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Artykuły w czasopismach na temat „Censorship”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Gheo, Radu Pavel. "An instance of ante imprimatur censorship: self-censorship." Analele Universității de Vest. Seria Științe Filologice 62, no. 62 (2024): 147–59. https://doi.org/10.35923/autfil.62.12.

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The institution of censorship in the communist regime is still an insufficiently explored field of study. The present study proposes at first a simple, yet functional classification of the acts of censorship imposed at that time on printed texts in general, and on literary texts in particular; it is what I have called here “ante imprimatur censorshipˮ and “post imprimatur censorshipˮ. The first refers to the censorship of texts written during the communist period and subjected to censorship before reaching print. The second illustrates the more complex – and more common – status of texts publi

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2

Owen, Ursula, Marie Korpe, and Ole Reitov. "Censorship? What censorship?" Index on Censorship 27, no. 6 (1998): 5. http://dx.doi.org/10.1080/03064229808536444.

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3

Kis, Danilo. "Censorship/Self Censorship." Index on Censorship 15, no. 1 (1986): 43–45. http://dx.doi.org/10.1080/03064228608534021.

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4

Mehta, Monika. "Censorship." BioScope: South Asian Screen Studies 12, no. 1-2 (2021): 49–52. http://dx.doi.org/10.1177/09749276211026105.

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5

Oster, John. "Censorship." English Journal 86, no. 4 (1997): 11. http://dx.doi.org/10.2307/820978.

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6

Jackson, Edward M. "Censorship." Journal of Toxicology: Cutaneous and Ocular Toxicology 12, no. 3 (1993): 203–4. http://dx.doi.org/10.3109/15569529309053632.

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7

Jackson, Edward M. "Censorship." Journal of Toxicology: Cutaneous and Ocular Toxicology 15, no. 1 (1996): 97–98. http://dx.doi.org/10.3109/15569529609044477.

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8

Meyer, Richard. "Censorship." American Art 23, no. 1 (2009): 22–24. http://dx.doi.org/10.1086/599057.

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9

정근식. "Colonial Censorship and 'Standard of Censorship'." DAEDONG MUNHWA YEON'GU ll, no. 79 (2012): 7–43. http://dx.doi.org/10.18219/ddmh..79.201209.7.

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10

Goodman, Giora. "Censorship of Arab Cinema in the State of Israel, 1948-1967." Iyunim Multidisciplinary Studies in Israeli and Modern Jewish Society 39 (December 31, 2023): 199–224. http://dx.doi.org/10.51854/bguy-39a158.

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This article examines government censorship of Arab films in the first two decades of the State of Israel, through extensive archival use of documents of the Israeli Film and Theater Censorship Board. The state authorities had wanted to ban altogether the import of films made in Egypt, where the majority of Arab films were produced, but this was impossible due to the entertainment needs of the Arab minority in Israel, and of Jewish immigrants from Arab countries. The article sheds light on the government's efforts to restrict as much as possible the showing of Arab films and censor their conte

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11

Sobolev, Alexander L. "Russian modernism and censorship: Notes on the issue." Philological Sciences. Scientific Essays of Higher Education 1, no. 2 (2024): 101–12. http://dx.doi.org/10.20339/phs.2.1-24.101.

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The article presents cautious complaints about the tradition of neglecting the issue of censorship’s persecution of modernist publications. An approximate range of printed and handwritten sources for the description of censorship practices is outlined. The preliminary list of poetry collections for which official restrictions were implied and/or imposed is provided. With the help of archival sources, the history of the prohibition and subsequent release of the two issues of the main Symbolist magazines, “Vesy” and “Zolotoye Runo”, is reconstructed. The algorithm of the supervisory mechanism co

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12

Roberts, Margaret E. "Resilience to Online Censorship." Annual Review of Political Science 23, no. 1 (2020): 401–19. http://dx.doi.org/10.1146/annurev-polisci-050718-032837.

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To what extent are Internet users resilient to online censorship? When does censorship influence consumption of information and when does it create backlash? Drawing on a growing literature on Internet users’ reactions to censorship, I posit that awareness of censorship, incentives to seek out information, and resources to circumvent censorship are essential to resilience to censorship. I describe how authoritarian regimes have adapted their strategies of censorship to reduce both awareness of censorship and demand for uncensored information.

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13

Derbel, Emira. "Feminist Graphic Narratives: The Ongoing Game of Eluding Censorship." Mediterranean Journal of Social Sciences 10, no. 1 (2019): 49–57. http://dx.doi.org/10.2478/mjss-2019-0005.

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Abstract Censorship today has been acquainted with the action of silencing, suppressing or even making unheard and unseen what is considered as culturally and socially unacceptable. Its omnipresent and widespread aspect made the concept touches upon all literary genres among which graphic narratives by women prove to be censorship’s target. The medium’s multimodality and ability to explore culturally, socially and religiously troubling spaces has categorized feminist graphic narratives as “soft weapons” endowed with a stylistic capacity and a system of grammar to subvert and to resist control.

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14

Gould, David. "Wittgenstein and censorship." Empedocles: European Journal for the Philosophy of Communication 13, no. 2 (2022): 97–115. http://dx.doi.org/10.1386/ejpc_00044_1.

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The current debates around censorship are about more than whether or not censorship is desirable. These debates are also about what counts as censorship. The question of what counts as censorship is a relatively new one since the Liberal conception of censorship was taken as given until the 1980s. Since then, a new approach to understanding censorship has gained momentum. What Matthew Bunn calls ‘New Censorship Theory’ argues that the Liberal conception is far too narrow to properly encompass the vast complexities of censorship. New Censorship Theory does not deny the insights offered by the L

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15

Schupak, Esther B. "Redefining Censorship." European Judaism 51, no. 2 (2018): 134–42. http://dx.doi.org/10.3167/ej.2018.510219.

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Abstract Because of its potential for fostering antisemitic stereotypes, in the twentieth century The Merchant of Venice has a history of being subject to censorship in secondary schools in the United States. While in the past it has often been argued that the play can be used to teach tolerance and to fight societal evils such as xenophobia, racism and antisemitism, I argue that this is no longer the case due to the proliferation of performance methods in the classroom, and the resultant emphasis on watching film and stage productions. Because images – particularly film images – carry such st

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16

Reynolds, Stephanie. "Censorship Dateline." Journal of Intellectual Freedom & Privacy 5, no. 3 (2021): 33–35. http://dx.doi.org/10.5860/jifp.v5i3.7514.

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17

Reichman, Hank. "Censorship Dateline." Journal of Intellectual Freedom and Privacy 1, no. 4 (2017): 32. http://dx.doi.org/10.5860/jifp.v1i4.6319.

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18

Reichman, Hank. "Censorship Dateline." Journal of Intellectual Freedom and Privacy 2, no. 2 (2017): 37. http://dx.doi.org/10.5860/jifp.v2i2.6477.

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19

Stone, David R. "Censorship Dateline." Journal of Intellectual Freedom and Privacy 2, no. 3-4 (2018): 48. http://dx.doi.org/10.5860/jifp.v2i3-4.6647.

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20

Stone, David R. "Censorship Dateline." Journal of Intellectual Freedom & Privacy 3, no. 1 (2018): 24. http://dx.doi.org/10.5860/jifp.v3i1.6740.

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21

Stone, David R. "Censorship Dateline." Journal of Intellectual Freedom & Privacy 3, no. 2-3 (2019): 18. http://dx.doi.org/10.5860/jifp.v3i2-3.6917.

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22

Stone, David R. "Censorship Dateline." Journal of Intellectual Freedom & Privacy 4, no. 1 (2019): 50. http://dx.doi.org/10.5860/jifp.v4i1.7010.

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23

Stone, David R. "Censorship Dateline." Journal of Intellectual Freedom & Privacy 4, no. 2 (2019): 12. http://dx.doi.org/10.5860/jifp.v4i2.7191.

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24

Stone, David R. "Censorship Dateline." Journal of Intellectual Freedom & Privacy 4, no. 3 (2020): 18. http://dx.doi.org/10.5860/jifp.v4i3.7323.

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25

Stone, David R. "Censorship Dateline." Journal of Intellectual Freedom & Privacy 4, no. 4 (2020): 49. http://dx.doi.org/10.5860/jifp.v4i4.7393.

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26

Reynolds, Stephanie. "Censorship Dateline." Journal of Intellectual Freedom & Privacy 5, no. 1 (2020): 43. http://dx.doi.org/10.5860/jifp.v5i1.7462.

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27

Schupak, Esther B. "Redefining Censorship." European Judaism 51, no. 2 (2018): 134–42. http://dx.doi.org/10.3167/ej.2017.510219.

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Because of its potential for fostering antisemitic stereotypes, in the twentieth century The Merchant of Venice has a history of being subject to censorship in secondary schools in the United States. While in the past it has often been argued that the play can be used to teach tolerance and to fight societal evils such as xenophobia, racism and antisemitism, I argue that this is no longer the case due to the proliferation of performance methods in the classroom, and the resultant emphasis on watching film and stage productions. Because images – particularly film images – carry such strong emot

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28

Coyne, Kevin. "Resist censorship." Nursing Standard 21, no. 32 (2007): 26–27. http://dx.doi.org/10.7748/ns.21.32.26.s31.

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29

Priddle, Clive. "Censorship? Hardly." Index on Censorship 50, no. 1 (2021): 78–80. http://dx.doi.org/10.1177/03064220211012311.

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30

Stroshane, Eric. "Censorship Dateline." Journal of Intellectual Freedom & Privacy 6, no. 1 (2021): 6–13. http://dx.doi.org/10.5860/jifp.v6i1.7593.

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31

Sweeney, John. "Chaos censorship." Index on Censorship 51, no. 1 (2022): 133–34. http://dx.doi.org/10.1177/03064220221085933.

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32

Israel, Elfie. "Censorship Issue." English Journal 86, no. 5 (1997): 12. http://dx.doi.org/10.2307/820433.

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33

Hoffman, Barbara, and Robert Storr. "Censorship II." Art Journal 50, no. 4 (1991): 14. http://dx.doi.org/10.2307/777317.

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34

Freedberg, David. "Censorship Revisited." Res: Anthropology and Aesthetics 21 (March 1992): 5–11. http://dx.doi.org/10.1086/resv21n1ms20166838.

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35

McDonald, James R. "Rock Censorship." Popular Culture in Libraries 1, no. 4 (1994): 63–70. http://dx.doi.org/10.1300/j117v01n04_03.

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36

Rich, Vera. "Chernobyl censorship." Nature 339, no. 6219 (1989): 5. http://dx.doi.org/10.1038/339005e0.

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37

Niziołek, Grzegorz. "Affective Censorship." Teksty Drugie 1 (2017): 111–19. http://dx.doi.org/10.18318/td.2017.en.1.7.

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38

Bambauer, Derek E. "Censorship v3.1." IEEE Internet Computing 17, no. 3 (2013): 26–33. http://dx.doi.org/10.1109/mic.2013.23.

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39

Gray, Anthony. "Bloody Censorship." Alternative Law Journal 37, no. 1 (2012): 37–40. http://dx.doi.org/10.1177/1037969x1203700109.

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40

Tegmark, Max. "Cosmic censorship." Nature 415, no. 6870 (2002): 374–75. http://dx.doi.org/10.1038/415374a.

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41

Friedman, John L., Kristin Schleich, and Donald M. Witt. "Topological censorship." Physical Review Letters 71, no. 10 (1993): 1486–89. http://dx.doi.org/10.1103/physrevlett.71.1486.

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42

Richet, Jean-Loup. "Overt censorship." Communications of the ACM 56, no. 8 (2013): 37–38. http://dx.doi.org/10.1145/2492007.2492021.

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43

Visser, Matt, B. A. Bassett, and S. Liberati. "Superluminal censorship." Nuclear Physics B - Proceedings Supplements 88, no. 1-3 (2000): 267–70. http://dx.doi.org/10.1016/s0920-5632(00)00782-9.

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44

Horton, John. "Self-Censorship." Res Publica 17, no. 1 (2011): 91–106. http://dx.doi.org/10.1007/s11158-011-9145-3.

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45

Earman, John. "Cosmic Censorship." PSA: Proceedings of the Biennial Meeting of the Philosophy of Science Association 1992, no. 2 (1992): 171–80. http://dx.doi.org/10.1086/psaprocbienmeetp.1992.2.192833.

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46

Faris, Robert, Stephanie Wang, and John Palfrey. "Censorship 2.0." Innovations: Technology, Governance, Globalization 3, no. 2 (2008): 165–87. http://dx.doi.org/10.1162/itgg.2008.3.2.165.

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47

EARDLEY, DOUGLAS M. "Cosmic Censorship." Annals of the New York Academy of Sciences 688, no. 1 (1993): 408–17. http://dx.doi.org/10.1111/j.1749-6632.1993.tb43913.x.

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48

Shadmehr, Mehdi, and Dan Bernhardt. "State Censorship." American Economic Journal: Microeconomics 7, no. 2 (2015): 280–307. http://dx.doi.org/10.1257/mic.20130221.

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We characterize a ruler's decision of whether to censor media reports that convey information to citizens who decide whether to revolt. We find: (i) a ruler gains (his ex ante expected payoff increases) by committing to censoring slightly less than he does in equilibrium: his equilibrium calculations ignore that censoring less causes citizens to update more positively following no news; (ii) a ruler gains from higher censorship costs if and only if censorship costs exceed a critical threshold; (iii) a bad ruler prefers a very strong media to a very weak one, but a good ruler prefers the opposi

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49

Sluzki, Carlos E. "Censorship looming." American Journal of Orthopsychiatry 73, no. 2 (2003): 131–32. http://dx.doi.org/10.1037/0002-9432.73.2.131.

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50

Hoffman, Barbara, and Robert Storr. "Censorship II." Art Journal 50, no. 4 (1991): 14–15. http://dx.doi.org/10.1080/00043249.1991.10791473.

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