Gotowe bibliografie tematyczne / Cartoons, satire, etc

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Gotowa bibliografia na temat „Cartoons, satire, etc”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Cartoons, satire, etc"

Pokhrel, Devi Prasad. "The Political Aspect of Cartoons: Rediscovering the Power of Print Media." Scientific Researches in Academia 2, no. 2 (2024): 7–16. https://doi.org/10.3126/sra.v2i2.74273.

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Cartoons in print media portray social reality through the satire of political scenarios. The regular cartoons in Nepali newspapers quite frequently raise an evoking, critical awareness about contemporary political, social, and cultural issues. This paper will analyze one cartoon from each of four popular Nepali cartoonists. Such cartoons will be sifted for their use of Nepali colloquialisms, texture, colors, signs, symbols, roles of mythical characters, etc., to critique current issues with the sharpness they deserve. The analysis is going to be framed using the last three pillars of Marshall

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Polli, Chiara, and Carlo Berti. "Framing right-wing populist satire: The case-study of Ghisberto’s cartoons in Italy." Punctum. International Journal of Semiotics 06, no. 02 (2021): 29–55. http://dx.doi.org/10.18680/hss.2020.0020.

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Abstract Over the last few years, right-wing populism has increased its popularity and political weight, successfully merging with Euro-scepticism, nationalism, xenophobia, religious symbolism, and aggressive forms of conservatism (e.g., anti-feminism, homophobia, and, in general, patriarchal politics). Several studies have focused on the communication strategies of contemporary populism, examining the latter’s use of traditional and new media. So far, however, little attention has been paid to the role and language of right-wing populist satire. Our study draws on the ideational approach to p

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Volynets, G., та S. Albinovska. "СУСПІЛЬНІ НАРАТИВИ В СУЧАСНІЙ УКРАЇНСЬКІЙ ПОЛІТИЧНІЙ КАРИКАТУРІ". State and Regions. Series: Social Communications, № 4(44) (5 лютого 2021): 56. http://dx.doi.org/10.32840/cpu2219-8741/2020.4(44).9.

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The purpose of the study is to identify and characterize social narratives in modern Ukrainian political cartoons («NV» and «Tyzhden.ua» web sites) for 2015–2020).Research methodology. In the course of the research the following methods were used: method of monitoring and analysis of documentary sources («NV</e

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Adascalita, Lucia. "The plastic expression of everyday life in the satirical graphics of the artist Glebus Sainciuc." Arta 32, no. 1 (2023): 93–99. http://dx.doi.org/10.52603/arta.2023.32-1.13.

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Glebus Sainciuc is known in the artistic and cultural space of the Republic of Moldova, thanks to his pictorial works, papier-mâché masks and remarkable drawing sheets. Initially, the protagonist debuts in the art of easel painting, so as over decades to also enrich his area of interest through a vast activity in the art of masks, the art of social caricature and friendly cartoons. Caricature, as a genre of plastic creation, was practiced by artist Glebus Sainciuc mainly in the late 50s - early 60s of the 20th century. His debut in satirical graphics coincides with the period of time in which

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Nolan, Huw, Jenny Wise, and Lesley McLean. "The Clothes Maketh the Cult." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2971.

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Introduction Many people interpret the word ‘cult’ through specific connotations, including, but not limited to, a community of like-minded people on the edge of civilization, often led by a charismatic leader, with beliefs that are ‘other’ to societal ‘norms’. Cults are often perceived as deviant, regularly incorporating elements of crime, especially physical and sexual violence. The adoption by some cults of a special uniform or dress code has been readily picked up by popular culture and has become a key ‘defining’ characteristic of the nature of a cult. In this article, we use the semiotic

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Rozprawy doktorskie na temat "Cartoons, satire, etc"

Gruda, Mateus Pranzetti Paul [UNESP]. "O discurso politicamente incorreto e do escracho em South Park." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/97548.

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Made available in DSpace on 2014-06-11T19:29:01Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-06-16Bitstream added on 2014-06-13T20:58:59Z : No. of bitstreams: 1 gruda_mpp_me_assis.pdf: 741050 bytes, checksum: 2c4c9e7a078c7baa8e463304f18ad9c6 (MD5) Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) Neste trabalho fazemos uma análise do humor politicamente incorreto e escrachado do desenho animado estadunidense South Park tendo como norte: (1) que embora a comicidade na contemporaneidade esteja neutralizada e abrandada pelo humorismo light e politicamente corre

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Raynolds, Nicholas. "the emotional plague." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3773.

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The artist discusses his Master of Fine Arts thesis exhibition “the emotional plague” held at the Reese Museum in Johnson City, Tennessee from March 2nd through March 27th, 2020 in which he examines a number of literary and invented narrative subjects influenced by science fiction, Surrealism and the current political climate in an attempt to reconcile the social and the personal through the creative act. Largely improvisational in their conception, the paintings and drawings in this exhibition reflect ideas derived from writers, thinkers and artists including Wilhelm Reich, J.G. Ballard, W.S.

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Książki na temat "Cartoons, satire, etc"

Guston, Philip. Philip Guston's Poor Richard. University of Chicago Press, 2001.

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Bricker, Balken Debra, ed. Philip Guston's Poor Richard. University of Chicago Press, 2001.

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Jim, Borgman, ed. Thrashed. Andrews McMeel Pub., 2005.

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Darling, Jay N. As Ding saw Herbert Hoover. Iowa State University Press, 1996.

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Milligan, Spike. Rommel? "Gunner Who?": A confrontation in the desert. ISIS, 1995.

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Labridy-Stofle, Corine. La Caricature, 1830-1835: Lithographies complètes : an illustrated catalogue raisonné of the lithographs. Alan Wofsy Fine Arts, 2017.

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McGruder, Aaron. Birth of a nation: A comic novel. Crown Publishers, 2004.

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Reginald, Hudlin, and Baker Kyle, eds. Birth of a nation: A comic novel. Three Rivers Press, 2004.

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Canik, Elçin Gün. Cadaloz mizah gazetesinde Osmanlı'dan algı ve imgeler, 1911. Libra Kitap, 2020.

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WWII in Cartoons. Grub Street, 2014.

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Streszczenia konferencji na temat "Cartoons, satire, etc"

Adascalita-Crigan, Lucia. "The narrative and its role in the creation of Alexei Grabco." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.10.

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In the caricature genre of the Republic of Moldova, Alexei Grabco asserted himself as a cartoonist who, through his graphic sheets, raised to a new value the artistic and spiritual dimension of humoristic-satirical drawings. His field of creation includes scenes taken from the society of his time, as well as the results of, subtle and critical analyzes on topics related to morals, religion, culture, etc. Even if his works are part of the realism of the time, in which caricaturists such as Iurie Rumeantsev, Nicolae Macarenco, Zigfrid Polingher, Leonid Domnin are also asserted, the plastic artis

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