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Artykuły w czasopismach na temat „Church music Lutheran Church”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 27 lipca 2024

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1

Hage, Jan, and Marcel Barnard. "Muziek als missie: Over Willem Mudde en zijn betekenis voor de kerkmuziek." NTT Journal for Theology and the Study of Religion 66, no. 4 (November 18, 2012): 283–98. http://dx.doi.org/10.5117/ntt2012.66.283.hage.

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Under the influence of Calvinism, the musical situation in the Protestant churches in the Netherlands was for a long time marked by sobriety, with attention focused on congregational singing. In the 20th century, church music gained importance through a dominant flow of Lutheran influence. Generally, the liturgical movement highlighted the role of music in worship. The Lutheran church musician Willem Mudde successfully called attention to the German church music reform movement. Inspired by the writings of the German theologian Oskar Söhngen, he strived to apply the ideals and practices of thi

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Robin, A. Leaver. "Motive and Motif in the Church Music of Johann Sebastian Bach." Theology Today 63, no. 1 (April 2006): 38–47. http://dx.doi.org/10.1177/004057360606300105.

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Johann Sebastian Bach stands in a long line of Lutheran composers who used musical forms to convey theological concepts that reaches back to Luther himself. Lutheran theologians and musicians used the Latin formula viva vox evangelii to define their understanding of music as the living voice of the gospel. Here is presented first an overview of this Lutheran tradition, and then an examination of specific examples from Bach's musical works that expound specific theological concepts such as the doctrine of the Trinity, the distinction between law and gospel, the nature of discipleship, and chris

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Remes, Hanna. "”Sävelet tekevät tekstin eläväksi”: paaston ja pääsiäisajan liturginen kuoromusiikki sanoman kannattelija." Trio 10, no. 1 (July 10, 2021): 91–100. http://dx.doi.org/10.37453/trio.110132.

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Hanna Remes’s artistic doctoral degree, which focuses on choral church music in worship, is the first of its kind in Finland. The demonstration of proficiency carried out 2016–2020 comprises two masses, a worship service, a passion drama and an Easter concert. She elucidates changes in guidelines for the liturgical use of the choir according to the Evangelical Lutheran Church of Finland’s 2000 church manual from those of the 1968 church manual. The dissertation stands at the junction of liturgy and the history of church music. Remes compares and analyses the liturgical role of the choir in the

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Wiese, Soraya. "Re-forming Music: Martin Luther’s Impact on Church Music through the Lutheran Reformation." Musical Offerings 12, no. 2 (2021): 51–62. http://dx.doi.org/10.15385/jmo.2021.12.2.2.

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Leaver, Robin A. "Brahms's Opus 45 and German Protestant Funeral Music." Journal of Musicology 19, no. 4 (2002): 616–40. http://dx.doi.org/10.1525/jm.2002.19.4.616.

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Brahms's German Requiem stands at the end of a long line of Lutheran funerary music. Luther reworked funeral responsories into a new, totally Biblical form, and later Lutherans collected anthologies of Biblical texts on death and dying. Such sources were used by later composers, including Schüütz and Bach, to compose funeral pieces on Biblical texts together with appropriate chorales. Brahms's opus 45 is similar in that its text is made up of Biblical verses assembled by the composer, and connections may be drawn between chorale usage in this work and the composer's Protestant upbringing in Ha

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Garratt, James. "Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music." Journal of the Royal Musical Association 125, no. 2 (2000): 164–204. http://dx.doi.org/10.1093/jrma/125.2.164.

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AbstractCrucial to understanding the reception of Renaissance music in nineteenth-century Germany is an appreciation of the contradictory components of Romantic historicism. The tension between subjective and objective historicism is fundamental to the historiographical reception of Renaissance music, epitomizing the interdependency of historical representation and modern reform. Protestant authors seeking to reform church music elevated two distinct repertories — Renaissance Italian music and Lutheran compositions from the Reformation era — as ideal archetypes: these competing paradigms refle

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Scott, Allen. "Simon Lyra and the Lutheran liturgy in the second half-century of the Reformation in Breslau." Muzyka 65, no. 1 (April 2, 2020): 3–18. http://dx.doi.org/10.36744/m.309.

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In 1593, Simon Lyra (1547-1601) was appointed cantor of the St. Elisabeth Church and Gymnasium in Breslau/Wrocław. In the same year, he drew up a list of prints and manuscripts that he considered appropriate for teaching and for use in Lutheran worship. In addition to this list, there are six music manuscripts dating from the 1580s and 1590s that either belonged to him or were collected under his direction. Taken together, Lyra’s repertoire list and the additional manuscripts contain well over a thousand items, including masses, motets, responsories, psalms, passions, vespers settings, and dev

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Lampinen, Leena. "Choral music and identities in Tanzania." Trio 12, no. 1 (June 29, 2023): 49–56. http://dx.doi.org/10.37453/tj.131223.

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In her doctoral research, Lampinen explored the connection between choral repertoiresand identities within church choirs in one Lutheran Diocese in Northern Tanzania. The participantsin this research were a group of choir conductors in this diocese. The concept ofidentities was approached from individual, social, and group aspects as well as religious,ethnic, and national viewpoints.

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Trocmé-Latter, Daniel. "The psalms as a mark of Protestantism: the introduction of liturgical psalm-singing in Geneva." Plainsong and Medieval Music 20, no. 2 (September 15, 2011): 145–63. http://dx.doi.org/10.1017/s0961137111000039.

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ABSTRACTIt is widely believed that musical creativity suffered under the control of many sixteenth-century Protestant church leaders, especially in the Reformed (as opposed to Lutheran) branch of Protestantism. Such views are generalisations, and it is more accurate to say that music in Geneva and other Reformed strongholds developed in a very different way from the music of the Lutheran Church. The very specific beliefs about the role of music in the liturgy of Jean Calvin, Genevan church leader, led to the creation and publication of the Book of Psalms in French, in metre, and set to music.

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10

Holm, Anders. "- Luthertolkningen i 1812-krøniken." Grundtvig-Studier 64, no. 1 (May 29, 2015): 109–22. http://dx.doi.org/10.7146/grs.v64i1.20923.

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Luthertolkningen i 1812-krøniken[The Interpretation of Luther in Grundtvig’s World Chronicle of 1812]By Anders HolmGrundtvig grew up in two Lutheran vicarages. Both homes were characterized by Lutheran orthodoxy but could not ignore the critical thoughts of the Enlightenment. During his studies at the University of Copenhagen Grundtvig was convinced of the truth of the new philosophy of reason. His father’s wish in 1810, however, that he become his curate demanded that he reconsidered the world-view which he thought to have left behind. It all ended in a crisis and a nervous breakdown, which r

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Boren, Braxton B. "Acoustic simulation of J.S. Bach’s Thomaskirche in 1723 and 1539." Acta Acustica 5 (2021): 14. http://dx.doi.org/10.1051/aacus/2021006.

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This paper investigates an early acoustical theory of Hope Bagenal about the Leipzig Thomaskirche, where J.S. Bach composed and conducted from 1723 to 1750. Bagenal predicted that the church had a shorter reverberation time than previously in Bach’s time as a result of the Lutheran alterations to the space in the 16th century. This study uses on-site measurements to calibrate a geometric acoustical model of the current church. The calibrated model is then altered to account for the state of the church in 1723 and 1539. Simulations predict that the empty church in 1723 had a T30 value nearly on

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Korkalainen, Samuli. "Interdisciplinary Approaches to the History of Lutheran Church Music in Finland." Trio 12, no. 1 (June 29, 2023): 43–48. http://dx.doi.org/10.37453/tj.125381.

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New perspectives on church music history in Finland are achievable with the interdisciplinary theoretical framework,i.e. by embracing theories, research perspectives and key concepts, from other scientific disciplines. By outlining the philosophical, theological, cultural and political atmosphere of the time, a deeper understanding about the motives of people active in standardising congregational singing in nineteenth-century Finland and Ingria as well as the impact of pan European influence was achieved.

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Lebaka, Morakeng Edward Kenneth. "The Influence of the African Religious and Cultural Context and Its Impact on Lutheranism: The Case of Greater Sekhukhune District Municipality." European Journal of Interdisciplinary Studies 8, no. 2 (October 1, 2022): 1–21. http://dx.doi.org/10.2478/ejis-2022-0001.

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Abstract In Greater Sekhukhune District Municipality, traditional religion has played a significant role in transforming Christianity by confronting it with the decisive issue of indigenization. The purpose of this study was, therefore, to examine the inter-religious relations among Christianity and African Traditional Religion (ATR), and to explore how African religious and cultural values have impacted on Christian – ATR relations within the municipality, and how the latter has, also, been affected by the former. The primary research question raised in this study is: what is the relevance of

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Lebaka, Morakeng Edward Kenneth. "The Influence of the African Religious and Cultural Context and Its Impact on Lutheranism: The Case of Greater Sekhukhune District Municipality." European Journal of Interdisciplinary Studies 8, no. 2 (October 1, 2022): 1–21. http://dx.doi.org/10.2478/ejis-2022-0011.

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Abstract In Greater Sekhukhune District Municipality, traditional religion has played a significant role in transforming Christianity by confronting it with the decisive issue of indigenization. The purpose of this study was, therefore, to examine the inter-religious relations among Christianity and African Traditional Religion (ATR), and to explore how African religious and cultural values have impacted on Christian – ATR relations within the municipality, and how the latter has, also, been affected by the former. The primary research question raised in this study is: what is the relevance of

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15

Hulková, Marta. "Central European Connections of Six Manuscript Organ Tablature Books of the Reformation Era from the Region of Zips (Szepes, Spiš)." Studia Musicologica 56, no. 1 (March 2015): 3–37. http://dx.doi.org/10.1556/6.2015.56.1.1.

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Tablature notations that developed in the sixteenth century in the field of secular European instrumental music had an impact also on the dissemination of purely vocal and vocal-instrumental church music. In this function, the so-called new German organ tablature notation (also known as Ammerbach’s notation) became the most prominent, enabling organists to produce intabulations from the vocal and vocal-instrumental parts of sacred compositions. On the choir of the Lutheran church in Levoča, as parts of the Leutschau/Lőcse/Levoča Music Collection, six tablature books written in Ammerbach’s nota

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Berwig Silva, Fernando. "The Brazilian Hymnological Melting Pot: Investigating Ethnoracial Discourses in the Compilation of the Lutheran Hymnal Livro de Canto (2017)." Religions 15, no. 5 (May 17, 2024): 620. http://dx.doi.org/10.3390/rel15050620.

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In 1926, a New York Times article described the cultural and ethnic flows in south Brazil as a “Melting Pot”. The report predicted that German Brazilians, tied to their ethnoracial origin, would soon be Brazilianized. The study of congregational song practices offers insight into the relationship between migration, race, culture, and ethnicity. Moreover, investigating Brazilian Lutheran singing practices helps us understand how the New York Times’ prediction unfolded on the ground. This paper examines the Brazilian Lutheran hymnal Livro de Canto, published in 2017, and displays how Brazil’s et

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Sasongko, Michael Hari. "IDIOM MUSIK KLASIK DI GEREJA KARISMATIK." Tonika: Jurnal Penelitian dan Pengkajian Seni 1, no. 1 (November 26, 2018): 1–14. http://dx.doi.org/10.37368/tonika.v1i1.7.

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Church music has long history and experiences in its periods. It began when they, the believers, mentioned themselves as the “Christian”. From the time that phenomenon the christians commenced their act of devotion tradition included their musical tradition of worship. The existence of church music more developed till Middle Age or Dark Age Period. It was dominantly covering to others music genre. At the Renaisance Period, the church reformation movement occured and it was pioneered by Martin Luther. Western music changed at the time. Luther changed of scene; He changed the tradition of Cathol

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Pilch, Marek. "Geistliches Gesangbüchlein by Johann Walter (1524) – the beginnings of polyphonic Lutheran music." Notes Muzyczny 2, no. 20 (December 31, 2023): 9–38. http://dx.doi.org/10.5604/01.3001.0053.9946.

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The article presents the profile and creative output of Johann Walter (1496-1570), who worked closely together with Martin Luther and Philip Melanchton, and who was called the first evangelical cantor and is in modern times regarded as the creator of institutional, aesthetic and theoretical bases of reformation music. Walter’s work entitled Geistliches Gesangbüchlein, first published in Wittenberg in 1524 and including a preface by Martin Luther, was the first ever collection of polyphonic chorale arrangements for Lutheran church using polyphonic patterns of Franco-Flemish school and German te

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Saurama, Anna, and Titus Hjelm. "Jesus and Metal Music Don’t Mix? The Controversy over the ‘Metal Mass’ in Finland." Journal of Religion in Europe 12, no. 1 (November 18, 2019): 27–48. http://dx.doi.org/10.1163/18748929-01201002.

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In 2006, a Metal Mass—a regular Lutheran mass with accompanying metal music—was celebrated in Helsinki and created a controversy on several online forums. On the one hand, the focus was the appropriateness of metal music in the context of a Christian mass. On the other hand, the issue at stake was the appropriateness of Christianity in the context of metal music and culture. In this article, we concentrate on how the controversy over the boundaries of ‘good’ religion is constructed in discourse about the appropriateness of metal music in the context of a national church and its services. We ar

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Moberg, Marcus. "Popular Music Divine Services in the Evangelical Lutheran Church of Finland: Concept, Rationale, and Participants." Journal of Religion and Popular Culture 30, no. 1 (March 2018): 35–48. http://dx.doi.org/10.3138/jrpc.2017.0032.r1.

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Borghesi, Maria. "Movement in Italian Dramatizations of J. S. Bach's Passions: From the Church to the Theater and Back." BACH: Journal of the Riemenschneider Bach Institute 54, no. 2 (2023): 237–72. http://dx.doi.org/10.1353/bach.2023.a907242.

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Abstract: The dramatization of J. S. Bach's Passions is now an accepted fact among audiences and music critics, but what were the beginnings of this tradition? This article examines the first two stagings of the St. John Passion and the St. Matthew Passion . These appeared in 1984–1985, staged by Pier Luigi Pizzi and Jurij Ljubimov, respectively, in two major Italian theaters (Teatro la Fenice in Venice and Teatro alla Scala in Milan) on the occasion of Bach's 300th anniversary and the European Year of Music. The focus is on the dimension of movement and the interaction among stage space, thos

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Agapova-Strizhakova, Elena A. "Gregorian Chant in Organ Sonatas by J.-N. Lemmens." Contemporary Musicology, no. 2 (2022): 107–19. http://dx.doi.org/10.56620/2587-9731-2022-2-107-119.

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The 1860s played a special role in the history of organ music in Belgium and France. This period was marked by the active development of substantive repertory and the establishment of the Franco-Belgian organ school. All the advances of this period could not be possible without the contribution of the Belgian composer, organist and teacher Jacques-Nicolas Lemmens. Brought up on the traditional for Catholic Belgium Gregorian chants and the organ works by Johann Sebastian Bach, Lemmens managed to organically transfer Bach's principles of working with Lutheran chant to completely different materi

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Pidhorbunskyi, Mykola. "The Spread of Lutherance in the Grand Duchy of Lithuania and Its Influence on the Education Development and Music Culture." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (December 3, 2021): 248–61. http://dx.doi.org/10.31866/2616-7581.4.2.2021.245808.

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The purpose of the article is to determine the influence of Lutheranism on education and musical culture in the Grand Duchy of Lithuania. The research methodology includes cultural and historical analysis, which made it possible to analyze and investigate the influence of Lutheranism on musical culture in the Grand Duchy of Lithuania. Source studies and music-theoretical methods were used during the search and analysis of church-singing collections. The biographical method of research was used to systematize information about the life and work of theologians, composers and theorists. The scien

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Rose, Stephen. "PATRIOTIC PURIFICATION: CLEANSING ITALIAN SECULAR VOCAL MUSIC IN THURINGIA, 1575–1600." Early Music History 35 (September 28, 2016): 203–60. http://dx.doi.org/10.1017/s0261127916000048.

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In German-speaking lands until the 1580s, Italian secular vocal music was mainly cultivated by a narrow elite of aristocrats and merchants who valued its exclusivity. Yet some German patriots – teachers, clergy and humanists – regarded such foreign imports as emasculating luxuries that would corrupt their national character. This article examines four collections of contrafacta of Italian villanellas and madrigals that were published in Erfurt and have been neglected by modern scholars: the Cantiones suavissimae (1576 and 1580), Primus liber suavissimas praestantissimorum nostrae aetatis artif

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Taylor, Kristín Jónína. "Now the Sun Sinks in the Sea: The Sacred Works of Þorkell Sigurbjörnsson." Athens Journal of Humanities & Arts 9, no. 4 (September 27, 2022): 291–306. http://dx.doi.org/10.30958/ajha.9-4-2.

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Þorkell Sigurbjörnsson’s contributions to Icelandic music were manifold, encompassing teaching, composition, arts administration, music criticism, radio program hosting, solo and chamber performance, conducting, and countless other accomplishments. He remains the most prolific of all Icelandic composers with over 350 compositions. Those works for which Þorkell is best known are his exquisite sacred works, of which there are at least fifty. For that reason, this paper will focus on Þorkell’s sacred works and the diversity of approaches he utilized. Þorkell had familial connections with the Icel

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Hellberg, Jan. "To worship God in our way: disaffection and localisation in the music culture of the Evangelical Lutheran Church in Namibia." Journal of Musical Arts in Africa 7, no. 1 (December 2010): 17–50. http://dx.doi.org/10.2989/18121004.2010.575987.

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Woźniak, Alan. "Rola pieśni w języku polskim według Piotra Artomiusza i Michała Marcina Mioduszewskiego." Copernicus. De Musica 1, no. 1 (2022): 101–7. http://dx.doi.org/10.15804/cdm.2022.1.11.

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The article attempts at answering the question concerning the role attributed to religious songs in the native language by Piotr Artomiusz, a Lutheran pastor and author of the hymnal, and Michał Marcin Mioduszewski, a Catholic priest and a collector of religious music. Their works – the Hymnal of Artomiusz and the Songbook… of Mioduszewski, played a significant role in the then religious communities and serve as a valuable example of transmission of a religious song in Polish. Statements provided by both authors in their collections allow the author to discuss their purpose; the role of the ve

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Bachul-Cienciała, Ewelina. "The song of faith on the organ – the musical heritage of Karol Hławiczka and Adam Hławiczka." Notes Muzyczny 2, no. 20 (December 31, 2023): 97–120. http://dx.doi.org/10.5604/01.3001.0053.9950.

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The Hławiczka Brothers, Karol (1894-1976) and Adam (1908-1995), were composers and organists connected with Cieszyn Silesia. Their rich creative output covers organ pieces, a great majority of which used melodies taken from the Lutheran chorale. The way they treated musical themes originating from church songs is the main aspect touched on in the analyses of their compositions presented in this article. The Hławiczka brothers intentionally fit their works into the liturgical music trend, which had been present in the organ literature since the 15th century. Even though they primarily refer to

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Illenseer, Louis Marcelo. "LINGUAGEM INCLUSIVA: RELATO DE DUAS EXPERIÊNCIAS SOBRE A COMPOSIÇÃO MUSICAL SACRA E JUSTIÇA DE GÊNERO." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 12, no. 19 (June 26, 2018): 39. http://dx.doi.org/10.20890/reflexus.v12i19.715.

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Este artigo apresenta, analisa e discute questões relacionadas à justiça de gênero utilizando como critério transversal a utilização de linguagem inclusiva de gênero nos processos de composição de música sacra. Para tanto, são apresentados relatos referentes a dois eventos distintos que envolvem a temática: 1) o Musisacra, festival de música sacra do Sínodo Espírito Santo a Belém, da Igreja Evangélica de Confissão Luterana no Brasil (IECLB); e 2) encontros de produção de recursos litúrgicos da organização ecumênica Red Crearte. Os relatos demonstram a importância e a necessidade do tratamento

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Przybyszewska-Jarmińska, Barbara. "The Polish Contribution to Central European Musical Culture in the Seventeenth Century. The Case of Marcin Mielczewski." Musicological Annual 40, no. 1-2 (December 17, 2021): 137–48. http://dx.doi.org/10.4312/mz.40.1-2.137-148.

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The seventeenth-century Commonwealth of Poland and Lithuania, embracing the lands of the Polish Crown (together with the territory of present-day Ukraine) and the Grand Duchy of Lithuania, belonged geographically to both Central and Eastern Europe. It was a multiethnic and multiconfessional state, in which the Latin and Greek cultures were mutually interactive. With regard to the musical culture of the royal court, however, itwas the close ties with Italy that were of the greatest significance. The Polish kings of the Vasa dynasty (above ali Zygmunt III and Władysław IV) maintained music chape

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Zhukova, Olena A. "Ukrainian baroque instrumental music in the context of European culture." Notes Muzyczny 1, no. 13 (June 9, 2020): 125–41. http://dx.doi.org/10.5604/01.3001.0014.1946.

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The study presents an overview of the history of instrumental music in Ukraine, where choir and solo singing has always played a prominent role. Singing was a substantive part of the church life and folklore of the city and countryside. Thus, the more prominent was the distribution of instrumental music, which embodied cultural links between Ukraine and other European countries. Instrumental music tradition, more common for Catholic and Lutheran countries, came to Ukraine and brought some remarkable examples of brilliant composers with great theoretical and performing skills. Many important na

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Žarskienė, Rūta. "The Sound of Trumpet will Stir the World and Raise the Dead: Prayers Accompanied by Brass Instruments in the Folk Piety Tradition." Tautosakos darbai 55 (June 25, 2018): 177–97. http://dx.doi.org/10.51554/td.2018.28504.

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The article focuses on a phenomenon that has so far evaded scholarly attention and research. Apparently, in Samogitia, where brass instruments still play at traditional Catholic or even Lutheran funerals and death anniversaries, participate in the Easter morning processions and the Catholic Church feasts (Lith. atlaidai), yet another practice of folk piety involving brass instruments is thriving: i.e. prayers at the graveside in summer time, during Catholic Church feasts and All Souls’ Day (more frequently still, All Saints’ Day). During her fieldwork of 2013–2017 in various parts of Mažeikiai

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Wetters, Brent. "Allegorical Erasmus: Bruno Maderna's Ritratto di Erasmo." Cambridge Opera Journal 24, no. 2 (July 2012): 159–76. http://dx.doi.org/10.1017/s0954586712000183.

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AbstractThis essay aims to find a unifying thread amid the eclectic works of Bruno Maderna, and also to situate his compositional philosophy in relation to his more famous colleagues of the Darmstadt Summer Courses. More than any of the other composers at Darmstadt, Maderna was committed to its ‘project’ and to the values it placed on musical discourse, in spite of the fact that he seemed to abstain from its often-heated polemics. In contrast to many of his colleagues, Maderna was not one to speak at length about his compositions, preferring to express himself through his music. However, one w

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VARWIG, BETTINA. "JOYCE L. IRWIN , ED. AND TRANS. FORETASTES OF HEAVEN IN LUTHERAN CHURCH MUSIC TRADITION: JOHANN MATTHESON AND CHRISTOPH RAUPACH ON MUSIC IN TIME AND ETERNITY London: Rowman and Littlefield, 2015 pp. xlix + 162, isbn 978 1 442 23263 1." Eighteenth Century Music 15, no. 1 (March 2018): 63–65. http://dx.doi.org/10.1017/s1478570617000434.

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Lj. Мinic, Vesna, and Marija M. Jovanovic. "RELIGIOUS EDUCATION DURING THE FIRST CYCLE OF PRIMARY EDUCATION IN SERBIA." KNOWLEDGE INTERNATIONAL JOURNAL 30, no. 2 (March 20, 2019): 373–77. http://dx.doi.org/10.35120/kij3002373m.

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Religious education as part of the modern society in Serbia is a subject of numerous interdisciplinary scientific studies. Modern education systems in countries where major socio-economic and political changes take place are undergoing major transformations and reforms. Their goal is to make changes to the education process and integrate it into the developmental trends of society, as well as to succeed in the affirmation of cultural and national values. Therefore, the relationship between religion and education, as a form of human consciousness and the need for a successful and fulfilled life

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Marynchak, A. V. "Marian Theme in Music: Aspects of History and Genre Stylistics (a Case Study of the Works byKonstanty Antoni Gorski)." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 213–29. http://dx.doi.org/10.34064/khnum2-18.12.

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The objectives of the research. The article is devoted to the study of the main parameters of the Marian theme embodiment in the art of music, with highlighting the aspects of history and genre stylistics. It is noted that the choice of the topic is related to the study of the works by the Kharkiv composer of Polish origin Konstanty Antoni Gorski, who worked in Kharkiv for many years (1880–1910) and belongs to the founders of his academic musical culture. The article lays the methodological basis for studying interpretation of the Marian theme in the works by this author, for that the analysis

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Graham, Kenneth J. E. ""Clear as heav'n:" Herbert's Poetry and Rhetorical "Divinitie"." Renaissance and Reformation 41, no. 2-3 (January 1, 2005): 183–201. http://dx.doi.org/10.33137/rr.v41i2-3.9528.

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Cet article montre que George Herbert, tout comme d'autres interprètes de cette période, a probablement utilisé une herméneutique rhétorique dans le but de mettre en contexte et d'harmoniser des textes bibliques en apparence contradictoires. On donne premièrement des exemples de ce processus herméneutique à l'aide des réponses d'Érasme et Thomas Swynnerton au problème d'interprétation des textes bibliques sur le pouvoir de la volonté. On examine ensuite l'approche de Herbert dans son exégèse biblique du Country Parson et de la «Divinitie». On montre finalement que l'interprétation de Herbert d

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Nikolajsen, Jeppe Bach. "Church, State, and Pluralistic Society." International Journal of Public Theology 15, no. 3 (October 27, 2021): 385–400. http://dx.doi.org/10.1163/15697320-01530006.

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Abstract This article demonstrates that Lutheran teaching on the two regiments can be drawn in different directions and how it was drawn in a particular direction for centuries so that it could provide a theoretical framework for mono-confessional Lutheran societies. It argues that the Lutheran two regiments theory can be developed along a different path, regaining some emphases in Luther’s early reflections: it can thereby contribute to an improved understanding of the role not only of the church but also of the state. While a number of Lutheran theologians believe that Lutheran teaching on t

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Markkola, Pirjo. "The Long History of Lutheranism in Scandinavia. From State Religion to the People’s Church." Perichoresis 13, no. 2 (October 1, 2015): 3–15. http://dx.doi.org/10.1515/perc-2015-0007.

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Abstract As the main religion of Finland, but also of entire Scandinavia, Lutheranism has a centuries-long history. Until 1809 Finland formed the eastern part of the Swedish Kingdom, from 1809 to 1917 it was a Grand Duchy within the Russian Empire, and in 1917 Finland gained independence. In the 1520s the Lutheran Reformation reached the Swedish realm and gradually Lutheranism was made the state religion in Sweden. In the 19th century the Emperor in Russia recognized the official Lutheran confession and the status of the Lutheran Church as a state church in Finland. In the 20th century Luthera

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Marshall, Bruce. "Lutherans, Bishops, and the Divided Church." Ecclesiology 1, no. 2 (2005): 25–42. http://dx.doi.org/10.1177/1744136605051885.

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AbstractLutheran teaching on ministry, as embodied in the Lutheran Confessions, includes a strong preference for the traditional episcopate and threefold ministry of the Western church, while granting that the church can, if necessary, live without them. This teaching permits Lutheran churches that do not have episcopal succession to adopt it from churches (whether or not Lutheran) that do. As the ongoing controversy over the Lutheran/Anglican agreement in the US exemplifies, however, Lutheran churches have been highly resistant to this step. The reasons for this are not peculiar to Lutheranis

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Edwards, Denis. "Synodality and primacy: Reflections from the Australian Lutheran/Roman Catholic Dialogue." Pacifica: Australasian Theological Studies 28, no. 2 (June 2015): 137–48. http://dx.doi.org/10.1177/1030570x16648972.

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A fundamental level of Receptive Ccumenism is that of the reception by a dialoguing church of an institutional charism of a partner church as a gift of the Spirit. It is proposed here that in the Lutheran/Roman Catholic Dialogue in Australia, this kind of receptivity has been evident in two ways. First, at least in part through this dialogue, the Lutheran Church of Australia has come to a new reception of episcopacy. Second, in and through this same dialogue, Roman Catholic participants have come to see that their church has much to receive from the Lutheran Church of Australia with regard to

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Asta, Theodore W. "Sixteenth-Century Lutheran Church Orders." Liturgy 9, no. 4 (January 1991): 42–53. http://dx.doi.org/10.1080/04580639109408750.

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Siebein, Gary, Hyun Paek, and Joshua Fisher. "Grace Lutheran Church, Naples FL." Journal of the Acoustical Society of America 119, no. 5 (May 2006): 3370. http://dx.doi.org/10.1121/1.4786523.

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Eligator, Ronald. "Roseville Lutheran Church, Roseville, MN." Journal of the Acoustical Society of America 119, no. 5 (May 2006): 3399. http://dx.doi.org/10.1121/1.4786717.

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Schwarz, Hans. "The Lutheran Church and Lutheran Theology in Korea1." Dialog 50, no. 3 (September 2011): 289–96. http://dx.doi.org/10.1111/j.1540-6385.2011.00625.x.

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Imeldawati, Tiur, Rencan Charisma Marbun, and Warseto Freddy Sihombing. "Ekklesiologi Martin Luther Sebagai Dasar Tata Gereja Aliran Lutheran di Indonesia." Jurnal Teologi Cultivation 6, no. 2 (December 31, 2022): 18–31. http://dx.doi.org/10.46965/jtc.v6i2.1667.

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Martin Luther as a great theologian has left a theological view that has a wide influence in the world, especially for the Lutheran churches. Martin Luther's ecclesiology has also been used as the basis for the Lutheran church order. What did Luther believe about ecclesiology? This is what this research tries to examine, and Luther's view has become the basis for Lutheran churches to carry out church programs related to their marturia, koinonia and diakonia. Has anything changed after hundreds of years have passed and how do Lutheran churches live up to Luther's belief in church life? This is

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Gruk, Wojciech. "Alle drey Ding vollkomen sind! On the Meaning of Naming the Church after Holy Trinity According to Josua Wegelin, Preacher in Pressburg, Anno 1640." Periodica Polytechnica Architecture 48, no. 1 (April 12, 2017): 23–27. http://dx.doi.org/10.3311/ppar.10125.

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Based on two erudite occasional prints from 1640, commemorating the consecration of the new Lutheran church in Bratislava, the article concerns the meaning of a church name in the mid-17th century Lutheran religious culture. The issue is set and discussed in the broader context of Lutheran theology regarding places of cult: what is a Lutheran place of cult, what is its sacredness, what is the relationship between church architecture and the worship space it determines. From the perspective of cultural studies, the article provides an insight into the process of imposing the architecture with s

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Hiebsch, Sabine. "Dutch Lutheran Women on the Pulpit." Church History and Religious Culture 103, no. 3-4 (December 18, 2023): 259–84. http://dx.doi.org/10.1163/18712428-10303014.

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Abstract In the course of the Twentieth century, the roles for women in Protestant churches in Europe expanded to include the possibility of participating in the church office of minister. For the Evangelical-Lutheran Church in the Kingdom of the Netherlands, the year 2022 marked the centenary of women in the ordained ministry. On June 12, 1922, the Lutheran synod decided that, according to the existing regulations, women could also be admitted as candidates for the ministry. In 1929 Jantine Auguste Haumersen (1881–1967) became the first female Lutheran minister in the Netherlands and worldwid

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Mashabela, James Kenokeno. "Lutheran Theological Education to Christian Education in (South) Africa: A Decolonial Conversion in the African Church." Religions 15, no. 4 (April 12, 2024): 479. http://dx.doi.org/10.3390/rel15040479.

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It can be debated whether a Lutheran identity is still relevant in the midst of ecumenical development in (South) Africa, with special reference to theological education and Christian education. The Lutheran Church is a unique body within the ecumenical family as it contributes to work on the mission of God. Theological education and Christian education are educational centres which aim to promote social justice towards community development. These two educational centres are branches of the Lutheran Church. Taking into account the fact that theological education and Christian education were i

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Haapalainen, Anna. "An emerging trend of charismatic religiosity in the Evangelical Lutheran Church of Finland." Approaching Religion 5, no. 1 (May 26, 2015): 98–113. http://dx.doi.org/10.30664/ar.67568.

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The membership rates of the Evangelical Lutheran Church are declining; thus its position in society is becoming more and more precarious. This article focuses on a description of how charismatic religiosity, as one possible answer to the challenges faced, has gained a foothold inside the Evangelical Lutheran Church of Finland and what might be the premises that have made its emergence within an institutionalized Evangelical Lutheran religion possible. Because of the several decades of work done by the association known as Spiritual Renewal in Our Church, the publication of the Bishops’ Commend

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