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Artykuły w czasopismach na temat „Chikamatsuza”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Vanzelli, José Carvalho. "Shinjū Ten no Amijima, de Chikamatsu Monzaemon." Aletria: Revista de Estudos de Literatura 33, no. 3 (2023): 208–28. https://doi.org/10.35699/2317-2096.2023.46136.

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Abstract: Japan's puppet theater, bunraku, also known as ningyō jōruri, is one of the four traditional forms of Japanese dramatic art. Although the structure of bunraku has already been adequately studied in Portuguese language, its plays still lack, in Brazilian literary studies, a more in-depth analytical look. It was for bunraku that some of the main texts of Japanese dramatic literature were written, with special emphasis on the works of Chikamatsu Monzaemon (1653-1725), the most important playwright of pre-modern Japan (1600-1868). This article aims to make considerations about the play S

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2

แก้วฤทธิเดช, ลัดดา. "Chikamatsu กับทฤษฎีศิลปะการละคร (Chikamatsu and His Dramatic Theory)". Journal of Letters 28, № 2 (1999): 34–44. http://dx.doi.org/10.58837/chula.jletters.28.2.2.

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3

Gerstle, C. Andrew. "Hero as Murderer in Chikamatsu." Monumenta Nipponica 51, no. 3 (1996): 317. http://dx.doi.org/10.2307/2385613.

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4

Saltzman-Li, Katherine. "Chikamatsu: Five Late Plays (review)." Asian Theatre Journal 19, no. 2 (2002): 357–59. http://dx.doi.org/10.1353/atj.2002.0038.

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5

Dewi, Putu Mia Sintya, Ni Luh Putu Ari Sulatri, and I. Made Sendra. "Shinju Dalam Cerpen Sonezaki Shinju dan Cerpen Shinju Ten No Amijima Karya Chikamatsu Monzaemon." Humanis 24, no. 2 (2020): 159. http://dx.doi.org/10.24843/jh.2020.v24.i02.p07.

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The title of this research is “Shinju in Sonezaki Shinju and Shinju Ten no Amijima, Short Stories by Chikamatsu Monzaemon”. This research aims to examine the background factors of shinju and the author's view of shinju in the Sonezaki Shinju short story and Chikamatsu Monzaemon's Shinju Ten no Amijima short story. The method used in this research is a descriptive analysis method by Ratna (2015). The theory used in this research are the sociological theory of literature proposed by Wellek & Werren (1990), the author's worldview theory proposed by Goldmann in Faruk (2010) and suicide theory

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6

Coats, Karen. "Somewhere Among by Annie Donwerth-Chikamatsu." Bulletin of the Center for Children's Books 69, no. 9 (2016): 462–63. http://dx.doi.org/10.1353/bcc.2016.0406.

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7

Gerstle, C. Andrew. "Heroic Honor: Chikamatsu and The Samurai Ideal." Harvard Journal of Asiatic Studies 57, no. 2 (1997): 307. http://dx.doi.org/10.2307/2719482.

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8

Lee, Su-Hyang. "The Use of “Beshi” in Chikamatsu Sewamonozyoururi." Korean Journal of Japanese Education 54 (February 28, 2021): 217–30. http://dx.doi.org/10.21808/kjje.54.13.

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9

Mollard, Nicolas. "Chikamatsu Hanji, Imoseyama ou l’éducation des femmes." Cipango, no. 18 (June 1, 2011): 263–64. http://dx.doi.org/10.4000/cipango.1609.

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10

Kominz, Laurence Richard. "Ganjiro III and Chikamatsu's "Lost" Kabuki Masterpiece." Asian Theatre Journal 17, no. 1 (2000): 51–77. http://dx.doi.org/10.1353/atj.2000.0004.

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11

Oyler, Elyzabeth. ""Shunkan on Devil Island": Domesticating Political Exile in the Japanese Puppet Play “Heike nōgyo no shima”." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 4, no. 2 (2023): 205–26. http://dx.doi.org/10.54103/2724-3346/22207.

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This essay discusses the scene entitled Shunkan on Devil Island from Chikamatsu Monzaemon’s early modern puppet play The Heike on the Island of Women as a commentary on social and political strictures of the early modern Tokugawa shogunate, which increasingly regulated social and commercial life as it sought to maintain control of the burgeoning cities of Edo and Osaka in the early 1700s. The play is loosely based on the medieval epic war tale Tale of the Heike (Heike monogatari), a beloved and foundational text that has found numerous afterlives in Japan’s theatrical, narrative and cinematic

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12

Tanaka, Motoko. "Class Structure and Ethics in Shinjū Ten no Amijima." Asian Culture and History 8, no. 1 (2015): 28. http://dx.doi.org/10.5539/ach.v8n1p28.

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<p class="1Body">In Chikamatsu’s <em>sewamono</em> genre, there are very complex social and ethical structures which derive from differences of status within the social structure. It is abundantly clear that <em>jōruri</em> plays depict the merchants’ indirect defiance of the military class, but the people who fell below the four-class structure—like <em>eta/hinin</em>—also suffer from their contradictory roles in society. Both merchants and <em>eta/hinin</em> were indispensable to the ruling class, yet their roles were despised and they we

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13

Brandon, James R., and C. Andrew Gerstle. "Circles of Fantasy: Convention in the Plays of Chikamatsu." Journal of Japanese Studies 14, no. 2 (1988): 538. http://dx.doi.org/10.2307/132631.

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14

Beichman, Janine, and C. Andrew Gerstle. "Circles of Fantasy: Convention in The Plays of Chikamatsu." Harvard Journal of Asiatic Studies 48, no. 1 (1988): 239. http://dx.doi.org/10.2307/2719277.

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15

Heinrich, Amy Vladeck, and C. Andrew Gerstle. "Circles of Fantasy: Convention in the Plays of Chikamatsu." Journal of the American Oriental Society 107, no. 4 (1987): 817. http://dx.doi.org/10.2307/603350.

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16

Jones, Stanleigh H., and C. Andrew Gerstle. "Circles of Fantasy: Convention in the Plays of Chikamatsu." Monumenta Nipponica 42, no. 1 (1987): 101. http://dx.doi.org/10.2307/2385043.

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17

Kamrowska, Agnieszka. "Teatr bunraku w filmie „Lalki” Takeshiego Kitano." Kwartalnik Filmowy, no. 87-88 (December 31, 2014): 171–78. http://dx.doi.org/10.36744/kf.2392.

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Film Lalki (Dōruzu, 2002) Takeshiego Kitano na wielu poziomach wykorzystuje motywy japońskiego teatru lalkowego bunraku. Punktem wyjścia analizy motywów teatru bunraku w filmie japońskiego twórcy jest sztuka Posłaniec do piekieł autorstwa największego dramatopisarza bunraku – Monzaemona Chikamatsu. Prócz fragmentu przedstawienia tego dramatu oraz jego motywów fabularnych reżyser umieścił w swoim dziele także inne elementy formalne teatru lalkowego, jak konstrukcja postaci, wygląd i kostiumy aktorów czy wreszcie michiyuki (przejście drogą) jako podstawę struktury narracyjnej całego filmu. W efe

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18

이응수, 홍선영, 명진숙, and Kyoungkook Choi. "The Feedback of Korean Theatrical People on CHIKAMATSUZA's Performance in Korea." Journal of japanese Language and Culture ll, no. 12 (2008): 343–62. http://dx.doi.org/10.17314/jjlc.2008..12.015.

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19

한경자. "The nationalism which was expressed in the joruri of Chikamatsu." Journal of Japanese Studies ll, no. 40 (2009): 197–214. http://dx.doi.org/10.15733/jast.2009..40.197.

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20

Browne, Jyana S. "Yūjo in the Off Hours: Female Intimacy in Chikamatsu's Contemporary Life Plays." Japanese Language and Literature 57, no. 1 (2023): 1–25. http://dx.doi.org/10.5195/jll.2023.264.

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21

Kyoungja Han. "Lights-Based Theatrical Performance and Its Effect in Chikamatsu Monzaemon’s Jōruri." Journal of Japanese Language and Literature 99, no. 2 (2016): 199–224. http://dx.doi.org/10.17003/jllak.2016.99.2.199.

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22

Reed, Barbara Mito. "Chikamatsu Shuko: An Inquiry into Narrative Modes in Modern Japanese Fiction." Journal of Japanese Studies 14, no. 1 (1988): 59. http://dx.doi.org/10.2307/132531.

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23

Hedberg, William C. "Civilization Remapped in Chikamatsu Monzaemon's The Later Battles of Coxinga." Journal of Chinese Literature and Culture 11, no. 2 (2024): 349–69. https://doi.org/10.1215/23290048-11410402.

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Abstract This essay focuses on the early eighteenth-century Japanese puppet play, The Later Battles of Coxinga: a sequel to Chikamatsu Monzaemon's 近松門左衛門 (1653–1725) historical epoch that, like its predecessor, is based tenuously on the Manchu invasion of China and the efforts by the Japanese-born warrior Zheng Chenggong 鄭成功 (1624–1661) (aka Coxinga) to restore the Ming. Whereas in the original play Coxinga was a valiant and proactive participant in the quest to return the world to a Sinocentric normal, in The Later Battles, he identifies much less ambiguously with Japan, the land of his birth

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24

Heine, Steven. "Tragedy and Salvation in the Floating World: Chikamatsu's Double Suicide Drama as Millenarian Discourse." Journal of Asian Studies 53, no. 2 (1994): 367–93. http://dx.doi.org/10.2307/2059839.

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A distinctive feature of japanese society is its apparent eagerness to embrace various forms of voluntary death or suicide as legitimate, even positive, behavior with a potentially redemptive value. These forms include the samurai's ritualistic disembowelment (seppuku or harakiri), remonstration suicide (kanshi) in protest against a corrupt superior, and suicide out of devotion to a lord or superior (junsbi), all of which are surrounded by “a heroic, romantic, aesthetic, and moral aura” (Lebra 1976:190). Suicide is, of course, an extraordinary act in Japan as elsewhere in the world (Lifton 197

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25

Brownstein, Michael. "Sedge-Hat Madness: A Translation of Chikamatsu Monzaemon’s Onatsu Seijūrō Gojūnenki Uta Nenbutsu." Monumenta Nipponica 71, no. 1 (2016): 43–82. http://dx.doi.org/10.1353/mni.2016.0001.

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26

Mueller, Jacqueline. "A Chronicle of Great Peace Played Out on a Chessboard: Chikamatsu Monzaemon's Goban Taiheiki." Harvard Journal of Asiatic Studies 46, no. 1 (1986): 221. http://dx.doi.org/10.2307/2719081.

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27

이응수, 사카베 유미코, 홍선영, 명진숙, and Kyoungkook Choi. "The Survey of Audience Feed-Back for CHIKAMATSUZA's Performance in KoreaⅠ - On Objective type of Questionnaire -." Journal of japanese Language and Culture ll, no. 10 (2007): 295–317. http://dx.doi.org/10.17314/jjlc.2007..10.016.

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28

이응수, 사카베 유미코, 홍선영, Kyoungkook Choi, and 명진숙. "The Survey of Korean Audience Feed-Back for CHIKAMATSUZA's Korean PerformanceⅡ － On Descriptive type of Questionnaire －." Journal of japanese Language and Culture ll, no. 11 (2007): 267–86. http://dx.doi.org/10.17314/jjlc.2007..11.014.

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29

Park, Eunhee. "A Study on Sonezakishinju: Shinju, a Traditional Japanese Form of Suicide, and Its Reenactment on Stage." Sookmyung Research Institute of Humanities 19 (February 28, 2025): 195–216. https://doi.org/10.37123/th.2025.19.195.

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In 17th and 18th century Japan, many young men and women took their own lives for love. Shinju, which implies suicide pacts, has become a serious social problem. In 1722, the 8th Shogun Yoshimune enacted the Shinju Law, defining Shinju as an act of beast that could not be performed by humans, and prohibiting publications or performances featuring Shinju. In this paper, we will examine the characteristics of Shinju by focusing on Sonezaki Shinju by Chikamatsu monzaemon, which played a decisive role as a trigger for the Shinju boom. The story of the protagonists who chose suicide to preserve the

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30

Richards, Ken. "Chikamatsu, trans. Donald Keene The Major Plays of ChikamatsuNew York; London: Columbia University Press, 1990. 487 p." New Theatre Quarterly 9, no. 33 (1993): 104. http://dx.doi.org/10.1017/s0266464x0000765x.

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Pazó Espinosa, José. "Donald Keene: una vida dedicada a la literatura japonesa." Mirai. Estudios Japoneses 3 (June 19, 2019): 1–21. http://dx.doi.org/10.5209/mira.64774.

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Donald Keene ha sido seguramente el estudioso de la literatura japonesa más importante de la segunda mitad del siglo XX. Neoyorquino por origen, se formó en la Universidad de Columbia y en la escuela de lenguas del ejército de los EE.UU. La segunda guerra mundial, lo llevó a Hawai primero, y de allí pasó a Japón. Continuó su formación en Cambridge (UK), y tras dos años en Japón se convirtió en el mayor especialista occidental en literatura japonesa, y uno de sus mejores traductores. En su obra destacan las traducciones de Chikamatsu, Matsuo Basho, Osamu Dazai o Yukio Mishima, por citar algunos

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32

Toyosawa, Nobuko. "Japan and the Contested Center of Eighteenth-Century East Asia." Archiv orientální. Supplementa. 12 (December 4, 2020): 27–58. http://dx.doi.org/10.47979/aror.s.2020.xii.27.

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Eighteenth-century Japan is known for the rise of the publishing industry and the spread of sociability through popular media. Reading against this broader historical context, this paper analyzes texts from different literary genres—namely, a guidebook series called The Illustrated Scenic Beauty of Japan (Fusō meishōzu, 1713–28) and The Battles of Coxinga (Kokusen’ya kassen, 1715), followed by its sequel, The Battles of Coxinga in Later Days (Kokusen’ya gonichi kassen). The paper explores what representative qualities and characteristics were considered Japanese in these texts, especially in c

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Brazhnikova Tsybizova, Violetta. "El Teatro Bunraku:." Revista Kaylla, no. 1 (November 2, 2022): 167–82. http://dx.doi.org/10.18800/kaylla.202201.009.

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El objeto del presente trabajo es uno de los tres grandes géneros tradicionales del teatro japonés, el teatro de marionetas Bunraku. A lo largo de esta investigación se presenta cómo y dónde surgió el teatro de marionetas en Japón y se observan las razones por las cuáles cambió su estructura de manera sustancial en el siglo XVIII. También se analizan las circunstancias que rodean el cambio del nombre de este género teatral en el siglo XIX. Debido a que entre los estudiosos este género teatral se considera una de las fuentes de las cuales ha bebido el teatro Kabuki, entre otras, en este artícul

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34

김희경. "A Study on the Movie Chikamatsu Monogatari in Mizoguchi Kenji´s works -Focusing on the "Goshoku Goninonna", "Diekyoji Mukashikoyomi" Comparison-." Japanese Language and Literature Association of Daehan ll, no. 66 (2015): 313–30. http://dx.doi.org/10.18631/jalali.2015..66.017.

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KAMIKAJI, AI. "C. ANDREW GERSTLE (ed. and trans.): Chikamatsu: five late plays. (Translations from the Asian Classics.) 534 pp. New York: Columbia University Press, 2001. £28.50." Bulletin of the School of Oriental and African Studies 66, no. 3 (2003): 520–22. http://dx.doi.org/10.1017/s0041977x0332035x.

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Ortolani, Benito. "Circles of Fantasy: Convention in the Plays of Chikamatsu. By C. Andrew Gerstle. Cambridge (Massachusetts) and London: Harvard University Press, 1986. Pp. xvii + 284 + illus." Theatre Research International 13, no. 2 (1988): 159–60. http://dx.doi.org/10.1017/s0307883300014486.

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Ariefa, Nina Alia. "Women’s Voices and Patriarchal Hegemony of the Edo Period in Shinju Tenno Amijima (1720)." IZUMI 10, no. 2 (2021): 338–49. http://dx.doi.org/10.14710/izumi.10.2.338-349.

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The Edo Period (1603-1868), known as the feudal era, lasted for nearly three centuries in Japan. Confucian teachings applied in all sectors of life had a great influence on the expansion of the patriarchal system in Japanese society at this time. Under the strict control of the Tokugawa shogunate government, the implementation of social class stratification was firmly established, including in the hierarchical relationship between men and women. The period of peace that occurred throughout the Edo period had contributed to a conducive situation for the rapid development of Japanese culture. Ma

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38

Takahashi, Hideyuki, Shota Ida, Hiroe Tada, and Kazuaki Chikamatsu. "Abstract 6031: CD4+CD103+ tissue-resident memory T cells correlate with unfavorable prognosis in patients with head and neck cancer." Cancer Research 85, no. 8_Supplement_1 (2025): 6031. https://doi.org/10.1158/1538-7445.am2025-6031.

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Abstract T cell memory is an important mechanism for long-term protection against diverse pathogens such as cancers. Tissue-resident memory T cell (TRM) is a subset of memory T cells that stably resides in tissues and controls local immune homeostasis. In the present study, we investigated the immunological profile and clinical significance of TRM in patients with head and neck squamous cell carcinoma (HNSCC). We analyzed RNA-sequencing data and clinical data obtained from The Cancer Genome Atlas (TCGA) database. In total, 520 cases, including 97 human papillomavirus (HPV)-positive HNSCCs and

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Horie-Webber, A. "C. Andrew Gerstle: Circles of fantasy: convention in the plays of Chikamatsu. (Harvard East Asian Monographs, 116.) xvi, 248 pp. Cambridge, Mass.: Council on East Asian Studies, Harvard University, 1986. £16.95." Bulletin of the School of Oriental and African Studies 51, no. 2 (1988): 380–81. http://dx.doi.org/10.1017/s0041977x00115186.

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Tada, Hiroe, and Kazuaki Chikamatsu. "Abstract 4463: Prognostic significance of systemic inflammatory markers in recurrent or metastatic head and neck cancer patients treated with nivolumab." Cancer Research 83, no. 7_Supplement (2023): 4463. http://dx.doi.org/10.1158/1538-7445.am2023-4463.

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Abstract Treatment strategies for head and neck cancer has been improved with the contribution of immunotherapy. In spite of the fact, the mechanisms underlying the response to immune checkpoint inhibitors (ICIs) remain unclear, and discovery of the biomarker predicting therapeutic efficacy of ICIs is urgently required. Our previous study indicated that in patients with recurrent or metastatic head and neck squamous cell carcinoma treated with nivolumab, circulating T cells showed dynamic alterations depending on treatment efficacy using flow cytometry and mass cytometry. However, these analys

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41

Tada, Hiroe, Hideyuki Takahashi, and Kazuaki Chikamatsu. "Abstract 1980: The significance of circulating tumor cells and circulating tumor DNA as prognostic markers in human papillomavirus-positive head and neck squamous cell carcinoma." Cancer Research 85, no. 8_Supplement_1 (2025): 1980. https://doi.org/10.1158/1538-7445.am2025-1980.

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Abstract Patients with human papillomavirus (HPV)-positive head and neck squamous cell carcinoma (HNSCC) respond favorably to treatment; however, some are resistant to treatment. Liquid biopsy is a potential prognostic biomarker for various types of cancer. In this study, we comprehensively investigated circulating tumor cells (CTCs), cell-free DNA (cfDNA), and circulating tumor DNA (ctDNA) and compared them to determine their potential as predictive biomarkers for HPV-positive HNSCC. First, we isolated CTCs and cfDNA from the peripheral blood of 42 HPV-positive HNSCC patients before treatment

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42

Takaya, Ted T. "Circles of Fantasy: Convention in the Plays of Chikamatsu. By C. Andrew Gerstle. Cambridge, Mass.: Harvard University, Council on East Asian Studies, 1986. (Harvard East Asian Monographs 116) xx, 248 pp. Illustrations, Appendixes, Notes, Glossaries, Bibliography, Index. $25." Journal of Asian Studies 46, no. 1 (1987): 149–50. http://dx.doi.org/10.2307/2056691.

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43

Takahashi, Hideyuki, Shota Ida, Hiroe Tada, and Kazuaki Chikamatsu. "Abstract 2685: Activated phenotype of intraepithelial type 1 innate lymphoid cells is enriched in HPV-positive head and neck cancers." Cancer Research 84, no. 6_Supplement (2024): 2685. http://dx.doi.org/10.1158/1538-7445.am2024-2685.

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Abstract Innate lymphoid cells (ILCs) and natural killer (NK) cells are a heterogeneous family of innate immune cells that regulate inflammation, immune tolerance and tissue homeostasis in infection, chronic inflammation, metabolic diseases and cancer. The ILC family lacks the expression of antigen-specific receptors and demonstrate effector function by generating cytokines and secreted proteins. In tumor microenvironment, ILCs play a dual role including both tumor regression and tumor promotion, suggesting their diverse phenotypes and functional states. Among the ILC family, ILC1s and NK cell

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44

Dunn, Charles. "Circles of fantasy: convention in the plays of Chikamatsu. By C. Andrew Gerstle. (Harvard East Asian Monographs No. 116.) pp. xvii, 248, front., 21 illus. Cambridgre, Mass. and London, Council on East Asian Studies, Harvard University. Distrib. by Harvard University Press, 1986.£16.95." Journal of the Royal Asiatic Society of Great Britain & Ireland 119, no. 2 (1987): 410–11. http://dx.doi.org/10.1017/s0035869x00141450.

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Таїчі Ямашіта and Гсіао Гсуан Гунґ. "The Investigation of Learning Strategies of American Learners of Chinese and Japanese for Character Learning." East European Journal of Psycholinguistics 3, no. 1 (2016): 140–49. http://dx.doi.org/10.29038/eejpl.2016.3.1.tai.

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It has been widely recognized that Chinese and Japanese languages are exceptionally difficult to learn. One of the reasons is their logographic characters (i.e. hanzi in Chinese, kanji in Japanese) that are extremely different from alphabet-based orthography (Tong & Yip, 2015; Xu & Padilla, 2013). Accordingly, there have been research investigating how L2 learners of Chinese and Japanese deal with the difficulty by exploring learners’ strategy (Gamage, 2003; Shen, 2005). However, learning strategies for a certain aspect of characters (i.e. shape, sound) have not been investigated as mu

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46

MacDorman, Karl F. "Chikamatsu, Mori, and the uncanny valley." i-Perception 16, no. 1 (2025). https://doi.org/10.1177/20416695251317469.

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In Japan, robotics projects like Geminoid, modeled after Hiroshi Ishiguro, exhibit a fascination with creating human doubles. Yet, warnings against this also thread through Japanese thought, from the Edo-period playwright Chikamatsu Monzaemon (1653–1724) to the robotics professor Mori Masahiro (1927–2025). Though centuries apart, they describe the same uncanny valley phenomenon—eerie, cold, repellent feelings that arise when confronting the imperfectly human. In an interview with Hozumi Ikan, translated here, Chikamatsu presents a theory of realism exemplified through puppet theater and kabuki

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"Intertextuality and Corporality in Chikamatsu Monzaemon’s Shutendōji makurakotoba." Studies in Japanese Literature and Culture 5 (March 28, 2022): 1–25. http://dx.doi.org/10.7221/sjlc05.001.0.

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Brownstein, Michael C. "Weak old men, strong old women in Chikamatsu's domestic plays." Proceedings of the Association for Japanese Literary Studies 13 (November 4, 2015). http://dx.doi.org/10.26812/pajls.v13i.1447.

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MacDorman, Karl F. "La critique théâtrale de Chikamatsu Monzaemon et sa relation à la Vallée de l’étrange." e-Phaïstos, no. IX-1 (April 27, 2021). http://dx.doi.org/10.4000/ephaistos.8706.

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"Editors^|^rsquo; Note for Iwai Masami, ^|^ldquo;The Techniques of Genroku Theatre: Kabuki and Chikamatsu^|^rsquo;s J^|^ocirc;ruri Domestic Dramas^|^rdquo;." Comparative Theatre Review 12, no. 1 (2013): 1–2. http://dx.doi.org/10.7141/ctr.12.1.

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