Rozprawy doktorskie na temat „Bassoon Concerto”
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Widstrand, Alex Christopher. "Lev Konstantinovich Knipper's concerto for bassoon and string orchestra: introduction and critical performing edition." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6338.
Pełny tekst źródłaWilson, Jacqueline May. "The Concerto for Bassoon and Low Strings by Sofia Gubaidulina: a performance guide." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1109.
Pełny tekst źródłaOtt, Janelle (Bassoonist). "The Concerto for Bassoon by Andrzej Panufnik: Religion, Liberation, and Postmodernism." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849689/.
Pełny tekst źródłaWildey, Sarah Anne. "Historical performance practice in cadenzas for Mozart's concerto for bassoon, K. 191 (186e)." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3404.
Pełny tekst źródłaSpaniol, Douglas E. "The F major bassoon concerto (RTT Schacht 30) of Theodor Von Schacht (1748-1823) /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487949836204228.
Pełny tekst źródłaPatronik, Emily. "Concerto for Bassoon and Orchestra by Ellen Taaffe Zwilich:Background, Analysis, and Performance Application." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1373995878.
Pełny tekst źródłaPayne, Andrew J. "The Development of the Bassoon Idiom as Seen in Three Concerti by Antonio Vivaldi, Johann Christian Bach, and Wolfgang Amadeus Mozart." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1607082064118953.
Pełny tekst źródłaTurley, Sarah Leigh. "Richard Strauss's Duett-Concertino a study of the programmatic elements for the performer /." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2004. http://www.unt.edu/theses/open/20041/turley%5Fsarah%5Fleigh/index.htm.
Pełny tekst źródłaAccompanied by 5 recitals, recorded Feb. 26, 2001, Nov. 12, 2001, Aug. 8, 2002, July 21, 2003, and Oct. 27, 2003. Includes bibliographical references and discography (p. 40-46).
Dodd, Raymond H. "Four musical compositions (with accompanying notes) : Prezzo Concertante for symphony orchestra; Concerto for bassoon and chamber orchestra; Sea Gods for 8-part chorus; Improvisation for wind quintet." Thesis, University of Aberdeen, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262477.
Pełny tekst źródłaVarga, Karlsson Gabriella. "John Williams fagottkonsert The Five Sacred Trees 1. Eó Mugna 2. Tortan : analys av musikaliskt innehåll samt instudering." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2288.
Pełny tekst źródłaJohn Williams fagottkonsert, sats 1-2.
Medverkande: Gabriella Varga Karlsson, fagott
Georg Öquist, piano
Zuniga, Chanto Fernando. "Alternative Strategies for the Refinement of Bassoon Technique Through the Concert Etudes, Op. 26, by Ludwig Milde." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/145124.
Pełny tekst źródłaKoberstein, Gustavo Herman. "Francisco Mignone's Concertino para clarineta e fagote: A performance edition." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1665.
Pełny tekst źródłaDuda, Cynthia M. "The City, The Girls, The Composer…The Phenomenon: Influences on the Performance of Vivaldi’s Bassoon Concertos at The Ospedale della Pietà." University of Akron / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=akron1249490783.
Pełny tekst źródłaDuda, Cynthia M. "The city, the girls, the composer--the phenomenon influences on the performance of Vivaldi's bassoon concertos at the Ospedale della Pietà /." Akron, OH : University of Akron, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1249490783.
Pełny tekst źródła"August, 2009." Title from electronic thesis title page (viewed 11/11/2009) Advisor, Brooks A. Toliver; Faculty Reader, Galen S. Karriker; School Director, William K. Guegold; Dean of the College, James M. Lynn; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.
Estacio, John Anthony. "Composition recital." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42040.
Pełny tekst źródłaArts, Faculty of
Music, School of
Graduate
Gillick, Amy Suzanne. "Experimentation and nationalism in Francisco Mignone's works for basson a performance guide to the IInd wind quintet and Concertino /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581435601&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaSchmidt, Johann Christoph. "Motetto Auf Gott hoffe ich: Für Alto-Solo, Coro (Soprano, Alto, Tenore, Basso) und 2 Clarini in D, 2 Trombe in D, Tympani, 2 Flauti allemando, 2 Violini, 2 Viole Fagotto e Basson concertato, Violoncello, Organo, Tiorba: Partitur." Ries & Erler, 2020. https://slub.qucosa.de/id/qucosa%3A74090.
Pełny tekst źródłaMantilla, Morales Gabriela. "Modélisation des transferts de nitrates, confrontation des concepts, des données et des informations : application au bassin de la Charente." Phd thesis, Ecole Nationale des Ponts et Chaussées, 1995. http://pastel.archives-ouvertes.fr/pastel-00569426.
Pełny tekst źródłaBogard, Rick. "The Trumpet in Selected Solo and Chamber Works of Paul Hindemith : Elements of Trumpet Technique and Their Relationship to the Gebrauchsmusik Concept, a Lecture Recital, Together with Three Recitals of Selected Works of J.N. Hummel, A. Jolivet, C. Chaynes, and Others." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278128/.
Pełny tekst źródłaLauzent, Mathilde. "Etude de l’écodynamique des polluants organiques persistants et des micropolluants halogénés d’intérêt émergent dans les milieux aquatiques." Thesis, Bordeaux, 2017. http://www.theses.fr/2017BORD0733/document.
Pełny tekst źródłaPCBs (polychlorinated biphenyls), PBDEs (polybrominated biphenyl ethers) and OCPs (organochlorine pesticides) are anthropogenic compounds classified as POPs (Persistent Organic Pollutants), their use was restricted or prohibited. These compounds are ubiquitous, persistent and bioaccumulative and they are still present in the environment; this is the reason why it is important to continue the study of the fate and impact in the environment. Due to their usage restriction, other compounds are now used to replace them, such as alternative flame retardants (RFAs). These brominated and chlorinated compounds have physicochemical properties comparable to those of POPs and can thus be potentially hazardous to the environment. In addition, RFAs are expected to occur at lower concentrations than PCBs and PBDEs, whether in the biotic and abiotic compartments. Thus, one of the challenges of the present work was to develop a multiresidue method, based on gas chromatography coupled with a time-of-flight mass spectrometer, allowing for the simultaneous analysis of 17 RFAs at levels below ng.g-1. The levels and patterns of POP and RFA contamination were reported in the biotic and abiotic compartments of selected hydrosystems. The biomagnification potential of these compounds was also studied by determining trophic magnification factors (TMF) in the Gironde estuary and in the Rhône basin. In the Gironde estuary, it was shown that some RFA biomagnify as much or more than some historical POPs. Furthermore, in the Rhône basin, the use of TMF for predictive purpose, for BDE-47 or ΣPBDEs-WFD for example, was discussed and found possible
Gbur, Bruce Edward. "The bassoon concertos and contrabassoon concerto of Victor Bruns." 2001. http://purl.galileo.usg.edu/uga%5Fetd/gbur%5Fbruce%5Fe%5F200112%5Fdma.
Pełny tekst źródłaCooper, Timothy Patrick. "Concerto for Bassoon and Chamber Orchestra." 2011. http://trace.tennessee.edu/utk_gradthes/964.
Pełny tekst źródła王怡佳. "Carl Stamitz :Bassoon Concerto in F major." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/21022689265813464601.
Pełny tekst źródłaYing-Ju, Huang, and 黃英如. "The Analysis and Interpretation of Weber''s Bassoon Concerto." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/88703815970946491837.
Pełny tekst źródła輔仁大學
音樂研究所
91
When the bassoonist is asked which are the important classics written for his instrument, two composers spring first to mind: Mozart and Weber. As regards the available editions of the works in question: in the case of Mozart''s K191, the earliest of all his concertos to be regularly heard today, this has recently been issued in a scholarly Urtext edition of the orchestral score in the Neue Mozart Ausgabe.By contrast,neither of the two works for the instrument that we possess by Weber have yet received from an editorial point of view, the attention that they deserve.His Concerto in F major, Op. 75 is frequently performed and is known to every student of the instrument, however it is only generally known today from editions that differ in many points of detail from Weber''s original text.
Liu, Kung-Ling, and 劉冠伶. "The Interpretation of Eric Ewazen-Concerto for Bassoon and piano." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/55180179371954653480.
Pełny tekst źródła中國文化大學
音樂學系碩士班西洋音樂組
100
The author studies Eric Ewazen's Concerto for Bassoon in this research program.Eric Ewazen is an American composer who composes many contemporary works.We will discuss the backgrounds, musical forms, harmony and performance interpretation of two works that meet the composer’s original ideas and show the personal playing style contemporary.
CHIA-YU, HSU, and 徐佳瑜. "An analysis and interpretation of Danzi Bassoon Concerto in F Major." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/61605850566983553862.
Pełny tekst źródła國立臺灣藝術大學
音樂學系碩士班
99
Franz Danzi (c.1763-1826) was born in Germany in 1863, the prime time of the Mannheim School. While his father, Innocenzo Danzi (c 1730-98), was the cellist of the Mannheim Festival Orchestra, Franz Danzi showed a great influence of the Mannheim School in his works. The Bassoon Concerto Orchestra in F major is not only one of the most important works in the bassoon repertoire of the Classical Period but also the most popular of all five bassoon concertos written by Danzi. This paper investigates the life of Franz Danzi based on the information of The New Grove Dictionary of Music and Musicians and the bassoon concertos of Danzi in terms of historical background, instrument development and compositional style. Next, the form, structure and harmony of the concerto in F major are analyzed in order to explore the formation, progression, and the interrelations among movements and motifs of the work. Lastly, recommendations for interpreting the concerto are provided according to the analysis results. This paper attempts to broaden the horizon of readers in bassoon works of the Classical Period and provide a reference for those who are interested in researching bassoon works in the Classical Period and the life or works of Danzi.
Fang, TsaiPi, and 蔡碧芳. "The Interpretation of Mozart K.V.191 in bB Major Bassoon Concerto." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/60420025995054390790.
Pełny tekst źródłaHo, Shujung, and 何叔蓉. "The Analysis and Interpretation of Gordon Jacob《Concerto for Bassoon and Strings》." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/64293042268722592472.
Pełny tekst źródła國立臺北教育大學
音樂學系碩士班
99
Music in the 20th century can be described as a developmental history full of changes, as well as an era of extreme diversity. As composers of most countries were continuously trying to strive for breakthrough and be futuristic, they had thus generated special creative techniques and effects. The British composer Gordon Jacob in the 20th century, however, was not affected by this wave of trend, but remained his personal creative philosophy to create his own style of works. The purpose of this study is to explore the personal creative style of Gordon Jacob’s work “Concerto for Bassoon and Strings” and an attempt to analyze his music in order to interpret the music ideally. This thesis is divided into four chapters. Chapter 1 is an introduction, explaining the research motivation and scope of this thesis, and listing the reference books, audio information and other reference bases. Chapter 2 is an introduction to the life and creative style of composer Gordon Jacob, and further to understand his creative style and impact through relevant background information. Chapter 3 is an attempt to analyze and interpret the music “Concerto for Bassoon and Strings” , analyze the musical structure, motivation and creative approach, and use the analytical results to serve as the interpretation basis to give the best interpretation in instrumental performances. Chapter 4 is a conclusion. Through the research and exploration of this thesis, I hope I am able to provide learners of bassoon a deeper understanding and the direction of thinking of Gordon Jacob’s work “Concerto for Bassoon and Strings” , thereby be able to offer a better interpretation in musical performances.
Li, Sin-Yi, and 李欣怡. "An Analysis and Interpretation of Franz Danzi's Bassoon Concerto in F Major." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/96zws6.
Pełny tekst źródła國立臺灣師範大學
音樂學系
105
This concerto in F major is a remarkably popular music piece among bassoon performers. However, because domestic research on this masterpiece or on Franz Danzi has remained scant, performers who wish to learn more about the composer as well as the “undertone” of the music piece are faced with obstacles. The present study is divided into five sections as follows: Section 1 describes the research motivation and methods; Section 2 uses the Mannheim school (a school to which Danzi belonged) as proof to introduce the composer’s personal history, his music creation techniques, and the development of bassoons; Section 3 analyzes the concerto to identify the elements that make up the music as well as its tone and harmony; and Section 4 presents a music interpretation, in which the music note is studied and the piece is performed (by the author of this study) to generalize the ways to interpret this piece so that it matches the era during which it was made. In addition, special practice methods for this piece are proposed. The results of this study can serve as valuable references for individuals who wish to learn more about Danzi’s music pieces.
"An Analysis of the Concerto for bassoon and orchestra by Nino Rota." Doctoral diss., 2012. http://hdl.handle.net/2286/R.I.15869.
Pełny tekst źródłaDissertation/Thesis
D.M.A. Music 2012
LIAO, YU-HSUAN, and 廖于萱. "The Analysis and Interpretation ofMozart’s Bassoon Concerto in B-flat, K. 191." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/11249645106065093962.
Pełny tekst źródła國立臺北教育大學
音樂學系碩士班
105
Wolfgang Amadeus Mozart(1756-1791) was born in Salzburg. Mozart was an important classical composer of the eighteenth century. Bassoon Concerto in B-flat, K. 191 was the early works of Mozart and he completed in 1774. The thesis is divided into five chapters. Chapter 1 is “introduction”, including the motivation and methods. Chapter 2 is “composer’s life”, researching the biographical information and composition background. Chapter 3 is “The Analysis of the concerto”, investigating the musical form of each movement, and structural analysis. Chapter 4 is “performance interpretation”, elaborating the performance of personal interpretation. Chapter 5“conclusion”, making a summary from the first four chapters.
Hsu, An-Chih, and 許安志. "Study of The Bassoon Concerto No. 2, Op. 15 by Victor Bruns." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/91733817773327096188.
Pełny tekst źródła國立臺灣師範大學
音樂學系
104
The life of Victor Bruns (1904-1996) can be broadly divided into 2 parts, early days in Russia and later settlement in Germany. In this thesis, not only we touch base on his work, we also discuss how neo-classicalism influenced his compositions style. As a bassoon and contra-bassoon performer and composer, he wrote ninety-nine pieces mostly on bassoon Sonatas, concertos, and chamber music as well as six ballets and some symphonies. The "Bassoon Concerto No. 2, Op. 15" was not only one of the important woodwind pieces in Bruns’ work, it was also the first few pieces starting get neo-classicalism. Before writing this thesis, research on Bruns’ chronology and how the wars and nation reformation had the effects on his works was essential. Once the background and the motive of Bruns’ works were well comprehended, it was easy to do an analysis on the structures of his music pieces. This thesis includes three parts of discussions; it starts with the introduction of Bruns’ life, following by an analysis of Bruns’ music pieces with a complete Bruns’ composing interpretation and personal opinions in the end.
Sue, Huang Ching, and 黃靖淑. "The Performance Research for C.M.von Weber concerto in F major Op.75 for Bassoon and Piano/ Huang Ching Sue Bassoon Recital." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/22559568492890605498.
Pełny tekst źródła東吳大學
音樂學系
92
The thesis researches this work from the following three parts:the background of creation,he analysis of music and the performance study. The backgrond of creation includes the history of Bassoon.By the motive,theme structure and harmony three dimensions,the music anaylsis its structure.The performance study is based on the analysis of music,and analyzed by collected CD data. In conclusion,the anter''s performance is based on those mention above. Programme 1. G.P.Telemann:Sonata in F minor 2. W.A.mozart:Concerto in bB major for Bassoon and orchestra K191 3. J.B.Vanhal:Concerto in C major for Bassoon and Orchestra 4. P.Hindemith: Sonata for Bassoon and piano 5. C.M.von Weber: Andante E Rondo Ongarese Op.35
Chen, Pengchen, and 陳芃蓁. "The Analysis and Interpretation of Gordon Jacob’s work “Concerto for Bassoon and Strings”." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/75562144240216923736.
Pełny tekst źródłaChen, Cheng-An, and 陳承恩. "An Analysis and Interpretation of Hummel´s Grand Concerto for Bassoon and Orchestra." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/bsyyve.
Pełny tekst źródłaWang, Shih-Chun, and 王詩淳. "An Analysis and Interpretation of Johann Nepomuk Hummel Bassoon Grand Concerto in F Major." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8b9rh9.
Pełny tekst źródła國立臺南藝術大學
音樂學系碩士班
106
The subject of this paper is An Analysis and Interpretation of Johann Nepomuk Hummel “Bassoon Grand Concerto in F Major”. Hummel's musical works inherit the rigorous music structure of the classical period and combine variety of harmonic, melodic and ornamentation. This unique feature is well-presented in the Hummel “Bassoon Grand Concerto in F Major”. This paper categorized into five chapters. The first chapter is the introduction which describes the motive and method of the research. The second chapter is the general background information of the composition, describing the characteristics of the biography of composer and Classical music period, in particular, explaining the basic structure of Sonata-form. The third chapter is the analysis of the entire work and focuses on the structure of this composition. The forth chapter is the interpretation of music. The last chapter is the summary of the paper. Key words: J.N. Hummel, Bassoon, Classical music, Sonata form
Chen, Yunting, and 陳筠婷. "An Analysis and Interpretation of W. A. Mozart’s Bassoon Concerto in B-flat Major KV191." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/36401269479019787076.
Pełny tekst źródła輔仁大學
音樂研究所
101
There are two stages for discussing Mozart’s life in this essay. The first one is the period from his birth in Salzburg to moving to Vienna. The second stage will focus on the life after he moved to Vienna. Moreover, we are going to introduce the music style during the Classical era, which is the time when Mozart was born as well. Mozart composed lots of masterpieces. The types of his composition are various, including over fifty concertos. (His works of piano concerto are the most typical and famous.) Mozart was influenced by J. C. Bach. Here, we will analyze the style and the change of music form via one of Mozart’s concertos – W. A. Mozart Bassoon Concerto in B-flat Major KV191, which is one of his representative works. Furthermore, we will introduce the background of creating this composition and interpret this work.
Hsu, Ya-Chu, and 許雅筑. "An Analysis and Interpretation of Andre Jolivet’s Concerto for Bassoon, Strings, Harp and Piano, 1954." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/4t6zs5.
Pełny tekst źródłaHsing-Ping, Wang, and 王興蘋. "An Analysis and Interpretation of Johann Nepomuk Hummel Grand Concerto for Bassoon and Orchestra in F Major." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/46347922357721032205.
Pełny tekst źródła輔仁大學
音樂研究所
97
As the bassoon was not a favorite instrument for composers of the 17th century, the surviving bassoon repertoire is scant. Apart from the works by prolific composers, such as A. Vivaldi (1678-1741), G. P. Telemann (1681-1767), and F. Danzi (1763-1826), common bassoon repertoires include the Concerto in B-flat Major, K191 by Wolfgang Amadeus Mozart (1765-1791) in the Classical period; and the Concerto in F Major, Op75 and Andante e Rondo Ungarese, Op. 35 by Carl Maria von Weber (1786-1826) in the Romantic period. Johann Nepomuk Hummel (1778-1837), a composer, pianist, and educator of the Classical period, wrote the first bassoon concerto in history, his Concerto in F Major. As it is comparable to the above masterpieces, this study will investigate this work in terms of structure, the history of the composer, the background to the composition, the musical style of the period, and the form, rhythm, harmony, and mode employed by the composer. This in-depth study of the work may assist in interpreting the work with more expression and allow bassoonists and fans of bassoon music to better understand and enjoy this work.
HUANG, HONG-HAO, and 黃宏豪. "An Analysis and Interpretation of Johann Nepomuk Hummel Grand Concerto for Bassoon and Piano in F Major." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/rrxyy9.
Pełny tekst źródła中國文化大學
音樂學系
105
First of all, thought of social background at Hummel and in the history background - Introduction of the form of concerto that in popular at the time introducing the influence of music in classical music after the enlightenment activity, Hummel at that time introducing the Artistic contribution position. On conclusion, music analysis and commentary research Hummel 's Bassoon Concerto in F major.
Liang, Shih Mi, and 梁詩覓. "An Interpretative Study of the First Movement of Bassoon Concerto in B-flat Major, RV. 504 by Antonio Vivaldi." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/w2yca7.
Pełny tekst źródła國立臺南藝術大學
音樂學系碩士班
105
The interpretative study of this thesis is based on the first movement of Bassoon Concerto in B- flat Major, RV. 504 by Antonio Vivaldi. It categorized into four chapters. The first chapter is an introduction which to explain the motivation, purpose, scope and method of this study. The second chapter introduces the growth and musical career of Vivaldi; further investigating the categories and characteristics of concerti, and explaining the structure of Solo concerto. The third chapter discusses Tutti and Solo parts in Ritornello form. There are four main themes throughout the first movement. Tutti part largely based on the four themes. Solo part developed the main themes or combined into new ones. Same material presents different atmosphere in different key and combinations. The fourth chapter is the conclusion in which providing an overview of this writing.
Overgaard, David. "Bassoon recital." Thesis, 1993. http://hdl.handle.net/2429/1941.
Pełny tekst źródłaLapierda, Sanmartin Jose Lorenzo. "Bassoon recitals." Thesis, 1994. http://hdl.handle.net/2429/5214.
Pełny tekst źródłaFerrari, Vanessa Kulisek Hakes Roy Wilson Russell Ferrari Christian Rose Christopher. "Selected bassoon concertos written by American composers since 1965." 2007. http://hdl.handle.net/1903/9723.
Pełny tekst źródłaZepp, Jonathan. "Master's thesis recital (bassoon)." 2011. http://hdl.handle.net/2152/16612.
Pełny tekst źródłatext
Tran, Toan. "Master's thesis recital (bassoon)." Thesis, 2014. http://hdl.handle.net/2152/24463.
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Miller, Laura A. "Master's thesis recital (bassoon)." 2011. http://hdl.handle.net/2152/16423.
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Heintzen, Ashely Keesecker Jeff Hertel Johann Wilhelm. "Tracing the development of early classical style The bassoon concerti of Johann Wilhelm Hertel /." Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-04072006-164934/.
Pełny tekst źródłaAdvisor: Jeff Keesecker, Florida State University, College of Music. Title and description from dissertation home page (viewed 6-26-07). Document formatted into pages; contains 67 pages. Includes biographical sketch. Includes bibliographical references.
Chiu, Wen-Yu, and 邱文瑜. "An Analysis and Interpretation of Bitsch’s Concertino for Bassoon and Piano." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/ghzh3w.
Pełny tekst źródłaHuang, Sheng-Yuan, and 黃聖元. "An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/gxfusb.
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