of fiction focus on the conflicts between African and European characters, a focus on power and marginalisation remains. One category in which this focus may be plainly seen is writing for and about young people. The study’s aim was to analyse young adult fiction written by a Ugandan female author, Barbara Kimenye to investigate this writing to find out how young adult vulnerability is depicted in literature. Although literature targeting young

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Ryan, Maureen. "Barbara Kingsolver's Lowfat Fiction:." Journal of American Culture 18, no. 4 (1995): 77–82. http://dx.doi.org/10.1111/j.1542-734x.1995.1804_77.x.

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Mr., Vitthal Gangaram Shinde. "Reflection of Social Norms in Ruth Rendell's Mystery Fiction." International Journal of Advance and Applied Research S6, no. 36 (2025): 67–73. https://doi.org/10.5281/zenodo.15544197.

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<em>The present paper is an attempt to focus on the social norms which are reflected in the mystery   with specific reference in fictional work of the acclaimed British Woman Novelist. Ruth Rendell is known as the second queen of mystery fiction. Rendell uses her mystery literature to illustrate a number of issues. She employs enigma, suspense, crime, and murder in her novels. Even though she was a female novelist, she was just as adept at expressing today's societal themes as male novelists. She often made the Sunday Times bestseller list. Her best-selling books include standalone p

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Chaparro Sainz, Ángel. "Mormon Marriage Is Also Terrestrial: An Study on Gender in Phyllis Barber's Raw Edges: A Memoir." Miscelánea: A Journal of English and American Studies 48 (January 7, 2014): 13–28. http://dx.doi.org/10.26754/ojs_misc/mj.20138826.

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Phyllis Barber was raised as a member of the Mormon Church. In her fiction and in her autobiographies this is an important element opening suitable realms to analyze her literature. Here I aim at analyzing her contribution to Mormon feminist tradition. In her latest autobiography, Raw Edges: A Memoir, Barber approaches marriage as an institution, helping to illustrate the relevance that certain gender roles still have within Mormon culture. Through the confession of her own failure, Barber echoes former references to penetrate into topics dealing with gender issues within Mormon culture.

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Altaf, Sana, and Aqib Javid Parry. "Nalo Hopkinson’s Midnight Robber: Blending technology and fantasy in a dystopian narrative." Technoetic Arts 22, no. 1 (2024): 133–44. http://dx.doi.org/10.1386/tear_00126_1.

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In the contemporary postmodern era, the boundaries that once rigidly separated well-established genres have become more fluid, resulting in what scholars Raffaella Baccolini and Tom Moylan call ‘genre-blurring’. This phenomenon of incorporating elements from diverse genres represents a challenge to dominant ideologies and expands the possibilities within fictional texts. The dystopian fiction written by feminist writers towards the end of the twentieth century and beyond significantly exemplifies this form of hybrid textuality. In doing so, these writers seek to renovate the dystopian genre by

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Kaufman, Anthony. "The Short Fiction of Barbara Pym." Twentieth Century Literature 32, no. 1 (1986): 50. http://dx.doi.org/10.2307/441306.

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Sturgess, Charlotte. "Visible difference : Gender as genre in Susan Swans The Wives of Bath." Recherches anglaises et nord-américaines 36, no. 1 (2003): 91–98. http://dx.doi.org/10.3406/ranam.2003.1671.

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Through its play on the limits of fictional genre which underlines the constructedness of genre categories, The Wives of Bath envisages gender itself as an arbitrary construct. Through a series of inversions, crossings and diverse literary encodings the textual strategies at work in the narrative not only problematize the notion of literary genres, they also point to gender itself as a “fiction”. But The Wives of Bath goes further ; through its playing on the boundaries of representation, and its playing with categories of gender, it ironizes any possible unitary narrative of Canada’s national

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Ramírez, J. Jesse. "Keeping It Unreal: Rap, Racecraft, and MF Doom." Humanities 10, no. 1 (2020): 5. http://dx.doi.org/10.3390/h10010005.

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Focusing on the masked rapper MF Doom, this article uses Karen E. Fields and Barbara J. Fields’s concept of “racecraft” to theorize how the insidious fiction called “race” shapes and reshapes popular “Black” music. Rap is a mode of racecraft that speculatively binds or “crafts” historical musical forms to “natural,” bio-geographical and -cultural traits. The result is a music that counts as authentic and “real” to the degree that it sounds “Black,” on the one hand, and a “Blackness” that naturally expresses itself in rap, on the other. The case of MF Doom illustrates how racialized peoples can

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خليفة علي, صباح عطا الله, and زيد ابراهيم اسماعيل. "Barbara Kingsolver: Evaluating Her Contribution to the Eco-Feminist Novel." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 1, no. 7 (2019): 65–82. http://dx.doi.org/10.36473/ujhss.v1i7.982.

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Climate change, together with terrorism, economic depressions, and mass-destructive weaponry, is a source of international phobia for many people. The advancement in technology increases the competition among world powers and economic systems to develop their industrial enterprises. The smoke that emits from the factories, the pollution caused by the industrial projects, the excessive use of green gas result in the increase of global warming and have catastrophic effects on the ecosphere of the planet. Besides, man’s wrong practices even in agricultural matters are exhausting the natural resou

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Rozprawy doktorskie na temat "Barbers – Fiction"

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Barber, Jennifer P. "Indian chick-lit : form and consumerism /." Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/barberj/jenniferbarber.pdf.

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Ella, Jan-Erik [Verfasser], Brigitte [Akademischer Betreuer] Glaser, Brigitte [Gutachter] Glaser, and Barbara [Gutachter] Schaff. "Through Fiction's Mirror : Abjects in Neo-Victorian Fiction / Jan-Erik Ella ; Gutachter: Brigitte Glaser, Barbara Schaff ; Betreuer: Brigitte Glaser." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1166399788/34.

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Collu, Gabrielle. "The language of food in the fiction of Barbara Pym /." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60628.

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Descriptions of food are very prominent in Barbara Pym's twelve novels. They are used on one hand for purely comic purposes. But more significantly, they evolve into a language with a structure and set of rules. To expose the language of food inherent in Pym's fiction, I have employed a combination of social history, structural anthropology and semiology. Roland Barthes' application of structural linguistics to food, and his concern with its' symbolic nature hold particular bearing to this study. The language of food functions on three interrelated levels in Pym: a social level where groups ar

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Altmaier, Catherine. "The Gospel of Cosmopolitanism: Conflict Resolution in Barbara Kingsolver's Fiction." TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/439.

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Despite Barbara Kingsolver's ability to create unique characters and storylines, two factors remain constant throughout each of her novels: strong female protagonists and conflict resolution. Though conflict exists in almost all fiction, the way that Kingsolver's characters deal with their situations often speaks louder than any other aspect of her writing. Moreover, though her characters often vary wildly from story to story, their methods of conflict resolution seem to undoubtedly connect them. Through her continuing desire to emphasize "the question of individualism and communal identity,"

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Ernzen, Billey Annik. "L 'Image de la Révolution française dans les oeuvres de fiction de Barbey d'Aurevilly." Caen, 1992. http://www.theses.fr/1992CAEN1094.

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Fils de ceux qui ont vu la revolution francaise, barbey d'aurevilly dans sa vie d'homme jeune essaie de s'adaper a son epoque pour se preparer a j0uer un role. Il eprouve un relatif enthousiasme en fevrier 1848, mais de le mois suivant acheve sa breve experience politique, investit dans l'ecriture son besoin d'agir et reve l'histoire dans ses oeuvres de fiction. Il est possible d'y saisir une image de la revolution francaise (vue du cote chouan) que barbey construit grace a son heritage familial et a la tradition orale experimentee dans son enfance. Par un procede de ricochet dans les structur

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Shields, Christopher Macdonell. "'A man needs meat' : food and gender in the fiction of Barbara Pym." Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/27378.

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This thesis examines Barbara Pym's treatment of a critically-documented theme, food, as it intersects with gender within her oeuvre. By mapping the subversive quality that her fiction achieves through the ironic exposition of cultural myths relating to food and its gender implications, it offers an alternative critical perspective on Pym, formulated in opposition to the traditionalist hegemony that seeks to 'protect' her from feminists. The study begins by exploring the historical and material conditions of Pym's rejection and 're-discovery', and the invention of her reputation by her literary

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Went, Cathy. "Seeking the sanctuary : the garden in the fictions of Barbara Hanrahan /." Title page, contents and introduction only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09arw477.pdf.

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Gorton, Ceri Martha. ""The things that attach people" : a critical literary analysis of the fiction of Barbara Kingsolver." Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/10758/.

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This is the first full-length scholarly work dedicated to the fiction of Kentucky-raised feminist activist and trained biologist Barbara Kingsolver. Interrogating the political efficacy of the work of an author who proclaims that art “should be political” and that “literature should inform as well as enlighten”, this thesis explores the ways in which Kingsolver positions herself variously as an environmentalist, liberal, communitarian, feminist and agrarian. It unpacks the author’s issues-based approach to writing fiction and its effect on her commercial popularity and through close readings o

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Phillips, Rebecca S. "The emerging female hero in the fiction of Alice Walker, Ntozake Shange, Ursula Le Guin, and Barbara Kingsolver." Morgantown : [West Virginia University Libraries], 1998. http://157.182.199.25/etd/templates/showETD.cfm?recnum=115.

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Thesis (Ph. D.)--West Virginia University, 1998.<br>Title from document title page. Document formatted into pages; contains v, 183 p. Vita. Includes abstract. Includes bibliographical references (p. 174-182).

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Schmitt, Maud. "Le récit apologétique laïc : Barbey d’Aurevilly, Bloy, Bernanos." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040149.

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Cette thèse se propose d’étudier comment, dans un contexte postrévolutionnaire de déchristianisation et de recul des pratiques religieuses, des écrivains catholiques, s’affranchissant de la tutelle de l’Église, s’octroient le magistère ecclésial et confient à la littérature – en tant qu’œuvre de fiction et d’imagination – la mission de renouveler le discours apologétique. Barbey d’Aurevilly, Bloy et Bernanos s’inscrivent ainsi dans le sillage de Chateaubriand, qui opéra le premier, avec le Génie du Christianisme, ce renversement fondateur. Les trois écrivains réinvestissent alors une forme rhé

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Książki na temat "Barbers – Fiction"

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Johnson, Arlen. Alaska barber tales: As only your Alaskan barber can tell them. Dixieland Pub., 1993.

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Glass, Rodge. Hope for newborns. Faber and Faber, 2008.

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Inui, Eriko. Barubaru-san. Fukuinkan Shoten, 2008.

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Pellerin, Fred. De peigne et de misère. Sarrazine Éditions, 2013.

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Lindsay, Douglas. The cutting edge of Barney Thomson. Long Midnight, 2003.

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Gutman, Dan. Funny Boy versus the bubble-brained barbers from the Big Bang. Hyperion Books for Children, 2000.

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Mitchell, Margaree King. Uncle Jed's barbershop. Scholastic Inc., 1993.

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Levitt, Paul M. Stalin's barber: A novel. Taylor Trade Pub., 2012.

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ill, McPherson John 1959, and McPherson Laura ill, eds. The barber of Bingo. Andrews and McMeel, 1996.

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ill, Fluharty T. Lively, ed. The barber who wanted to pray. Crossway, 2011.

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Części książek na temat "Barbers – Fiction"

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McFarland, Douglas. "Genre and Charisma in Shaw’s Major Barbara." In Screening Modern Irish Fiction and Drama. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40928-3_4.

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Martínez-Alfaro, María Jesús. "Beyond the Human/Nonhuman Binary: Fluid Borders in A.S. Byatt’s Onto-Tales." In The Posthuman Condition in 21st Century Literature and Culture. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-83701-2_8.

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Abstract Byatt’s writing recurrently crosses borders between disciplines. Recent critical studies, like those by Emilie Walezak and Barbara Franchi, have seen this epistemological reassemblage as concurring, in Byatt’s fiction of the 2000s, with an ontological remodelling that increasingly approaches the human in nonhuman terms. In this light, my essay traces the evolution of Byatt’s short fiction towards the “onto-story”/“onto-tale”—terms coined by Jane Bennett to describe her narrative in Vibrant Matter (2010) and that can be applied, I contend, to fictional narratives that similarly challen

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Stafford, Jane. "Romance in the Backblocks in New Zealand Popular Fiction, 1930–1950: Mary Scott’s Barbara Stories." In Popular Fiction and Spatiality. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-56902-8_5.

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Barlow, Damien. "“The Sex Thing Is Strange”: The Queerness of Barbara Hanrahan’s Fiction." In Claiming Space for Australian Women’s Writing. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50400-1_13.

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Boblet, Marie-Hélène. "Du merveilleux spirituel dans l’œuvre de Sylvie Germain." In Sylvie Germain devant le mystère, le fantastique, le merveilleux. Presses universitaires de Caen, 2015. https://doi.org/10.4000/12vga.

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Conteuse anachronique de fables qui déjouent les codes et les principes du réalisme, Sylvie Germain appartient à la famille d’un Barbey ou d’un Bernanos : son œuvre confirme la prophétie malrucienne d’un XXIe siècle « spirituel ». Ses romans accueillent la puissance du mystère et le tourment de la foi ; ils interrogent l’inexplicable lien entre le visible et l’invisible, l’immense et l’infime, le charnel et le spirituel, le sublimis et l’humilis. Les transports de l’imagination, ici, ne se réduisent pas à quelques fantaisies ludiques : ils illustrent la puissance spéculative de la fiction.

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Loughman, Jane. "10. A Genetic and Biographical Analysis of Barbara Pym’s Companion Character." In Genetic Narratology. Open Book Publishers, 2024. https://doi.org/10.11647/obp.0426.10.

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Jessie Morrow, the paid companion of the elderly Miss Doggett, is a prominent character in Barbara Pym’s fictional world. The first time Pym wrote about Jessie was in a 1939-40 draft of Crampton Hodnet, and the final iteration (and the only contemporaneously published version) of Jessie is in Jane and Prudence (1953). In between these two appearances of Jessie, Pym created similar companion characters. In the span of roughly ten years, Pym’s characterisation of the companion significantly changed via these variants across her manuscripts and typescripts. There is minimal scholarship that exami

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Halperin, John. "Barbara Pym and the War of the Sexes." In Jane Austen’s Lovers and Other Studies in Fiction and History from Austen to le Carré. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19332-5_14.

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Joannou, Maroula. "‘England’s Jane’: The Legacy of Jane Austen in the Fiction of Barbara Pym, Dodie Smith and Elizabeth Taylor." In Uses of Austen. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271747_3.

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Woodard, Ben. "Casting Speculation." In Speculative Medievalisms. punctum books, 2013. https://doi.org/10.21983/p3.0021.1.20.

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In Alan Moore’s The Killing Joke, after the Joker has been ap-prehended for doing all sorts of awful things to Barbara Gor-don, he tells Batman the following joke: See, there were these two guys in a lunatic asylum . . . and one night, one night they decide they don’t like liv-ing in an asylum any more. They decide they’re going to escape! So, like, they get up onto the roof, and there, just across this narrow gap, they see the rooftops of the town, stretching away in the moonlight . . . stretching away to freedom. Now, the first guy, he jumps right across with no problem. But his friend, his

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Miller, Toby. "39/Thirty-Nine Stepsto ‘The Borders of the Possible’ by Alfred Hitchcock, Amateur Observer." In Spyscreen. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198159520.003.0003.

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Abstract That is the way the newspapers talk about the world. These actual words were splashed across the StaronAugust 29,1938....Of course, that is assuming that Britain, and the rest of Europe, really were at that time ‘tensely watching’. But were they? The first of these quotations details a shift in discourse between fiction and fact of the kind mentioned in Chapter 1. This transformation happened because Le Queux claimed his novel was founded in fact, that thousands of Germans were ‘planted’ as barbers and waiters across the Edwardian Jerusalem.

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