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Artykuły w czasopismach na temat "Christchurch (N.Z.) - Fiction"

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Sobota, Jacek. "Filozofia fantastyki." Humanistyka i Przyrodoznawstwo, no. 20 (September 3, 2018): 277–90. http://dx.doi.org/10.31648/hip.497.

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 Autor artykułu próbuje udowodnić tezę, że pisarze tworzący literaturę science fiction często podejmują istotne problemy filozoficzne. Artykuł ogranicza się do dwóch pól tematycznych: epistemologii i ontologii w fantastyce. Problematyka ontologiczna wynika z samych rozróżnień gatunkowych wewnątrz fantastyki (literatura fa n ­ tasy, science fiction, opowieści niesamowite), które warunkują strategie pisarskie w metodach kreacji rzeczywistości wyobrażonej. W ramach problematyki epistemologicznej artykuł koncentruje się na zagadnieniu wyimaginowanych scenariuszy kontaktu
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Vichnar, David. "Remediating Joyce’s Techno-Poetics: Mark Amerika, Kenneth Goldsmith, Mark Z. Danielewski." Prague Journal of English Studies 8, no. 1 (2019): 119–38. http://dx.doi.org/10.2478/pjes-2019-0007.

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Abstract This paper attempts to evaluate the legacy of James Joyce’s avant-gardism for the literary experimentation of Mark Amerika, Kenneth Goldsmith, and Mark Z. Danielewski, three contemporary American writers and artists, working a hundred years after the first of Joyce’s crucial four “shocks of the new” shook the foundations of fiction. In doing so, the paper attempts to bridge the divide between the historical avant-garde and the neo-avant-garde as defined by Renato Poggioli and Peter Bürger, and regarded disparagingly by critics like Robert Hughes. Positing a threefold legacy of Joyce’s
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Negrash, S. V. "Ways of Development of Russian Adventure Literature in 1918–1933." Art Logos – The Art of Word 1, no. 26 (2024): 44–58. https://doi.org/10.35231/25419803_2024_1_44.

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The article is a brief overview of the main trends in Russian adventure literature in the period from the October Revolution of 1917 till the First All-Union Congress of Soviet Writers held in 1934. The genre-thematic varieties of original works of adventure prose are considered, such as Russian Robinsonade (Z. Davydov), documentary-fiction adventure prose (V. Arsenyev), historical adventure literature (V. Yan, M. Zuev-Ordynec, N. Smirnov), historical and technical texts (B. Zhitkov), “pseudo-translated” novels etc. It identifies currently little-known texts that are really powerful from the l
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Kalynych, Kateryna. "“University Novel” (Campus Novel / University Fiction): Genesis and Current Parameters of the Genre." Pitannâ lìteraturoznavstva, no. 105 (October 28, 2022): 111–36. http://dx.doi.org/10.31861/pytlit2022.105.111.

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The theoretical paradigm of the genre in the aspect of genesis is considered on the example of the genre variety of the novel, which today is identified as the university novel (campus novel, university fiction). The matrix genre-creating features of the university novel are singled out: problematics, specifics of the plot and personosphere, time-space, ironic narrative, author’s idiostyle. The internal species formations of the campus novel genre are determined by the specific issues and genre specifics of the plot organization – the youth environment, the professor-teaching component of the
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Atasoy, Emrah, and Akkoyun Burcu Kayışcı. "Distopik Yazında Umudun Yolculuğu." Nesir: Edebiyat Araştırmaları Dergisi, no. 3 (October 31, 2022): 11–27. https://doi.org/10.5281/zenodo.7221182.

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The Journey of Hope in Dystopian Fiction Öz Ütopya temsilleri ve ütopyacı düşünce, tüm çağ ve kültürlerde insanlığın umut ve özlemlerinin sembolü olmuştur. Distopik anlatılar ise içinde bulunulan tarihsel bağlama dair kaygı ve korkuları geleceğe yansıtarak kâbusvari senaryolar ürettiklerinden genellikle umutla ilişkilendirilmezler. Ancak karanlık dünyaları tasvir ediyorlar diye tüm distopyaların umuttan yoksun olduğunu iddia etmek yanıltıcıdır. Çoğu distopya, ütopik dürtüyü ve umudu
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Okorokova, V. B. "Aspects of studying T. Smetanin’s creative heritage." Vestnik of North-Eastern Federal University 21, no. 4 (2025): 171–78. https://doi.org/10.25587/2222-5404-2024-21-4-171-178.

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The study of T. Smetanin’s writings has begun in the 1970s since N. Z. Kopyrin’s monograph ‘Timofei Smetanin: Life and Work’ (1976) and has continued to the current day. The interest to the works of the versatilely talented writer does not disappear. Timofei Egorovich Smetanin (1919-1947) lived a short life, he died only at the age of 27, but he was able to keep a rich creative heritage. Т. Smetanin was successfully writing in diversity genres of fiction literature. He was known as children’s book writer, frontline poet, prose writer and screenwriter. The study of his work becomes relevant not
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Nahorniuk, N., and Yu Nidzelska. "CLASSIFICATION OF TRANSLATION TRANSFORMATIONS AS ONE OF THE MOST IMPORTANT TOPICS IN MODERN TRANSLATION STUDIES." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(104) (April 23, 2025): 189–98. https://doi.org/10.35433/philology.1(104).2025.189-198.

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The article analyzes the formation stages of the transformational theory in translation. It is based on the theoretical foundations of N. Chomsky's generative grammar and emphasizes the inevitability of changes that the source text undergoes during translation in order to adequately and equivalently reproduce the meaning, which is especially important for works of fiction. According to this theory, it is believed that a literal translation distorts the text because it does not evoke the same emotions and motivations in the target language reader as in the native speaker of the source language.
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Oliveira, Maria Aparecida de. "VIRGINIA WOOLF E A CRÍTICA FEMINISTA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 18–27. http://dx.doi.org/10.34019/1982-0836.2019.v23.29177.

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O presente artigo estabelece as relações entre a A room of one’s own e a crítica feminista, observando como essa tem revisto e ressignificado o ensaio de Virginia Woolf. Serão problematizadas questões como a exclusão feminina dos espaços públicos, das esferas políticas e, consequentemente, da literatura e da história. Depois disso, abordaremos a personagem Judith Shakespeare. Por último, duas questões problematizadas serão tratadas nesta análise, a primeira refere-se à tradição literária feminina e a segunda refere-se à própria frase feminina.
 Palavras-chave: Crítica feminista, Judith Sh
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Abed, Carolina Zuppo. "ENSINO DE ESCRITA LITERÁRIA NA UNIVERSIDADE: O PERCURSO BRASILEIRO." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 25, no. 1 (2021): 04–23. http://dx.doi.org/10.34019/1982-0836.2021.v25.36666.

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Este artigo recupera os argumentos centrais de alguns protagonistas da inclusão dos laboratórios de escrita nas universidades brasileiras, analisando suas bases teóricas e os ecos encontrados no percurso histórico de países em que a escrita criativa como área de conhecimento já se encontra consolidada. Demonstra como é possível rastrear a defesa pela inclusão da criação literária nas universidades brasileiras até o final do século XIX. Objetiva, também, contribuir para a organização do debate histórico sobre os cursos de escrita criativa no Brasil. Palavras-chave: Criação literária. Escrita cr
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Kızıler, Emer Funda. "PATRICK SÜSKİND'İN "AMNESIE IN LITTERIS" 1 ADLI METNİNİN POSTMODERN YAZIN BAĞLAMINDA ANALİZİ." International Journal of Economics Politics Humanities and Social Sciences 2, no. 4 (2019): 226–43. https://doi.org/10.5281/zenodo.3615660.

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Bu makalede 20. yüzyıl postmodern Alman yazınının önde gelen temsilcilerinden Patrick Süskind’in Drei Geschichten und eine Betrachtung adlı öykü kitabında “…Ve Bir İnceleme” üst başlığı altında yer alan “Amnesie in litteris” (“Yazınsal Bellek Kaybı”) adlı metni postmodern yazın bağlamında analiz edilecektir. Bu makalenin amacı; Patrick Süskind’in bu metninin postmodern yazınla bağlantılarını açığa çıkarmaktır. Bu amaç doğrultusunda makalede öncelikli olarak metnin türü
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Książki na temat "Christchurch (N.Z.) - Fiction"

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Thomas, Valerie. SAKAR CADI VINI DEN?Z?N ALTINDA. Is Bankasi Kültür Yayinlari, 2018.

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Neale, Hurston Zora. Their Eyes Were Watching God: Z. N. HURSTON Tribute Edition. Independently Published, 2018.

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Bode, N. E. The A-m-a-z-i-n-g Compendium of Edward Magorium. Example Product Manufacturer, 2008.

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