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Artykuły w czasopismach na temat „Cinematography – Special effects – History”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Sputnitskaya, Nina Yu. "Screening Zurbagan: On Use of Animation in Russian Feature Cinema." Journal of Flm Arts and Film Studies 7, no. 4 (2015): 73–83. http://dx.doi.org/10.17816/vgik7473-83.

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The subject of this research is prose of Alexander Grin, the object being the specifics of cinematographic perspective at the images of the Silver Age representative. The article covers both historical and theoretical aspects, its goal is to unveil the previously unknown archive documents (with material of RGALI foundation and Mosfilm) and experimental films, which add to the history of the usage of special effects in national cinema. The analysis of films conducted by the author of the article allows to examine the evolution of the aesthetics in sci-fi cinema in the period of 1960-2010. The a

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2

Toporivska, Yaroslava, Nataliya Dyadyukh-Bogatko, Lyudmila Belinska, Nataliia Balan, and Liliia Patsaliuk. "The movement into cinema as a stage in the cinema development." History of science and technology 15, no. 1 (2025): 239–75. https://doi.org/10.32703/2415-7422-2025-15-1-239-275.

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The development of moving images is a multi-layered abstraction of movement in visual space, based on optical, mechanical, photographic and theoretical innovations. Each stage contributed to the creation of modern cinema in its technical and conceptual forms. The main aim of this study is to identify and analyze how scientific and technical discoveries in the fields of optics, physiology of vision, mechanics and chemistry became the basis for the emergence of a new art form – cinema, and also to show how the interaction of science, technology, culture and society contributed to the formation o

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Taylor-Terlecka, Nina. "Darwinism and Surrealism: The Case of Juliusz Słowacki’s "Samuel Zborowski"." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 47, no. 2 (2020): 361–75. http://dx.doi.org/10.36770/bp.488.

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Juliusz Słowacki has been acknowledged as a precursor of the Young Poland poets and recognized as one of the “Three Bards” of Polish Romanticism. A visionary of mystical experience, his later works took a focus on Polish history, including the drama Samuel Zborowski, which has been referred to as one of the boldest visionary dramas in world literature. This paper explores the relation of Juliusz Słowacki’s drama Samuel Zborowski to Darwinism and Surrealism. As a contemporary of Darwin, this paper presents several overlapping points in time between the lives of Słowacki and Darwin, as well as S

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Гиберт, Г. Г., та Т. В. Коваленко. "В море искусства: беседа с Григорием Григорьевичем Гибертом". Nasledie Vekov, № 2(38) (30 червня 2024): 56–66. https://doi.org/10.36343/sb.2024.38.2.004.

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Основной темой беседы с российским киноведом, исследователем и просветителем Григорием Григорьевичем Гибертом стали вопросы взаимодействия искусства и общества. Обсуждались проблемы и перспективы кино как вида искусства и роль современного российского кинематографа в культурной жизни. Широкое распространение коммерческого кино отмечается как атрибут современной российской культуры, указывается на слабую известность кинолент, обладающих подлинной художественной ценностью, и на популярность некачественных развлекательных фильмов. Собеседники затронули дихотомию массового и элитарного искусства,

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Gusev, Alexey O. "Dramatic Methods in G. N. Chukhray’s «Ballad of a Soldier»." Vestnik of Saint Petersburg State University of Culture, no. 1 (58) (2024): 118–22. http://dx.doi.org/10.30725/2619-0303-2024-1-118-122.

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In modern cinematography, alongside with consistent and traditional, distinct types of nonlinear drama are used. Many of these types were developed on the border line between the 1950s – 1960s, one of the most active periods of the renovation of the film language. In the history of cinematography the discovery of a number of new dramatic methods was made by film producers of the so-called author’s cinematography. G. N. Chukhray’s film «The Ballad of a Soldier» (1959) vividly shows a tendency towards a fragmentary «block» composition of the plot. And new, for that time, principles to organize a

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Bedenko, Vladimir Nikolaevich. "Comedy film as a modern embodiment of the culture of laughter." Философия и культура, no. 8 (August 2020): 1–10. http://dx.doi.org/10.7256/2454-0757.2020.8.33452.

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The object of this article is the comedy cinematography. The subject is the comedy cinematography as a manifestation of the culture of laughter. The author examines such aspects of the topic as the culture of laughter and the history of its conceptualization in the humanities knowledge, historical manifestations of the culture of laughter in different eras. Special attention is given to the idea that comedy film is a significant embodiment of the culture of laughter in modern art. The author analyzes comedy as genre of cinematography; substantiates the impact of comedy film upon society throug

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Mishchenko, Igor' Evgenyevich. "Representation of the images of army and military man in the U.S. mass cinematography of the 2010s." Философская мысль, no. 12 (December 2020): 61–75. http://dx.doi.org/10.25136/2409-8728.2020.12.34522.

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The author explores the problematic of the images of army and military in mass cinematography on the example of U.S. film industry of the second decade of the XXI century. The object of this research is the sociocultural representation of army and war via expressive means of cinematographic art. Within the Russian science, this problematic is poorly studied; at the same time, its relevance cannot be overestimated, since cinematography is an important component in formation of &ldquo;soft power&rdquo; of the country. According to the testimony of numerous Russian experts, namely cinemat

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8

Martynenko, T. S. "Cinema as a subject of sociological analysis: features of modern cinematography." Moscow State University Bulletin. Series 18. Sociology and Political Science 29, no. 2 (2023): 120–39. http://dx.doi.org/10.24290/1029-3736-2023-29-2-120-139.

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The article analyzes cinema as a subject of sociological analysis. Approaches to the conceptualization of the term “cinema” are considered, their specificity is revealed. Cinematography is presented as an art form, mass media and communication, a social institution, and an industry of the economy. The functions and role of cinema in society are highlighted.Particular attention is paid to the features of modern cinematography, among which there are three main ones – the globalization of cinematography, the change in the model of film production and the serialization of cinematography. The posit

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Zelenin, Sergey V. "The Conception of the Image of Peter I in Soviet Time." Almanac “Essays on Conservatism” 3 (July 30, 2022): 307–22. http://dx.doi.org/10.24030/24092517-2022-0-3-307-322.

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In the article the author examines certain aspects of Peter the Great’s image concept in Soviet time. The author pays special attention to the attitude of Marxism-Leninism ideology (that was principle in the USSR) founders towards Peter I and to the interpretation of his image in the Soviet culture, especially in literature and cinematography. The author notes that Peter the Great was one of the few Russian tsars who were officially considered positive characters in Russian history.

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Kosachova, Olga. "Vietnamese lives matter… Image of democracy in US cinematography (on the example of Vietnam war’s theme)." OOO "Zhurnal "Voprosy Istorii" 2020, no. 10-3 (2020): 4–10. http://dx.doi.org/10.31166/voprosyistorii202010statyi70.

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The article is devoted to the image of democracy in US cinematography through the theme of Vietnam war. Special attention is paid to the phases of the image development proposed by Jean Baudrillard. The author made the conclusion that the image of democracy in American cinema offers a distorted model of US intervention, in which the images of the aggressor and the victims replace each other, as well as the concept of democracy, which does not allow the fact of lawlessness and violation of the rights of citizens of any nationality or country.

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Ortiz, Maria J. "Embodied Cinematography in Mr. Robot." Baltic Screen Media Review 11, no. 1 (2023): 84–105. http://dx.doi.org/10.2478/bsmr-2023-0006.

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Abstract Mr. Robot is an American television series that conveys the alienating effects of technology through unusual composition patterns. These patterns do not constitute mere coatings but manifestations of embodied metaphors that serve as emotion markers, redundant elements to maintain the mood. The viewers are led to share the character’s emotions, due to perceptual and sensory-motor experiences that are activated through the metaphoric mise-en-scène. The unorthodox framing also appears to affect the attentional synchrony, helping to immerse viewers in the obscure fictional world. All in a

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12

Kirillova, Natalia B., and Valeria Yu Lebedeva. "Transformation of the teacher’s image in Soviet and Russian Cinematography: Intracultural Dialogue." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 29, no. 2 (2023): 165–72. http://dx.doi.org/10.15826/izv1.2023.29.2.035.

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The object of the research in the article is a comparative analysis of the visual language of threedimensional types of stopmotion and computer 3D animation, which actively influences the creation of images of screen culture. The authors note that the visual effects of volumetric stopmotion animation are a kind of protoform of 3D computer animation, which has been actively used in the creation of special effects in cinema in recent decades. Relying on the methods of culturalhistorical and semiotic analysis, the authors consider the evolution of the visual language of animation, which has

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Medvedev, Aleksei Dmitrievich. "The political history of France in reflection of the national cinematography (1960s – 1970s)." Genesis: исторические исследования, no. 4 (April 2021): 94–103. http://dx.doi.org/10.25136/2409-868x.2021.4.35473.

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The goal of this research consists in determination of the place and role of French cinematography of 1960s &ndash; 1970s in the political history of postwar France. The object of this research is the process of transformation of political discourse in the context of transfer of power from Charles de Gaulle to Georges Pompidou. The subject of is reflection of the history of collaborationism in the films &ldquo;Sadness and Pity&rdquo; (1969) and &ldquo;Lacombe Lucien&rdquo; (1973). The author examines such aspect of the topic as reflection of the political and cultural elite

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Grmusa, Lovorka Gruic. "“Cinematic” Gravity’s Rainbow: Indiscernibility of the Actual and the Virtual." Open Cultural Studies 1, no. 1 (2017): 257–69. http://dx.doi.org/10.1515/culture-2017-0023.

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Abstract Acknowledging that all media interpenetrate without any one being privileged as original, this paper focuses on the influence and omnipresence of screen technologies, cinematography in particular, asserting its capacities to act as a dominant technological and cultural force, which surveys and controls the economy, affects human consciousness, and implements its own ideologically tainted reality. More specifically, the analysis demonstrates the impact of cinematography within Thomas Pynchon’s Gravity’s Rainbow, emphasizing intermedial reflexivity from screen to paper, its unfolding an

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Kalenichenko, Mariya Vladimirovna. "The works of Leningrad popular science film studio “Lennauchfilm” in the 1970s – 1980s." Культура и искусство, no. 4 (April 2021): 19–29. http://dx.doi.org/10.7256/2454-0625.2021.4.35584.

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This article is dedicated to examination of works of the film directors of the Leningrad popular science film studio &ldquo;Lennauchfilm&rdquo; in the 1970s &ndash; 1980s. Based on the archival documents presented in the Central Archive of Literature and Art of Saint Petersburg, the author analyzes the work of the film studio: carries out classification of filmography by formal-semantic criterion, as well as determines the key processes typical to this time period. The following main trends are highlighted: natural science, technical-propagandistic, historical-revolutionary, milita

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Buranok, Sergey Olegovich. "Methodological features of the study of «combat films» in the United States of 1941-1945." Samara Journal of Science 11, no. 1 (2022): 246–49. http://dx.doi.org/10.55355/snv2022111215.

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In modern studies on the history of wars, a fairly popular direction is the study of information discourse specifics. A special role in this discourse is played by propaganda through cinematography, which uses images, historical symbols and stable metaphors, the appeal to which can form a certain public reaction. The study of the main aspects of this topic is impossible without recourse to interdisciplinary methods of the humanities, developed as a result of a number of turns in the development of modern humanitarian knowledge, including anthropological, linguistic, cultural, calling to study

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Myslavskyi, V. "The formation of Ukrainian documentary film directing in the second half of the 1920s." Culture of Ukraine, no. 82 (December 13, 2023): 59–66. http://dx.doi.org/10.31516/2410-5325.082.07.

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The scientific relevance. The formation and development of the newsreels and documentary films in Ukraine in the 1920s remains one of the least researched pages in the history and development of Ukrainian cinema. That is why the relevance of this research lies, mainly, in filling a significant gap in the history of Ukrainian cinema. A detailed study of newsreels and documentary films production will allow to reveal trends in the development of the Ukrainian film industry in the 1920s in the field of documentary films. The purpose of the article is to study the specifics of the VUFKU poli

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Ostapenko, Anton Sergeevich. "The image of Pyotr Verkhovensky from F. M. Dostoevsky's novel «Demons»: from the real S. G. Nechaev to new images in the cinema." Культура и искусство, no. 4 (April 2024): 53–64. http://dx.doi.org/10.7256/2454-0625.2024.4.69957.

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The author of the article offers the analysis and dissection of the image of Peter Verkhovensky, one of the main characters of F. M. Dostoevsky's novel «Demons» (1872). The prototypes of the hero from the history of Russia of the XIX'th century are considered in detail, on the example of S. G. Nechaev and M. V. Petrashevsky. The image of a character from F. M. Dostoevsky's novel is analyzed. The author pays special attention to the review of the hero's representation in three post-Soviet film adaptations from 1992 to 2024. The author analyzes the characteristic features, behavior and motivatio

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Turnock. "The ILM Version: Recent Digital Effects and the Aesthetics of 1970s Cinematography." Film History 24, no. 2 (2012): 158. http://dx.doi.org/10.2979/filmhistory.24.2.158.

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Wang, Qi. "Light and Shadow: Exploring the Aesthetics of Dune’s Visual Spectacle through Effects, Design, and Art Direction." Journal of Research in Social Science and Humanities 3, no. 2 (2024): 14–21. http://dx.doi.org/10.56397/jrssh.2024.02.03.

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This paper explores the profound aesthetics of light and shadow in Denis Villeneuve’s Dune. Drawing upon elements of cinematography, special effects, design, and art direction, the analysis examines how the interplay of light and shadow serves as a narrative language, shaping the visual storytelling experience. The study investigates the innovative use of lighting to enhance visual effects, the impact of design elements on thematic depth, and the role of art direction in creating a visually cohesive world. Additionally, it investigates the emotional and psychological dimensions influenced by t

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Gusev, Alexey O. "Details as active elements in film dramatic composition. «Rashomon» by Akira Kurosawa." Vestnik of Saint Petersburg State University of Culture, no. 3 (56) (2023): 114–19. http://dx.doi.org/10.30725/2619-0303-2023-3-114-119.

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In its history film drama composition has gone through several stages of renovation. One of them was in the 1950s–1960s. At that time in different countries there appeared the so-called «plotless» films. Special attention was given to the character of the connection between the parts of the film composition. Descriptive, lyrical and seemingly unimportant elements of drama composition were promoted /came first/ prevailed films with nonlinear composition. In his film «Rashomon» Akira Kurosawa demonstrated new for his time ways to work with details in film dramatic composition. The methods he use

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Khaitmatova, S.A. "ACTUAL TASKS OF MODERN FILM STUDIES IN UZBEKISTAN." Multidisciplinary Journal of Science and Technology 4, no. 6 (2024): 28–33. https://doi.org/10.5281/zenodo.11492176.

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In the article, analyzing the history of the origins of film studies and film criticism, the ways of their development in the context of interdisciplinary science, special attention is paid to the current tasks of modern film studies. The works of historians and theorists of world cinema, including Russian and national ones, are examined from a historiographical perspective. The experience and achievements of Uzbek film scholars and film critics and their contribution to the development of cinematography in Uzbekistan are especially traced. Particular attention was paid to the experience and a

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Mikheeva, Yulia V. "Film Music and the Director’s Aesthetics: Concerning the Methodology of Film Text Analysis." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (2024): 200–210. http://dx.doi.org/10.56620/2782-3598.2024.2.200-210.

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The article raises the question of the necessity of applying special and individualized approaches in analyzing the music of author’s cinematography. The traditionally basic trend of research of cinema music centers around functionally semantic analysis of cinematic works. However, in the movies of author-directors, music is frequently included in the polysemantic artistic space of a cinematic text in the broad sense of this concept as the assemblage of the text (the storyline narrative), the context, the subtext, the intertext, and the metatext of the cinema product. As a rule, analysis of th

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Landsbergytė-Becher, Jūratė. "PHENOMENOLOGY OF THE FRONT LINE IN LITHUANIAN CONTEMPORARY CULTURAL LANDSCAPE." CONTEMPORARY LITERARY STUDIES, no. 18 (December 13, 2021): 66–73. http://dx.doi.org/10.32589/2411-3883.18.2021.246957.

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The image of the front line is deeply rooted in the contemporary Lithuanian discourse about cultureand politics. The strands of its cultural landscape connect art, media, politics and history. The concept of the line here performs like a literary metaphor deeply ingrained in everyday consciousness as a defensive front line due to the painful history of the nation’s experience. The confrontation with the constant threat of the Russian Empire and the catastrophes of occupation, especially in the 20th century, drew the Lithuanian prototype of the nation’s resistance and filled the 21st-century da

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Khomenko, Oleksandr, and Bohdan Skopnenko. "“Kiev Citizen” Movie by T. Levchuk: Ukrainian Revolution of 1917—1921 in the Ukrainian Soviet Cinematography." Ukrainian Studies, no. 2(79) (August 3, 2021): 136–51. http://dx.doi.org/10.30840/2413-7065.2(79).2021.234515.

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Cinematography is one of those unique cultural phenomena, whose history has always attracted historians’ interest. In the 20th century, this phenomenon did not only determine the direction of cultural transformations development but also impacted the formation of ideologies and political regimes. Today this topic is especially relevant considering the fact that the propaganda methods, intrinsic of dictatorship systems, namely the Soviet totalitarian regime, are actively used by the antidemocratic Russian power for achieving its political goals. The special interest in the context of the “hybri

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Исмаилов, Камолитдин Саидахмадович, and Александр Викторович Марков. "ACTING PERFORMANCES IN UZBEK DOCUMENTARY FILMS." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 3(37) (March 30, 2023): 54–72. http://dx.doi.org/10.23951/2312-7899-2023-3-54-72.

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Советский кинематограф создал особый жанр кинопортрета, который поддерживался как визуальными нормами советского кинопроизводства, так и общей для литературы и кинематографа жанровой спецификой, направленной на упорядочение больших массивов произведений, предназначенных для просвещения советского человека. В статье устанавливается, что ключевую роль в становлении этого жанра и легитимации его в качестве художественной программы со своими иногда вполне провокационными особенностями сыграли Максим Горький и Дзига Вертов. На протяжении всей истории советского кинематографа этот жанр демонстрирова

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Medvedev, A. V. "The image of sport in the work of V.S. Vysotsky." Scientific and educational basics in physical culture and sports, no. 2 (May 29, 2022): 43–49. http://dx.doi.org/10.57006/2782-3245-2022-6-2-43-49.

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Relevance. Art, being a form of cognition of life, sport, as a kind of game and spectacle had a theme of its research. Painting, literature, cinematography, using the specific means of their language, created a multicolored palette of sports life, portraits of outstanding athletes. Art lives in the atmosphere of its time, which determines the perception of sport, its historical dynamics, and social status. In the history of national culture, there was a peculiar era that received the official name - the thaw. In the history of national culture, there was a peculiar era that received the offici

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Terasaki, Paul I., Jack A. Cannon, William P. Longmire, and Charles C. Chamberlain. "ANTIBODY RESPONSE TO HOMOGRAFTS: V. CYTOTOXIC EFFECTS UPON LYMPHOCYTES AS MEASURED BY TIME-LAPSE CINEMATOGRAPHY *." Annals of the New York Academy of Sciences 87, no. 1 (2006): 258–65. http://dx.doi.org/10.1111/j.1749-6632.1960.tb23199.x.

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Yelchyk, Oksana. "Film Adaptations of the Theatrical Performances in Ukrainian Cinematography during the USSR Period." Folk art and ethnology, no. 1 (March 30, 2025): 81–87. https://doi.org/10.15407/nte2025.01.081.

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The article is focused on the processes of film adaptation of theatrical performances in Ukrainian cinema during the period of the Union of Soviet Socialist Republics; their impact on the development of the film industry and national identity is analyzed; the key trends and achievements in this direction are highlighted. The film adaptations of theatrical performances are of a great significance in the development of Ukrainian national cinematography. Studying the history of film adaptation in the USSR (Ukrainian SSR) in the light of the peculiarities of Ukraine’s development enables better un

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30

Radaeva, E. A. "Traditions of German Expressionism in the Cinematography of the Second Half of the 20th – Early 21st Centuries." Concept: philosophy, religion, culture 6, no. 3 (2022): 156–70. http://dx.doi.org/10.24833/2541-8831-2022-3-23-156-170.

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The subject of this study is the influence of the traditions of German expressionism on modern cinema, primarily the horror genre. The relevance of this work is due to the need to study the genesis of modern trends in one of the most popular types of art and its popular genres in the context of cultural history in terms of allusions and reminiscences, traditions and innovation. In order to prove that the traditions of expressionism are clearly traced to this day and promise to be quite productive in the long run, as well as to trace the nature of their presence in the history of the film indus

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31

Sagaran, Angling, Dikdik Sayahdikumullah, and Muksin Muksin. "Analysis of Lighting Arrangement in the Film "Buried" (2010) by Director Rodrigo Cortez." Artchive: Indonesia Journal of Visual Art and Design 5, no. 1 (2024): 15. http://dx.doi.org/10.53666/artchive.v5i1.4098.

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This study examines the use of innovative lighting in Rodrigo Cortez's film "Buried," focusing on its impact on narrative storytelling within a single-location setting. The limited lighting arrangement is key to the film's uniqueness, effectively portraying narrative tension and the protagonist's psychological journey in a creative and technical manner. Using a qualitative approach, the research analyzes each shot to identify key lighting transitions and thematic motifs. It dissects the film's visual strategies, particularly how Cortez manipulates light to convey the protagonist's psychologica

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32

Zyablikov, Alexey V. "FORMATION OF SOVIET IDENTITY BY MEANS OF DOMESTIC CINEMATOGRAPHY IN THE 1920–50S: TO THE PROBLEM STATEMENT." Vestnik of Kostroma State University 28, no. 3 (2023): 52–62. http://dx.doi.org/10.34216/1998-0817-2022-28-3-52-62.

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The article substantiates the need for a comprehensive study of the processes of the formation of Soviet identity by means of cinema in the 1920–50s. The article analyses the possibilities of feature films as a special instrument of influence, as an important semantic technology that helped to consolidate the postulates and principles of a new era in the public consciousness, and to model an impeccable image of the country. Cinema constructed a new social reality, laid the basic values of the emerging Soviet reality, formulated a civilisational super-task, created ideal behavioural patterns, g

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Shchedrina, Irina O. "Narrative in Scientific Knowledge: N.I. Zhinkin’s Cinematographic Method." Voprosy Filosofii, no. 11 (2023): 156–61. http://dx.doi.org/10.21146/0042-8744-2023-11-156-161.

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The intellectual heritage of the Russian philosopher and psychologist N.I. Zhinkin, turns out to be strikingly consonant with modern scientific research, in which scientists and philosophers are trying to identify the origins of possible syntheses and correlations in a wide variety of interdisciplinary interactions. The structure of modern science is changing, new forms of teamwork of scientists (collaborations) are being formed, requiring not only new methodological strategies in the study of applied problems, but also taking into account the scientific interests of the participants. Interd

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Korabliova, Nadiia, and Hanna Chmil. "CINEMATOGRAPHY AS A DESCRIPTIVE PHILOSOPHY "ON THE CINEFILM" OF IMAGES OF HOMO: FROM THE FIXATION OF IMAGES (HOMO PHOTOGRAPHICUS) TO THE TREACHERY OF IMAGES (CONTEMPORARY HOMO VIDENS)." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 64 (December 29, 2021): 32–43. http://dx.doi.org/10.26565/2306-6687-2021-64-04.

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The article explores art of cinematography as an objectified cultural reality, in spatial and temporal structures of video description. Genesis of art of photography has changed the habits of human perception and thinking process – from photographic images of Homo photographicus to contemporary Homo Videns whose visual experience is the experience of appropriation and distancing from the world in its optical modality. The art of cinematography, correlating with metaphysical discourses of reality, creates a socio‐cultural code as a matrix of meanings and senses. It provides organization and sup

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Danahay, Martin. "Richard Mansfield, Jekyll and Hyde and the History of Special Effects." Nineteenth Century Theatre and Film 39, no. 2 (2012): 54–72. http://dx.doi.org/10.7227/nctf.39.2.4.

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Chen, Shuo. "Study on Cyberpunk Style in Movies." Communications in Humanities Research 45, no. 1 (2024): 110–16. http://dx.doi.org/10.54254/2753-7064/45/20240095.

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Cyberpunk is a fusion of cybernetics and punk, also known as digital punk. It originates from science fiction and primarily explores the future development of humanity in relation to artificial intelligence. The purpose of this thesis is to study the influence of cyberpunk style on film-making's theme, graphics, and post-effects. The movies theme mainly centers around anti-Utopian ideas, exploring the future fate of mankind and artificial intelligence with a pessimistic prediction. It explores the potential threat that artificial intelligence poses to the future society under the civilization

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Bol, Peter K. "Introduction to the Special Issue." Journal of Chinese History 4, no. 2 (2020): 251–57. http://dx.doi.org/10.1017/jch.2020.29.

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This issue of the Journal of Chinese History aims to take stock of the effects of “the digital” on the study of Chinese history. We are doing this through a combination of research articles whose authors have made extensive use of digital resources and technologies and a set of introductions to non-commercial, open-access utilities and tools that scholars have created to support research in a digital environment. These hardly exhaust the universe of research or tools.

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Salim, Nisar Shaikh. "From Page to Screen: A Study of Horror Elements in William Peter Blatty's The Exorcist and Its Cinematic Adaptation by William Friedkin." Literary Enigma 1, no. 1 (2025): 48–58. https://doi.org/10.5281/zenodo.15108965.

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AbstractThis research article explores the horror elements in the novel The Exorcist(1971) by William Peter Blatty and its cinematic adaptation by WilliamFriedkin (1973). The study examines how Blatty’s literary techniques, suchas psychological tension, religious symbolism, and grotesque imagery, aretranslated into visual and auditory horror in Friedkin’s film. By employing amixed-method approach, the article analyzes the narrative, thematic, andstylistic elements that contribute to the enduring impact of The Exorcist as alandmark in horror literature and cinema. The findings revea

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Schoop, Monika E. "Introduction to the special issue." Popular Music History 16, no. 1-2 (2025): 5–15. https://doi.org/10.1558/pomh.32884.

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Popular music constructs, negotiates, and circulates representations of the past, thereby conveying historical knowledge and contributing to our understanding of the past. In short, popular music writes and rewrites history. Building on the notion that history constitutes an interpretation of past events strung together via narrative, the issue examines the critical role of popular music in constructing and negotiating historical narratives. By analyzing musical examples through various disciplinary and interdisciplinary lenses and drawing from a range of geographical contexts, including Italy

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Kurylev, Konstantin P. "CINEMA OF UKRAINE IN THE POST-SOVIET PERIOD. STAGES OF DEVELOPMENT, CHARACTER AND FEATURES." RSUH/RGGU Bulletin. Series Eurasian Studies. History. Political Science. International Relations, no. 3 (2023): 59–78. http://dx.doi.org/10.28995/2686-7648-2023-3-59-78.

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Cinema as a socio-cultural institution reflects the cultural and ideological trends in society and has a huge impact on the formation of people’s self-awareness. The history of cinema in Ukraine has more than 100 years. At one time, Soviet films produced by the A. Dovzhenko Film Studio and the Odessa Film Studio enjoyed All-Union popularity and often fell into the ranks of the leaders of the Soviet film distribution. The post-Soviet cinema of Ukraine represents a separate and special stage in the development of Ukrainian cinema. And the article is concerned with its consideration. It reveals p

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Takala, Marjatta, and Rune Sarromaa Hausstätter. "Effects of History and Culture on Attitudes toward Special Education: A Comparison of Finland and Norway." ISRN Education 2012 (June 26, 2012): 1–7. http://dx.doi.org/10.5402/2012/161039.

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This paper discusses the role of special education in Finland and Norway. There are major differences in how special education is understood in these countries. The different perspective that Finland and Norway have on the concept of inclusion is also striking. The PISA test results show that the Finnish school is performing well, partly because of flexible part-time special education; the early intervention strategy also plays a role in this success. These aspects are making Finnish schools inclusive; support is offered immediately when it is needed without any bureaucratic process. An effect

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Liu, Xue. "Exploring the Realism of the Movie "The Chinese Doctor"." International Journal of Education and Humanities 11, no. 1 (2023): 220–22. http://dx.doi.org/10.54097/ijeh.v11i1.13157.

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The movie "The Chinese Doctor" is a work that applies realism in its creation to explore the microcosm of reality. This article outline is divided into seven parts. It first introduces the background of the movie and the application of realism in its creation. It then discusses the status and development of realism in the history of Chinese cinema, placing "The Chinese Doctor" within the context of the realism artistic movement. The article also explores the techniques used in character development and portrayal, as well as the depiction of key social issues in the plot and storyline. The film

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Kuznetsov, M. S., S. M. Logatkin, and V. V. Dvorjanchikov. "Special acoustic devices of law enforcement agencies: a short history, medical and biological effects on the hearing organ." Medicо-Biological and Socio-Psychological Problems of Safety in Emergency Situations, no. 3 (September 10, 2021): 83–90. http://dx.doi.org/10.25016/2541-7487-2021-0-3-83-90.

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Relevance. The introduction of special acoustic devices into the security system necessitates a medical and biological assessment of the impact of acoustic signals.Intention – To analyze domestic and foreign literature on the history of acoustic weapons and their medical and biological effects, as well as to study current ideas about sound-induced damage to operators of this equipment and exposed persons.Methodology. In this paper, we analyzed domestic and foreign publications (monographs, articles) about creation and use of special acoustic devices as non-lethal acoustic weapons. Besides, reg

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MERKOULOVA, Inna, and Marina MERKOULOVA. "The first teacher: A case of intersemiotic translation. When Chingiz Aitmatov's short story becomes Andrei Konchalovsky's film." TAMGA-Türkiye Göstergebilim Araştırmaları Dergisi 2, Special Issue (2024): 73–84. https://doi.org/10.5281/zenodo.11066358.

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Our article is devoted to the semiotic analysis of the short story The First Teacher by the Kyrgyz writer, public figure and diplomat Chingiz Aitmatov. The history of a rural school teacher in the twenties of the last century is both a love story and a history of culture and traditions of one of the republics of Central Asia, Kyrgyzstan.Written in 1961, the story became widely known after a cinematic adaptation by Russian director Andrei Mikhalkov-Konchalovsky in 1965. Konchalovsky's diploma work at the VGIK Institute of Cinematography in Moscow received awards at numerous international film f

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Basalla, George. "Matters of Gravity: Special Effects and Superman in the 20th Century (review)." Technology and Culture 46, no. 3 (2005): 684–85. http://dx.doi.org/10.1353/tech.2005.0111.

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Demyanov, Gleb V., Nadezhda Yu Vyatkina, and Nadezhda V. Prisyazhnaya. "Journey along the edge of the night: the image of the 20th century writer in contemporary foreign cinematography." Sociology of Medicine 22, no. 1 (2024): 79–91. http://dx.doi.org/10.17816/socm568956.

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BACKGROUND: The interdependence of a person's creative abilities and the features of his life order, behavior, state of health, building social communications is widely discussed in literature, art, sociology, psychology, narrative medicine and the history of medicine (in particular, the question of the impact of health and disease on the possibilities of creative work and the reflection in the images and characters of the diseases suffered by the writer, the experience of overcoming the disease is discussed). At the same time, in public discourse, creative abilities are often present (and con

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Oprisnyk, Yaryna. "Poetics of Narrative in Kazuo Ishiguro’s Novel “A Pale View of Hills”." Слово і Час, no. 12 (December 20, 2019): 57–64. http://dx.doi.org/10.33608/0236-1477.2019.12.57-64.

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The current paper explores the narrative strategies and poetics of intermediality in Kazuo Ishiguro’s ﬁrst novel “A Pale View of Hills” (1982). Particular attention is paid to the notions of narrative unreliability and subjectivity exempliﬁed by the ambiguous ﬁrst-person narrative in the novel. The researcher focuses on the narrative techniques, as well as on the numerous lexical and other literary means that emphasize the unreliability of the narrator, who is also the protagonist. It allows revealing the hidden emotions and tendency to self-deceit. In addition, the paper traces the features o

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Zubko, Olha. "Scientific and technical discoveries of the 1920s and Ukrainian emigrationin in the Interwar Czechoslovak Republic (1918–1939)." Bulletin of Luhansk Taras Shevchenko National University, no. 9 (347) (2021): 146–56. http://dx.doi.org/10.12958/2227-2844-2021-9(347)-146-156.

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This article informs about the impact of scientific and technological progress of the 1920s on everyday life of the Ukrainian emigration center in the interwar period of Czechoslovakia in 1918-1939. First of all, it is referred to technological novelties of the period in 1921-1929: cinematography, television, automobile manufacturing, fashion, medical industry, telegraph, and bank and post transfers. The proposed topic has not been submitted to the scientific audience yet, as far as the life of the Ukrainian emigration in the interwar of Czechoslovak Republic was considered mainly in the conte

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Ilyichev, Anton Vladimirovich. "Baldwin IV of Jerusalem as the image of the ideal ruler of the Middle Ages." Genesis: исторические исследования, no. 11 (November 2021): 46–62. http://dx.doi.org/10.25136/2409-868x.2021.11.34246.

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This article is dedicated one of the most remarkable kings of Jerusalem Baldwin IV, also calked the &ldquo;Leper King&rdquo;. The goal lies in analyzing the role of Baldwin IV in military-political history of the Kingdom of Jerusalem. The central task is to determine historical veracity of the positive image of Baldwin IV described in literature and cinematography. The historiographical framework is comprised on the works of national and foreign authors devoted to the history of the Latin Kingdom of Jerusalem; works of the Latin chronographers, as well as fragments from Arabic sources

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Martí-Henneberg, Jordi. "Geographical Information Systems and the Study of History." Journal of Interdisciplinary History 42, no. 1 (2011): 1–13. http://dx.doi.org/10.1162/jinh_a_00202.

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The articles in this special issue are unique in their use of historical geographical information systems (hgis) to explore a common theme—transport infrastructure and its effects on population distribution in nineteenth- and twentieth-century Europe. Collectively and individually, they demonstrate how to integrate spatial analysis into historical research and how to bring a historical dimension to geographical analyses.

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