Gotowe bibliografie tematyczne / Charlie's angels

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Gotowa bibliografia na temat „Charlie's angels”

Autor: Grafiati
Data publikacji: 29 lipca 2024
Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Charlie's angels"

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Sari, Andika Kartika. "Studi Cara Pandang Perempuan Dalam Film Charlie’s Angels." Populis : Jurnal Sosial dan Humaniora 7, no. 2 (2022): 332. http://dx.doi.org/10.47313/pjsh.v7i2.1854.

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<p><em><span lang="EN-US">Film is a medium for delivering messages through moving images. However, often in film narratives, there is a point of view of the dominance of male characters as subjects and active characters while women as passive characters or objects. Thus, women are often seen as a group that is vulnerable to violence, both sexual and symbolic violence. This article aimed to find a woman's point of view in Charlie's Angels, where women are seen as the dominant subject and not a vulnerable group. This research employed a descriptive-qualitative research method w
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2

Mogilevich, Mariana. "Charlie's Pussycats." Film Quarterly 55, no. 3 (2002): 38–44. http://dx.doi.org/10.1525/fq.2002.55.3.38.

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The recent films Charlie's Angels and Josie and the Pussycats, filmic remakes of 1970s television series, and furthermore of each other, may be indicative of a new direction for film, which is precisely the direction of television. These new films serve as indexes of each other and of the popular culture from which they have been compiled. As remakes become more common and films rely ever more on our familiarity with other forms of mass media, the vast cultural-industrial complex Theodor Adorno denounced a half-century ago seems to be at its most effective.
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Hong, Qiwen. ""Don't Call Me Angel": The Construction of Female Representation from a Postfeminist Perspective." Lecture Notes in Education Psychology and Public Media 40, no. 1 (2024): 18–23. http://dx.doi.org/10.54254/2753-7048/40/20240686.

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Charlie's Angels (2019) is considered a feminist film, dedicated to promoting women's empowerment and gender equality related discourse. Don't Call Me Angel is the theme song of Charlie's Angels, co-performed by Ariana Grande, Miley Cyrus and Lana Del Rey, which advocates women's control over the body, eliminating gender stereotypes, bold self-expression as well as encouraging sisterhood. This article critically discusses the construction of female images in this pop music video from a postfeminist perspective, which means that this study adopts a qualitative method of social semiotics to draw
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4

White, Rosie. "Lipgloss Feminists: Charlie's Angels and The Bionic Woman." Storytelling: A Critical Journal of Popular Narrative 5, no. 3 (2006): 171–83. http://dx.doi.org/10.3200/stor.5.3.171-183.

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Ais Navila, Sekarayu Nuringtyas,. "WOMEN’S LANGUAGE FEATURES ON UTTERANCES OF CHARLIE’S ANGELS MOVIE." Jurnal Penelitian Humaniora 23, no. 1:Februari (2022): 12–20. http://dx.doi.org/10.23917/humaniora.v23i1.18064.

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The study entitled Women's Language Features on Utterances of Charlie's Angels Movie seeks to examine women's language features and the reasons of using the features by the three main women character. The data was taken from the utterances of the Charlie's Angels (2019) movie. The researchers used Lakoff's hypothesis to investigate women's language features. Lakoff (1975) suggested ten language features for women, but this analysis only found nine features in this movie, namely lexical hedges or fillers, intensifiers, tag question, emphatic stress, rising intonation on declaratives, avoidance
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Nuringtyas, Sekarayu, and Ais Navila. "WOMEN’S LANGUAGE FEATURES ON UTTERANCES OF CHARLIE’S ANGELS MOVIE." Jurnal Penelitian Humaniora 23, no. 1 (2022): 12–20. http://dx.doi.org/10.23917/humaniora.v23i1.19162.

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The study entitled Women's Language Features on Utterances of Charlie's Angels Movie seeks to examine women's language features and the reasons of using the features by the three main women character. The data was taken from the utterances of the Charlie's Angels (2019) movie. The researchers used Lakoff's hypothesis to investigate women's language features. Lakoff (1975) suggested ten language features for women, but this analysis only found nine features in this movie, namely lexical hedges or fillers, intensifiers, tag question, emphatic stress, rising intonation on declaratives, avoidance
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7

Yolanda, Thalia, I. Nyoman Udayana, and Novita Mulyana. "Negative Politeness Strategies Applied in the Movie Charlie’s Angels 2019." Devotion: Journal of Community Service 3, no. 7 (2022): 670–80. http://dx.doi.org/10.36418/dev.v3i7.162.

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This research is a pragmatic study of the use of negative politeness strategies. This study aims to identify negative politeness strategies used by characters in films and to analyze why characters in films use negative politeness strategies in their speech. This study will use a qualitative method in utilizing the study of negative politeness strategies by describing the problem as clearly as possible. The data will be taken from a film called Charlie's Angels 2019. The theory that will be used in this research is the theory proposed by Brown and Levinson's negative politeness strategy in 199
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8

Situmorang, Renita Krisdayanti, and Herman Herman. "AN ANALYSIS OF SLANG LANGUAGE STYLES USED IN CHARLIE’S ANGELS MOVIE." Journal of English Educational Study (JEES) 4, no. 1 (2021): 21–29. http://dx.doi.org/10.31932/jees.v4i1.820.

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This study was focused on determine the types of use slang language style. The types of slangs were analyzed from “Charlie’s Angels” movie. Theories used in this research were Sumarsono (2007) about the types of slang language style and Zhou & Fan (2013) about the functions of slang language. This study was conducted using a descriptive qualitative method.This research is the kind of content analysis study based on the way to do qualitative research. The way to collects the data are; downloading movie, watching movie and downloading movie subtitle. The data were from a movie entitled “Char
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9

Triana, Defa Ayu, Prawinda Putri Anzari, and Nanda Harda Pratama Meiji. "Representasi Girl Power dan Perlawanan Domestifikasi Perempuan dalam Film Charlie’s Angel (2019." SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial Dan Humaniora 7, no. 2 (2021): 39–48. http://dx.doi.org/10.30738/sosio.v7i2.10235.

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Various gender-biased films still place women as weak and only occupy tasks in the domestic sphere. There is still a public perception that women cannot carry out significant tasks in the public sector. This study aims to represent girl power and the resistance to female domestication through film media based on these problems. This study uses a qualitative method of John Fiske's semiotic analysis, including the code level of reality, representation, and ideology. The study results show that the power of women in the Charlie's Angel (2019) movie has intellectual abilities. They can become a le
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10

Ciornei, Laurențiu. "Ambasadorul englez al României sălbatice, Charlie Ottley: ”Legea silvică în sine nu este rea, dar nu există voință sau finanțarea necesară pentru aplicarea acesteia”." Bucovina Forestiera 19, no. 2 (2019): 189–92. http://dx.doi.org/10.4316/bf.2019.024.

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Jurnalistul britanic Charlie Ottley este, de aproape un deceniu, unul dintre cei mai perseverenți ambasadori ai imaginii României în lume. Fascinat de frumusețea și naturalitatea țării noastre, Charlie face emisiuni de televiziune, scrie editoriale și reportaje pentru cele mai prestigioase canale media din lume, necontenind să laude măreția și sălbăticia munților Carpați sau biodiversitatea. Născut în urmă cu 49 de ani la Winchester, în Anglia, Charlie a devenit prieten al României după de a colindat lumea în lung și-n lat spre a descoperi frumuseți. Mereu a fost omul încercat de focul cunoașt
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