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Artykuły w czasopismach na temat „Berber poems”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Soumia, Eddib, and Sandy Kebir. "Ana Mani Fiyach’s Poem: An In-Depth Study Of A Moroccan Malhun Masterpiece." IOSR Journal of Humanities and Social Science 29, no. 12 (2024): 18–23. https://doi.org/10.9790/0837-2912021823.

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Morocco is a country with a vibrant musical heritage, where many traditional genres, such as Rai, Berber, Gnawa, and Sufi, continue to be performed today. One particularly distinctive and unconventional style of music is Malhun. Included in the representative list of the intangible cultural heritage of UNESCO, Malḥun poetry is a key part of Moroccan oral tradition, serving as a popular form of memory that is expressed in melodic dialectal Arabic. Among the known poems in the Moroccan register, we find the well-known “Fiyachiya”. Originating in the 17th century, Ana Mani Fiyach a Qsida/ poem by

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Breeze, Andrew. "Place-Names in Three Prophecies from the «Book of Taliesin»." Memoria y Civilización 24 (December 14, 2021): 341–57. http://dx.doi.org/10.15581/001.24.024.

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The Book of Taliesin (now at the National Library of Wales, Aberystwyth) is a fourteenth-century manuscript of Welsh poetry, with some of its material going back to the late sixth century. But it includes poems of later date. Amongst them are three political prophecies: 'Taliesin's Verdant Song'; 'The Contention of Gwynedd and Deheubarth'; 'A Short Poem About Lludd's Discussion'. The first two are of the tenth century, the last of the eleventh. What follows deals with place-names in each. The first can be shown to allude to the English victory over Vikings and Scots at Brunanburh, near Durham,

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Haft, Adele J. "Who’s “The King of Cuckooz”? Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas, Part I." Cartographic Perspectives, no. 71 (October 4, 2012): 5–51. http://dx.doi.org/10.14714/cp71.72.

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“The King of Cuckooz” by the acclaimed Australian poet Kenneth Slessor opensthe five-poem sequence The Atlas as well as Cuckooz Contrey (1932), the collection in which it debuted. Like each of The Atlas poems, “The King of Cuckooz” begins with a quote from a prominent seventeenth-century map-maker; in this case, Robert Norton (d. 1635)—the English engineer, gunner, writer, and surveyor. Slessor not only alludes to Norton’s 1620 plan of Algiers throughout the poem, but imagines his narrator assuming Norton’s (highly fictionalized) persona. This article, part of the first full-scale examination

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van den Boogert, Nico. "A sous berber poem on sidi Aḥmad ibn Nâṣir". Études et Documents Berbères N° 9, № 1 (1992): 121–37. http://dx.doi.org/10.3917/edb.009.0121.

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van den Boogert, Nico, and Harry Stroomer. "A sous berber poem on the merits of celebrating the mawlid." Études et Documents Berbères N° 10, no. 1 (1993): 47–82. http://dx.doi.org/10.3917/edb.010.0047.

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Rogacz, Dawid, Donald Mark C. Ude, and Tshepo Mvulane Moloi. "Book Reviews." Theoria 69, no. 170 (2022): 114–23. http://dx.doi.org/10.3167/th.2022.6917005.

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Douglas L. Berger, Indian and Intercultural Philosophy: Personhood, Consciousness and Causality. London: Bloomsbury Academic, 2021, 240 pp.Joseph C. A. Agbakoba, Development and Modernity in Africa: An Intercultural Philosophical Perspective, Cologne: Rüdiger Köppe Verlag, 2019, 405 pp.Adekeye Adebajo (ed.), The Pan-African Pantheon: Prophets, Poets and Philosophers, Auckland Park, South Africa: Jacana Media, 2020. 655 pp.

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Dienstbach, Dalby. "Como reconhecer uma metáfora quando você vê uma." Cadernos de Linguística 2, no. 4 (2021): e546. http://dx.doi.org/10.25189/2675-4916.2021.v2.n4.id546.

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A afirmação de que as metáforas seriam algo entranhado na nossa vida cotidiana (LAKOFF; JOHNSON, 2002 [1980]) incorre na constatação de que esse fenômeno pode acontecer em virtualmente quaisquer territórios discursivos. Porém, não é em qualquer tipo de discurso que falantes encontram ‒ ou esperamos encontrar ‒ expressões metafóricas. Nesse contexto, este estudo assume o objeto de investigar os mecanismos conceptuais que levam falantes comuns a associarem a ocorrência de metáforas a alguns gêneros textuais e não a outros. Ancorado no conceito de metaforicidade (DIENSTBACH, 2017), as análises de

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Paixão, Fernando. "Em defesa do espaço lírico." Novos Estudos - CEBRAP, no. 80 (March 2008): 205–17. http://dx.doi.org/10.1590/s0101-33002008000100014.

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Desenvolve-se aqui uma reflexão sobre o poema em prosa no contexto do mundo contemporâneo. Examinando textos de quatro escritores representativos do gênero - o inglês John Berger, o francês Yves Bonnefoy, o norte-americano Tom Whalen e o alemão Heiner Müller -, o autor busca delinear os principais traços constitutivos dessa forma de expressão literária, que em sua diversidade de realizações se pautaria, de um modo geral, pela manifestação poética de uma extrema inquietude em relação à realidade vivida e por uma aguda autoconsciência da linguagem.

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Aires Franceschini, Marcele. "Idyllic Self in Africa (2000), by Ken Taylor and in Boy (2010), by Taika Waititi: a literary-cinematographic dialogue." Acta Scientiarum. Language and Culture 41, no. 2 (2019): e45306. http://dx.doi.org/10.4025/actascilangcult.v41i2.45306.

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The idyllic approach of this article deals with the dialogue between two distinct artworks: poems from the book Africa (Taylor, 2000), emphasizing the poem ‘Waikiki’, by the Australian poet, journalist and filmmaker Ken Taylor; and the movie Boy (Curtis, Gardiner, & Michael, 2010), directed by the New Zealander film-director, actor and writer Taika Waititi. The poems and the movie are connected by synesthetic perceptions, mostly related to painting, colorizing and shaping that are displayed in the described scenarios. Hereby, these aspects were theoretically reviewed by the following autho

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Monteiro, Gabriela Alves, and Lucas Ramyro Gomes de Brito. "O SARAU COMO ESTRATÉGIA PEDAGÓGICA NO DESENVOLVIMENTO DA INTERDISCIPLINARIDADE E DO PROTAGONISMO NO ENSINO MÉDIO." CAMINHOS DA EDUCAÇÃO diálogos culturas e diversidades 7, no. 1 (2025): e01-18. https://doi.org/10.26694/caedu.v7i1.6345.

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O artigo tem como objetivo relatar a experiência de um sarau realizado em 2023 no CETI Monsenhor Cícero Portela Nunes, em Teresina, Piauí, e discutir esse evento como uma estratégia pedagógica, destacando seu papel no desenvolvimento da interdisciplinaridade e do protagonismo juvenil. O referencial teórico aborda o conceito e a prática dos saraus, com base em Silva et al. (2016), Barreto (2018) e Oliveira et. al. (2023), além de discutir a interdisciplinaridade a partir de Fazenda (1994) e Oliveira (2015), e o protagonismo juvenil com Freire (1996) e Berbel (2012). Também são consideradas as d

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Şevket, YILDIZ. "The Roots of Andalusian Civilization and Experience of Living Together." INTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, no. 3 (2023): 294–302. https://doi.org/10.5281/zenodo.8351055.

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Spain is a South-Western European country located primarily on the Iberian Peninsula. In this region, the first known settlers are the Iberian people. Spain, which came under Roman rule in the second century BC, was invaded by the Germanic peoples at the beginning of the fifth century AD. First the Vandals and then the Visigoths settled here and established their dominance. At the beginning of the eighth century, with the Islamic conquests, Arab and Berber peoples came and settled in this region. While Eastern Rome resisted for a long time the military campaigns that started in the middle of t

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12

Yeniasır, Mustafa, and Burak Gökbulut. "İsmail Bozkurt’un “Bir Gün Belki” İsimli Romanında Kıbrıs Türk Folkloruna Dair Tespitler / Findings on the Cypriot Turkish Folklore in the Novel of Ismail Bozkurt Named “Maybe One Day...”." Journal of History Culture and Art Research 6, no. 3 (2017): 492. http://dx.doi.org/10.7596/taksad.v6i3.907.

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<p><strong>Abstract</strong></p><p>Literature is a social institution because it uses the language which uses the language as means, and also because the literature gets feed from the miscellaneous events happened throughout history. It is possible to see social contents in several poets and authors who throw light to the society. In these works, the artists give place to the traditions, customs and life styles of the society they live in.</p><p>İsmail Bozkurt is known specially for the work of art he wrote in the field of novel in Cyprus Turkish Liter

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Andrade, Alexandre de Melo, and Paloma Batista Cardoso. "Apresentação - nº 25." Travessias Interativas, no. 25 (June 30, 2022): 6–10. http://dx.doi.org/10.51951/ti.v12i25.p6-10.

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DOSSIÊ:FLUXO CONTÍNUO APRESENTAÇÃO  O número 25 da revista Travessias Interativas traz artigos de diversas vertentes de estudos Linguísticos e Literários, que apresentam contribuições relevantes sobre aspectos lexicais, pedagógicos, discursivos, socioculturais e filosóficos. O presente volume está dividido em quatro seções. As duas primeiras apresentam estudos das duas grandes áreas dos Estudos da Linguagem: Estudos Linguísticos e Estudos Literários; a terceira apresenta estudos desenvolvidos por alunos do Programa Institucional de Bolsas de Iniciação Científica (PIBIC); e a

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Omar, Ameen. "The Fatimids: The Rise of a Muslim Empire." American Journal of Islam and Society 35, no. 4 (2018): 79–83. http://dx.doi.org/10.35632/ajis.v35i4.479.

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Shainool Jiwa’s The Rise of a Muslim Empire is a two-volume historical work on the legacy of the Fatimid Empire. The first volume surveys the religious and sociopolitical underpinnings of Fatimid rule from its North African establishment in 909 to its transition to Egypt in 969. Jiwa’s second vol- ume focuses on the pinnacle of Fatimid society up until its decline from 969-1171. This review pertains to the first of the two volumes. Working within this phase, Jiwa details the reigns of the first four Imams: ‘Abd Allāh al-Mahdī, Abū’l-Qāsim Muḥammad, Ismāʿīl al-Manṣūr, and al-Muʿizz li- Dīn Allā

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Omar, Ameen. "The Fatimids: The Rise of a Muslim Empire." American Journal of Islamic Social Sciences 35, no. 4 (2018): 79–83. http://dx.doi.org/10.35632/ajiss.v35i4.479.

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Shainool Jiwa’s The Rise of a Muslim Empire is a two-volume historical work on the legacy of the Fatimid Empire. The first volume surveys the religious and sociopolitical underpinnings of Fatimid rule from its North African establishment in 909 to its transition to Egypt in 969. Jiwa’s second vol- ume focuses on the pinnacle of Fatimid society up until its decline from 969-1171. This review pertains to the first of the two volumes. Working within this phase, Jiwa details the reigns of the first four Imams: ‘Abd Allāh al-Mahdī, Abū’l-Qāsim Muḥammad, Ismāʿīl al-Manṣūr, and al-Muʿizz li- Dīn Allā

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Yefsah, Mohammed. "Lounès Matoub et ses chansons: l'Algérie embrase le cœur, l'Algérie attise la raison." Nouvelle Revue Synergies Canada, no. 6 (November 7, 2013). http://dx.doi.org/10.21083/nrsc.v0i6.2872.

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Ténor de la chanson algérienne, Lounès Matoub est devenu une icône après son assassinat. Il est l'incarnation même de l'artiste au cœur de son peuple, lui qui s'est imposé dans le champ artistique avec son talent, son franc-parler, sa musique et sa poésie. Son parcours ne peut être dissocié de ses engagements politiques. Il combat les fondamentalistes islamistes et s'oppose au pouvoir en place. Il veut la reconnaissance du berbère, sa langue maternelle et celle de ses chansons, par l’État algérien. Il porte un regard sur l’histoire en reprenant des mythes tout en révélant des vérités. Il brise

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Maiga, Mohamadou Aboubacar. "ARABIC POETRY IN TIMBUKTU DURING THE 19th AND 20th CENTURIES: A MODEL STUDY." Uluslararası Dil Edebiyat ve Kültür Araştırmaları Dergisi, July 31, 2024. http://dx.doi.org/10.37999/udekad.1482942.

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The written Arabic literary tradition of the Malian desert in West Africa remains largely unknown to the region's inhabitants and the wider Arab and Islamic world. Despite its distance from the traditional centers of Arabic poetry in the Arabian Peninsula, this literature deserves far more attention than it has received. Unfortunately, it has not been given the scholarly consideration it deserves in the research and studies conducted on this country, which could reveal its unique characteristics as a form of Malian African literature written in Arabic and its undeniable value regarding its sci

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Merrill, Christopher. "Aleš Berger, ed. Ten Slovenian Poets of the Nineties." Slovene Studies Journal 1, no. 1 (2003). http://dx.doi.org/10.7152/ssj.v1i1.4295.

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Rodrigues, Lucivani Barbosa, Marília Régia Ramos Alves, and Thaís Fernandes de Amorim. "MURAL VIRTUAL: EXPERIÊNCIAS VISUAIS." December 15, 2023. https://doi.org/10.5281/zenodo.10392603.

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RESUMO: Este estudo relata as ações desenvolvidas em uma escola de ensino médio participante do Programa Residência Pedagógica (PRP). Tendo como objetivo geral apresentar as possibilidades para os professores desenvolverem suas metodologias de forma dinâmica através das ferramentas digitais, propiciando assim ao educando aprender de maneira autônoma e participativa por meio de situações reais. Uma dessas possibilidades é o uso do Padlet, um aplicativo que permite criar murais virtuais, e que utilizam linguagem multimodal

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İLHAN, Enes. "A METHOD PROPOSAL REGARDING THE BELONGING OF UNKNOWN POEMS IN POETRY JOURNALS IN THE SAMPLE OF NECATI." Çukurova Üniversitesi Türkoloji Araştırmaları Dergisi, April 9, 2023. http://dx.doi.org/10.32321/cutad.1263007.

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İçerdikleri şairler, biyografik bilgiler, çeşitli anekdotlar ve şiirler ile toplumun edebî zevk ve beklentilerine hitap eden şiir mecmuaları, biyografik kaynaklarda yer almayan şairleri ve yazma divanlar ile tenkitli neşirlerde bulunmayan şiirleri bulundurma ihtimalini her zaman bünyesinde barındıran çok yönlü metinlerdir. Gerek mecmualara dair gerçekleştirilen neşir çalışmalarında gerekse mecmualara atıfla oluşturulan makale ve bildiri düzeyindeki çalışmalarda şairlerin basılı divanlarında yer almayan şiirlerine dair başlıklar ve vurgular dikkat çekmektedir. Şiir mecmularında bulunan tenkitli

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Sheng, Du, and Gurdip Kaur Saminder Singh. "The Influence of Andalusian Literature on Arabic Literature." Forum for Linguistic Studies 7, no. 1 (2025). https://doi.org/10.30564/fls.v7i1.7854.

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As a significant and integral part of medieval Arab civilization, Andalusian literature not only contributed to the expansion of Arabic literary forms and the philosophical depth of its tradition but also played a crucial role in influencing both the Arab world and European literature. Emerging during the Islamic rule of the Iberian Peninsula, Andalusian literature represents a unique blend of Arabic, Jewish, Christian, and Berber cultural elements, reflecting a rich tapestry of ideas, philosophies, and artistic expression. This paper delves into the distinctive characteristics of Andalusian l

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Feyzioğlu, Fatma Şeniz. "Makber Poemi Ekseninde Abdülhak Hâmid’de Tezatların Varlığı ve Öznellik İlişkisi." Turcology Research, March 29, 2024, 307–18. http://dx.doi.org/10.62425/turcology.1488283.

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Romantik söylemin en belirgin vasıflarından biri olan öznellik, çok kez tezatların varlığından beslenir. Romantik metafizik bağlamında insan için ilksel tezat, ben ve ben olmayan’ın amansız çatışması üzerine kurulur. Buna göre insan, özünün derinliklerinde yer alan ‘ben’i dolaysız tanıyamaz, onun farkına varamaz. Ben olmayan’ın perdelediği reel saha, ben’e direnen bir varlık alanıdır ve aralarında yaşanan çarpışma sonrası ben’lik ortaya çıkar. Nihayetinde varılmak istenen yer geleneğin, aklın kayıt altına aldığı sahadan, kayıt-dışı, sınırsız hürriyet sahasına geçiştir. Tanzimat devri Doğu ve B

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Başçı, Veysel. "SÛFÎ-SİYASET İLİŞKİSİ BAĞLAMINDA MEVLÂNA HALİD ŞİİRLERİNDE BABAN (E)MÎRLERİ." Bingöl Üniversitesi İlahiyat Fakültesi Dergisi, June 3, 2024. http://dx.doi.org/10.34085/buifd.1442374.

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Sûfî-Siyaset İlişkisi Bağlamında Mevlâna Halid Şiirlerinde Baban (E)Mîrleri Baban Emirates In Mawlana Khalid Poems In The Context Of Sufı-Polıtıcs Relatıonshıp Veysel Başçı Dr. Öğr. Üyesi. Batman Üniversitesi İslami İlimler Fakültesi, Temel İslam Bilimleri Bölümü, Tasavvuf Ana Bilim Dalı, Assist. Prof., Batma University Faculty of Islamic Sciences, Basic Islamic Sciences, Department of Sufism, ORCID: 0000-0003-1525-0355 e-posta veysel.basci@batman.edu.tr ÖZ Nakşibendîyye-i Halidîyye tarikat kolunun kurucu pîri Mevlâna Halid-i Şehrezûrî 1779 yılında Süleymaniye’nin Karadağ bölgesinde dünyaya ge

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Yalçın, Hamdi. "Eş’arî Kelâm Geleneğinde İmâmet Nazariyesi: Diyâuddîn Ömer er-Râzî Örneği." Diyanet İlmi Dergi, June 5, 2024. http://dx.doi.org/10.61304/did.1422343.

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Fahreddin Râzî’nin (öl. 606/1210) babası olan Diyâuddîn Ömer, çok yönlü bir âlim olup fıkıh, usûl, tasavvuf, hitabet, edebiyat ve kelâm gibi alanlarda etkin bir kişiliğe sahiptir. Hitabetinin güçlü olmasından dolayı kendisine “Hatîbü’r-Rey” unvanı verilmiş ve sonraki süreçte bu lakapla tanınmıştır. Onun bu edebî yönü kelâmi görüşlerine de yansımıştır. O, imâmetle ilgili fikirlerini temellendirirken şiirlerden de yararlanmış ve şiirleri birer araç olarak kullanmıştır. Nihâyetü’l-merâm fî Dirâyeti’l-kelâm adlı kayıp eserinin ikinci cildinin bulunmasıyla beraber onun fikirleri hakkında geniş malu

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SOYSAL, Zeynel Abidin. "On The Possibility Of Objectivity In Classical Arabic Literary Criticism: In The Context Of The Debate Between Nābiga al-Zubyānī-Hassān b. Sābit and The Evaluation Of The Poem "Mı̇na"." Uludağ Üniversitesi İlahiyat Fakültesi Dergisi, May 8, 2023. http://dx.doi.org/10.51447/uluifd.1240122.

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Bir şeye iyi/güzel veya kötü/çirkin hükmü verme noktasında genel-geçer ölçütler var mıdır? Bu ölçütlerin ve dolayısıyla ortak yargıların varlığı mümkünse gerekçelendirmeler nasıl şekillenir? Bunların teoride gerçekleşebildiği/gerçekleşebileceği varsayılsa bile uygulamadaki karşılığı ne kadar olabilir? Bu tür sorular her ilmî disiplinin cevaplamaya çalıştığı önemli sorulardır. Ancak bu çalışmadaki muhatabı klasik Arap edebî tenkit disiplinidir. Bu çalışmada tenkitte nesnelliğin imkânı uygulamalı iki örnek üzerinden ele alınmıştır. Kudâme b. Ca‘fer (öl. 337/948), Merzübânî (öl. 384/994), İbn Cin

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Berger, Arthur Asa. "The Meanings of Culture." M/C Journal 3, no. 2 (2000). http://dx.doi.org/10.5204/mcj.1833.

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Culture: Its Many Meanings One of the problems we encounter in dealing with culture is that there are so many different meanings and definitions attached to the term. We think of culture two ways: first, in terms of aesthetic matters (relative to thearts) and second, as a concept used by anthropologists to describe the way people live. There are, so I understand, something like a hundred different definitions of culture used by anthropologists. The Origins of the Term "Culture" The word 'culture' comes from the Latin cultus, which means 'care', and from the French colere which means 'to till'

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Ayoub, Ramy. "Beats of the Ancients: The Global Journey of Rhythm and Resistance." Beats of the Ancients: The Global Journey of Rhythm and Resistance, December 24, 2016. https://doi.org/10.5281/zenodo.15507389.

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<strong>Beats of the Ancients: The Global Journey of Rhythm and Resistance</strong> By Ramy Ayoub Dec. 2016, Mombasa, Kenya   As rap music evolved in the Bronx during the 1970s and 1980s, it quickly transcended its local origins, gaining traction across the United States and around the world. Yet, while the genre was being shaped by the social and political struggles of urban America, its roots in African and Arab musical traditions continued to resonate globally. Rap’s rhythmic foundations have always been a unifying element that crosses cultural and geographical boundaries. This r

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Raney, Vanessa. "Where Ordinary Activities Lead to War." M/C Journal 9, no. 3 (2006). http://dx.doi.org/10.5204/mcj.2626.

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   “The cop in our head represses us better than any police force. Through generations of conditioning, the system has created people who have a very hard time coming together to create resistance.” – Seth Tobocman, War in the Neighborhood (1999)   Even when creators of autobiographically-based comics claim to depict real events, their works nonetheless inspire confrontations as a result of ideological contestations which position them, on the one hand, as popular culture, and, on the other hand, as potentially subversive material for adults. In Seth Tobocma

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Ayoub, Ramy. "The Global Influence of Rap From Africa to the World." Global Influence of Rap: From Africa to the World, December 6, 2016. https://doi.org/10.5281/zenodo.15505510.

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<strong>The Global Influence of Rap: From Africa to the World</strong>   By Ramy Ayoub Dec. 2016, Mombasa, Kenya.   <strong>The Global Influence of (Rap) Rhythm and Poetry: From Africa to the World</strong> As rap music evolved in the Bronx during the 1970s and 1980s, it quickly transcended its local origins, gaining traction across the United States and around the world. Yet, the genre’s deeper roots trace back over a thousand years, shaped by a rich history of cultural exchange long before it emerged on the streets of New York. Beginning in the early centuries of trans-Sahara

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