Gotowe bibliografie tematyczne / Bhakti traditions

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Bhakti traditions”

Autor: Grafiati
Data publikacji: 2 czerwca 2025
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Bhakti traditions"

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Md., Jawaid Akhtar. "COMMON ELEMENTS OF SUFI- BHAKTI TRADITIONS." International Journal of Education &Applied Sciences Research 2, no. 3 (2015): 30–39. https://doi.org/10.5281/zenodo.10687280.

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<strong>Abstract</strong> <em>Religion plays significant role in shaping human relationships which in turns helps in strengthening social bodings and setting up an environment of peaceful coexistence. There is no doubt that each religion of the world preaches peace and love and if interpreted in their true spirits would always help in resolving various social conflicts in the world. When we analyze the socio religious movements of India, two of them; the Sufi and the Bhakti movements, have played quite a significant role in setting up socio-religious harmony in our country. This does not mean
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Gaeffke, Peter. "Karma in North Indian Bhakti Traditions." Journal of the American Oriental Society 105, no. 2 (1985): 265. http://dx.doi.org/10.2307/601706.

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Gopani, Chandraiah. "Democratizing Spiritual Sphere: Radical Bhakti Traditions in the Telugu-Speaking Region in India." CASTE / A Global Journal on Social Exclusion 4, no. 2 (2023): 319–35. http://dx.doi.org/10.26812/caste.v4i2.680.

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The modern anti-caste consciousness has deep roots in medieval bhakti traditions in India. The Bhakti saints like Basavanna, Kabir, Ravidas, Vemana, and Pothuluri Veerabrahmam have contributed towards democratizing the spiritual sphere. The radical bhakti traditions shaped new value systems, cultural practices, language, and other art forms and proposed a new egalitarian society. The tendency of locating subaltern saints within the spiritual domain does not capture the radical visions of an egalitarian society which are articulated in their songs, poems, thoughts, and practice. This article is
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M.G., Indian Institute of Technology, Kharagpur, India, Hari, and H. S. ,. Komalesha, Indian Institute of Technology, Kharagpur, India. "Sacred without God: <i>Bhakti</i> in the Poetry of Arun Kolatkar." Asiatic: IIUM Journal of English Language and Literature 8, no. 2 (2014): 149–63. http://dx.doi.org/10.31436/asiatic.v8i2.494.

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Of all literary traditions that have silhouetted the contours of modern Indian Poetry, the tradition of Bhakti poetry stands out pre-eminently from the rest; it provides a creative template out of which modern Indian English Poetry stems forth. In fact, the subversive poetics of the saint poets that characterises Bhakti poetry becomes a ready tool in the hands of many anti-establishment movements of contemporary Indian literature to critique the established hegemonic structures of the society that prevent a free play of creativity. It is in this context that we can locate the significance of A
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Rajpurohit, Dalpat S. "Sulh-i kull to Vedānta: The Dādū Panth and the Mughal-Rajput imperial paradigm." Modern Asian Studies 56, no. 3 (2022): 924–58. http://dx.doi.org/10.1017/s0026749x21000457.

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AbstractCentred on the ‘devotion to the ineffable divine’ (nirguṇ bhakti), the sectarian community known as the Dādū Panth (lit. ‘Dādū's path) had a class of sant-intellectuals who conceived their tradition on high literary and philosophical grounds. Succeeding on the local level, but aspiring to imperial ties, the intellectuals of the Dādū Panth not only built their community identity in relation to the Mughal-Rajput imperial milieu but also to the overlapping ideals of emerging sulh-i kull (universal peace) and Vedānta paradigms. Such expertise on the part of the Dādū Panthīs made their ties
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Ratti, Manav. "Precarious joy: Meena Alexander, postsecularism, and bhakti poetry." Literature & Theology 38, no. 2 (2024): 181–89. https://doi.org/10.1093/litthe/frae029.

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ABSTRACT This article compares the poetry of Meena Alexander with India’s traditions of bhakti poetry and reads it through a critical lens of postcolonial postsecularism. The devotional and egalitarian strands of bhakti poetry inform Alexander’s questioning of the hierarchies and taxonomies of gender, race, and religion. In turn, bhakti brought Alexander faith and helped her understand her life’s precarities, ones grounded in both worldly and spiritual struggle. A framework of postcolonial postsecularism addresses the aspects of religion and secularism that appealed to Alexander. These aspects
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DeNapoli, Antoinette. "Earning God through the “One-Hundred Rupee Note”: Nirguṇa Bhakti and Religious Experience among Hindu Renouncers in North India". Religions 9, № 12 (2018): 408. http://dx.doi.org/10.3390/rel9120408.

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This article examines the everyday religious phenomenon of nirguṇa bhakti as it is experienced by Hindu renouncers (sādhus) in North India. As an Indian language concept, nirguṇa bhakti characterizes a type of devotion (bhakti) that is expressed in relation to a divinity who is said to be without (nir) the worldly characteristics and attributes of sex and gender, name and form, race and ethnicity, class and caste. Although bhakti requires a relationship between the devotee and the deity, the nirguṇa kind transcends the boundaries of relational experience, dissolving concepts of “self” and “oth
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Anil, Kumar1 Rajveer Kaur2 Vaibhav Kumar Upadhayay3 Raghav Dixit4 Sanjeev Kumar5 Sharang Bali6 Boni Santosh Kumar7 Konda V. V. S. Krishna8 Uriti Sri Venkatesh*9. "Exploring The Role of Bhakti and Pooja Practices in Enhancing Mental, Physical, And Spiritual Health Well-Being." International Journal of Pharmaceutical Sciences 3, no. 1 (2025): 295–309. https://doi.org/10.5281/zenodo.14604928.

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Background: Bhakti (devotion) and Pooja (ritual worship) are integral practices in Indian spiritual traditions, offering significant contributions to mental, physical, and spiritual well-being. Despite their cultural roots, these practices possess universal principles that align with contemporary global well-being paradigms. Objective: This review systematically explores the role of Bhakti and Pooja in enhancing holistic well-being, examining their impact on emotional resilience, physiological health, and spiritual growth. The paper also investigates their potential integration into modern wel
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Dr. Anupama D. Mujumdar. "Religious Philosophy of Guru Nanak: Literary Speculation." Creative Launcher 6, no. 4 (2021): 69–74. http://dx.doi.org/10.53032/tcl.2021.6.4.11.

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India has been a land of diverse culture and traditions. When we say culture it includes many things like language, social customs, food habits, religion and so on. Of this religion seems to be the most influential factor in the life of an individual. It is something which lends meaning and purpose to our life. It is that which binds human beings to the Divine. And this bond can be established through the practise of Bhakti. The concept of Bhakti is an old one. It emphasises devotion to the personal God. Bhakti movement is an important development in the cultural history of India which origina
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Cana Artha, I. Made, and Ni Rai Vivien Pitriani. "The Existence of Hyang Waringin Temple in Kubu Customary Village." International Journal of Multidisciplinary Sciences 2, no. 3 (2024): 298–309. http://dx.doi.org/10.37329/ijms.v2i3.2302.

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A harmonious relationship with God can be realized by thanking, devotion (Bhakti), and belief (Sraddha). Human devotion to God is realized by building a sacred building or temple. There are several temples with unique and high religious values in Bali, especially Hyang Waringin Temple. This temple is located in Kubu Pakraman Village, Bangli District, Bangli Regency. The existence of this temple is unique, which has unique traditions, such as the Ngusabha ceremony during Sasih Kaenem, Nimbang Sanganan Kukus Injin tradition, and the implementation Yadnya tradition held at Hyang Waringin temple l
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Rozprawy doktorskie na temat "Bhakti traditions"

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Shonk, Gregory J. "Vision and Presence: Seeing the Buddha in the Early Buddhist and Pure Land Traditions." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338148835.

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Chemana, Martine. "Derision et devotion dans la tradition dramatique du kerala - inde du sud." Paris, EPHE, 1997. http://www.theses.fr/1997EPHE4030.

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Cette etude s'est donnee pour but de presenter la tradition dramatique du kerala, temoignage unique et vivant de la tradition classique indienne du theatre. Les genres dramatiques foisonnent dans cette region du sudouest de l'inde, veritable conservatoire de diverses traditions dont les plus anciennes remontent au moins au xe siecle de notre ere. Les cinq genres choisis dans cette etude sont le sanghakkali, le cakyar kuttu, le kutiyattam, le kathakali et le tullal. Ils ont ete etudies dans leur contexte de mise en oeuvre ces vingt dernieres annees. Le corpus des differents repertoires, tant le
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Daukes, Jacqueline. "Female voices in the Vārkarī sampradāya : gender constructions in a bhakti tradition." Thesis, SOAS, University of London, 2014. http://eprints.soas.ac.uk/20367/.

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This thesis explores the ways the attribution of women's authorship is used in the construction and development of the Varkari bhakti tradition in order to ask what function the high visibility of female poet-sants (santakaviyatris) in the tradition might have played in the sampradaya's self-understanding and presentation. The thesis investigates why there are so many women associated with the Varkari sampradaya, while the santakaviyatris and the compositions attributed to them are largely absent from contemporary devotional practices. I consider how gender attribution within the sacred biogra
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Bevilacqua, Daniela. "A Past for the Present : the Role of the Śrī Maṭh and the Jagadgurū in the Evolution of the Rāmānandī Sampradāya". Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100050/document.

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Cette thèse vise à décrire comment un ordre religieux subit des processus d'évolution et de transformation qui permettent d'interpréter et de satisfaire les besoins religieux de la société. L'hypothèse à la base de ce travail est que les ordres religieux et les gourous sont des éléments centraux qui caractérisent et influencent la société indienne dans le passé et dans le présent.Je focalise mon attention sur le sampradāya des Rāmānandī –groupe religieux datant de Rāmānanda- qui eut un rôle primordial dans la diffusion de la bhakti de Ram (dévotion envers Ram) dans le nord de l’Inde vers la fi
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Qadar, Abdul. "Vartan bhanji (Gift Exchange) as Social Capital in Punjabi Village : tradition in Transition." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH147.

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La présente étude tente de contextualiser les schémas contemporains des forces sociales dans un village pendjabi, qui ont pour résultat des modifications des pratiques traditionnelles. En effet, il y a des modifications des structures sociales traditionnelles, mais plusieurs pratiques sociales importantes restent liées à leurs racines, ou du moins ne sont pas complètement déracinées. Ainsi, il est probable que la pratique de vartan bhanji (échange de dons) dans un village pendjabi soit un cas utile pour la compréhension des transformations des liens sociaux et leur signification social par rap
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Dhananjay, Kalpana N. "Tradition and modernity in the fictional works of R P Jhabvala, Bharati Mukherjee and Anita Desai." Thesis, 2002. http://hdl.handle.net/2009/3061.

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Johal, Ranbir Kaur. "Where are the women? : the representation of gender in the Bhai Bala janamsakhi tradition and the women's oral janamsakhi tradition." Thesis, 2001. http://hdl.handle.net/2429/11552.

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The janamsakhis are a Sikh literary tradition, which consist of hagiographies concerning Guru Nanak's life and teachings. Although the janamsakhis are not reliable historical sources concerning the life of Guru Nanak, they are beneficial in imparting knowledge upon the time period in which they developed. The representation of women within these sakhis can give us an indication of the general views o f women of the time. A lack of representation of women within the janamsakhi supports the argument that women have traditionally been assigned a subordinate role within patriarchal society.
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Książki na temat "Bhakti traditions"

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Charlotte, Vaudeville, Eck Diana L, and Mallison Franc̜oise, eds. Devotion divine: Bhakti traditions from the regions of India : studies in honour of Charlotte Vaudeville. E. Forsten, 1991.

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Daya, Krishna, Lāṭha Mukunda, Krishna Francine E, Indian Council of Philosophical Research., and Seminar on the Intellectual Dimensions of Bhakti Tradition in India (1988 : Sri Caitanya Prema Sansthan), eds. Bhakti, a contemporary discussion: Philosophical explorations in the Indian Bhakti tradition. Indian Council of Philosophical Research, 2000.

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Seminar on Bhakti Literature and Social Reform (2013 Kakatiya University). Bhakti movement and literature: Re-forming a tradition. Rawat Publications, 2016.

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Indian Institute of Advanced Study, ed. Devotion in Indian tradition. Indian Institute of Advanced Study, 2017.

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author, Parthiban R. K., and Kalidos, R. (Raju), 1947- author, eds. Samāpti-suprabhātam: Reflections on South Indian bhakti tradition in literature and art. Sharada Publishing House, 2017.

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Eck, Diana L. Devotion Devine: Bhakti Traditions from the Regions of India : Studies in Honour of Charlotte Vaudeville (Groningen Oriental Studies). John Benjamins Pub Co, 1991.

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Keune, Jon. Shared Devotion, Shared Food. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197574836.001.0001.

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This book is about a deceptively simple question: when Hindu devotional or bhakti traditions welcomed marginalized people—women, low castes, and Dalits—were they promoting social equality? This is the modern formulation of the bhakti-caste question. It is what Dalit leader B. R. Ambedkar had in mind when he concluded that the saints promoted spiritual equality but did not transform society. While taking Ambedkar’s judgment seriously, when viewed in the context of intellectual history and social practice, the bhakti-caste question is more complex. This book dives deeply into Marathi sources to
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Yadlapati, Madhuri M. Faith and Transcendence in Hindu Traditions. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037948.003.0005.

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This chapter explores several notes of ambiguity or self-correction in Hindu faith: the relationship between mystical certitude and discursive doubt in the Upanishads; bhakti (devotional faith) and the limitations of dharma in the epics; the questioning of assumptions about reality spurred by the doctrine of maya; and the paradoxical character of Hindu theism as reflected in the figure of Shiva. This fourfold examination illustrates ambiguities in a few of the very different strands of Hindu thought and practice. Behind all four thematic strands is a sense that beyond the worldly values of dha
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Ferrari, Fabrizio, and Thomas Dähnhardt, eds. Roots of Wisdom, Branches of Devotion: Plant Life in South Asian Traditions. Equinox Publishing, 2016. http://dx.doi.org/10.1558/isbn.9781781791196.

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Plant life has figured prominently in Indian culture. Archaeobotanical findings and Vedic texts confirm that plants have been central not only as a commodity (sources of food; materia medica; sacrificial matter; etc.) but also as powerful and enduring symbols. Roots of Wisdom, Branches of Devotion: Plant Life in South Asian Traditions explores how herbs, trees, shrubs, flowers and vegetables have been studied, classified, represented and discussed in a variety of Indian traditions such as Vedism, Hinduism, Jainism, Buddhism, indigenous cultures and Islam. Moving from an analysis of the sentien
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McDaniel, June. Hinduism. Edited by John Corrigan. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195170214.003.0004.

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Emotion is viewed in both positive and negative ways in the Hindu religious and philosophical traditions. In those traditions that are more ascetic and emphasize mental control, emotions are distractions which need to be stilled. In those traditions that emphasize love of a deity, emotions are valuable—but they must be directed and transformed. However, in order to study emotion in the Hindu tradition, we must first look at the meaning of the term “Hinduism.” There are at least six major types of Hinduism: Hindu folk religion, Vedic religion, Vedantic Hinduism, yogic Hinduism, dharmic Hinduism
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Części książek na temat "Bhakti traditions"

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Das, Rahul Peter, Heinz Werner Wessler, and Catharina Kiehnle. "Hagiographien der Bhakti-Tradition." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22730-1.

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Coolidge, R. David. "Caitanya Vaiṣṇavism and Muslim Studies of the Hindu Tradition." In Hindu Bhakti Through Muslim Eyes. Routledge, 2025. https://doi.org/10.4324/9781003571155-5.

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Ahan, Akhlaque Ahmad. "Sufi and Bhakti Tradition: Corresponding and Divergent Trends." In Islam in India. Routledge, 2023. http://dx.doi.org/10.4324/9781003400202-4.

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Doniger, Wendy. "Bhakti and Accidental Grace: Hate as Love in the Hindu Tradition." In Faith, Hope, and Love. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95062-0_14.

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Pastore, Rosina. "Exploring the Relationship between Bhakti, Bhakta, and Yoga in the Prabodhcandroday Nāṭak by Brajvāsīdās." In Literary Cultures in Early Modern North India. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192889348.003.0016.

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Abstract This chapter attempts to uncover the relationship between bhakti, bhaktas and yoga in the Prabodhcandroday nāṭak by Brajvāsīdās. The author, apparently a Vallabhite, retold the allegorical drama in Brajbhāṣā by blending its own peculiar form of Vedānta with bhakti in the 18th century. I analyse the portrayal of nine characters in the text: eight are personifications of the limbs of Patañjali’s yoga; the ninth is Viṣṇubhakti, embodying devotion to Viṣṇu. My investigation reveals that their portrayals are influenced by Patañjala yoga, by central texts of the Vaishnava traditions, such a
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Keune, Jon. "Sightings of Bhakti and Its Social Impact." In Shared Devotion, Shared Food. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197574836.003.0003.

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This chapter shows the regional variations of bhakti traditions and how this diversity complicates theorizing about bhakti. Attempts at providing a general overview take one or another (usually North Indian) regional tradition for granted as representative. In bhakti scholarship, this has over-emphasized aspects of some traditions while suppressing others. The book’s perspective is based in the Marathi-speaking territory of western India (roughly, Maharashtra) where issues of caste and untouchability featured prominently in the region’s traditions. It is no coincidence that Maharashtra was hom
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Keune, Jon. "Bhakti in the Shadow of Ambedkar." In Shared Devotion, Shared Food. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197574836.003.0008.

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This chapter concludes the book by reflecting on the study of bhakti in the shadow of Ambedkar and its effects on historiography and ramifications for contemporary traditions. It argues hagiographers’ strategic ambiguity and the performative nature of bhakti traditions functioning as a resonance chamber led to an ideology of inclusive difference within the Vārkarī tradition. The semantic density of food facilitated this process especially well. In the 19th and 20th centuries, traditional strategic ambiguity and inclusive ideology did not measure up well against the newly articulated standard o
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Prentiss, Karen Pechilis. "Pilgrimage and Praise." In The Embodiment of Bhakti. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195128130.003.0004.

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Abstract Pilgrimage is a prominent feature in Indian religious traditions. The pervasiveness of pilgrimage, whether ihonor of a natural site, a founder figure, or a god, has prompted many to consider it a pan-Indian phenomenon; for example, Stella Kramrisch asserts that “the sacred geography of India recognizes the whole country as a field of more than human activity. It is carried by the rivers, from the celestial region where they have their prototype and origin, down to the earth.” When traditions of pilgrimage are taken collectively, this is an accurate impression. However, even a brief re
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Poitevin, Guy, and Hema Rairkar. "Une source pour l’étude de la bhakti marathe." In Traditions orales dans le monde indien. Éditions de l’École des hautes études en sciences sociales, 1996. http://dx.doi.org/10.4000/books.editionsehess.25783.

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Venkatkrishnan, Anand. "Family Ties." In Love in the Time of Scholarship. Oxford University PressNew York, 2025. http://dx.doi.org/10.1093/oso/9780197776636.003.0004.

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Abstract This chapter understands the place of bhakti in Brahmin identity by reconstructing the scholarly lives of the Dēvas, a family of Maharashtrian Brahmins who lived in Banaras in the sixteenth and seventeenth centuries. The Dēvas attempted to reconcile their personal religious convictions with their public lives as scholars and teachers in a multilingual world. Although they wrote only in Sanskrit, they argued that the everyday practices of bhakti, especially in vernacular languages, should be respected and celebrated by Brahmins. The chapter contextualizes the impact of bhakti on their
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Streszczenia konferencji na temat "Bhakti traditions"

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Chattopadhyay, Shrimoyee. "Widowhood: A Cultural Study and Its Impact on Diasporic Female Identity." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8430.

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From the South-Asian perspective widows are considered as inauspicious and harbinger of bad luck. They are subjected to abusive practices, such as violation of human rights, and physical and emotional violence, under the pretext of social and cultural taboos. However, this paper explores how widows contest stereotypical norms, as established by the conventional South Asian society, in the diasporic context. Through a comparative analysis of the female characters in the novels of Jhumpa Lahiri’s The Namesake (2003), Bharati Mukherjee’s Jasmine (1989), and Krutin Patel’s film, ABCD: It’s About C
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