Gotowe bibliografie tematyczne / Berber poems

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  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Berber poems”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Berber poems"

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Soumia, Eddib, and Sandy Kebir. "Ana Mani Fiyach’s Poem: An In-Depth Study Of A Moroccan Malhun Masterpiece." IOSR Journal of Humanities and Social Science 29, no. 12 (2024): 18–23. https://doi.org/10.9790/0837-2912021823.

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Morocco is a country with a vibrant musical heritage, where many traditional genres, such as Rai, Berber, Gnawa, and Sufi, continue to be performed today. One particularly distinctive and unconventional style of music is Malhun. Included in the representative list of the intangible cultural heritage of UNESCO, Malḥun poetry is a key part of Moroccan oral tradition, serving as a popular form of memory that is expressed in melodic dialectal Arabic. Among the known poems in the Moroccan register, we find the well-known “Fiyachiya”. Originating in the 17th century, Ana Mani Fiyach a Qsida/ poem by
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Breeze, Andrew. "Place-Names in Three Prophecies from the «Book of Taliesin»." Memoria y Civilización 24 (December 14, 2021): 341–57. http://dx.doi.org/10.15581/001.24.024.

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The Book of Taliesin (now at the National Library of Wales, Aberystwyth) is a fourteenth-century manuscript of Welsh poetry, with some of its material going back to the late sixth century. But it includes poems of later date. Amongst them are three political prophecies: 'Taliesin's Verdant Song'; 'The Contention of Gwynedd and Deheubarth'; 'A Short Poem About Lludd's Discussion'. The first two are of the tenth century, the last of the eleventh. What follows deals with place-names in each. The first can be shown to allude to the English victory over Vikings and Scots at Brunanburh, near Durham,
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Haft, Adele J. "Who’s “The King of Cuckooz”? Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas, Part I." Cartographic Perspectives, no. 71 (October 4, 2012): 5–51. http://dx.doi.org/10.14714/cp71.72.

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“The King of Cuckooz” by the acclaimed Australian poet Kenneth Slessor opensthe five-poem sequence The Atlas as well as Cuckooz Contrey (1932), the collection in which it debuted. Like each of The Atlas poems, “The King of Cuckooz” begins with a quote from a prominent seventeenth-century map-maker; in this case, Robert Norton (d. 1635)—the English engineer, gunner, writer, and surveyor. Slessor not only alludes to Norton’s 1620 plan of Algiers throughout the poem, but imagines his narrator assuming Norton’s (highly fictionalized) persona. This article, part of the first full-scale examination
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van den Boogert, Nico. "A sous berber poem on sidi Aḥmad ibn Nâṣir". Études et Documents Berbères N° 9, № 1 (1992): 121–37. http://dx.doi.org/10.3917/edb.009.0121.

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van den Boogert, Nico, and Harry Stroomer. "A sous berber poem on the merits of celebrating the mawlid." Études et Documents Berbères N° 10, no. 1 (1993): 47–82. http://dx.doi.org/10.3917/edb.010.0047.

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Rogacz, Dawid, Donald Mark C. Ude, and Tshepo Mvulane Moloi. "Book Reviews." Theoria 69, no. 170 (2022): 114–23. http://dx.doi.org/10.3167/th.2022.6917005.

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Douglas L. Berger, Indian and Intercultural Philosophy: Personhood, Consciousness and Causality. London: Bloomsbury Academic, 2021, 240 pp.Joseph C. A. Agbakoba, Development and Modernity in Africa: An Intercultural Philosophical Perspective, Cologne: Rüdiger Köppe Verlag, 2019, 405 pp.Adekeye Adebajo (ed.), The Pan-African Pantheon: Prophets, Poets and Philosophers, Auckland Park, South Africa: Jacana Media, 2020. 655 pp.
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Dienstbach, Dalby. "Como reconhecer uma metáfora quando você vê uma." Cadernos de Linguística 2, no. 4 (2021): e546. http://dx.doi.org/10.25189/2675-4916.2021.v2.n4.id546.

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A afirmação de que as metáforas seriam algo entranhado na nossa vida cotidiana (LAKOFF; JOHNSON, 2002 [1980]) incorre na constatação de que esse fenômeno pode acontecer em virtualmente quaisquer territórios discursivos. Porém, não é em qualquer tipo de discurso que falantes encontram ‒ ou esperamos encontrar ‒ expressões metafóricas. Nesse contexto, este estudo assume o objeto de investigar os mecanismos conceptuais que levam falantes comuns a associarem a ocorrência de metáforas a alguns gêneros textuais e não a outros. Ancorado no conceito de metaforicidade (DIENSTBACH, 2017), as análises de
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Paixão, Fernando. "Em defesa do espaço lírico." Novos Estudos - CEBRAP, no. 80 (March 2008): 205–17. http://dx.doi.org/10.1590/s0101-33002008000100014.

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Desenvolve-se aqui uma reflexão sobre o poema em prosa no contexto do mundo contemporâneo. Examinando textos de quatro escritores representativos do gênero - o inglês John Berger, o francês Yves Bonnefoy, o norte-americano Tom Whalen e o alemão Heiner Müller -, o autor busca delinear os principais traços constitutivos dessa forma de expressão literária, que em sua diversidade de realizações se pautaria, de um modo geral, pela manifestação poética de uma extrema inquietude em relação à realidade vivida e por uma aguda autoconsciência da linguagem.
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Aires Franceschini, Marcele. "Idyllic Self in Africa (2000), by Ken Taylor and in Boy (2010), by Taika Waititi: a literary-cinematographic dialogue." Acta Scientiarum. Language and Culture 41, no. 2 (2019): e45306. http://dx.doi.org/10.4025/actascilangcult.v41i2.45306.

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The idyllic approach of this article deals with the dialogue between two distinct artworks: poems from the book Africa (Taylor, 2000), emphasizing the poem ‘Waikiki’, by the Australian poet, journalist and filmmaker Ken Taylor; and the movie Boy (Curtis, Gardiner, & Michael, 2010), directed by the New Zealander film-director, actor and writer Taika Waititi. The poems and the movie are connected by synesthetic perceptions, mostly related to painting, colorizing and shaping that are displayed in the described scenarios. Hereby, these aspects were theoretically reviewed by the following autho
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Monteiro, Gabriela Alves, and Lucas Ramyro Gomes de Brito. "O SARAU COMO ESTRATÉGIA PEDAGÓGICA NO DESENVOLVIMENTO DA INTERDISCIPLINARIDADE E DO PROTAGONISMO NO ENSINO MÉDIO." CAMINHOS DA EDUCAÇÃO diálogos culturas e diversidades 7, no. 1 (2025): e01-18. https://doi.org/10.26694/caedu.v7i1.6345.

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O artigo tem como objetivo relatar a experiência de um sarau realizado em 2023 no CETI Monsenhor Cícero Portela Nunes, em Teresina, Piauí, e discutir esse evento como uma estratégia pedagógica, destacando seu papel no desenvolvimento da interdisciplinaridade e do protagonismo juvenil. O referencial teórico aborda o conceito e a prática dos saraus, com base em Silva et al. (2016), Barreto (2018) e Oliveira et. al. (2023), além de discutir a interdisciplinaridade a partir de Fazenda (1994) e Oliveira (2015), e o protagonismo juvenil com Freire (1996) e Berbel (2012). Também são consideradas as d
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Rozprawy doktorskie na temat "Berber poems"

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Escuer-Riera, Iris. "El sacrificio de la misa de Gonzalo de Berceo : estudio socio-cultural del poema con un análisis particular de su estructura tipológica." Thesis, 2002. http://hdl.handle.net/2429/12012.

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The following study is divided into two parts. The first is a socio-cultural analysis of a poem by Gonzalo de Berceo (late 12th-early 13th century) entitled Sacrificio de la Misa. The second is a study of the typological structure of Berceo's poem. Critics have generally advanced the idea that Berceo was a poet with little academic formation, and that he composed his poetry for the delight of a lay audience. This study of the Sacrificio de la Misa suggests that the opposite is true; that is, that Berceo could well have received academic training, even though it may not have been what w
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Książki na temat "Berber poems"

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Billouch, Abderrahman. Tag̳uri: Timdyazin. Institut royal de la culture amazighe, 2013.

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Mubārak, Ḥājj Bilʻīd Ibn. Azawān n al-Ḥājj Balʻīd. al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2011.

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Elmounadi, Ahmed. Tawada tasklant n umdyaz: Εtman Ublεid. Institut royal de la culture amazighe, 2012.

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ElMounadi, Ahmad. Tuzdg̳t n imdyazn: Amdyaz Ḥmad Rriḥ. Institut royal de la culture amazighe, 2013.

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Roth, Alfred G. J.C. Hobhouse mit Lord Byron im Berner Oberland, 1816. P. Haupt, 2000.

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Sumyah, Naffāʻ, ред. Poésie marocaine feminine: Al-Shiʻr al-nisāʼī al-Maghribī. La Source, 2008.

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1883-1963, Tāzrūt Muḥammad al-Saʻīd, ред. al-Ḥājj Muḥammad al-Saʻīd Tāzrūt: Iṭlālah ʻalá al-shiʻr al-ṣūfī al-Amāzīghī. Dār al-Amal lil-Ṭibāʻah wa-al-Nashr wa-al-Tawzīʻ, 2011.

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al-Mubdiʻūn bi-al-Amāzīghīyah fī al-Dār al-Bayḍāʼ: Al-fannān Aḥyā namūdhajan. al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2008.

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Tazdug̳t n imdyazn: Dris Alman. Asinag Agldan n Tussna Tamazig̳t, IRCAM, 2013.

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Tazdug̳t n imdyazn: Ḥmmu Muεmmu. Asinag Agldan n Tussna Tamazig̳t, IRCAM, 2013.

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Części książek na temat "Berber poems"

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"The Berber al-Andalus." In On Earth or in Poems. Harvard University Press, 2023. http://dx.doi.org/10.2307/jj.1791934.6.

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"2 The Berber al-Andalus." In On Earth or in Poems. Harvard University Press, 2023. http://dx.doi.org/10.4159/9780674292970-004.

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Goldstein, David. "Samuel Ha-Nagid." In Hebrew Poems from Spain. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113669.003.0005.

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This chapter assesses the poetry of Samuel ha-Nagid. Samuel ha-Levi hen Joseph ibn Nagrela was born in Cordoba in 993. After the invasion of the North African Berbers in 1013, he was forced to leave Cordoba, which was sacked, and he settled in Malaga, which was, at this time, part of the Berber province of Granada. The story goes that, while in Malaga, his skill as an Arabic calligraphist came to the attention of the vizier Abu al-Kasim ibn al-Arif, and he was appointed the latter’s private secretary. Before the vizier died, he recommended Samuel to Habbus, king of Granada, who made him vizier
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Bernes, Jasper. "Lyric and the Service Sector." In The Work of Art in the Age of Deindustrialization. Stanford University Press, 2017. http://dx.doi.org/10.11126/stanford/9780804796415.003.0002.

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O’Hara’s “I do this, I do that” poems detail the poet’s movements through the city during periods of leisure. In this chapter, Bernes argues that such leisure periods are usually, implicitly or explicitly, circumscribed by periods of work. This is especially true in Lunch Poems, where the conceit of the book is that many of the poems were written during his “lunch hour.” O’Hara’s lunch-hour pastorals are not so much opposed to the workday and its unfree time of getting things done as they are a space for an alternative kind of work. This chapter proposes that we see O’Hara as poet of service w
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Stroomer, Harry. "TASHELHIYT BERBER MANUSCRIPTS IN ARABIC CHARACTERS." In Prophets, Poets and Scholars. Leiden University Press, 2024. http://dx.doi.org/10.24415/9789400604520-038.

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Bleakley, Chris. "Googling the Web." In Poems That Solve Puzzles. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198853732.003.0008.

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Chapter 8 explores the arrival of the World Wide Web, Amazon, and Google. The web allows users to display “pages” of information retrieved from remote computers by means of the Internet. Inventor Tim Berners-Lee released the first web software for free, setting in motion an explosion in Internet usage. Seeing the opportunity of a lifetime, Jeff Bezos set-up Amazon as an online bookstore. Amazon’s success was accelerated by a product recommender algorithm that selectively targets advertising at users. By the mid-1990s there were so many web sites that users often couldn’t find what they were lo
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Kindermann, Udo. "Das Poema geminum von den Heiligen des Heiligen Berges." In Classica et mediaevalia. BRILL, 1986. http://dx.doi.org/10.1163/9789004624153_009.

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Bernes, Jasper. "Overflow." In The Work of Art in the Age of Deindustrialization. Stanford University Press, 2017. http://dx.doi.org/10.11126/stanford/9780804796415.003.0007.

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The Epilogue considers the possible fate of the artistic critique of labor in the decades to come. As demand for labor weakens because of ongoing structural transformations, the link between art and labor will likewise weaken, Bernes argues. Thus, artists would do well to revive older traditions linking the poet to wagelessness. The Epilogue examines these traditions, beginning with the Renaissance ballad and continuing through the Romantic poetry of vagrancy and the African American fugitive lyric, linking this poetic history to a theoretical investigation of what Karl Marx calls “surplus pop
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"Los relatos celestiales y terrenales de Gonzalo de Berceo en el Poema de santa Oria." In Revisitando a Berceo :lecturas del siglo XXI. Vervuert Verlagsgesellschaft, 2020. http://dx.doi.org/10.31819/9783964568649-006.

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Galtsova, Elena D. "“Neoclassics” (Néo-classiques) and “Modern Classics” (classiques modernes) in French Poetry of the 1880s–1930s: Questions of Theory and Practice." In Under the Sign of “Neo-”: Theory and History of Retrospective Movements in Modern Literature. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2025. https://doi.org/10.22455/978-5-9208-0786-1-174-210.

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The article examines certain phenomena of French poetry of the 1880s–1930s, more or less related to the concepts of “neoclassics” and “classics”: the work of Jean Moréas, the “Ecole romane” and the three-volume “Anthology of Neoclassical Poetry” created under their influence (1932–1936), the writings of the poets united around the magazine “La Nou- velle Revue Française”, including Paul Valery, André Gide, Paul Claudel, etc. The author of the paper proposes analysis of the multidimensional self-reflection of these poets in relation to the terms “classical” and “neoclassical”, as well as other
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Streszczenia konferencji na temat "Berber poems"

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Tereshko, Ekaterina V. "(NON-)TRANSLATION OF MURALS POETRY IN THE NETHERLANDS: BACKGROUND AND REALISATION." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063589.

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When you come to the Netherlands, you don’t expect to see poems in Russian, Chinese, Berber, or North American Indian on city walls. Even more surprising is the lack of translation or explanation of these texts. However, the (non)translation of murals in the Netherlands has a social background: at the same time when the poetry projects were most active, there was a heated discussion in the Netherlands about the possibility of creating a multicultural society. This idea dictated to the creators of the projects the image of a potential reader and obviated the need to translate poetry. In this ar
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