Artykuły w czasopismach na temat „Church music South Australia”
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Southcott, Jane. "Curriculum Stasis: Gratton in South Australia." Research Studies in Music Education 14, no. 1 (June 2000): 50–60. http://dx.doi.org/10.1177/1321103x0001400105.
Pełny tekst źródłaKoepping, Elizabeth. "Spousal Violence among Christians: Taiwan, South Australia and Ghana." Studies in World Christianity 19, no. 3 (December 2013): 252–70. http://dx.doi.org/10.3366/swc.2013.0060.
Pełny tekst źródła김은성. "Reformation of Church Music in South Korea: The Reformation and Music for Worship." Korea Presbyterian Journal of Theology 49, no. 1 (March 2017): 93–114. http://dx.doi.org/10.15757/kpjt.2017.49.1.004.
Pełny tekst źródłaEnglish, Helen Jane, Sarah Monk, and Jane W. Davidson. "Music and world-building in Newcastle, New South Wales, Australia." International Journal of Community Music 11, no. 3 (December 1, 2018): 245–64. http://dx.doi.org/10.1386/ijcm.11.3.245_1.
Pełny tekst źródłaLydon, Jane, and Sari Braithwaite. "Photographing “the Nucleus of the Native Church” at Poonindie Mission, South Australia." Photography and Culture 8, no. 1 (March 2015): 37–57. http://dx.doi.org/10.2752/175145215x14244337011126.
Pełny tekst źródłaPitman, Julia. "Feminist Public Theology in the Uniting Church in Australia." International Journal of Public Theology 5, no. 2 (2011): 143–64. http://dx.doi.org/10.1163/156973211x562741.
Pełny tekst źródłaMoyle, Richard M., and Catherine J. Ellis. "Aboriginal Music: Education for Living. Cross-Cultural Experiences from South Australia." Ethnomusicology 31, no. 1 (1987): 155. http://dx.doi.org/10.2307/852307.
Pełny tekst źródłaWild, Stephen A. "Aboriginal music: Education for living. Cross-cultural experiences from South Australia." Musicology Australia 9, no. 1 (January 1986): 66–69. http://dx.doi.org/10.1080/08145857.1986.10415166.
Pełny tekst źródłaParker, Murray, and Dirk H. R. Spennemann. "Contemporary Sound Practices: Church Bells and Bell Ringing in New South Wales, Australia." Heritage 4, no. 3 (August 12, 2021): 1754–72. http://dx.doi.org/10.3390/heritage4030098.
Pełny tekst źródłaZweck, Dean. "A Fruitful Dialogue between Lutherans and Catholics in the South Land of the Holy Spirit." Review of Ecumenical Studies Sibiu 8, no. 2 (August 1, 2016): 206–18. http://dx.doi.org/10.1515/ress-2016-0017.
Pełny tekst źródłaKaye, Bruce N. "The Baggage of William Grant Broughton: The First Bishop of Australia as Hanoverian High Churchman." Pacifica: Australasian Theological Studies 8, no. 3 (October 1995): 291–314. http://dx.doi.org/10.1177/1030570x9500800303.
Pełny tekst źródłaJorritsma, Marie. "The Significance of Small Journeys: Travel and the Congregational Music of Kroonvale, South Africa." Nineteenth-Century Music Review 16, no. 02 (July 27, 2018): 229–47. http://dx.doi.org/10.1017/s1479409817000672.
Pełny tekst źródłaIskhakova, Saida Z. "Eastern and Western Influences in the Cantus Publicus Tradition of the 12th and 13th Centuries." Observatory of Culture, no. 5 (October 28, 2014): 66–72. http://dx.doi.org/10.25281/2072-3156-2014-0-5-66-72.
Pełny tekst źródłaSouthcott, Jane. "The Singing By-Ways: Origins of Class Music Education in South Australia." Journal of Historical Research in Music Education 25, no. 2 (April 2004): 116–27. http://dx.doi.org/10.1177/153660060402500205.
Pełny tekst źródłaEdwards, William H. "The Church and Indigenous Land Rights: Pitjantjatjara Land Rights in Australia." Missiology: An International Review 14, no. 4 (October 1986): 473–86. http://dx.doi.org/10.1177/009182968601400406.
Pełny tekst źródłaRoberts, Rosie, and Sam Whiting. "The impact of COVID-19 on music venues in regional South Australia: A case study." Perfect Beat 21, no. 1 (August 27, 2021): 25–32. http://dx.doi.org/10.1558/prbt.19334.
Pełny tekst źródłaSouthcott, Jane. "The Establishment of the Music Curiculum in South Australia: The Role of Alexander Clark." Research Studies in Music Education 5, no. 1 (December 1995): 1–10. http://dx.doi.org/10.1177/1321103x9500500101.
Pełny tekst źródłaBaker, Sarah. "Young People and Community Radio in the Northern Region of Adelaide, South Australia." Popular Music and Society 30, no. 5 (December 2007): 575–90. http://dx.doi.org/10.1080/03007760600835389.
Pełny tekst źródłaLebaka, Morakeng Edward Kenneth. "Integration of Vocal Music, Dance and Instrumental Playing in St Matthews Apostolic Church: Maphopha Congregation." European Journal of Interdisciplinary Studies 4, no. 2 (July 24, 2018): 34. http://dx.doi.org/10.26417/ejis.v4i2.p34-44.
Pełny tekst źródłaKaye, Bruce. "From a Colonial Chaplaincy to Responsible Governance: The Anglican Church of Australia and Its Ecclesiological Challenge." Ecclesiastical Law Journal 23, no. 1 (January 2021): 34–49. http://dx.doi.org/10.1017/s0956618x20000666.
Pełny tekst źródłaBurley, Stephanie. "Past Principals: “The Public Pervasive Presence of Powerful Women in the Church” in South Australia, 1880–1925." Paedagogica Historica 35, sup1 (January 1999): 339–52. http://dx.doi.org/10.1080/00309230.1999.11434948.
Pełny tekst źródłaLiew, Kai Khiun, and Angela Lee. "K-pop boot camps in choreographic co-creative labor." Global Media and China 5, no. 4 (December 2020): 372–88. http://dx.doi.org/10.1177/2059436420974935.
Pełny tekst źródłaCoaldrake, Kimi. "Engaging History and Negotiating National Identity with Miki'sConcerto Requiem(1981) at the 18th Biennial Festival of Arts in Adelaide, South Australia." Musicology Australia 35, no. 1 (July 2013): 66–85. http://dx.doi.org/10.1080/08145857.2013.761100.
Pełny tekst źródłaSaid, Shannon. "White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity." Religions 12, no. 2 (February 16, 2021): 123. http://dx.doi.org/10.3390/rel12020123.
Pełny tekst źródłaJoseph, Dawn. "Tertiary educators’ voices in Australia and South Africa: Experiencing and engaging in African music and culture." International Journal of Music Education 33, no. 3 (January 17, 2014): 290–303. http://dx.doi.org/10.1177/0255761413516063.
Pełny tekst źródłaBallantine, Christopher. "Concert and Dance: the foundations of black jazz in South Africa between the twenties and the early forties." Popular Music 10, no. 2 (May 1991): 121–45. http://dx.doi.org/10.1017/s0261143000004475.
Pełny tekst źródłaHatoss, Anikó. "Language, faith and identity." Australian Review of Applied Linguistics 35, no. 1 (January 1, 2012): 94–112. http://dx.doi.org/10.1075/aral.35.1.05hat.
Pełny tekst źródłaMartin, Toby. "Dougie Young and political resistance in early Aboriginal country music." Popular Music 38, no. 03 (October 2019): 538–59. http://dx.doi.org/10.1017/s0261143019000291.
Pełny tekst źródłaPhillips, Stephen. "Aversive behaviour by koalas (Phascolarctos cinereus) during the course of a music festival in northern New South Wales, Australia." Australian Mammalogy 38, no. 2 (2016): 158. http://dx.doi.org/10.1071/am15006.
Pełny tekst źródłaParker, Murray, and Dirk H. R. Spennemann. "For Whom the Bell Tolls: Practitioners’ Views on Bell-Ringing Practice in Contemporary Society in New South Wales (Australia)." Religions 11, no. 8 (August 17, 2020): 425. http://dx.doi.org/10.3390/rel11080425.
Pełny tekst źródłaKealiinohomoku, Joann W., and Alice Marshall Moyle. "Music and Dance of Aboriginal Australia and the South Pacific: The Effects of Documentation on the Living Tradition." Ethnomusicology 39, no. 2 (1995): 277. http://dx.doi.org/10.2307/924430.
Pełny tekst źródłaChavin, M. "Bright, R. (1991). Music in Geriatric Care: A Second Look. New South Wales, Australia: Music Therapy Enterprises. 135 pages. ISBN 0-646-04685-3." Music Therapy Perspectives 12, no. 2 (January 1, 1994): 136. http://dx.doi.org/10.1093/mtp/12.2.136-a.
Pełny tekst źródłaCain, Melissa, Lauren Istvandity, and Ali Lakhani. "Participatory music-making and well-being within immigrant cultural practice: exploratory case studies in South East Queensland, Australia." Leisure Studies 39, no. 1 (February 21, 2019): 68–82. http://dx.doi.org/10.1080/02614367.2019.1581248.
Pełny tekst źródłaGummow, Margaret. "Music and dance of Aboriginal Australia and the South Pacific: The effect of documentation on the living tradition." Musicology Australia 19, no. 1 (January 1996): 79–81. http://dx.doi.org/10.1080/08145857.1996.10416549.
Pełny tekst źródłaFoster, Neil. "The Bathurst Diocese Decision in Australia and its Implications for the Civil Liability of Churches." Ecclesiastical Law Journal 19, no. 01 (December 20, 2016): 14–34. http://dx.doi.org/10.1017/s0956618x1600106x.
Pełny tekst źródłaWard, James C. "The Lord Will Make a Way Somehow: Strategies for Cross-Cultural Music and Worship." Review & Expositor 109, no. 1 (February 2012): 39–50. http://dx.doi.org/10.1177/003463731210900106.
Pełny tekst źródłaKnight, Frances. "Anglican Worship in Late Nineteenth-Century Wales: a Montgomeryshire Case Study." Studies in Church History 35 (1999): 408–18. http://dx.doi.org/10.1017/s0424208400014170.
Pełny tekst źródłaBaker, Sarah, and Alison Huber. "Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’." Popular Music 32, no. 2 (May 2013): 223–40. http://dx.doi.org/10.1017/s0261143013000081.
Pełny tekst źródłaDimopoulos-Bick, Tara, Kim E. Clowes, Katie Conciatore, Maggie Haertsch, Raj Verma, and Jean-Frederic Levesque. "Barriers and facilitators to implementing playlists as a novel personalised music intervention in public healthcare settings in New South Wales, Australia." Australian Journal of Primary Health 25, no. 1 (2019): 31. http://dx.doi.org/10.1071/py18084.
Pełny tekst źródłaBowers, Roger. "Aristocratic and Popular Piety in the Patronage of Music in the Fifteenth-century Netherlands." Studies in Church History 28 (1992): 195–224. http://dx.doi.org/10.1017/s0424208400012456.
Pełny tekst źródłaStephens, Randall J. "“Where else did they copy their styles but from church groups?”: Rock ‘n’ Roll and Pentecostalism in the 1950s South." Church History 85, no. 1 (February 29, 2016): 97–131. http://dx.doi.org/10.1017/s0009640715001365.
Pełny tekst źródłaCzeglédy, André. "A New Christianity for a New South Africa: Charismatic Christians and the Post-Apartheid Order." Journal of Religion in Africa 38, no. 3 (2008): 284–311. http://dx.doi.org/10.1163/157006608x323504.
Pełny tekst źródłaParker, Murray, and Dirk HR Spennemann. "Anthropause on audio: The effects of the COVID-19 pandemic on church bell ringing and associated soundscapes in New South Wales (Australia)." Journal of the Acoustical Society of America 148, no. 5 (November 2020): 3102–6. http://dx.doi.org/10.1121/10.0002451.
Pełny tekst źródłaShelemay, Kay Kaufman, Peter Jeffery, and Ingrid Monson. "Oral and written transmission in Ethiopian Christian chant." Early Music History 12 (January 1993): 55–117. http://dx.doi.org/10.1017/s0261127900000140.
Pełny tekst źródłaBennett, Cary. "Challenges facing regional live music venues: A case study of venues in Armidale, NSW." Popular Music 39, no. 3-4 (December 2020): 600–618. http://dx.doi.org/10.1017/s0261143020000483.
Pełny tekst źródłaSaucier, Catherine. "Johannes Brassart’s Summus secretarius." Journal of Musicology 34, no. 2 (2017): 149–81. http://dx.doi.org/10.1525/jm.2017.34.02.149.
Pełny tekst źródłaVeblen, Kari K., Nathan B. Kruse, Stephen J. Messenger, and Meredith Letain. "Children’s clapping games on the virtual playground." International Journal of Music Education 36, no. 4 (May 14, 2018): 547–59. http://dx.doi.org/10.1177/0255761418772865.
Pełny tekst źródłaStevens, Robin S. "Pathfinder and Role Model: Ada Bloxham, Australian Vocalist and Tonic Sol-fa Teacher." Journal of Historical Research in Music Education 39, no. 2 (January 18, 2017): 131–47. http://dx.doi.org/10.1177/1536600616669360.
Pełny tekst źródłaYoung, Marisa. "From T.T. Reed’s Colonial Gentlemen to Trove: Rediscovering Anglican Clergymen in Australia’s Colonial Newspapers." ANZTLA EJournal, no. 11 (April 19, 2015): 74–88. http://dx.doi.org/10.31046/anztla.vi11.268.
Pełny tekst źródłaStevens, Kate, Gary McPherson, and Denis Burnham. "7 th International Conference on Music Perception & Cognition (ICMPC7), July 17 —21, 2002, University of New South Wales, Sydney, Australia." Research Studies in Music Education 16, no. 1 (June 2001): 73–74. http://dx.doi.org/10.1177/1321103x010160010101.
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