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Rozprawy doktorskie na temat „Berlin-Film”

Autor: Grafiati

Data publikacji: 25 stycznia 2025

Data aktualizacji: 31 lipca 2025

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1

Hoelscher-Whiting, Susanne Helene. "Berlin identities : literature and film in the new German capital /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2005. http://uclibs.org/PID/11984.

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Lee, Hong Real. "Film festivals as public spaces : the transformation of the Busan and Berlin international film festivals." Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/10720/.

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This thesis analyses film festivals as public spaces. It asks how publicness configures both contemporary film festivals and the activities of those who participate in them. In order to investigate this mix of theories and the concomitant practices are employed, all of which are intertwined with the notion of public or publicness as the overriding conceptual framework of this research. Jürgen Habermas’s universal and rational notion of public sphere has been subjected to criticisms that have called for an understanding of publicness as more fragmented and multiple, and hence experiential. Here

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Küffer, Manon. "La Guerre Froide vue par Hollywood : Berlin au prisme des rapports sociaux de genre (1945-1961)." Electronic Thesis or Diss., Université de Lorraine, 2024. https://docnum.univ-lorraine.fr/ulprive/DDOC_T_2024_0181_KUFFER_diff.pdf.

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Cette thèse se concentre sur une poignée de films hollywoodiens se situant à Berlin (les Berlin- Films) au début de la Guerre froide, plus exactement de la fin de la Seconde Guerre mondiale (1945) à la construction du Mur de Berlin (1961). D'un point de vue théorique, cette thèse se concentre sur la vision que ces films nous offrent de la Guerre froide, une période de tensions et de conflits idéologiques et politiques entre les États Unis et l'URSS (et leurs alliés respectifs). Ici, la Guerre froide sera étudiée au prisme notamment des gender studies et plus précisément des rapports sociaux de

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Land, Robert William. "Little Paintings." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1035.

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Little Paintings is a document that describes the creation, influences and process of two films, "Betty Creek" and "New Berlin". The films are personal responses to my experiences growing-up and living in the Southern United States. The Thesis illustrates the influences of painters such as Jimmie Lee Sudduth and Willie Jinks and how their raw painting methods inspire the development of my films using a tactile approach to filmmaking.

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Puteri, Arwen. ""Die Mauer im Kopf": Aesthetic Resistance against West-German Take-Over." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5107.

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Even 24 years after the Fall of the Berlin Wall, modern day Germans are still preoccupied with the contentious dynamics of the post-Wall unification process. Concern with geo-political fractiousness is deeply rooted in German history and the reason for Germany's desire to become a unified nation. The Fall of the Wall, and the subsequent rejection of socialism, was a chance to recover and unify what was perceived to be an "incomplete" nation. Yet, despite these actions, social unity between East and West Germans has never occurred and the Wall still persists as a metaphorical barrier in the min

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Wahbeh, Hossam [Verfasser], Karl [Akademischer Betreuer] Schawelka, and Hans [Akademischer Betreuer] Beller. "Der Musikfilm als Form des Dokumentarfilms : Eine Untersuchung über die Erzeugung einer realistischen Illusion im Dokumentarfilm anhand einer Analyse des Musikfilms Berlin - Die Sinfonie der Grosstadt / Hossam Wahbeh ; Karl Schawelka, Hans Beller." Weimar : Promotionsstudiengang Kunst und Design/Freie Kunst/Medienkunst (Ph.D), 2013. http://d-nb.info/1116298384/34.

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Ebbrecht-Hartmann, Tobias. "Blicke auf das Grauen. German Concentration Camps – Ein Film als Quelle." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2014. https://slub.qucosa.de/id/qucosa%3A35004.

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8

Pierron, Andréa. ""L'Ombre de votre espérance" : repères pour une histoire plastique des revues d'artistes expérimentaux au XXe siècle." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA085/document.

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Cette thèse de doctorat se consacre à l’analyse de périodiques créés au cours du XXe siècle par des cinéastes et des plasticiens à l’œuvre dans le champ des avant-gardes et du cinéma expérimental. Les revues forment des objets plastiques et spéculatifs, complexes et composites de par les relations qui se nouent entre le texte et l’image, les montages qui se créent et le défi que constitue la transposition des images filmiques. En quoi ces revues d’artistes témoignent-elles d’une recherche expérimentale ? Comment les revues d’artistes participent-elles à une histoire critique et plastique des f

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Manicke, Heidi. "Berlin in Transit(ion)." Thesis, 2010. http://hdl.handle.net/1974/6096.

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This study establishes how rail transportation systems and their filmic and literary representations form and inform culture and identity, particularly in the new German capital and by extension its new Berlin Republic. Where, how, and by whom mobility is practiced influences the city and vice versa. Historically, Berlin’s U-Bahn and S-Bahn system, have mirrored physical and emotional changes in the urban landscape. They have also been an important platform for the exchange of cultural information through networks of shared knowledge among Berlin’s diverse groups of citizens. This situation co

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Chen, Tsuiping, and 陳翠萍. "A Reflection and Discussion on One Decade’s (2007-2016) Culinary Cinema in Berlin International Film Festival." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/88435226986971666546.

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碩士<br>國立高雄餐旅大學<br>飲食文化暨餐飲創新研究所<br>105<br>The study of food films and documentaries has, since the 1980s, begun to be noticed in the scholarship. According to some literature review, the scholarship on food films focused largely on analysis of food representations in individual films. This aspect of research usually explored the symbolic role or metaphoric role of food and food behaviors play in cinematic narratives and images. The results of the research indeed affirmed that “films’ narratives and images are a legitimate means of observing the changing structures of social interdependence and

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11

Schmid, Zeno. "Wort und bild: Ueberlegungen zum Verhaeltnis von Buch und Film am Beispiel von Alfred Doeblins und Rainer Werner Fassbinders "Berlin Alexanderplatz". [German text]." Thesis, 1989. http://hdl.handle.net/1911/13391.

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By examining the distinctions made by Lessing between word and picture, I present the hypothesis that cinema and literature have essentially the same range of expression possibilities. However, the ways of expression are differently organized so that there are no linear correspondences between the two artistic modes. The result is that a cinematic adaptation is less a translation of a literary work than a recreation. The examination of Doblin's and Fassbinder's texts shows that there are essential differences in the presentation of the plot. While the novel captures in a mode of citation and m

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12

Johnson, Nicholas K. "HBO and the Holocaust: conspiracy, the historical film, and public history at Wannsee." Thesis, 2016. http://hdl.handle.net/1805/11878.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>In 2001, Home Box Office aired Conspiracy, a dramatization of the infamous Wannsee Conference organized by Reinhard Heydrich and Adolf Eichmann. The Conference took place in Berlin on 20 January 1942 and was intended to coordinate the Final Solution by asserting the dominance of Heydrich and the SS over other governmental departments. The surviving Wannsee Protocol stands as one of the most compelling pieces of evidence for the Third Reich’s genocidal intent and emblematic of its shift from mass shootings in the occupied East to indu

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13

Nijdam, Elizabeth. "Stasi, sex and soundtracks: Thomas Brussig's Postalgie." Thesis, 2007. http://hdl.handle.net/1828/182.

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Since the fall of the Wall, a new era of East German literature has emerged. This genre of literature exists even though East Germany’s borders dissolved over a decade and half ago and is challenging the way we think about the former German Democratic Republic. East German author Thomas Brussig is pivotal in this new genre of literature. His novels Helden wie wir (1995), Am kürzeren Ende der Sonnenallee (1999) and Leander Haußmann’s cinematic adaptation, Sonnenallee (1999), confront the negative associations and stereotypes connected with East Germany to deconstruct how formal history has p

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14

Choy, Yong Chan [Verfasser]. "Inszenierungen der völkischen Filmkultur im Nationalsozialismus : "Der Internationale Filmkongress Berlin 1935" / vorgelegt von Yong Chan Choy." 2006. http://d-nb.info/978431200/34.

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15

Baum, Helmar [Verfasser]. "Entscheidungsparameter bei der Filmauswahl von Kinogängern in Deutschland : Kommunikationsstrukturen und Meinungsführerschaft bei Kinofilmrezipienten ; eine Pilotstudie im Kommunikationsraum Berlin / vorgelegt von Helmar Baum." 2003. http://d-nb.info/969221886/34.

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