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Artykuły w czasopismach na temat „Church of St. Sophia”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Demchuk, Ruslana. "Baroque of Saint Sophia Cathedral as a representation of National Identity." Culturology Ideas, no. 26 (2'2024) (2024): 26–40. https://doi.org/10.37627/2311-9489-26-2024-2.26-40.

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The article examines Sophia the Wisdom of God as a religious phenomenon, a marker of the Eastern Christian tradition and Ukrainian culture. The article analyzes the eighteenth-century baroque mural ensemble of Sophia of Kyiv in an interdisciplinary context: it provides an interpretation of the iconic subjects and traces the continuity with the Old Ruthenian mural design. Despite the absence of a developed Sophia iconography, the image of Sophia in the mural paintings of the cathedral is realized through the theology “Sophia — Mary — Church” from the Great Oranta in the central altar (eleventh

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Bardill, Jonathan. "A NEW TEMPLE FOR BYZANTIUM: ANICIA JULIANA, KING SOLOMON, AND THE GILDED CEILING OF THE CHURCH OF ST. POLYEUKTOS IN CONSTANTINOPLE." Late Antique Archaeology 3, no. 1 (2006): 339–70. http://dx.doi.org/10.1163/22134522-90000048.

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The extent to which the design of Anicia Juliana’s church of St. Polyeuktos influenced Justinian’s cathedral of St. Sophia is an issue that has attracted much attention. There is broad agreement that Juliana’s church is likely to have been crowned with a brick dome on pendentives (a precursor of that crowning St. Sophia). But a reconsideration of the literary and archaeological evidence suggests that this was not the case. I argue here that a tale related by Gregory of Tours on the gilding of the roof of St. Polyeuktos reliably describes the church’s panelled wooden ceiling, and that the accou

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Immelman, Elbie. "Die St. John-Anglikaanse kerk, Victoria-Wes." New Contree 1 (July 15, 2024): 2. http://dx.doi.org/10.4102/nc.v1i0.867.

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Robert Gray was commissioned in 1847 to come to South Africa as the first Anglican bishop of Cape Town. His wife Sophia, a talented architect and artist, assisted him in his work and accompanied him on most of his journeys into the interior. Wherever he established congregations she designed the churches, some of which are still to be seen at George, Knysna, Claremont (Cape), Caledon, Fraserburg, Riversdale, Worcester, Clanwilliam and Victoria West. During their last trip into the interior in 1869 Bishop Gray, his wife and Harold Welby, the resident magistrate, chose the site for the St. John'

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Brzozowska, Zofia. "Sophia – God’s wisdom. Quality, energy or separate divine person in the theology of the eastern church (to the 15th century)." Hybris 20, no. 1 (2013): 1–21. http://dx.doi.org/10.18778/1689-4286.20.02.

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The representation of Sophia – personified God’s Wisdom, based on the text of old-testament Sapiental Books, took quite an important place in the spiritual culture of Byzantium. What should be noted is the Empire inhabitants’ striving to identify Wisdom with one of the persons of Trinity. A vast majority of the Church Fathers and later East Christian thinkers inclined towards christological interpretation of Sophian images. The Second Hypostasis – the Word Incarnate, was identified with Sophia by Justin Martyr, Athenagoras of Athens, Clement of Alexandria, Origen, Methodius of Olympus, Eusebiu

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Mikheev, Savva M. "Two Short Glagolitic Graffiti in St. Naumʼs Monastery near Ohrid and in Hagia Sophia in Istanbul". Slovene 2, № 2 (2013): 52–63. http://dx.doi.org/10.31168/2305-6754.2013.2.2.3.

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This paper offers a publication of two short Glagolitic graffiti inscriptions: the inscription ALEKЪSĘDRЪ, dating back to the late 10th or 11th century from St. Archangels’ Church in St. Naumʼs Monastery on the southern bank of Lake Ohrid in Macedonia, and the in-scription AN, in Hagia Sophia, Istanbul (Constantinople), Turkey.

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Koronevskii, Viktor. "The Defender of the Orthodoxy or the Pious Catholic? St. Sophia of Slutsk in the Narratives of 19th – early 20th Centuries." Izvestia of Smolensk State University, no. 4(64) (April 3, 2024): 221–33. http://dx.doi.org/10.35785/2072-9464-2023-64-4-221-233.

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The paper is devoted to the history of the perception of St. Sophia of Slutsk by both Russian-language (Athanasius Vechorko, Gregory Kulzhinski, Feodor Sero-Solovievitch etc.) and Polish-language (Jozeph Krashevski, Josephine Osipovska, Vladislav Syrokomla, Teodor Korvin-Shimanovski) writers of the 19th – early 20th centuries. St. Sophia is canonized by the Orthodox Church. Despite that, in the early 21st century Belarusian historians debated her denomination. This article claims that the dispute related to the Saint’s denomination is based on two competing points of view which for

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Olianina, Svitlana. "A Spatial Iconographic Program of Ukrainian Baroque Iconostasis." Art Research of Ukraine, no. 21 (November 29, 2021): 52–59. http://dx.doi.org/10.31500/2309-8155.21.2021.254672.

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The purpose of this article is analysis of the iconographic programs of iconostasis created in the Baroque period in the main church complexes of Ukraine - St. Sophia of Kyiv and Kyiv Pechersk monastery. It found that the iconostasis of the side altars of St. Sophia and Assumption Cathedrals and the iconostasis of other churches located on the territory of the monasteries had thematic iconographic programs related to the dedication. These thematic programs do not include Deisis compositions and other images necessary for the year-round cycle of divine service. Instead, they are intended for a

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OSTASHCHUK, Ivan, Keyan LIANG, Svitlana KHRYPKO, et al. "Floral Symbolism in Ukrainian Temple Art." WISDOM 28, no. 4 (2023): 70–78. http://dx.doi.org/10.24234/wisdom.v28i4.1042.

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The origins of the formation of plant symbolism in Christian temple art have been investigated, particularly on the example of the texts of the Holy Bible. The primary connotations of the garden’s symbolism in Christian sacral art are analyzed as an expression of the idea of a lost paradise, contemplation of the images of which is possible in the space of temples. Plant symbolism is revealed in the holistic art systems of the Sophia of Kyiv and St. Cyril’s Church in Kyiv. The fundamental values of plant symbolism in St. Sophia’s Cathedral and St. Cyril’s Church are highlighted by the idea of t

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9

Logvyn, Natalia. "SPECIFICITIES OF THE MASONRY TECHNIQUE OF KYIVAN MONUMENTS OF THE XTH THE BEGINNING OF THE XIITH CENTURIES." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 105–17. http://dx.doi.org/10.32347/2077-3455.2020.58.105-117.

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The material presented above concerns the research of the concealed course technique used in Kyivan monuments of the Xth the beginning of the XIIth centuries and its origin. The concealed course technique presents the brickwork where the alternating brick courses are slightly recessed from the wall and covered by mortar, as a result, joints appear to be much thicker than they actually are. The earliest known monument where the concealed course technique that occurs in the Desyatynna church in Kyiv completed in 996, as well as the two palaces of the Xth c. nearby. The recessed brick

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Wabnic, Angelika. "Obraz wiejskiego życia codziennego i prac polowych w dawnych wiekach – na podstawie przysłów zawierających imię świętej kobiety (św. Zofii, św. Małgorzaty Antiocheńskiej, św. Barbary, św. Agaty)." Poradnik Językowy, no. 6/2025(825) (July 1, 2025): 50–67. https://doi.org/10.33896/porj.2025.6.4.

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This paper presents the results of an analysis of proverbs concerning everyday life of former villagers. The analysed sayings contain in their structure the names of selected saints of the Catholic Church: St Sophia, St Margaret of Antioch, St Barbara, and St Agatha. The research material, consisting of proverbs that originated and functioned in general and dialect Polish, was drawn from five collections published between 1889 and 200133. The analysis draws on the idea of linguistic worldview, which made it possible to reconstruct various images of portions of reality associated with each of t

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Krausmüller, Dirk. "Emperors, Patriarchs, Metropolitans, Deacons and Monks: Individuals and Groups in the Byzantine Church (6th–11th Centuries)." Scrinium 17, no. 1 (2021): 199–238. http://dx.doi.org/10.1163/18177565-bja10048.

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Abstract This article traces the history of the Byzantine Church from the sixth to the early twelfth century. It seeks to show how the development of the institution was shaped through the interactions of groups and individuals. Particular attention is paid to the permanent synod, the deacons of St Sophia and the monks of the capital.

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12

Nadiya, Nikitenko. "On the Initial Dedication of the Altars of St. Sophia in Kyiv." Ucrainica Mediaevalia 4, Medieval studies (2022): 61–92. https://doi.org/10.5281/zenodo.6350297.

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The purpose of this study is to introduce into scientific circulation and analyze the data that shed light on the complex problem of the initial dedication of the altars of St. Sophia in Kyiv. The ancient integral architectural and mural ensemble of the St. Sophia is considered to be the most reliable authentic source. The article in the context of the theme of the dedication of the altars of the St. Sophia comprehensively explores the problem of the implementation of the princely order of the spouses of the Baptists of Rus-Ukraine. The study testifies to the patronage of Volody

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13

Vinogradov, Andrey Yu, Aleхey A. Gippius, and Natallia A. Kiziukevich. "The Inscription on a Brick from Grodno (Ps 45: 6) in the Context of Byzantine-Russian Epigraphic Links." Slovene 9, no. 1 (2020): 412–22. http://dx.doi.org/10.31168/2305-6754.2020.9.1.15.

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The authors publish a unique inscription with the second half-verse of Psalm 45: 6 on а 12th century brick from the excavations of the “Mernaya izba” on the Castle hill of Hrodna (Grodno; Republic of Belarus). The tradition of writing Psalm 45: 6 in church buildings goes back to the Early Byzantine period and is associated with its “apotropaic” character, which should protect the building from earthquakes. From the middle Byzantine period Psalm 45: 6 is known to also appear on bricks. A great role in this tradition was played by the “Diegesis about the Great church”, according to which Psalm 4

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14

Viacheslav, Kornienko Iryna Kupriietz. "On the History of the restoration of the Cyril's Church in Kyiv: Documents from the Adrian prakhov Archive in the Stock Collection of the National Conservation Area "St. Sophia in Kyiv" (1881–1889)." Славістична збірка VI, Slavic studies (2022): 74–179. https://doi.org/10.5281/zenodo.6382706.

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The article is an archeographic publication of some documents from the personal archive of the prominent Ukrainian art critic and archaeologist Adrian Prakhov (1846–1916), which are stored in the stock collection of the National Conservation Area “St. Sophia in Kyiv” and relate to the research and restoration of St. Cyril’s Church in Kyiv; extreme dates of documents: 1881–1889. A significant number of documents are introduced into scientific circulation for the first time. They provide an opportunity to significantly expand the existing&nb

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15

Kondratyeva, Iryna, and Iryna Fenno. "THE PLANT IMAGERY IN THE AESTHETICS OF THE CULT PRACTICE OF THE ARMENIAN APOSTOLIC CHURCH." Sophia. Human and Religious Studies Bulletin 20, no. 2 (2022): 28–31. http://dx.doi.org/10.17721/sophia.2022.20.6.

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The article is devoted to the study of plant imagery as an important aesthetic-semantic component of the cult practices of the Armenian Apostolic Church. The Armenian Apostolic Church is not only a unique, ancient institution among the circle of Christian churches, but also represents an original cultural world, manifested in a cult rich in its theological content and artistic form, that's why it deserves to be present in the religious studies, aesthetic, cultural, historical research discourses. Using textological, semiotic and phenomenological methods, the authors analyze the implicit conten

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Tretiak, Kyrylo. "The Lost Elements of Ukrainian Baroque Architectural Monuments of Kyiv." Ethnic History of European Nations, no. 73 (2024): 48–55. http://dx.doi.org/10.17721/2518-1270.2024.73.06.

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The article is dedicated to the research of the loss of important architectural and compositional elements in Kyiv architectural monuments of the Ukrainian Baroque of the XVIIth – XVIIIth centuries. The author analyzes the architectural development of such Kyiv buildings as the Onufriivska Tower and the Church of Conception of Ann of the Kyiv-Pechersk Lavra, the Resurrection Church, the st. Illia Church, the Temple of Nikolas, the Intercession Church, the Old Building of the Kyiv-Mohyla academy, cookhouse and Church of the Holy Spirit of the Brotherly Epiphany Monastery, St. Sophia Cathedral,

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Nadiya, Nikitenko. "Battles for the History of the St. Sophia: Overcoming Obstacles and Stereotypes." Славістична збірка VI, Slavic studies (2022): 446–77. https://doi.org/10.5281/zenodo.6383111.

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This article discusses the current problem of overcoming numerous artificial obstacles to the study of our main national shrine – St. Sophia in Kyiv, as well as traditional stereotypes in the science of it, which still weigh on the conclusions of many researchers who in their various works to some extent, architecture and content of mosaics and frescoes. The dating of St. Sophia in Kyiv is a big, complex and very controversial issue, to which we have devoted many publications. Here we outline only its main parameters. According to the results of our lat

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18

Mrasori, Naser, and Naim Kryeziu. "Similarities and Comparisons Between Stefan Zweig’s ‘Last Mass in St. Sophia’s Cathedral’ and Ismail Kadare’s ‘Saint Sophia’s Church’." Theory and Practice in Language Studies 13, no. 6 (2023): 1337–42. http://dx.doi.org/10.17507/tpls.1306.01.

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Zweig’s contribution in Albanian literature comes from the effort of well-known Albanian intellectuals and translators, which in turn has inspired and influenced prominent figures in Albanian literature and culture. This paper focuses on the inspirations, similarities and differences between ‘Last Mass in the Cathedral of St. Sophia’ by the German author Stefan Zweig, who is one of the authors most frequently translated into Albanian, and ‘The Church of St. Sofia’ by the famous Albanian author, Ismail Kadare. The paper provides solid arguments demonstrating the interesting parallels between th

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Mogarichev, Yurii, and Alena Ergina. "The Lost Fresco Paintings of the Inkerman Cave Churches (“Temple with Baptistery”, “Church of Geography”, Monastery of Saint Sophia)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija 26, no. 6 (2021): 31–51. http://dx.doi.org/10.15688/jvolsu4.2021.6.3.

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Introduction. Among the “cave towns” of Mountainous Southwestern Crimea, there are monuments located in the lower reaches of the Black River valley. There are no less than 9 rock-cut monastic complexes which include about 30 temples. Methods. Some churches of the 13th–15th centuries were decorated with fresco paintings. Today, frescoes have been preserved only in one church. Sources of the 18th–20th centuries indicate traces of paintings in more than five temples. Frescoes inside the “temple with baptistery”, “Church of Geography (Eugraphy)”, and the Monastery of St. Sophia have not survived.

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Квливидзе, Нина Валериевна, та Иеромонах Кассиан Плоский. "«Слово о законе и благодати» и литургическая программа росписи Софии Киевской". Вестник церковного искусства и археологии, № 2(8) (15 жовтня 2023): 13–36. https://doi.org/10.31802/bcaa.2023.8.2.001.

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Статья посвящена изучению особенностей алтарной декорации Софийского собора в Киеве и его надписей. Созданные примерно в одно и то же время ансамбли Софии Охридской и Софии Киевской отличаются подчеркнутым вниманием к теме Евхаристии. В храмовых росписях XI столетия литургическая тема приобрела особое значение. В этом отношении изучение алтарной росписи киевского Софийского собора в контексте современного ей богословского сочинения позволяет по-новому осветить программные основы византийских литургических храмовых декораций этого периода. Внимание к надписям Софии Киевской не ослаб

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Sarab'janov, Vladimir. "Patronal'nye izobrazenija v programme rospisej Spasskoj cerkvi Evfrosin'eva monastyrja v Polocke." Zograf, no. 37 (2013): 87–106. http://dx.doi.org/10.2298/zog1337087s.

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The murals of Christ`s Transfiguration cathedral in Polotsk (ca. 1161), which were revealed during restoration in the last several years, include several thematic strata. Among them especially notable is a group of images, related to the patron saints. Distinguished among them are the figures of the patron saints of the Polotsk ducal family, to which St. Euphrosynia of Polotsk, the founder of the monastery and the builder of the Christ`s Church, belonged. The composition ?Exaltation of the Cross? is set in one row with the patron saints, thus revealing semantic correlation with the ktitors` po

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Krivosheina, Natalya V., Olga V. Krupnina, and Anna A. Parshakova. "New signature dated icon of Vyatka – Sofia the Wisdom of God." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 54 (2024): 135–45. https://doi.org/10.17223/22220836/54/12.

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The article introduces into scientific discourse a new Vyatka icon Sophia the Wisdom of God, dated back to 1850. Signed and dated by the artist icons are rare. They play a vital role in the formation of a holistic picture of icon painting. The study provides information on the client and the executor of the icon as a contribution to the church. A general representation of the existence of the images of St. Sofia on Vyatka and her copies. The icon is located in a Cherdyn history museum, Perm region, but has not been studied until today. During the research work, biographical facts about the Vya

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Christenson, David. "Callinus and militia amoris in Achilles Tatius' Leucippe and Cleitophon." Classical Quarterly 50, no. 2 (2000): 631–32. http://dx.doi.org/10.1093/cq/50.2.631.

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Right so far as Homer is concerned, and Paulus, a poet of Justinian's court best known for his epic poem (modelled after Homer) composed on the occasion of the rededication of the Church of St Sophia, clearly evokes Callinus. But the commentators have overlooked the pointed use of μχρι(ς) τυος + the present indicative in Achilles Tatius’ τᾰ κατᾰ Λευκππην κα κλειοøντα. Examination of the examples there suggests that Achilles Tatius could make greater demands on his readers than is sometimes generally assumed for the Greek novelists.

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Natalia, Logvyn. "CONSTRUCTIVE PECULIARITIES OF FOUNDATIONS IN KYYIVAN MONUMENTS OF THE X-TH – THE XII-TH CENTURIES." Current problems of architecture and urban planning, no. 59 (March 1, 2021): 348–59. http://dx.doi.org/10.32347/2077-3455.2021.59.348-359.

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Majority of Old Rus` monuments are known to us by their excavated foundations. The character of foundation construction and layout of plan allows to reconstruct lost architectural forms of the monuments. The layout of building plan was executed by the help of rope and pickets installed at building site where tranches for wall foundation were dug. The earliest known masonry monuments of the X-th century had their wall foundation made of rubble on clay mortar. Another foundation type was used in Kyyivan monuments of the X-th – the XII-th centuries – the Tithe Church and palaces near

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SAVYNSKA, Inna. "FROM THE MYSTICAL ΑΓΆΠΗ THE INTELLECTUAL AMOR / CARITAS: THE TRANSFORMATION OF CONCEPTS IN THE BRIDAL MYSTICISM OF THE XII CENTURY". Sophia. Human and Religious Studies Bulletin 23, № 1 (2024): 92–95. https://doi.org/10.17721/sophia.2024.23.18.

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B a c k g r o u n d . The article is mainly devoted to the conception of intellectual love in the tradition of the Bridal mysticism of the XII century. This investigation shows that theologia mystica of Bernard of Clairvaux, William of Saint Thierry and Richard of Saint-Victor was formed under the influence of the conception of a mystical agape and metaphorical language of the Song of Songs by the Fathers of the Church. Moreover, it was also stressed that the spiritual sources of intellectual love came from Augustine's Neoplatonic tradition. His work "The Trinity" made polysemantic caritas the

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Lohrmann, Dietrich. "Alcuin als planender Architekt in York und Aachen *." Frühmittelalterliche Studien 58, no. 1 (2024): 95–113. http://dx.doi.org/10.1515/fmst-2024-0003.

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Abstract This article mentions first the recent advances in the study of Aachen Cathedral: the discussion about its dates of construction, the architects, and principally Alcuin as donneur d’idées of the decisive concept. It refers particularly to a little noticed statement at the end of Alcuin’s poem on the saint-bishops of York, where he indicates his share in the construction of a new church of St. Sophia in York. We then examine Alcuin’s role as a church planner, offer two new pieces of evidence for the progress of construction in Aachen ( 795–799 ), suggest the use of columns from Italy i

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Bremner, G. Alex. "Out of Africa: G. F. Bodley, William White, and the Anglican Mission Church of St Philip, Grahamstown, 1857–67." Architectural History 51 (2008): 185–210. http://dx.doi.org/10.1017/s0066622x00003075.

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The Anglican mission church of St Philip, Grahamstown, is to this day a relatively little-known building (Fig. i). Erected at the height of Anglican missionary fervour in the 1860s, it is at first sight a small, nondescript structure the likes of which could be found throughout South Africa — indeed, the entire British empire — during the nineteenth century. On closer inspection, however, St Philip’s reveals itself to be anything but ordinary. It is one of very few buildings of its type remaining in South Africa that is entirely original in its design and almost completely unaltered in its con

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Storchay, Oksana. "Myhailo Vrubel Kyiv Creative Period: Sacred Art and Canon Problem." Demiurge: Ideas, Technologies, Perspectives of Design 2, no. 2 (2019): 250–60. https://doi.org/10.31866/2617-7951.2.2.2019.189738.

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The aim of the study is the analysis of sacral paintings of М. Vrubel during the "Kyiv period" (1884 – 1889) and understanding of the church canon by the artist. Methodology of the research includes general scientific methods – art study analysis and generalization of the problem under investigation. In order to study the subject the epistolary heritage of the artist was used. The article reveals the genesis of painting style of M. Vrubel as an integral part of the European version of the style Art Nouveau. The article also proves that this proces

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Tsebenko, Andriy М. "LITURGICAL ANTIPHONS IN THE UKRAINIAN ORTHODOX TRADITION: PRACTICES AND PERSPECTIVES OF CREATIVITY." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 63 (May 31, 2021): 33–38. http://dx.doi.org/10.26565/2306-6687-2021-63-04.

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The article examines the varieties and modern practices of using liturgical antiphons in the Ukrainian liturgical practice. The specifics of the use of antiphons among all Orthodox Ukrainian denominations are considered. A unifying model of the use of established and newly created liturgical antiphons as one of the segments of liturgical reform needed by the Church is offered. It is stated that the integration of the latest antiphonal texts into the church practice will contribute to enrichment and diversification of the liturgical tradition. Taking into account the newly-formed antiphons amon

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Torno Ginnasi, Andrea. "Guardian of Eden, Guardian of the City: The Lost Mosaic of the Archangel Michael in Hagia Sophia of Constantinople." Eurasian Studies 19, no. 1 (2021): 79–105. http://dx.doi.org/10.1163/24685623-12340110.

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Abstract This contribution aims to shed light on the lost mosaic of the Archangel Michael with a drawn sword once set, according to Niketas Choniates, in a πρόναος of the Hagia Sophia in Constantinople. After an overview of previous hypotheses, I will argue for a position just outside of the south-west vestibule of the church in the 10th century. Such a location and dating would be in line with the connotation of the Archangel as defender of a sacred space, perceived as a sort of Eden in Byzantine textual and visual sources. The spread of similar representations confirms the role of a referenc

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Yilmaz, Oz. "Geophysical investigations of historic buildings—A case study of the Great Church of St. Sophia." Leading Edge 32, no. 3 (2013): 292–96. http://dx.doi.org/10.1190/tle32030292.1.

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Avanesov, Sergey S. "The cult of saints and the establishment of interregional ties in Old Rus’: Sacred visualization of cross- cultural processes." Journal of Visual Theology 6, no. 2 (2024): 337–67. http://dx.doi.org/10.34680/vistheo-2024-6-2-337-367.

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The article explores visual symbols of cross- cultural processes in medieval Rus’ in the 15th–16th centuries by examples of Novgorod and Moscow represented by their two major saints. During this period, the formation of a common cultural and political space of Muscovy took place. One of the indications of imminent unification was that regional saints (‘genii loci’) were integrated in the united literary, artistic, and liturgical spaces. The article analyses the inception of iconographic compositions featuring two locally venerated saints–St. Varlaam of Khutyn (Novgorod) and St. Sergius of Rado

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Kolbutova, Irina Dmitrievna. "The Cosmic Symbolism of the Church and the Mystical Liturgy of the Logos in Inauguration Anthems of Hagia Sophia and the Mystagogia of Maximus the Confessor." Eikon / Imago 11 (March 1, 2022): 215–32. http://dx.doi.org/10.5209/eiko.77083.

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This article is devoted to the search of the traces of the Jewish conception of the cosmological and mystical celestial tabernacle and the temple in the architectural symbolism of the Christian church represented in the Syriac sugitha and the Greek kontakion dedicated to the churches of Hagia Sophia in Edessa and Constantinople. These texts are characterised by the presence of an idea of the “bridal chamber” and by the re-comprehension of the mystical conceptions of an “animate architecture”, which leads to the the merging the boundaries between the architecture of the church and the soul, int

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Чистякова, Марина Владимировна. "Архаичные черты в прологах Великого княжества Литовского". Slavistica Vilnensis 56, № 2 (2011): 23–34. http://dx.doi.org/10.15388/slavviln.2011.2.1454.

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Marina ChistiakovaArchaic Features in the Synaxaria of the Grand Duchy of Lithuania The article discusses some archaic features of Old Church Slavonic Synaxarion preserved in the relatively recent copies (15th–17th cc.) created and used in the Grand Duchy of Lithuania (University Library of the Catholic University of Lublin, nr. 198, 1584; Library of the Russian Academy of Sciences, 13.8.2, second half of the 16th c.; Vernadsky National Scientific Library of Ukraine, Kiev’s St. Sophia Cathedral collection, 273c/131, 1480’s; St. Michael’s Golden-Domed Monastery collection, nr. 529, 1480’s –1490

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Logvyn, Natalia. "THE PECULIARITY OF THE BUILDING PROCESS OF ANCIENT KYYIVAN MONUMENTS." Current problems of architecture and urban planning, no. 60 (April 26, 2021): 58–66. http://dx.doi.org/10.32347/2077-3455.2021.60.58-66.

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The author investigates the building process of ancient Kyyivan monuments. After the wall foundations were laid, the erection of ground volumes of the edifice began. Wooden scaffoldings were arranged at both sides of a wall. The remains of caffolding preserved in the brick fabric can be seen on the front walls of the Transfiguration Church at Berestove and St. Michael’s Church of Vydubytsky monastery. The height between scaffolding tiers as well as the height of masonry between them varies from 1.3 to 2.2 m in Kyyivan monuments. The situation of red schist cornices in ancient churches is depen

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Alekseev, Ivan A. "A CYCLE OF APOSTOLIC PASSIONS IN THE CHAPEL OVER THE SOUTHERN PASTOPHORION OF THE HAGIA SOPHIA IN OHRID: PROBLEMS CONCERNING THE ORIGINS OF THE ICONOGRAPHIC TRADITION." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2023): 77–98. http://dx.doi.org/10.28995/2686-7249-2023-1-77-98.

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This study attempts to reconstruct the composition of the plot in the cycle of apostolic suffering, located on the northern wall of the upper southern chapel of the Church of St. Sophia in Ohrid. This fragment of the mural has been little studied, as has the iconography of the apostolic passions in general. To date, there were two interpretations of partially or completely destroyed scenes in the chapel, proposed by P. Milkovich-Pepek and G. Babich. This study proposes an alternative reconstruction of the composition of the cycle, offers an additional series of analogies, and puts forward a hy

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Vorobieva, N. V. "OMSK AND TYUMEN DIOCESE UNDER ARCHBISHOP MAXIM (KROKHA)." Northern Archives and Expeditions 5, no. 3 (2021): 38–53. http://dx.doi.org/10.31806/2542-1158-2021-5-3-38-53.

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The article reconstructs the diocesan history in the Omsk and Tyumen dioceses under Archbishop Maxim (Krokha) (1975–1986),. there was a significant increase in the education of the clergy of the diocese, the number of Orthodox parishes increased, and cathedrals and churches were reconstructed. The bishop's house was opened in Tyumen, overhauled, and received the status of an architectural monument of the Exaltation of the Cross Cathedral in Omsk, extensions to the St. Nicholas Church were made, St. Sophia Cathedral in Tobolsk was restored, under the guise of repair new churches were built in I

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Krysko, Vadim. "From Moravia to Pskov: Text and Extratexts of the St. Sophia Triodion." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 81, no. 3 (2022): 74. http://dx.doi.org/10.31857/s160578800020760-2.

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The article is devoted to the analysis of a previously unpublished caption to the drawing in the Triodion manuscript Nr. 84 of the collection of the Cathedral of St Sophia in the Russian National Library, St Petersburg, and to the study of paleographic, orthographic and linguistic features of this codex. Based on paleographic data, the Sophia Triodion should date back to the second half of the 14th century. The identification of one of the handwritings of the manuscript with the main handwriting of the Service Menaia Nr. 101, 106, and 111 from the collection of the Synodal Typography in the Ru

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Shymanovych, Andrii. "NEO-THOMISM AFTER VATICAN II." Sophia. Human and Religious Studies Bulletin 21, no. 1 (2023): 77–81. http://dx.doi.org/10.17721/sophia.2023.21.19.

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The article contains the author's analysis of the gradual loss of the dominant influence on Catholic theology and the educational system by the neo-Thomist intellectual project during the first decades after Vatican II. The study is primarily based on the thorough researches of such domestic and Western experts in the field of Catholic thought as A. Dakhniy, J. M. Bocheński, F. C. Copleston, G. A. McCool, F. Kerr, T. Rowland, P. D. Murray, R. J. Schreiter, B. J. Shanley and E. Lamberts. The article offers an overview of the successive rethinking of Thomism as a fixed system of ideas under the

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Bashnin, Nikita. "Church Reform of Peter I: Source Study Aspect (According to the Materials of the Vologda Archbishops House of St. Sophia)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 5 (December 2020): 113–30. http://dx.doi.org/10.15688/jvolsu4.2020.5.10.

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Introduction. The inventory of buildings and property are an accounting document. The largescale description of the lands and property of the spiritual patrimony of 1701–1705 carried out within the framework of the Church Reform of Peter I should be considered as a stage in the control of the state over the material welfare of the Church. Materials. Inventories of bishops houses and monasteries were found in the central and regional archives. A number of documents of the early 18th century were published. Analysis. Different census takers carried out descriptions of the patrimonies of the Volo

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Matasova, T. A. "St. Cassian of Uchma and His Canonization at the Time of Mikhail Romanov: Trust in the Spiritual Authorities." Administrative Consulting, no. 2 (March 15, 2022): 153–64. http://dx.doi.org/10.22394/1726-1139-2022-2-153-164.

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The article examines the circumstances and significance of the canonization of St. Cassian of Uchma in 1629. Based on a wide range of sources (the life of St. Cassian in its various copies and editions, as well as the “books of the foundation” of the Assumption Church of the Cassian Monastery, wills of Russian princes and other documents), analyzed by the classical methods of historical science (retrospective, method of historical periodization, historical-genetic, historical-systemic), it was possible to come to the conclusion that in the information about the life and miracles of St. Cassian

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Matasova, Tatiana A. "St. Cassian of Uchma and His Canonization at the Time of Mikhail Romanov: Trust in the Spiritual Authorities." Administrative consulting, no. 2 (158) (June 7, 2022): 153–64. https://doi.org/10.22394/1726-1139-2022-2-153-164.

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The article examines the circumstances and significance of the canonization of St. Cassian of Uchma in 1629. Based on a wide range of sources (the life of St. Cassian in its various copies and editions, as well as the “books of the foundation” of the Assumption Church of the Cassian Monastery, wills of Russian princes and other documents), analyzed by the classical methods of historical science (retrospective, method of historical periodization, historical-genetic, historical-systemic), it was possible to come to the conclusion that in the information about the life and miracles of

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Guimon, Timofey V. "Annalistic Writing and the Development of Written Culture (Novgorod of the 11th and the First Half of the 12th Centuries)." Slovene 4, no. 1 (2015): 94–110. http://dx.doi.org/10.31168/2305-6754.2015.4.1.5.

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The author studies key moments in the history of early Novgorodian annalistic writing in the context of other written practices in Novgorod. The first, very brief annalistic notes were made by clerics of the St. Sophia Cathedral in the middle of the 11th century, at the time when, in Novgorod, writing was becoming part of the everyday life of clerics as well as of the lay elite and the administration. The first systematic historical works (an annalistic compilation and a collection of lists) appear in the 1090s, when we see the spread of book production beyond St. Sophia and the start of the m

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Bashnin, Nikita. "Вологодский архиерейский дом Святой Софии накануне церковной реформы Петра I". Historia provinciae – the journal of regional history 4, № 1 (2020): 69–115. http://dx.doi.org/10.23859/2587-8344-2020-4-1-3.

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Turkan, Zihni, and Çimen Özburak. "Lefkoşa Tarihi Kent Dokusunda “Selimiye Meydanı” / “Selimiye Square” Within the Historical City Texture of Nicosia." Journal of History Culture and Art Research 7, no. 2 (2018): 430. http://dx.doi.org/10.7596/taksad.v7i2.1486.

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<p><strong>ABSTRACT</strong></p><p>Selimiye Square, placed in the historical Selimiye neighborhood within the walled city of Nicosia, has become an important center, shaped with the architectural heritage of different cultures throughout the history of Cyprus. The creation of the square began with the building of the St. Sophia Cathedral of the Lusignan Period, at the beginning of the 1200s, and it developed as a religious center with the addition of St. Nicholas Church and the Archbishopric right after. Although not much development in the texture, a guest house

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Storozhuk, S. S. "NATURAL AND CULTURAL FEATURES OF THE CITY OF OHRID, NORTH MACEDONIA." Regional problems of architecture and urban planning, no. 17 (October 17, 2023): 34–40. http://dx.doi.org/10.31650/2707-403x-2023-17-34-40.

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The article examines the natural and cultural features of the city of Ohrid. North Macedonia is unique for its natural features, located in the north and west in the Vardar River valley. In the southwest are the large Lake Ohrid and Prespa, partly belonging to North Macedonia, and in the southeast is the large Lake Dojran. Lake Ohrid is the deepest and oldest lake on the Balkan Peninsula, on the eastern shore of which the city of Ohrid is located. In 1980, Ohrid and Lake Ohrid were included in the list of UNESCO World Heritage Sites. The city of Ohrid is a tourist city that is a jewel of Maced

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Aristov, Vadym, and Maryna Degtiarenko. "How many churches burned in the Kyiv fire of 1017?" NaUKMA Research Papers. History 5 (December 28, 2022): 80–86. http://dx.doi.org/10.18523/2617-3417.2022.5.80-86.

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The article examines sources’ reports of a large-scale fire in Kyiv in 1017. The two parallel texts are: the German Latin chronicle by Thietmar of Merseburg (composed in 1018) and the Primary Chronicle of Rus (composed in around 1116), which relied on early Kyivan annals. Thietmar wrote about the fire that damaged the “monasterium sancte Sophiae”. The Primary Chronicle reported of the fire of one church or several churches without specifying them. The main focus of the article is on the textual analysis of two versions of the short account of the event in the copies of the Primary Chronicle. O

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Vinogradov, Andrey. "Ban as a Political Instrument in the Russian Church of the Middle 11th Century New Data about Luka Zhidyata." ISTORIYA 12, no. 9 (107) (2021): 0. http://dx.doi.org/10.18254/s207987840017171-7.

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The article deals with the biography of Luka Zhidyata, the Bishop of Novgorod. The mention of the consecration of St. Sophia of Novgorod by him probably dates back to the “Primary Chronicle”. Information of the chronicles about his three-year suspension and imprisonment in Kiev is compared with the norms of Byzantine canon law. The only rule by which Luka could be subjected to such punishment is a ban for clerics to play dice or communicate with the players. Such an accusation clarifies the role of his servant Dudika in in Luka’s process. The reason for the punishment of Luka by Metropolitan E

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Bozhko, Archimandrite Mitrophan (Oleksii). "Veneration of the Archangel Michael in pre-Mongolian Time in Kyiv in the Context of the Idea of Kyiv as New Jerusalem." Kyiv Historical Studies 16, no. 1 (2023): 137–43. http://dx.doi.org/10.28925/2524-0757.2023.116.

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The article examines the veneration of the Archangel Michael in Kyiv in the context of the idea of the capital of Rus' as New Jerusalem. This concept was influenced by the adoption of Christianity and was reflected in a number of written and architectural monuments. In them, the people of Rus' recognized themselves in a new way in world history and organized their living space accordingly. The author tries to show that the emergence of the Archangel Michael’s cult was one of the elements supporting this idea. His veneration was not only princely and military, which was typical for the Christia

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WU, He, Atsuyuki OKAZAKI, and Tadahiko HIGUCHI. "REGENERATION PROJECTS OF CONSERVED HISTORIC ENVIRONMENT IN HARBIN CITY : Case study of the central avenue and St. Sophia church." AIJ Journal of Technology and Design 8, no. 16 (2002): 277–80. http://dx.doi.org/10.3130/aijt.8.277.

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