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Gotowe bibliografie tematyczne / Chinese traditional art substrates / Rozprawy doktorskie

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Rozprawy doktorskie na temat „Chinese traditional art substrates”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 1 lutego 2022

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1

Ho, King Tong. "The poetics of making a new cross-cultural aesthetics of art making in digital art through the creative integration of Western digital ink jet printmaking technology with Chinese traditional art substrates : this exegesis is submitted to AUT University in partial fulfillment of the degree of Doctor of Philosophy." Click here to access this resource online, 2007. http://hdl.handle.net/10292/333.

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Lai, Siu-lun Francis, and 黎兆麟. "Vanishing puppets: the demise of a Chinese traditional art form." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31972445.

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Lai, Siu-lun Francis. "Vanishing puppets : the demise of a Chinese traditional art form /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24534407.

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Kim, Mina. "Pan Tianshou (1897-1971): Rediscovering Traditional Chinese Painting in the Twentieth Century." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469004754.

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Kuo, Joice. "Promoting a culture of contemporary and traditional Chinese Theater Art in Taipei." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3302.

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Thesis (M. Arch.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: School of Architecture, Planning and Preservation Architecture . Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Li, Gaoli. "The innovative expression of Chinese traditional culture and art in contemporary architectural design." Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/667528.

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Recent improvements in contemporary Chinese society will not only be reflected by new economic models, cultural products, scientific and technological achievements and aesthetic values, but also manifest in diverse unconventional new methods of architectural design. In the twentieth century, one of the main issues in architectural debate was to find a new synthesis between modernity and national tradition. However, outcomes were often reduced to borrowing some formal features from the past to uncritically combine with the ubiquitous international style and other trends. It was only at the

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Tang, Yanfang. "Mind and manifestation : the intuitive art (Miaowu) of traditional Chinese poetry and poetics /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487848531365196.

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Shao, Yiyang, of Western Sydney Nepean University, Faculty of Visual and Performing Arts, and Department of Art History and Criticism. "Major trends in contemporary Chinese painting." THESIS_FVPA_SD_Shao_Y.xml, 1996. http://handle.uws.edu.au:8081/1959.7/531.

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Three major trends are evident in Chinese ink painting: academic reformism, modernism and neo-traditionalism. While reformists are calling for stylistic freedom and a return to humanism, modernists seek the adoption of Western modes of thought and practice to develop and reform Chinese tradition. The new literati painting which has seen a resurgence of innovative theory and technique of an indigenous Chinese painting tradition distinguishes neo-traditionalism. Many scholars believe that developments in Chinese painting represent a decline in the history of Chinese art but, in this authors’ opi

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Zhang, Yimeng. "Chinese drawing, architectural poetics : traditional painting as a semantic representation of modern architectural design." Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/667320.

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This thesis is partly an attempt to explore the potential of pre-modern Chinese painting, on its distinctive formats and schemes to achieve spatial depth and time duration, as a way to interpret and design architecture. By a survey on changing modes of Chinese traditional landscape and cityscape paintings in different scales, the poetic language of painting will be gradually explored. Beyond pictorial techniques, language is concerned with an ideological level of understanding and experience. Thus, it signposts a wider significance of architectural representation – as a verbal medium to expres

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WEI, PEI-LING, and 魏珮玲. "A Feasibility Study on Teaching Mandarin Chinese via Traditional Chinese Knot Art." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/z34age.

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碩士<br>國立臺北大學<br>古典文獻與民俗藝術研究所民俗藝術組<br>100<br>While studying the Mandarin Chinese language the gradual accumulation and internalization of the culture is inevitable. This thesis intends to examine current teaching theories in practice in folk arts classes conducted in Mandarin Chinese and in a practical setting, particularly teaching theorem and methods. This paper will focus in particular on the instruction of traditional Chinese knot arts in an overseas folk arts class and the feasibility of the integration of the arts and the instruction of Mandarin Chinese. This paper will rely primarily on

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Wu, Chi Jiun, and 吳啟君. "A Study of Digital Art from Traditional Chinese Painting Conceptualism." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/87495459354154532733.

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碩士<br>實踐大學<br>時尚與媒體設計研究所<br>99<br>Following the advancement of technology, digital media has filled in all aspects of life. Through the technology of digitalization, human interaction and information transfer has become more convenient and efficient than ever. As a result, digital image art is also expanding. Digital image art does have its meaning and value in this era, but in terms of cultural content there is still rooms for further development. In this creation experiment, I tried to dig in the internal thinking logic of traditional Chinese ink panting, and using that as the starting point

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Lai, Wan-Ju, and 賴琬茹. "Create Research of Chinese Traditional Paper-Cut Art into the Modern Lighting." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/82189980426458999267.

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碩士<br>銘傳大學<br>設計創作研究所碩士班<br>98<br>In recent years, interior lighting needs from the earlier period, gradually turned into a good tool. In this modern time is paying attention to aesthetic feeling and function, lights not only in order to light, but also offer added value in decoration and artistic quality. It even exists for culture. The Chinese style lights are the best example, because the folk art is the foundation of national culture. It shows the culture has a long history. This research bases on cultural heritage data and survey to explore the evolution of lighting design, types, use

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Tseng, Ting-Kai, and 曾庭楷. "When Traditional Chinese Folk Art''s Image Encounter With Contemporary Ink painting." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/yzpva7.

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碩士<br>國立臺北藝術大學<br>美術學系美術創作碩士班<br>100<br>This thesis aims to explore the relations between conventional ‘Folk Paintings’ and the author’s practices of recent years. The first chapter introduces the research motives and intentions, and the following one spells out how the so-called folk paintings‘came into being.’Subsequently, I will investigate into the transformation in the role of folk paintings under the changes in outside circumstances. This part begins with the comparison between ‘folk paintings’and ‘literati paintings,’in order to trace how the former have flourished in and developed into

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Wu, Pei-Ying, and 巫佩穎. "A Study of Paper Art Construction Creation: Auspicious Patterns Applied on Traditional Chinese Festivals." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/20136871804599694767.

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碩士<br>銘傳大學<br>商業設計學系碩士班<br>100<br>As grown up in the native Chinese culture, traditional art elements are applied all around in our daily life, for example, the carving and painting of beams and columns, the traditional patterns on tableware or even toys for kids. Furthermore, the Oriental culture gradually has effect on trends of Western country in recent years, therefore, we should value more of our traditional culture and arts. Paper art, Chinese auspicious patterns, and traditional festivals are regarded as important carriers of Chinese traditional culture. Firstly, the study will analyze

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Chi-Hung, Cheng, and 鄭啟宏. "The Appliance of the Chinese-Traditional-Art-Space Theory in the Process of Self-Music Composition." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/99307651096500711838.

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"Flowers Bloom and Fall: Representation of The Vimalakirti Sutra In Traditional Chinese Painting." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.14449.

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abstract: The Vimalakirti Sutra is one of the classics of early Indian Mahayana Buddhism. The sutra narrates that Vimalakirti, an enlightened layman, once made it appear as if he were sick so that he could demonstrate the Law of Mahayana Buddhism to various figures coming to inquire about his illness. This dissertation studies representations of The Vimalakirti Sutra in Chinese painting from the fourth to the nineteenth centuries to explore how visualizations of the same text could vary in different periods of time in light of specific artistic, social and religious contexts. In this project,

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Chang, Chi-Wen, and 張繼文. "Chinese Floral Arts in Taiwan：A Creative Point of View from Traditional Floral Arrangement to the New Style and Feature of Chinese Floral Art." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/9tq87t.

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碩士<br>國立臺北藝術大學<br>建築與文化資產研究所<br>100<br>The association of the oriental flower arrangement, often refers to “Japanese ikebana”. However, the Chinese flower arranging had much longer history and had a great influence on the arts of flower arrangement of Japan. After Japanese colonial rule, based on the revival of Chinese culture, the Chinese floral arts started again here in Taiwan and the Consortium Chinese Floral Arts Foundation established under the leadership of Professor Huang and the teachers who had practiced the form of Japanese flower arrangement identified themselves with Chinese cultu

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張益明. "The exploration and creation of the "art nouveau" deisgn taking traditional Chinese beauties and flying fairy as examples." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/89033181700334426769.

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碩士<br>國立臺灣師範大學<br>設計研究所在職進修碩士班<br>94<br>Abstract "Nouveau-Art" represents innovating style and aesthetic feeling. With a visual image of sentimental pureness, it brings the infinite visual enjoyment and spiritual pleasure. For hundreds of years, the spirit of " Nouveau -Art" has been fermenting in the minds of artist and has been leading the direction of world art. It features on reflecting people resisting out-of-date concept and identifying with the coming of new art era. Many artists have respectful and modest attitude toward it. The world in the future will be emphasizing life aesthe

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Mei-Huei, Ho, and 何玫慧. "Interpretation of Similarities and Differences between Chinese Traditional Kunqu Opera and Chinese Singing Art Songs "Chun Xiao" and "Chang Xian Zi" as an example." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/76232163082193165029.

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碩士<br>國立臺灣藝術大學<br>中國音樂學系碩士班<br>100<br>Kunqu, also known as Kunju, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. It evolved from the Kunshan melody, and dominated Chinese theatre from the 16th to the 18th centuries. Kunqu has been 600 years of history. Chinese art songs, and today has developed a unique singing style and characteristics of Chinese culture, Voice, articulation, vocal techniques has reached a considerable level. On the use of the sound is mellower, more penetrating, the articulation is more smoothly. However, on the basis of Western bel canto, we a

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Lee, Hsiao-hui, and 李小蕙. "The Study on the Creation of the Pixel ART in Mosaics Decoration Pattern-Applications in Transfiguring Chinese traditional auspicious patterns." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/61394513173511518015.

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碩士<br>國立臺灣師範大學<br>設計研究所在職進修碩士班<br>92<br>A burst of PIXEL ART rises in the network in recent years, it starts to develop by computer ICON, showing picture as special style with aliasing. The plane based on four grid patterns as the fundamental unit, do a regular permutation, and then duplicate via the grid pattern to the graphic pattern. The composition of mosaic pattern is similar to the composition of the plane, based on grid pattern as minimum unit, do duplication and regular work to form a graphic pattern . The mosaic pattern is also called Mosaics. Its origination starts from Me

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LI, PIN-SYUAN, and 李品軒. "A Study of the String Decoration Art used in Modeling Mural Design - A case of Using the Chinese Traditional Mural." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/k9ac2z.

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碩士<br>樹德科技大學<br>應用設計研究所<br>103<br>The study is used the creation of installation art, Chinese traditional mural and Hakka printed cloth. It could aggregate the development of string decoration to do a compile and work done through real design test. We are a new design and experiment, and use in the creation of the string decoration. Including the use of the Hakka printed cloth, diamond and jewelry get into the Chinese traditional mural and local culture. So, the study has 4 important steps：literature review, understanding the development of string decoration and Chinese traditional mural and H

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