Gotowe bibliografie tematyczne / Colour

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Gotowa bibliografia na temat „Colour”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Colour"

Stanikūnas, Rytis, Laimonas Puišys, Aldona Radzevičienė, and Henrikas Vaitkevičius. "Colour Preference for Two-Colour Combinations." Psichologija 61 (July 7, 2020): 8–20. http://dx.doi.org/10.15388/psichol.2020.12.

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What determines which colour combinations will be attractive to a person and which will not? Is colour attractiveness only a subjective human experience, or can we predict it based on physical colour parameters? One of the pioneers of the attraction of colour theories was Michel Eugène Chevreul (1786–1889). He distinguished two types of colour harmony – analog colour and contrast – and tried to describe what harmonics are based on physical colour parameters. This was later done by other scientists. Later, semantic evaluation of colours was introduced and factor analysis attempted to identify e

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Jermyn, Jacqueline. "A Comparison of Extracted Dominant Colours of Twelve Cosmopolitan Cities." International Journal for Research in Applied Science and Engineering Technology 10, no. 3 (2022): 1569–82. http://dx.doi.org/10.22214/ijraset.2022.40934.

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Abstract: Metropolitan cities are large multi-cultural urban areas. Their colour schemes, which contribute to their unique identities, are influenced by factors, such as when the city was established, climate, city ordinances, and cultural heritage. City colours also evolve overtime due to new construction materials, innovative building designs, and urban development. The objective of this study is to determine if there are similarities in dominant colours for twelve metropolitan cities spanning six continents. They include Cairo, Cape Town, Singapore, Tokyo, Perth, Sydney, London, Madrid, Mex

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Pitchford, Nicola J., and Kathy T. Mullen. "Is the Acquisition of Basic-Colour Terms in Young Children Constrained?" Perception 31, no. 11 (2002): 1349–70. http://dx.doi.org/10.1068/p3405.

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We investigated whether the learning of colour terms in childhood is constrained by a developmental order of acquisition as predicted by Berlin and Kay [1969 Basic Color Terms (Berkeley, CA: University of California Press)]. Forty-three children, aged between 2 and 5 years and grouped according to language ability, were given two tasks testing colour conceptualisation. Colour comprehension was assessed in a spoken-word-to-colour-matching task in which a target colour was presented in conjunction with two distractor colours. Colour naming was measured in an explicit naming task in which colours

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K J, Sannapapamma, Sakeena Naikwadi, Deepa Bhairappanavar, Rajesh Patil, and Y. R. Aladakatti. "Effect of scouring and laundering on functional properties of natural colour cotton fabric." Environment Conservation Journal 23, no. 1&2 (2022): 143–53. http://dx.doi.org/10.36953/ecj.021787-2120.

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Natural color cotton is eco-supportive as they possess colour naturally in varied shades viz., brown, green, cream and other tints and shades of these colours. It has unique comfort and handle property which provides soothing to the wearer. A medium brown natural colour cotton fibre was spun into 20s count yarn on open end spinning and the pure colour cotton fabric was developed on handloom and subjected to scouring. The scoured natural colour cotton fabric undergone with multiple wash cycles and assessed for mechanical, functional properties, colour fastness to sunlight and washing properties

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Thodeti.Suresh, Dr. G. Srinivasu Prof. E. Kesava Reddy. "Verifying the Neighbouring k-edge Coloration Technique for Bipartite Graphs." Scandinavian Journal of Information Systems 35, no. 1 (2023): 727–32. https://doi.org/10.5281/zenodo.7807462.

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This paper focuses on verifying the neighbouring k-edge coloration technique for balancing multi-color problems in the bipartite graph. Thus, it eliminates triangular copies of similar colour shades while maintaining exactly two colours spacing between the edges. It is achieved by inducing bipartite color selections from two unique color sets say   and  . Thus, ensures the minimum colour interference exists by employing a fair version of the neighbouring k-edge colouring technique.  Theoretical evidence, theorems, and proofs are discussed, and results shows the superiority

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Jonauskaite, Domicele, Lucia Camenzind, C. Alejandro Parraga, et al. "Colour-emotion associations in individuals with red-green colour blindness." PeerJ 9 (April 7, 2021): e11180. http://dx.doi.org/10.7717/peerj.11180.

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Colours and emotions are associated in languages and traditions. Some of us may convey sadness by saying feeling blue or by wearing black clothes at funerals. The first example is a conceptual experience of colour and the second example is an immediate perceptual experience of colour. To investigate whether one or the other type of experience more strongly drives colour-emotion associations, we tested 64 congenitally red-green colour-blind men and 66 non-colour-blind men. All participants associated 12 colours, presented as terms or patches, with 20 emotion concepts, and rated intensities of t

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Ivanov, Valery E. "Gemstone Colour Determination." Light & Engineering, no. 04-2023 (August 2023): 94–100. http://dx.doi.org/10.33383/2022-073.

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The article describes the most important component of gemstones: their colour. The subject of the article is determination of the colour of diamonds with the most frequently encountered yellow tones of different saturation, fancy-colour diamonds as well as emeralds, rubies, and sapphires. For non-ambiguous determination of the colour of gemstones and elimination of human factor, the comparison method known in photometry, i.e., comparison of the colour of a given diamond with the colour of a reference sample is used. The article describes methods of determination of the colour of yellow-hue dia

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Nikulshina, Tatyana N. "VERBALIZATION OF “METALLIZED” COLOUR NAMES IN THE WORLDVIEW OF ENGLISH FAIRY-TALES." Proceedings of Southern Federal University. Philology 26, no. 1 (2022): 57–65. http://dx.doi.org/10.18522/1995-0640-2022-1-57-65.

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The article singles out the semantic and linguo-cultural specificities of the use of “metallized” colour names in English fairy-tales. The nomination of the colour “metallized” continuum of the English fairy-tale discourse is carried out through the verbalization of the colour of precious metals (gold, silver), non-ferrous metals (iron) and alloys (bronze). “Metallized” colour names reveal a limited position – 12 units. Lexical units golden, silvery, bronzed are the most general designations of the metallic colours within the ancient English worldview. The color of gold – golden – dominates as

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Boronkay, Gábor, Dóra Hamar-Farkas, Szilvia Kisvarga, Zsuzsanna Békefi, András Neményi, and László Orlóci. "Developing a Colorimetrically Balanced, Measurement-Based Petal Colour System for Cultivated Rose (Rosa L. Cultivars) and the Resulting Colour Categories." Plants 13, no. 10 (2024): 1368. http://dx.doi.org/10.3390/plants13101368.

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There is no practical and at the same time objective colour system available for describing cultivated roses (Rosa L. cultivars). For this reason, a new colour classification system was developed which is colorimetrically balanced and appropriate for algorithmic colour identification; however, it is also suitable for field-work. The system is based on the following colorimetric criteria: (A) Each colour category is characterised by a measured petal colour in the CIE L*a*b* standard as the centroid of the category. (B) The CIEDE2000 colour differences between the adjacent centroid colours are l

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Nijboer, Tanja C. W., Titia Gebuis, Susan F. te Pas, and Maarten J. van der Smagt. "Interactions between colour and synaesthetic colour: An effect of simultaneous colour contrast on synaesthetic colours." Vision Research 51, no. 1 (2011): 43–47. http://dx.doi.org/10.1016/j.visres.2010.09.030.

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Rozprawy doktorskie na temat "Colour"

Addae-Badu, S. "Large colour differences between surface colours." Thesis, University of Bradford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373215.

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Luo, M. R. "New colour-difference formulae for surface colours." Thesis, University of Bradford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372193.

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Hung, Tin Wai Robert. "Use of colour in machine vision : colour representation, edge detection with colour, segmentation of colour space and colour constancy." Thesis, City University London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312936.

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Liu, Bo-zhi. "Understanding colour image : colour constancy." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/50155/.

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Human visual system has a mechanism which ensures that the perceived colour of an object remains almost constant under varying illumination conditions, and this mechanism is called colour constancy. Electronic imaging systems such as digital cameras do not naturally have this ability. The color appearance of images of an object under different lighting conditions changes with the colour of the light sources and this can cause problems in many computer vision applications such as object recognition. To deal with this problem, many algorithms have been developed to estimate the input image’s ill

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Matas, J. "Colour-based object recognition." Thesis, University of Surrey, 1995. http://epubs.surrey.ac.uk/843934/.

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This thesis studies the use of colour information for object recognition. A new representation for objects with multiple colours - the colour adjacency graph (CAG) - is proposed. Each node of the CAG represents a single chromatic component of the image defined as a set of pixels forming a unimodal cluster in the chromatic scattergram. Edges encode information about adjacency of colour components and their reflectance ratio. The CAG is related to both the histogram and region adjacency graph representations. It is shown to be preserving and combining the best features of these two approaches wh

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Klaman, Marianne. "Adpects on colour rendering, colour prediction and colour control in printed media." Doctoral thesis, KTH, Numerical Analysis and Computer Science, NADA, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3332.

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Ou, Li-Chen. "Quantification of colour emotion and colour harmony." Thesis, University of Derby, 2004. http://hdl.handle.net/10545/251613.

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Cowan, Greig Alan. "Single-colour and single-flavour colour superconductivity." Thesis, University of Glasgow, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412941.

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Sundell, Johanna. "Colour proof quality verification." Thesis, Linköping University, Department of Science and Technology, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2358.

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<p>BACKGROUND </p><p>When a customer delivers a colour proof to a printer, they expect the final print to look similar to that proof. Today it is impossible to control if a match between proof and print is technically possible to reach at all. This is mainly due to the fact that no information regarding the production circumstances of the proof is provided, for instance the printer does not know which proofer, RIP or ICC-profile that was used. Situations where similarity between proof and print cannot be reached and the press has to be stopped are both costly and time consuming and are therefo

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Hårleman, Maud. "Daylight Influence on Colour Design : Empirical Study on Perceived Colour and Colour Experience Indoors." Doctoral thesis, KTH, Arkitektur, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4395.

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It is known that one and the same interior colouring will appear different in rooms with windows facing north or facing south, but it is not known how natural daylight from these two compass points affects perceived colour and the ways in which colour is experienced. The objective is to describe the perceived colours to be expected in rooms with sunlight and diffused light, and thus develop a tool for colour design. Two empirical investigations provide the basis for six attached papers. The model is exploratory with a qualitative character. One hundred and ninety-one studies were carried out w

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Książki na temat "Colour"

Chadha, Radhika. Colour-colour Kamini. Tulika Publishers, 2007.

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ill, Kuriyan Priya, ed. Colour-colour kamini. Tulika Publishers, 2007.

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Rossotti, Hazel. Colour. Princeton University Press, 1985.

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1955-, Batchelor David, ed. Colour. MIT Press, 2008.

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Yale, Forman, ed. Colour. Grange Books, 1991.

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Ashok, Roy, ed. Colour. National Gallery Co., 2009.

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1955-, Batchelor David, ed. Colour. MIT Press, 2008.

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E, Jenkins Carol, and Canolfan Astudiaethau Iaith, eds. Colour. Language Studies Centre, 1995.

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Rickerby, S. Colour. T4T Learning Materials, 1998.

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Johnston, Tom. Colour. Bodley Head, 1985.

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Części książek na temat "Colour"

Lameris, Bregt. "6. Coloured Light, Vibrations, Temperature, and Mood." In Feeling Colour. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0380.08.

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Chapter Six delves into the use of coloured light in films during the 1950s and 1960s, which was strongly connected to the discourses discussed in Chapter Five. Coloured light was also believed to make the human body and its molecules vibrate. It was believed to have healing powers and influence moods. Deviant and non-diegetic uses of coloured light were also used to increase ‘ostranenie’ or atmospheres of strangeness. This practice is traced back to Nouvelle Vague films, that experimented with the effect of Verfremdung, but also in horror films such as the then very popular Giallo films with

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Davenport, Cyril. "Colour and Colours." In The Art Student's Vade-Mecum. Routledge, 2024. http://dx.doi.org/10.4324/9781003568377-2.

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Lameris, Bregt. "PART II." In Feeling Colour. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0380.06.

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Part II, ’Colour Psychologies’, delves into the practical applications of colour control, psychology, and therapy. Colour was believed to influence, steer and discipline the human body, a tradition that dates back to the nineteenth century. Several practices emerged from this belief, such as using colour to guide and warn people and steer their behaviour, known as functional colours. Another practice was that of colour psychology, putting into practice beliefs on how colours elicit certain feelings and emotions and can guide attention.

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Lameris, Bregt. "4. Oscillating Op Art." In Feeling Colour. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0380.05.

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Chapters Three and Four discuss the two main ways to juxtapose and combine (contrasting) colours, known as successive and simultaneous contrasts. Chapter Three elaborates on successive contrasts, that are created through a rapid succession of contrasting colours, as is often the case in films through the principle of montage. The chapter mainly elaborates on two types of successive contrasts. One is extreme dark-light contrasts, which, at the time, were also used to create hypnotic states and imaginary colours in what was known as the Flicker Film. The other type is succeeding colours, which a

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Lameris, Bregt. "3. Shocking, Shifting, Straining." In Feeling Colour. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0380.04.

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Saunders, David. "The perception of colour." In Colour, Colour Measurement and Colour Change. Routledge, 2024. http://dx.doi.org/10.4324/9781003397182-2.

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Saunders, David. "How colours change." In Colour, Colour Measurement and Colour Change. Routledge, 2024. http://dx.doi.org/10.4324/9781003397182-6.

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Saunders, David. "The measurement of colour." In Colour, Colour Measurement and Colour Change. Routledge, 2024. http://dx.doi.org/10.4324/9781003397182-4.

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Saunders, David. "The origin of colour." In Colour, Colour Measurement and Colour Change. Routledge, 2024. http://dx.doi.org/10.4324/9781003397182-3.

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Saunders, David. "Mitigating colour change." In Colour, Colour Measurement and Colour Change. Routledge, 2024. http://dx.doi.org/10.4324/9781003397182-8.

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Streszczenia konferencji na temat "Colour"

Dudek, Marcin, Stian Isaksen, Tonje Davidsen, Anders Skilbred, and Benedicte Riise Sørensen. "Weathering Performance of Topcoats: Do Colours Matter?" In CONFERENCE 2025. AMPP, 2025. https://doi.org/10.5006/c2025-00135.

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Abstract Corrosion protective organic coating systems often consists of several layers comprising a variety of different coating products. The coating mostly responsible for improving and maintaining the visual aspects of the entire coating system is called a topcoat. Its durability is usually described with gloss and colour retention values, which characterize the change of both gloss and colour after certain exposure time. This paper presents weathering data of broadly categorized polyurethane and polysiloxane topcoats, and discuss their weathering performance with particular focus on the co

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John, Sneha Anna. "Approach to Retrieve Content-based Image from a Clustered Database Based on a Dominant Colour." In 2nd International Conference on Modern Trends in Engineering Technology and Management. AIJR Publisher, 2023. http://dx.doi.org/10.21467/proceedings.160.22.

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Over the past few years, there has been a significant increase in both the availability and significance of image retrieval systems. One of the most important aspects of the photographs during the search process is their colour. Since there are many widely used techniques for color-based comparison and retrieval. In this research, we present a Dominant Colour extraction scheme that allows us to extract the image's colour features. We utilise quantization to represent the extracted prominent colours within a bound after extracting the dominant colours. We cluster the database and index the imag

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Mak, Ming Yuan, Yun Bei Choo, Xin Jie Wong, Yee Yong Loo, and Khai Yin Lim. "Auto-Assigned Colours on Facebook: Does Facebook Text Delight Colours Reflect the User’s Emotions Correctly?" In International Conference on Digital Transformation and Applications (ICDXA 2020). Tunku Abdul Rahman University College, 2020. http://dx.doi.org/10.56453/icdxa.2020.1026.

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Facebook Text Delight is a feature whereby certain keywords will have different colours auto-assigned to it, heightening user expressions. However, these colours are auto-assigned and only restricted to certain words or phrases. Therefore, in this paper, we analyze the accuracy of the colour assigned and the percival of users towards the colours. We collected our data from different socio-demographic Facebook users. A survey was carried out alongside a series of posts with similar content but different colours on Facebook. Our results show that Facebook Text Delight may not reflect user’s emot

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Lobo, Carla, Puja Kumar, and Luisa Barreto. "Defining the Complex Emotional Experiences of Depression through Visual Language – Colour as Expressive Tool." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001408.

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According to survey reports by World Health Organization, depression was ranked as the third leading cause of the global burden of disease in 2004, moving into the first place by 2030. Considering this scenario, a research project has been conducted focusing on the potential of graphic design in health care as an opportunity to communicate complex emotional experiences of depression. Using colour as a design strategy, conceptualizes a methodological approach that can be adopted to develop colour palettes in graphic design by considering the focal parameters relevant to the specific project, in

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Shi, Keyu, Changjun Li, Cheng Gao, and Luo Ming Ronnier. "TESTING THE PERFORMANCE FOR UNRELATED COLOUR APPEARANCE MODELS." In CIE 2021 Conference. International Commission on Illumination, CIE, 2021. http://dx.doi.org/10.25039/x48.2021.op44.

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Most colour appearance models (CAMs) have been developed to predict the colour appearance only for related colours in different viewing conditions. More recently, CAMs to predict for unrelated colours have been proposed due to the availability of the experimental data. This paper investigates the performance of the three promising colour appearance models for unrelated colours, i.e. CAM15u, CAMFu and CAM20u using an experimental dataset carefully accumulated by Fu et al. in term of CV values. The results showed that the latest CAM20u outperformed the other models. CAMFu, as the oldest model, w

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Soares, Eduarda, Ines Soares, Quina Coelho, et al. "User's Visual Behaviour: relationships between readability, typography and background color - An Eye-tracking View." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004868.

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The purpose of this study is to understand the impact of black typography on coloured backgrounds, on the user’s visual behaviour to analyse which colour and opacity are the most appropriate to read black text. We recruited 20 participants (9 identify themselves as male and 11 as female) aged from 18 to 21 years old with a mean age of 19.50 (SD=1.50). All participants were tested with the same criteria and in the same environment. Data were acquired through the Gazepoint GP3 system and the incorporated Gazepoint Application Program Interface software, capable of calculating the individual’s pu

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Barradas, Vera, Ana Loures, Luis Loures, José Silveira Dias, and Victoria Carrillo Durán. "Colour as a Distinctive Element of the Territories." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001381.

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This paper is part of research under development, which aims to define a set of criteria and/or parameters in the fields of design and communication, to enhance the sustainability of Low-Density Territories, through the recognition of their identity and their distinctive signs.Thus, this article aims to know if the colour is constituted as a distinctive sign and contributes to the identity of the territory.According to studies developed by several authors over the past few years, the distinctive signs, whether tangible or intangible, are identifying and differentiating elements that ensure eth

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Postma, Peter, and Bob Chorley. "Colour Grading with Colour Management." In SMPTE Australia Conference. IEEE, 2015. http://dx.doi.org/10.5594/m001610.

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Li, Chen, Nan Li, and Xiaoyu Xiao. "Inclusive design strategies based on a human factors perspective: integrating urban color in the regional cultural diversity of multi-ethnic cities." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006619.

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The national culture of a city is a symbol of its unique identity, which profoundly affects the residents' sense of identity and belonging. Colour, as a visual expression of urban cultural landscape, not only shapes the visual image of the city, but also guides the residents' emotional experience and behavioural patterns in an invisible way. With the rapid development of cities, the phenomenon of serious loss of urban characteristics and one-sidedness of a thousand cities has become more and more prominent. This poses a challenge to the psychological feelings of urban residents and the diversi

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HAWKEY, DAVID J. C. "THE INTERRELATED EVOLUTIONS OF COLOUR VISION, COLOUR AND COLOUR TERMS." In Proceedings of the 6th International Conference (EVOLANG6). WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812774262_0063.

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Raporty organizacyjne na temat "Colour"

International Commssion on Illumination, CIE. CIE TN 013:2022 Terms related to Planckian radiation temperature for light sources. International Commssion on Illumination, 2022. http://dx.doi.org/10.25039/tn.013.2022.

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There are several terms which describe the Planckian radiation temperature for light sources, including radiance temperature, colour temperature, correlated colour temperature, distribution temperature and ratio temperature. This document provides descriptions of these terms, information on their applicability, and highlights relationships between them so that they may be consistently applied in all applications. Definitions and additional explanatory information for each term are given in this document. Obviously, the greater the difference between the radiation considered and a Planckian rad

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Fang, W., N. Seddigh, and B. Nandy. A Time Sliding Window Three Colour Marker (TSWTCM). RFC Editor, 2000. http://dx.doi.org/10.17487/rfc2859.

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Beauchemin, M., and K. B. Fung. Intensity-Hue-Saturation Colour Display Transform for Hyperspectral Data. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1999. http://dx.doi.org/10.4095/219516.

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McNeil, D. H., D. R. Issler, and L. R. Snowdon. Colour alteration, thermal maturity, and burial diagenesis in fossil foraminifers. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/208174.

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Perkins, C. RTP Payload Format for Uncompressed Video: Additional Colour Sampling Modes. RFC Editor, 2006. http://dx.doi.org/10.17487/rfc4421.

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Hung, P., M. Ayama, D. Bonci, et al. CIE 240:2020 Enhancement of Images for Colour-Deficient Observers. International Commission on Illumination (CIE), 2020. http://dx.doi.org/10.25039/tr.240.2020.

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Linehan, Margaret, and Corina Sheerin. The Black Ceiling: Employment Experiences of Women of Colour in Southwest Ireland. Munster Technological University, 2023. http://dx.doi.org/10.34719/vuzy6228.

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This report presents valuable insights of the lived experiences of women of colour in the labour market in southwest Ireland. Their voices articulate a perceived double challenge of being both female and persons of colour, challenges not shared by male persons of colour or generally by white persons in organizations. Some of these challenges arise from misunderstandings, unwarranted preconceptions, conscious and unconscious biases, but sometimes from an insensitive blending of racist and misogynist attitudes. The importance of educating the wider labour market, and society in general, to the s

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Richter, K., G. Cui, S. Bračko, M. R. Luo, M. Melgosa, and T. Seim. CIE 230:2019 Validity of Formulae for Predicting Small Colour Differences. International Commission on Illumination (CIE), 2019. http://dx.doi.org/10.25039/tr.230.2019.

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Hetu, R. Airborne gamma ray spectrometric colour maps for Sudbury and District, northern Ontario, 1989. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1989. http://dx.doi.org/10.4095/130801.

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Morris, R., D. M. Jobin, M. D. Thomas, N. Rogers, and S R McCutcheon. New gravity data for the Bathurst Mining Camp, northeastern New Brunswick: a colour-shaded Bouguer gravity anomaly map (linear colour contour interval) with gravity station locations and posted Bouguer anomaly values. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2007. http://dx.doi.org/10.4095/223792.

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