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Artykuły w czasopismach na temat „Baudrillard”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

King, Matthew James. "Object-Oriented Baudrillard? Withdrawal and Symbolic Exchange." Open Philosophy 2, no. 1 (2019): 75–85. http://dx.doi.org/10.1515/opphil-2019-0008.

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AbstractBy comparing Object-Oriented Ontology (OOO) and Baudrillard through the lens of a study of the notion of withdrawal in Heidegger’s tool analysis and “The Question Concerning Technology”, this article explores the extent to which an Object-Oriented Baudrillard is possible, or even necessary. Considering an OOO understanding of Mauss’s gift-exchange, a possible critique of duomining in Baudrillard and a revision of Baudrillard’s understanding of art, the prospects of a new reading of Baudrillard and interpretation of OOO’s genealogy are established. These lines of comparison qualify the

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Ismatuloh, Muhammad Aghni. "Jean Baudrillard's Hyperreal." Lakon : Jurnal Kajian Sastra dan Budaya 12, no. 2 (2023): 129–42. http://dx.doi.org/10.20473/lakon.v12i2.47118.

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Abstract: Jean Baudrillard is one among many prominent thinkers of postmodernism. One among many his notable idea is the Hyperreal In his book Simulacra and Simulation, Baudrillard’s proposes the idea of something that transcend beyond the state of fake and reality, the Hyperreal. This concept can be found as a theme in lyrics of a song titled Idol by Yoasobi. This paper try to dissect the lyrics and finding the implication of Baudrillard’s concept of Hyperreal within the implicit and explicit meanings of the lyrics. Idol is a certain profession that has gain significant rise in the 21th centu

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MONIN, Maxim, Elena LEDENEVA та Elena SHADRINA. "Сoncept of Alienation in the Works of K. Marx and J. Baudrillard". WISDOM 26, № 2 (2023): 256–63. http://dx.doi.org/10.24234/wisdom.v26i2.997.

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This article explores the idea of alienation in J. Baudrillard’s philosophy, which is both a continuation and a critique of K. Marx’s understanding of alienation. A comparison of both philosophies is drawn based on the specific example of the concept of alienation, which played an exceptionally important role in both Marx’s and Baudrillard’s concepts. Baudrillard, like Marx, uses the concept of alienation mainly as a tool to criticize modern society and the human condition in it. Moreover, like Marx, Baudrillard views alienation in close connection with the notion of private property. Yet alon

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McKenna, Maxime. "From Superhighway to Hyperreality: The Infrastructure of "Astral America"." Review of International American Studies 17, no. 1 (2024): 139–50. http://dx.doi.org/10.31261/rias.16101.

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During a series of road-trips undertaken in the 1970s and 1980s, the French theorist Jean Baudrillard encountered an American West that had become a laboratory of hyperreality. In his observations about “Astral America,” Baudrillard claims the perspective of an outside observer, but he exhibits a fascination for the space of the road that is characteristically American, if not at-times stereotypically so, begging the question: what is the link between postmodern theory and automobile infrastructure? This article uses Cotten Seiler’s concept of the “apparatus of automobility” (2008) to interrog

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Bakti, Indra Setia, Nirzalin Nirzalin, and Alwi Alwi. "Konsumerisme dalam Perspektif Jean Baudrillard." Jurnal Sosiologi USK (Media Pemikiran & Aplikasi) 13, no. 2 (2019): 147–66. http://dx.doi.org/10.24815/jsu.v13i2.15925.

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Consumerism has revealed its form. The existence of the ideology has caused ridicule and even opposition from some groups of society, while some other groups support and make it a way of life. But times seem to influence more and more people to choose the consumerist path. Indications that support this argument can be seen from the phenomenon of society making material ownership a measure of success. This article explores consumerism in Jean Baudrillard's perspective using the literature study method. Several references such as books and journals and both written directly by Baudrillard and th

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Samsun, Meysem. "The end of art as a capitalist discourseKapitalist bir söylem olarak sanatın sonu." International Journal of Human Sciences 12, no. 2 (2015): 1239. http://dx.doi.org/10.14687/ijhs.v12i2.3427.

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<p>In the present paper, the claim, art or painting is going through its end, is evaluated as a capitalist discourse; and some related samples were analyzed in terms of how they were passivized and become dysfunctional by the capitalist system. French thinker Jean Baudrillard is the most effective and distinguished sample of the claim, the end of art. In this point, after evaluating Danto’s ideas from the modern perspective, the claim of “end of art” will be discussed through Baudrillard’s post-modern perspective. When Baudrillard directed his gaze onto the world of art, the situation he

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Maršálek, Jan. "Claude Lévi-Strauss v sociologii: Baudrillardova teorie společnosti konzumu." Teorie vědy / Theory of Science 31, no. 2 (2009): 141–59. http://dx.doi.org/10.46938/tv.2009.18.

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Contrary to what is often thought, the structuralist approach has never been adopted in French sociology very extensively. When speaking about structuralism in this discipline, the work of Pierre Bourdieu is generally referred to. The present paper is intentionally heading in another direction and is questioning Lévi-Straussian traces in Baudrillard’s theory of the consumer society. First, Baudrillard acknowledges being in debt to Lévi-Strauss for his conception of consumption as a language. In this perspective exchanged goods are understood as object-signs. We believe nevertheless that Baudri

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Holt, Matthew. "Baudrillard and the Bauhaus: The Political Economy of Design." Design Issues 32, no. 3 (2016): 55–66. http://dx.doi.org/10.1162/desi_a_00399.

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Though better known in the Anglophone world as the guru of postmodern “hyperreality”, the French philosopher and radical sociologist Jean Baudrillard devoted a great deal of attention to theorizing design. This paper singles out the moment—inspired by a conference he attended in 1972 in New York at MoMA—where he advances the argument that contemporary design, understood as articulating and incorporating the entirety of the artificial environment, is a direct manifestation of the most significant development in political economy since the industrial revolution—what Baudrillard calls the “politi

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Drigo, Maria Ogécia. "A publicidade na perspectiva de Baudrillard." Comunicação Mídia e Consumo 5, no. 14 (2009): 171–85. http://dx.doi.org/10.18568/cmc.v5i14.142.

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Resumo O propósito deste artigo é apresentar as idéias de Baudrillard sobre publicidade, tratadas na obra O sistema dos objetos. Assim, discutem-se os conceitos de arranjo e de ambiência que culminam no conceito de funcionalidade, os quais permitem apresentar as relações que se estabelecem entre os seres humanos, e entre eles e os objetos. Em seguida, aborda-se o papel da publicidade em meio a esses objetos/signos. Palavras-chave: Jean Baudrillard; comunicação; publicidade; funcionalidade; objetos/signos.  Resumen El propósito de este artículo es presentar l

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Butterfield, Bradley. "Ethical Value and Negative Aesthetics: Reconsidering the Baudrillard-Ballard Connection." PMLA/Publications of the Modern Language Association of America 114, no. 1 (1999): 64–77. http://dx.doi.org/10.2307/463427.

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Like today's masses, the characters in J. G. Ballard's Crash are fascinated by what Jean Baudrillard calls the accident, especially when it involves the death of a celebrity. Ballard's characters, however, reenact their accidents as sexual rituals of a marriage between technology and death that are beyond the realm of moral judgment, making Crash sci-fi, hypothetical, unrealistic. Calling Crash “the first great novel of the universe of simulation,” Jean Baudrillard has drawn heavy criticism for missing the alleged moral point, both in Crash and in the still-real world. As a fiction writer, Bal

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Raffel, Stanley. "‘Baudrillard on Simulations: An Exegesis and a Critique’." Sociological Research Online 9, no. 2 (2004): 57–65. http://dx.doi.org/10.5153/sro.908.

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This paper is an attempt to explain, apply, and ultimately to point to certain limitations of, Baudrillard's idea that ours is the age of simulations. As the concept has not always been clearly discussed in the literature, early sections of the paper are devoted to describing the notion and providing some specific examples. How Baudrillard can claim that the age of simulations represents a new, qualitatively distinct, stage of society is also examined. Having articulated the basic idea, the paper goes on to try to show its power by utilizing it to analyze a typical contemporary phenomenon, Sta

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Liang, Jiajun. "The Glaciation Trilogy Directed by Michael Haneke from the Perspective of the Theories of Jean Baudrillard." Communications in Humanities Research 3, no. 1 (2023): 817–22. http://dx.doi.org/10.54254/2753-7064/3/20221019.

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As one of the most celebrated film auteurs of contemporary European cinemas, Austrian film director Michael Haneke has achieved remarkable success at the Cannes International Film Festival. His films always represent the living status of the individuals in the postmodern capitalist society, showing criticism through the reflection on the media. The theory of the postmodern theorist Jean Baudrillard is highly relevant to the works of Haneke. The key notions of Baudrillard, such as simulacra and hyperreality, describe the media-dominated postmodern social landscape, as well as reveal the tension

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Tokarz, Mateusz. "Baudrillard, „Paryż, Teksas”. Wyobraźnia filmowa w socjologii i filozofii Jeana Baudrillarda." Kwartalnik Filmowy, no. 93-94 (June 30, 2016): 201–13. http://dx.doi.org/10.36744/kf.2242.

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W swym artykule Tokarz podejmuje refleksję nad filmową wyobraźnią w filozofii i socjologii Jeana Baudrillarda. Dokonuje zderzenia hipotez badawczych oraz teorii społecznych Baudrillarda, który zgłosił akces do ruchu postmodernistycznego, z wieloma odmianami kina współczesnego. Metoda pisarstwa Baudrillarda została zestawiona z metodą twórczą reżysera francuskiej Nowej Fali Jean-Luca Godarda. Tokarz przeprowadza analizę nawiązań Baudrillarda do awangardy wysokiego modernizmu oraz jego spojrzenia przez pryzmat filmów na USA w reportażu filozoficznym Ameryka. Ponadto autor rozpatruje kwestie film

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Da Silva, Juremir Machado. "Em torno de uma noção baudrillardiana." Revista FAMECOS 19, no. 1 (2012): 16. http://dx.doi.org/10.15448/1980-3729.2012.1.11338.

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Este texto examina uma noção concebida pelo pensador francês Jean Baudrillard: a mídia que, não se respeitando mais, toma-se pelo acontecimento. Trata-se, portanto, mais uma vez, do papel dos meios de comunicação numa sociedade extremamente midiatizada. Uma pergunta se impõe: mesmo o jornalismo tornou definitivamente entretenimento? Entre a teoria e a prática, os rastros da mutação parecem eliminar qualquer dúvida. De certo modo, passados cinco anos da morte de Baudrillard, este artigo faz um balanço do seu legado através de um fragmento da sua imensa, rica e polêmica obra de analista irônico.

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Guillaume, Marc. "Jean Baudrillard." Médium 12, no. 3 (2007): 168. http://dx.doi.org/10.3917/mediu.012.0168.

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Hanks, Craig. "Jean Baudrillard." Radical Philosophy Review of Books 6 (1992): 26–31. http://dx.doi.org/10.5840/radphilrevbooks1992625.

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Madsen, Ulla Ambrosius. "Jean Baudrillard." Tidsskrift for Professionsstudier 18, no. 35 (2022): 96–99. http://dx.doi.org/10.7146/tfp.v18i35.134059.

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Lotringer, Sylvere, and Jean Baudrillard. "Forgetting Baudrillard." Social Text, no. 15 (1986): 140. http://dx.doi.org/10.2307/466498.

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BUTLER, REX. "RECENT BAUDRILLARD." Journal of the Australasian Universities Language and Literature Association 93, no. 1 (2000): 83–95. http://dx.doi.org/10.1179/aulla.2000.007.

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Sandywell, Barry. "Forget Baudrillard?" Theory, Culture & Society 12, no. 4 (1995): 125–52. http://dx.doi.org/10.1177/026327695012004009.

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Manos, James A. "Jean Baudrillard." Teaching Philosophy 29, no. 1 (2006): 78–79. http://dx.doi.org/10.5840/teachphil200629116.

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Teh, David. "Jean Baudrillard." French Studies 60, no. 4 (2006): 546–47. http://dx.doi.org/10.1093/fs/knl157.

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Rufo, Kenneth. "Later, Baudrillard." Communication and Critical/Cultural Studies 5, no. 1 (2008): 98–101. http://dx.doi.org/10.1080/14791420701840674.

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Ruzas, Mantautas, and Marius P. Šaulauskas. "POZITYVIOJI IR NEGATYVIOJI TIKROVĖS TEMATIZACIJA. ŠLIOGERIS IR BAUDRILLARD’AS." Problemos 78 (January 1, 2010): 74–82. http://dx.doi.org/10.15388/problemos.2010.0.1350.

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Straipsnis skirtas Arvydo Šliogerio filosofijos ontologinių nuostatų tyrimui, jame analizuojamos ir lyginamos Šliogerio ir Baudrillard’o tikrovės ontologinio statuso traktuotės. Šliogerio filosofijoje tikrovės ontologinis statusas tematizuojamas parodant ir tai, kas yra, ir tai, kas nėra tikrovė. Baudrillard’as tikrovės ontologinį statusą įvardija negatyviai tematizuodamas tik tai, kas nėra tikrovė. Šliogerio filosofija yra grindžiama paradoksalia ontologine prielaida, jog metadiskursyvinė tikrovė funkcionuoja kaip galutinis neredukuojamas referentas, kuris savo ruožtu traktuojamas kaip juslin

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Habib, Munther Mohd. "Culture and Consumerism in Jean Baudrillard: A Postmodern Perspective." Asian Social Science 14, no. 9 (2018): 43. http://dx.doi.org/10.5539/ass.v14n9p43.

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Postmodernism is a very deceptive term. It is very hard to define the term as it encompasses various meanings for various critics. The critics like Michel Foucault, Jean Baudrillard, Jean Lyotard and Jameson attempt to define postmodernism in terms of culture and consumerism. Baudrillard’s Simulacra and Simulacrum is a vital work to define modernism in terms of culture and consumerism. The present paper attempts to study culture and consumerism in Jean Baudrillard’s work. The paper concludes that the postmodern society carried out death in all aspects of life.

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Wikandaru, Reno. "METAFISIKA INFORMASI DALAM PERSPEKTIF PEMIKIRAN JEAN BAUDRILLARD: KONTEKSTUALISASINYA DENGAN PERTAUTAN MEDIA DAN POLITIK DI INDONESIA." Jurnal Filsafat 27, no. 2 (2018): 264. http://dx.doi.org/10.22146/jf.32804.

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The 21st century is the age of information. Information spreads through newspapers, magazines, television; and also scattered very massively over the internet. This paper was written for two reasons. First, people sometimes perceive information identical with truth. Second, the metaphysics of information is important to be discussed when it is associated with the phenomenon of media and politics in Indonesia. This paper analyses the metaphysics of information by 'disclosing' information structures that refer to Jean Baudrillard's thought. For Baudrillard, behind the phenomenon of information t

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Laist, Randy. "Bullet-time in Simulation City." Alphaville: Journal of Film and Screen Media, no. 2 (February 14, 2012): 19–33. http://dx.doi.org/10.33178/alpha.2.02.

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The writers and directors of The Matrix famously claimed Jean Baudrillard as a source of inspiration for their movie, going as far as to feature a copy of Baudrillard’s signature book, Simulacra and Simulation, as a prominent prop in one of the movie’s first scenes. Baudrillard, however, explicitly disowned The Matrix as a representation of his worldview. When we follow the story of The Matrix from the perspective of the protagonist Neo, as the story compels us to do, we encounter a dualistic, Platonic division between reality and illusion which, as Baudrillard rightly observes, annuls the imp

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Doğan, Emre, and Murtaza Talha Altınkaya. "Jean Baudrillard’ın Simülasyon Evreninin Film Simülakrları: David Fincher Sinemasından Üç Örnek." Gaziantep University Journal of Social Sciences 24, no. 1 (2025): 56–75. https://doi.org/10.21547/jss.1516916.

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Jean Baudrillard yaratıcısı olduğu simülasyon kuramında İkinci Dünya Savaşı sonrası Batı dünyasının simülasyon evreni ismi verilen yeni bir toplumsal düzene geçiş yaptığını, bu evrende gerçeğin öldüğünü ve yerine ona çok benzeyen simülakrların geçtiğini iddia etmiştir. Politikadan bilime, gündelik yaşam pratiklerinden medyaya pek çok mecrada eleştiri ve çözümleme yapan Baudrillard’ın metinleri içinde en çok değindiği konulardan biri de kendi ifadesiyle kusursuz cinayete kurban giden sanattır. Başta modern sanat olmak üzere sanat ve sanat dünyası temelinde gerçekleştirdiği eleştirilerinde sinem

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Baudrillard, Jean, and Jonathan W. Marshall. "Theatre of Revulsion." TDR/The Drama Review 57, no. 4 (2013): 52–59. http://dx.doi.org/10.1162/dram_a_00302.

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Published for Paris's 1985 Butô Festival, Jean Baudrillard's essay is important to the history of butoh. Responding to dancemakers Carlotta Ikeda and Ko Murobushi, Baudrillard employs three main descriptors: revulsion, convulsion, and repulsion. The dancer shifts from animal to mineral, while the body captures or draws into itself the surrounding space, before violently ejecting it.

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BAYARD, Caroline. "Épistémologie du corps et postmodernité: de l’apocalypse de Baudrillard à l’ Einfühlung de Maffesoli." Sociologie et sociétés 24, no. 1 (2002): 19–32. http://dx.doi.org/10.7202/001029ar.

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Résumé Baudrillard et Maffesoli ont tenté de pratiquer de par leurs écrits une épistémologie du corps et de la postmodernité qui prenne acte des renversements paradigmatiques qui caractérisent la décennie des années 1980. Le premier en aura une vision essentiellement apocalyptique et nihiliste, qui lui donnera parfois et surtout le rôle de fossoyeur de la modernité, le deuxième nous en fournira une analyse infiniment plus optimiste, situationniste, relativiste, minimaliste. Baudrillard fonde ¡¡on analyse sur un Catastrophisme prophétique, Maffesoli sur une empathie (Elnfühlung), une effusion h

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Callejo Gallego, Javier. "Baudrillard el incierto." Sociología Histórica 11, no. 1 (2021): 207–18. http://dx.doi.org/10.6018/sh.488381.

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Rojek, Chris. "Baudrillard and leisure." Leisure Studies 9, no. 1 (1990): 7–20. http://dx.doi.org/10.1080/02614369000390021.

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Ozga-Lawn, Matthew. "Baudrillard for Architects." Journal of Architecture 25, no. 7 (2020): 952–56. http://dx.doi.org/10.1080/13602365.2020.1824386.

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Crogan, Patrick. "Remembering (Forgetting) Baudrillard." Games and Culture 2, no. 4 (2007): 405–13. http://dx.doi.org/10.1177/1555412007309531.

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Revill, David. "Report: Jean Baudrillard." Paragraph 13, no. 3 (1990): 293–300. http://dx.doi.org/10.3366/para.1990.0021.

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Kippur, Sara. "Baudrillard, Translingual Poet." Contemporary French and Francophone Studies 28, no. 2 (2024): 272–83. http://dx.doi.org/10.1080/17409292.2024.2311537.

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Faturohman, Ari Rizal. "Simulacra in mobile legends." SMARATUNGGA: JURNAL OF EDUCATION AND BUDDHIST STUDIES 2, no. 1 (2022): 57–69. http://dx.doi.org/10.53417/sjebs.v2i1.72.

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The current era of online games is very admired, especially among teenagers. This phenomenon is due to the sophistication of technology as a fruit of human thought, one of which humans managed to create a Mobile Legends Online game. This paper will describe the research results with the theme of Mobile Legends analysis of Simulacra by Jean P. Baudrillard. The method used in this study is a descriptive-analytic method using a literature study on related sources. The author uses the theoretical basis of Jean P Baudrillard’s theory about simulacra and hyperreality. The results obtained from this

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Sementelli, Arthur J., and Terence M. Garrett. "MOOCs: meaningful learning tools for public administration education or academic simulacra?" Education + Training 57, no. 4 (2015): 461–70. http://dx.doi.org/10.1108/et-03-2014-0031.

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Purpose – The purpose of this paper is to explore and critically assess the potential value and effectiveness of massive open online courses (MOOCs) for public administration education. Design/methodology/approach – The research in this conceptual paper offered a critical examination of MOOCs using the work of Baudrillard, Debord, and others to re-frame and reconsider our understanding of this emerging educational strategy. Findings – Baudrillard’s simulacrum and Debord’s spectacle concepts can inform the discussion and understanding of MOOCs in higher education. Research limitations/implicati

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Yang, Shanyi. "Theorizing Fatal Strategies: A New Leftist Vocabulary of Jean Baudrillard." Journal of Education, Humanities and Social Sciences 21 (November 15, 2023): 289–98. http://dx.doi.org/10.54097/ehss.v21i.14018.

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This essay explores Jean Baudrillard’s “fatal strategies” outlined in his seminal work, Fatal Strategies. It also explores their relevance to contemporary postmodern capitalist culture. Baudrillard’s writing style mirrors the ecstatic nature of the society he critiques, employing symbolic exchange to intensify its logic to the point of collapse. The essay further examines Baudrillard’s possible leftist vocabulary rooted in critical theory, poststructuralism, and anti-capitalist critique. Baudrillard’s leftist gesture rejects Enlightenment humanist presumptions, particularly the notion of “the

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Duvenage, Pieter. "The Ecstasy of Communication. Critical remarks on Jean Baudrillard." Communicare: Journal for Communication Studies in Africa 25, no. 2 (2022): 13–24. http://dx.doi.org/10.36615/jcsa.v25i2.1739.

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The socio-cultural criticism of Jean Baudrillard (born 1929), spans from the political turmoil ofFrance in the late-1960s, to the mediatised world of the 1990s and early 21st century.1 In thisprocess his provocative work on the socio-political role of signs, symbolic exchange, simulation,and hyperreality has important implications for communication studies – and more specificallycommunication theory. The point is that with the “… greater mediatization of society … we arewitnessing the virtualization of our world.”2 This contribution briefly reconstructs, firstly, two phasesin Baudrillard’s int

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Masut, Vinsensius Rixnaldi, Robertus Wijanarko, and Pius Pandor. "Objektivikasi Subjek dalam Budaya Kontemporer berdasarkan Konsep Hiperrealitas Jean Baudrillard." Jurnal Filsafat Indonesia 6, no. 3 (2023): 303–15. http://dx.doi.org/10.23887/jfi.v6i3.59000.

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This study aims to explain Jean Baudrillard's concept of hyperreality specifically the objectification of the subject in the context of contemporary culture. According to Jean Baudrillard, in the world of hyperreality which is controlled by the latest information and communication technology, humans have lost their subjectivity. The object has controlled the subject so that there is no other choice for the subject but to allow himself to be in the control of the object. The objectification character of this subject is evident in the subject's passivity when using the internet, being in front o

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Hamou, Sion. "Baudrillard ou le spectateur absolu [À propos de Jean Baudrillard, Amérique]." Littérature 77, no. 1 (1990): 112–16. http://dx.doi.org/10.3406/litt.1990.1519.

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Purwanti, Silviana. "Melihat Dunia dengan Simulakra (Mengkaji Baudrillard dan Masyarakat Konsumsi)." Jurnal Komunikatif 11, no. 2 (2022): 220–30. http://dx.doi.org/10.33508/jk.v11i2.4328.

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This paper is a literature review that elaborates Baudrillard's thoughts on Simulacra in Consumption Society which can be used as a study in understanding the phenomenon of consumption society today and in the future. Basically, according to Baudrillard, consumption in its process can be analyzed in two basic perspectives, namely: as a process of meaning and communication based on rules (code), where consumption practices appear and receive their meaning. Here, consumption is a language-appropriate system of exchange. Second, as a process of social classification and differentiation, this time

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Rosa, Jorge Martins. "A Misreading Gone Too Far? Baudrillard Meets Philip K. Dick." Science Fiction Studies 35, Part 1 (2008): 60–71. https://doi.org/10.1525/sfs.35.1.0060.

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It is widely known that Jean Baudrillard, in Simulacres et simulation (1981), acknowledges Philip K. Dick as one of the first to reflect, albeit fictionally, on the concept of “simulacrum.” However, a more detailed analysis of how Dickian are Baudrillard’s concepts and theories remains to be done. That is the goal of this article, a task I undertake by distinguishing, on the one hand, the concepts proposed in L’échange symbolique et la mort (1975) and Simulacres et simulation, and, on the other, the radical turn inaugurated in Le crime parfait (1995).

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Cline, Kurt R. "“A Quotation from Baudrillard”." Glimpse 18 (2017): 87–93. http://dx.doi.org/10.5840/glimpse20171810.

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Badarevski, Bobi, and Rodna Ruskovska. "In Memoriam Jean Baudrillard." Identities: Journal for Politics, Gender and Culture 5, no. 2 (2006): 9–10. http://dx.doi.org/10.51151/identities.v5i2.187.

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Author(s): Bobi Badarevski | Боби Бадаревски Title (English): In Memoriam Jean Baudrillard Title (Macedonian): In Memoriam Жан Бодријар Translated by (Macedonian to English): Rodna Ruskovska | Родна Русковска Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 5, No. 2 (Summer 2006) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute  Page Range: 9-10 Page Count: 2 Citation (English): Bobi Badarevski, “In Memoriam Jean Baudrillard,” translated from the Macedonian by Rodna Ruskovska, Identities

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Lemert, Charles C., and Mark Poster. "Jean Baudrillard: Selected Writings." Contemporary Sociology 18, no. 4 (1989): 639. http://dx.doi.org/10.2307/2073151.

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Poster, Mark. "Jean Baudrillard: Selected Writings." Journal of Aesthetics and Art Criticism 47, no. 1 (1989): 102. http://dx.doi.org/10.2307/432019.

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Dobrowolski, Jacek. "Baudrillard and Postmodernist Nihilism." Dialogue and Universalism 19, no. 3 (2009): 167–77. http://dx.doi.org/10.5840/du2009193/555.

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Mascarello, Fernando. "Tarantino, Deleuze, Baudrillard, tomates." Revista FAMECOS 3, no. 5 (2008): 91. http://dx.doi.org/10.15448/1980-3729.1996.5.2952.

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