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1

Masnatta, Clara Lucia. "Freund-schaft: Capturing Aura in an Unframed Literary Exchange." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10658.

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This dissertation charts an intellectual history of collaborations centered on the beginning of socio-critical discourse on photography. I study the critically misread oeuvre of photographer and sociologist Gisèle Freund to reconfigure a transatlantic map of concrete personal, literary, and critical connections during the 1930s and ’40s. In examining Freund’s oeuvre, I suggest a crucial intervention on the notion of aura — Walter Benjamin’s trademark for understanding the dialectics of the original and its reproduction. I advance a reading in support of aura that challenges the canonical “The
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2

McMullen, Albert Joseph. "Echoes of Early Irish Influence in Anglo-Saxon Literary Landscapes." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467346.

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This study traces the cultural interplay between Irish and Old English literary landscapes. Combining an ecocritical approach to reading representations of the landscape with a comparatist perspective, each chapter shows that the landscape and the natural world were not only static motifs, but that they allow for the observation of literary influence. The first chapter investigates the political use of the landscape in Irish and Anglo-Saxon saints’ Lives. I argue that the anonymous author of the Life of Cuthbert was following a common Irish hagiographic practice of using place-names to claim c
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Pressman, Hannah Simone. "Confessional Texts and Contexts| Studies in Israeli Literary Autobiography." Thesis, New York University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3557024.

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<p> In Jewish Studies in general and Jewish literary studies in particular, the autobiography has taken on renewed significance in the twenty-first century. A recent wave of Hebrew autobiographical writing has reinvigorated long-standing debates about the connections between family drama and national history in the modern state of Israel. This dissertation examines the discourse of selfhood generated by a select group of authors from the 1950s-1990s, the decades immediately preceding the genre's current boom. The "confessional mode of Israeli literary autobiography," as I designate this discou
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Weis, Theodore K. ""We" means who? An investigation of the literary plural /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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Sormus, Megan. "Collage Grrrls : reclaiming contradictory femininities in anti-chick lit." Thesis, Northumbria University, 2017. http://nrl.northumbria.ac.uk/36254/.

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Collage Grrrls represents the first sustained attempt to define, historicise and analyse the contentious genre of ‘anti-chick lit’. In this thesis, I argue that anti-chick lit – while critically neglected – represents a key development in women’s writing from the 1990s onwards; alighting on the girl and the grrrl as figures of contradiction and transitional possibility, anti-chick fictions generate spaces in which the darker aspects of female experience – from mental illness, self-harming and unwanted pregnancies, to sexual excess and consumerism – can be creatively (re)imagined. In this way,
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Mitchell, Amanda Lyn. "Sexuality, sorority and subversion : an exploration of the literary depiction of the continuum of German women's relationships." Thesis, University of Central Lancashire, 1997. http://clok.uclan.ac.uk/21910/.

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This thesis introduces and examines a variety of post-Wende lesbian prose texts by German authors. These works are investigated both as immediate narratives and as loci of dynamic contemporary social and cultural change. Situated at the interface between queer and feminist studies, this thesis takes its historical context from the second Frauenbewegung and the German lesbian movement, incorporating existing feminist scholarship within these fields. In addition, its literary context uncovers predecessors to the works analysed, with the aim of questioning the conceptual continuum of German-langu
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7

Connolly, Geraldine Anne. "Comparative perspectives on the Irish literary revival and the Harlem renaissance." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529274.

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8

Yudkoff, Sunny. "Let It Be Consumption!: Modern Jewish Writing and the Literary Capital of Tuberculosis." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467299.

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Let it Be Consumption!: Modern Jewish Writing and the Literary Capital of Tuberculosis investigates the relationship between literary production and the cultural experience of illness. Focusing attention on the history of modern Yiddish and Hebrew literature, this study examines how a diagnosis of tuberculosis mobilized literary and financial support on behalf of the ailing writer. At the same time, the disease itself became a subject of concern in the writer’s creative oeuvre and literary self-fashioning. Drawing on the work of Pierre Bourdieu and Bruno Latour, I argue that the role played by
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9

Landis, Winona L. "Illustrating Empire: Race, Gender, and Visuality in Contemporary Asian American Literary Culture." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1532619991050315.

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Marubbio, M. Elise 1963. "The edge of the abyss: Metamorphosis as reality in contemporary Native American literature." Thesis, The University of Arizona, 1993. http://hdl.handle.net/10150/291692.

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The edge of the abyss: Metamorphosis as reality in contemporary Native American literature, approaches the concept of metamorphosis from a metaphysical and philosophical perspective as a culturally defined reality. It focuses on the works of contemporary Native American writers: Leslie Silko, Scott Momaday, Gerald Vizenor, and Louise Erdrich, who address the metamorphic properties of Time and the metamorphic abilities of Man as a continuing link to the supernatural and natural worlds through stories which descend from a history of oral traditions. The Edge of the Abyss explores the use of lang
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11

Sutassi, Smuthkochorn Renner Stanley W. "Postmodernism and comparative mythology toward postimperialist English literary studies in the Thailand /." Normal, Ill. Illinois State University, 1996. http://wwwlib.umi.com/cr/ilstu/fullcit?p9721398.

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Thesis (D.A.)--Illinois State University, 1996.<br>Title from title page screen, viewed May 26, 2006. Dissertation Committee: Stanley W. Renner (chair), Ronald Strickland, William W. Morgan, Jr. Includes bibliographical references (leaves 140-146) and abstract. Also available in print.
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12

Wang, Nian En. "The xing : a comparative approach to Chinese theories of the literary symbolic." Thesis, University of Warwick, 1992. http://wrap.warwick.ac.uk/1160/.

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This thesis is intended to be a comparative approach to Chinese theories of the literary symbolic by way of a comprehensive investigation of the term xing [Chinese symbol]. The xing has a long history of over two thousand years, is capable of protean meanings and generally considered very confusing. In the Introduction of the present work, a historical review of the study of the xing provides a map of the terrain in this area. Following this, a discussion of methodology is unfolded and suggestions are made that the general aim of this thesis is not to search for a "true" or "essential" meaning
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13

Clarke, Kimberly. "Literary Inventions of Black Interiority, Criminal Desires and Secrecy in the Romantic Era Novel." Thesis, The George Washington University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10929208.

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<p> Anglophone, Protestant literary traditions figure heavily in the historicization of the novel and the central role privacy plays in the narrativization of concealment. Protestantism&rsquo;s focus on piety through individual self-reflection has been credited as the catalyst for the nineteenth-century inward turn of the novel and its invention of private life and the private individual. Within this Protestant-influenced novel, privacy constitutes one&rsquo;s political legitimacy and is a concept that has also dominated how literature within and beyond the Anglosphere has imagined the interio
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14

Leroux, Jean-François. "The Renaissance of impasse in American/Quebec literary relations, comparative readings of Carlyle, Emerson, Melville, Aquin, Ducharme and Beaulieu." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2002. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ66165.pdf.

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15

Hempel, Charlotte. "A literary critical and comparative analysis of the laws of the Damascus Document." Thesis, King's College London (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319369.

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Murphy, Katharine Anne. "Pio Baroja and English literature : a comparative approach to the novels." Thesis, University of Exeter, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267209.

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Johnson, Ryan Stasey. "Vagueness: Identity and Understanding Across Literatures East and West." Thesis, The University of Sydney, 2019. http://hdl.handle.net/2123/20473.

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The twentieth century witnessed an explosion in cultural exchanges between East and West. Through the increasing ease with which ideas could be communicated across the globe, and with which people, sometimes willingly, sometimes not, could move between distant countries, intercultural cross-fertilization became increasingly important to both “Eastern” and “Western” art. Yet this intellectual and physical movement also brought new forms of art that defied previous modes of interpretation, and called the very concepts of East and West into question. This dissertation uses the great exchange of p
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18

Bartholomew, Sherlene Hall. "An Annotated Bibliography of Literary Mormon Humor." Diss., CLICK HERE for online access, 1998. http://contentdm.lib.byu.edu/u?/MTAF,40619.

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Noblet, Jessica. "Creating Purpose: the Use of Stalinist and Post-Soviet Literary Trends." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/715.

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Khaldi, Boutheina. "Arab women going public Mayy Ziyadah and her literary salon in a comparative context /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3332477.

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Thesis (Ph.D.)--Indiana University, Dept. of Near Eastern Languages, 2008.<br>Title from home page (viewed on May 14, 2009). Source: Dissertation Abstracts International, Volume: 69-09, Section: A, page: 3537. Adviser: Suzanne P. Stetkevych.
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21

Zoubir, A. "American and Algerian writers : A comparative study examining the relation between literary language and national culture." Thesis, University of Essex, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.378405.

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22

Nash, Patricia Helena. "A body, a notion: translating Karla Reimert's 'Picnic with black bees'." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/6229.

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Odenmo, Emma. "Empowerment of the Oppressed in Margaret Atwood’s Surfacing and Louise Erdrich’s Tracks : A Comparative Study of Feminism and Postcolonialism." Thesis, Mid Sweden University, Department of Humanities, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-11221.

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<p>A comparative essay to show links between empowerment in feminism and postcolonialism by comparing the development of the protagonist in Margaret Atwood's <em>Surfacing</em> to the development of Pauline in Louise Erdrich's <em>Tracks</em>.</p>
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24

Haney, Christopher Ryan. "About the Gospel of John: Considering P66: A Literary History, or a Categorical Hermeneutic." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1704.

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New Testament text critics are fueled by a search for origins. But in the absence of an autograph, questions of origins are complicated at best. The fruit of that search for origins has resulted in the creation of hypothetical, eclectic texts—texts which have left us translating and interpreting the Bible in a form that no community in human history has before. Far from being failed projects, however, these eclectic versions aptly represent the problem of the One and the many, a problem not easily solved: When faced with hermeneutic duties, can we effectively speak of New Testament texts witho
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25

Shanks, Susanne Ulrike. "Modernising the Understanding of Literary Regionalism : A Comparative Study of Scottish and East German Novels." Thesis, Goldsmiths College (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498909.

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26

Gill-Khan, Chloe. "Postcolonial European governance in question : a comparative case of British and French diasporic literary expressions." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/14696/.

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Banerjee, Rita. "The New Voyager: Theory and Practice of South Asian Literary Modernisms." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11044.

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My dissertation, The New Voyager: Theory and Practice of South Asian Literary Modernisms, investigates how literary modernisms in Bengali, Hindi, and Indian English functioned as much as a turning away and remixing of earlier literary traditions as a journey of engagement between the individual writer and his or her response to and attempts to re-create the modern world. This thesis explores how theories and practices of literary modernism developed in Bengali, Hindi, and Indian English in the early to mid-20th century, and explores the representations and debates surrounding literary moderni
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28

Karmi, Sali. "'Many kinds of strong voices' : transnational encounters and literary ambassadorship in the fiction of Margaret Atwood and Hanan Al-Shaykh." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/68634.

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This research began as an attempt to question to what extent a politics of solidarity and the evolution of a ‘transnational feminism’ which travels across borders can be established within Arab and Western literary novels. While this study, in spirit, takes its lead from the call for ‘feminism without borders’ within the writings of two contemporary women writers, the Canadian Margaret Atwood and the Lebanese Hanan Al-Shaykh, it responds to the notion of transnationalism and literary ambassadorship from the perspective of Arab-Western relations. This process raises key questions for the readin
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29

Zang, Tianying. "D.H. Lawrence's philosophy of nature : an eastern view." Thesis, Northumbria University, 2006. http://nrl.northumbria.ac.uk/3274/.

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This study examines Lawrence's views of nature and their relations to perspectives drawn from Oriental traditions and philosophies. Many of Lawrence's non-Christian perspectives concerning the universe and man's relationship with nature bear strong affinities with Eastern thought systems, particularly his understanding of such fundamental matters as the enigma of nature, nature's duality and oneness, the mutual identity between man and nature, issues of god and evolution, mind and body, life and death, and sexuality, and concerns with intuition, spontaneity and primitivism. Lawrence met with h
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McDonnell, Danielle. "'By force and against her will' : rape in law and literature, 1700-1765." Thesis, Northumbria University, 2016. http://nrl.northumbria.ac.uk/36207/.

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This thesis examines the relationship between fictional depictions of rape and legal and social realities between 1700 and 1765, and argues that these contexts are essential to reconstruct contemporary understandings of rape in this period. Rape was presented differently in legislation, legal texts, trials and literature, reflecting the varied ideas of what constituted a rape. The research begins by asking why the statutory definition of rape was inconsistent with legal practice, and how clear the legal conventions of rape were in contemporary society. This leads to a series of case studies in
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31

Uchiyama, Akemi. "The proximate dream, a comparative approach to The tale of Genji and two Western literary counterparts." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ58786.pdf.

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Boven, Christine. "A comparison of Australian and German literary journalism." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/578.

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The purpose of this thesis is to investigate and compare the traditions shaping the development of literary journalism in Australia and Germany. Tracing the different historical developments of the form in the two countries provides the contextual basis for an in-depth comparative analysis, which concentrates on the concepts of credibility and authenticity. The thesis explores whether different attitudes to news and opinion in journalism in the two countries influence these notions that are central to literary journalism. However, in the comparative analysis other significant factors become ap
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Gharehgozlou, Bahareh. "A Study of Persian-English Literary Translation Flows:Texts and Paratexts in Three Historical Contexts." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1532555559014889.

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Sheridan, Louise. "A comparative analysis of issues of migration, hybridity and diaspora in Irish diasporic literary and oral narratives." Thesis, University of Northampton, 2011. http://nectar.northampton.ac.uk/8882/.

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Tomasin, Cristina <1989&gt. "Women and Biafra: a comparative, literary study of women's roles during the Nigerian civil war (1967-1970)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13047.

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The Nigerian civil war (1967-1970) represents a tragic chapter of African history. This brutal conflict was predominantly studied by male historians and novelists, offering a limited perspective of events. Though women and children comprised the majority of war casualties, very rarely were their experiences discussed in male-authored texts, and women's own war writings were largely dismissed or heavily criticized by male critics. The aim of this thesis is thus to examine the war literature written by three Igbo women writers belonging to different generations of Nigerian authors namely Flora N
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Temiz, Ayse Deniz. "Gens inconnus political and literary habitations of postcolonial border spaces /." Diss., Online access via UMI:, 2008.

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37

White, James. "Anthologists and the literary market : a comparative study of al-Tha'ālibī's Yatīmat al-dahr and 'Awfī's Lubāb al-albāb." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:f1e95949-e509-43a2-a8ac-904bc3ffaa9c.

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This thesis offers the first detailed study of publishing culture in the medieval eastern Islamic world by examining how two influential anthologists active in Central Asia mediated between authors and their audiences. It analyses the contents of al-Tha'ālibī's (d. 429/1037-8) Yatīmat al-dahr, a biographical anthology of Arabic poetry and prose concerned with the literature of the 4th/10th and the early 5th/11th centuries, comparing them with the material found in 'Awfī's (d. 640/1242 or before) Lubāb al-albāb, a biographical anthology of Persian poetry focused on verse produced between
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Karim, Dahir Latif. "A comparative study of free verse in Arabic and Kurdish : the literary careers of al-Sayyāb and Gōrān." Thesis, University of Glasgow, 1985. http://theses.gla.ac.uk/3061/.

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Alkhas, Marduk. "A comparative narrative analysis of Rambling rose : the novel and the film /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9809677.

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40

Dimirouli, Foteini. "Cavafy hero : literary appropriations and cultural projections of the poet in English and American literature." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:84ca6361-a26c-4269-82da-4deb4b0c4664.

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The present thesis examines the way E.M. Forster, Lawrence Durrell, W.H. Auden, Stephen Spender, Joseph Brodsky, and James Merrill appropriated C.P. Cavafy in writings that were disseminated and consumed amongst culturally dominant literary circles, and which eventually determined the Greek-Alexandrian poet’s international reputation. I aim to contribute a new perspective on Cavafy, by evading the text-based tradition of reception studies, and proposing an alternative method of discussing the production of Cavafy's canonical status. Inspired by Pierre Bourdieu's sociological theory, I view lit
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41

Klein, Kaitlyn Marie. "Literary Love(r)s: Recognizing the Female Outline and its implications in Roman Verse Satire." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2825.

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The existence of a metaphoric female standing in for poetic style was only plainly discussed in a paper from 1987 concerned with Roman elegiac poetry. This figure is given the title of scripta puella or written woman, since her existence depends solely on the writings of an author. These females often appear to have basis in reality; however there is insufficient evidence to allow them to cross out of the realm of fantasy. The term scripta puella in poetry refers to a perfected poetic form, one the author prefers over all others, and a human form creates the illusion of a mistress. Using this
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42

Allan, Stu. "Passive be damned : the construction that wouldn't be beaten : a thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Linguistics at the University of Canterbury /." Thesis, University of Canterbury. Languages, Cultures and Linguistics, 2009. http://hdl.handle.net/10092/2265.

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This thesis brings together two different lines of research, the nature of passive voice, the nature of readability. Commonly, languages have a range of tools for detransitivisation, topicalisation, and impersonalisation, of which passivisation is one (Givón, 1981). Passives have important roles in our language, and prescribing against their use lacks a full understanding of these roles. Much of the concern around passives from writers, editors, and teachers is no more than folklore that has not clearly analysed various writing and reading problems. Many awkward sentences are not awkward becau
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43

Rapson, Jessica. "Topographies of suffering : encountering the Holocaust in landscape, literature and memory." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/8025/.

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As the Holocaust passes out of living memory, this thesis re-evaluates the potential of commemorative landscapes to engender meaningful and textualised encounters with a past which, all too often, seems distant and untouchable. As the concentration camps and mass graves that shape our experiential access to this past are integrated into tourist itineraries, associated discourse is increasingly delimited by a pervasive sense of memorial fatigue which is itself compounded by the notion that the experiences of the Holocaust are beyond representation; that they deny, evade or transcend communicati
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Costa, Alyni Ferreira. "Artes em diÃlogo. Poesia e Pintura: JoÃo Cabral de Melo Neto e Joan MirÃ." Universidade Federal do CearÃ, 2012. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=8955.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>A Pintura e a Literatura, apesar de consistirem em atividades distintas, interagem entre si e se comunicam dentro de um campo abrangente, denominado Arte. O presente estudo pretende uma aproximaÃÃo, um diÃlogo, estabelecido entre poesia e pintura. Propomos uma abordagem comparativa entre algumas peÃas da obra do pintor catalÃo Joan Mirà (1893-1983), e os poemas presentes no livro A pedra do sono (1942) do poeta pernambucano JoÃo Cabral de Melo Neto (1920-1999), tendo como pano de fundo a estÃtica surrealista, postulada por Andrà Br
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di, Filippo JoAnn. "Behind Closed Doors: Film as Text and the Exploration of Reading Practices in Sanctioned Institutional Abuse." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/306146.

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This dissertation brings critical visual culture studies to bear on mediatized representations of sanctioned institutional abuse. In particular, my dissertation seeks to explore and analyze the dynamics of the visual culture in reel/real social dramas of sanctioned institutional abuse, relations of power and the construction/destruction of oppositional voices struggling to seek justice. Focusing on Turner's work in understanding social dramas, I contextualize three "true account" films to explore how cultural studies, film form, function, and theory play critical roles in spectator viewing a
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46

Pettitt, Joanne. ""What kind of animal is the Nazi beast?" : representations of perpetrators in narratives of the Holocaust." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/54326/.

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This project seeks to explore representations of Holocaust perpetrators in literature. Such texts, often rather controversially, seek to undo the myth of “pure evil” that surrounds the Holocaust and to reconstruct the perpetrator in more “human” terms. Accordingly, significant questions of “how” and “why” are centralised and explored, providing fertile ground for examinations of the intersections between ethics, literature and history, and enabling ongoing discussions about the characteristics and obligations of perpetrator literature as a whole. Of central concern, these humanising discourses
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Schnippering, Claudia. "Literature of the Holocaust perpetrator. A comparative literary analysis of Jonathan Littell's "The Kindly Ones" with German Väterliteratur (Father literature)." Thesis, University of Canterbury. School of Language, Social and Political Sciences, 2014. http://hdl.handle.net/10092/10338.

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Undoubtedly the historical settings and aspects of the Nazi Holocaust have been examined for many decades. Research has focused much on the victims of the Holocaust. However, the examination of the perpetrators of the Nazi Holocaust continues to cause anxiety and controversy. In my thesis I examine what possible constraints are imposed on authors/narrators and also readers by the sensitive and explosive subject of the representation of Holocaust perpetrators. I compare four texts of German Väterliteratur with Jonathan Littell’s “The Kindly Ones” to examine the questions of aesthetics and
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Vekic, Tiana. "Literary representations of civil wars : a comparative study of novels dealing with the Spanish civil war and the Yugoslav conflict." Thesis, Perpignan, 2017. http://www.theses.fr/2017PERP0001.

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Une guerre civile est un conflit violent impliquant un changement socio-politique dramatique qui devient un jalon historique, culturel et littéraire. C’est une période où les processus doubles de la déconstruction et de la reconstruction reformulent les lois, l’histoire et les identités communautaires. Le fait que ces transformations rapides impliquent une souffrance humaine massive est peut-être l’aspect le plus perturbant d’une guerre civile. Cette thèse analyse la façon dont les romans contemporains sur les guerres civiles de l’Espagne et de l’ex-Yougoslavie représentent l’expérience humain
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Borilot, Vanessa. "Feminine strategies of resistance comparative study of two XIXth century French literary pieces and two XXth century French Caribbean writings /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 111 p, 2009. http://proquest.umi.com/pqdweb?did=1885467531&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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VEKIC, Tiana. "Literary representations of civil wars: a comparative study of novels dealing with the spanish civil war and the yugoslav conflict." Doctoral thesis, Università degli studi di Bergamo, 2017. http://hdl.handle.net/10446/79151.

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A civil war is a violent conflict of dramatic political and social change that becomes a historical, cultural and literary marker. It is a period when laws, history and identities are reformulated through dual processes of deconstruction and reconstruction. This makes evident the symbolic dimension of civil war violence and accentuates the unstable, precarious and malleable nature of identity constructs, ideologies and history. The fact that these rapid transformations implicate massive human suffering is perhaps what is most unsettling about civil war. A civil war is not only a pivotal momen
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