Gotowe bibliografie tematyczne / Concert performances

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Artykuły w czasopismach
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Gotowa bibliografia na temat „Concert performances”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Concert performances"

Afanasieva, E. Yu. "PREPARING MUSIC STUDENTS FOR CONCERT PERFORMANCES." Innovate Pedagogy 19, no. 3 (2019): 15–17. http://dx.doi.org/10.32843/2663-6085-2019-19-3-2.

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Rademacher, Wiebke. "Beethoven's Leonore in Berlin around 1900: On Contextual Factors of Music Performances as Source Material for Past Emotional Practices." Cultural History 7, no. 2 (2018): 167–86. http://dx.doi.org/10.3366/cult.2018.0172.

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The last decades have seen a steady increase of historians and historical musicologists whose research focuses on concert audiences and music performances. While previous research on music predominantly dealt with the analysis of works, their ‘great’ composers, and musical styles, now musical events and their audiences have more and more come into consideration. Scholars have tried, for instance, to explain how the ascending bourgeoisie influenced various parameters of concert life in the eighteenth and nineteenth century. They have examined changing behavioural patterns of the audience (Mülle

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Chaffin, Roger, Anthony F. Lemieux, and Colleen Chen. ""It is Different Each Time I Play": Variability in Highly Prepared Musical Performance." Music Perception 24, no. 5 (2007): 455–72. http://dx.doi.org/10.1525/mp.2007.24.5.455.

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PERFORMANCES BY CONCERT PIANISTS in the Western classical tradition are normally highly prepared, yet must sound fresh and spontaneous. We propose that musicians achieve the necessary spontaneity by strategic management of the variability inherent in any action. Musical gestures that make up the artist's interpretation (e.g., crescendos, ritardandos) are attenuated or exaggerated to different degrees in each performance, while movements critical for technique are less varied.We examined 7 highly polished performances of J.S. Bach's Italian Concerto (Presto) by a concert pianist. There were sma

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Bergee, Martin J. "A Theoretical Structure of High School Concert Band Performance." Journal of Research in Music Education 63, no. 2 (2015): 145–61. http://dx.doi.org/10.1177/0022429415585959.

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This study used exploratory (EFA) and confirmatory factor analysis (CFA) to verify a theoretical structure for high school concert band performance and to test that structure for viability, generality, and invariance. A total of 101 university students enrolled in two different bands rated two high school band performances (a “first” band’s Performance 1, and “second” band’s Performance 2) using items from Sagen’s Band Performance Rating Scale. EFA methods verified a structure consisting of three interrelated primary-order factors. Items did not have the same factor loadings in both performanc

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Chen, Jiahui, Xunming Mai, and Yangyang Zhou. "Analysis of the Present Situation, Growth Trend and Potential Problems of Concert Economy." Advances in Economics, Management and Political Sciences 158, no. 1 (2025): 61–67. https://doi.org/10.54254/2754-1169/2025.19701.

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The economic background of concerts can be summarized as follows: During the economic downturn, concerts have become an important consumption mode, driving the development of related industries, and also reflecting the new trend of experiential consumption among young people. The study of concert economy involves many fields, including music industry, marketing, economics, sociology and so on. The purpose of this paper is to elaborate a systematic research method of concert economy, and to deeply explore the operation rules and influencing factors of concert economy through scientific methods

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Henry, Jasmine A. "Tiny Desk Concert as an emerging site of hip hop intimacy, authenticity and accessibility." Global Hip Hop Studies 2, no. 2 (2021): 237–43. http://dx.doi.org/10.1386/ghhs_00046_5.

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From the late Mac Miller’s introspective 2018 session to Megan Thee Stallion’s sexually empowering show in 2019, National Public Radio’s (NPR) Tiny Desk Concert (TDC) series has showcased several unique and memorable hip hop performances over the last few years. Many of these concerts have garnered millions of views and critical acclaim, making the series an important artistic medium and promotional tool for contemporary hip hop artists. TDCs challenge artists to put forth creative and intimate performances which offer unique audio-visual experiences to YouTube users. In addition to being a we

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Devindriati Kusuma, Putu Sandra. "Children Virtual Concert in the Covid-19 Pandemic." Journal of Music Science, Technology, and Industry 3, no. 2 (2020): 247–60. http://dx.doi.org/10.31091/jomsti.v3i2.1160.

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Purpose: This article aims to see a children virtual concert held by La Prima Course and Bandung Philharmonic. Both of them held an online concert in June 2020, when the world was entering new normal era due to Covid-19 pandemic. Research methods: The method used in writing this article is descriptive-qualitative by observing watching two virtual concert and long-distance interviews through social media. Results and discussion: Children virtual concert have a positive impact for children as activities at home during the Covid-19 pandemic. Other impacts were also felt by the organizers so that

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Harrington, Ann M. "The Effect of Implied Performer Age and Group Membership on Evaluations of Music Performances." Update: Applications of Research in Music Education 36, no. 2 (2017): 5–12. http://dx.doi.org/10.1177/8755123317725726.

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This study examined the effects of implied performer age and group membership on listeners’ evaluations of music performances. Undergraduate music majors ( n = 23), nonmusic majors ( n = 17), and members of a New Horizons ensemble ( n = 16) were presented with six 30-second excerpts of concert band performances. Excerpts were presented to all respondents in three implied performer age conditions: audio-only (no implied age), audiovisual presentations that featured digital images of middle school concert bands, and audiovisual presentations that featured digital images of older adult concert ba

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Göttlich, Susanne. "Performing and Premiering in spite of a Global Crisis: Gerd Kühr’s Corona Meditation and its Usage of Online Platforms." INSAM Journal of Contemporary Music, Art and Technology, no. 5 (December 15, 2020): 127–37. http://dx.doi.org/10.51191/issn.2637-1898.2020.3.5.127.

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Through the challenges that can arise in connection with a global crisis, in which live performances are prohibited, musicians and music institutions, such as concert houses, have to find solutions in order to give the recipients the opportunity to convey music through a different medium. Gerd Kühr’s Corona Meditation for any number of pianos was especially composed to adjust to the recently changing situation concerning the typical structures of concert life. The concept offers a direct connection between technology – here in the form of using a conference programme and a livestream platform

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Ambadar, Alleyda Maharani. "Swifties Experience: Examining Taylor Swift The Eras Tour (2023) Movie as Concert Mediatization." EKSPRESI DAN PERSEPSI : JURNAL ILMU KOMUNIKASI 7, no. 3 (2024): 520–36. http://dx.doi.org/10.33822/jep.v7i3.8381.

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This research examines Taylor Swift’s concert documentary movie called The Eras Tour (2023) that created a shift in audience’s cinema experience by not customarily watching a movie but emerge themselves which resulting in a ‘concert-feel- like’ activity. This study shows an alternative and complement live performance and streaming technology that previously researched by Scherzinger (2019) as music distribution method. Using Hjarvard’s concept of mediatization and Harvey’s theory of the production of space, I analyze how this movie concert influences audience interactions which create a new so

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Rozprawy doktorskie na temat "Concert performances"

Griffiths, Noola K. "The role of concert dress in the performances of solo female classical instrumentalists." Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500284.

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This thesis examines the role of concert dress of solo female instrumentalists performing within the Western classical tradition. Previous studies of the effect of visual information in performance have largely focussed on the role of expressive body movement, or have treated concert dress as a confounding variable in the study of other visual factors. The effect of specific styles of dress in performance has not been previously researched. However, some have argued that there is a dominant beauty culture within classical performance, which may have a negative effect on perceptions of female p

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Nguyen, Hang Thi Tuyet. "Audiences’ engagement with Twitter and Facebook Live during classical music performances: community and connectivity through live listening experiences." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6618.

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Music ensembles have made a concerted attempt to reach out through social media platforms to the communities surrounding their concert venues in order to attract young adults to replace aging audiences. By observing opera and symphony orchestra audience members’ social media engagement through Twitter and Facebook Live, this dissertation endeavors to better understand how technology has changed the culture of classical music concert attendance. The music organizations utilizing social media considered for this study include the Los Angeles Opera, San Francisco Opera, and Boston Lyric Opera for

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Duffy, Paul. "A balanced orchestra program: analyses and rehearsal techniques for Haydn, Berlioz, Ravel, Bryce Craig, and Casey Cangelosi." Kansas State University, 2014. http://hdl.handle.net/2097/17595.

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Master of Music, Theater, and Dance<br>Department of Music, Theatre, and Dance.<br>David Littrell<br>This report provides detailed analyses of several orchestral works. Current orchestras have striven to rejuvenate their programs by balancing canonical literature with newer or less familiar works; such a practice has become especially important in an age when audiences are dwindling and orchestras are disbanding. The works included in this report follow that balanced blueprint, including staples such as Haydn’s Symphony No. 103 in E-flat Major (the “Drumroll”) and Berlioz’s “Hungarian March” f

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Bouillot, Nicolas. "La Cohérence dans les Applications Multimédia Interactives et Distribuées : du concert réparti sur Internet aux jeux multijoueurs en réseau." Phd thesis, Conservatoire national des arts et metiers - CNAM, 2006. http://tel.archives-ouvertes.fr/tel-00145440.

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Les Applications Multimédia Interactives et Distribuées (AMID) sur Internet ouvrent des perspectives nouvelles de travail et de loisir entre utilisateurs du réseau Internet. Dans ces applications, le sentiment de co-présence est obtenu par la numérisation et l'envoi sur le réseau de certaines de leurs actions. Cependant, le délai de transmission de ces actions introduit des ambiguïtés temporelles au niveau de l'interface. Ce problème est connu sous le nom de cohérence, mais il est généralement traité du point de vue de l'ordre dans lequel les actions sont prises en compte, et non du point de v

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Khaleram, Paulsson Nelly. "A musical escape into a virtual world - A qualitative experimental study of how music fans perceive music concerts and other musical performances in virtual reality." Thesis, Malmö högskola, Fakulteten för teknik och samhälle (TS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-20258.

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We live in a time when technology is digitalizing the world. Technology is a medium that brings people closer to each other and enables more experiences to take place; at home. The increase of music concert attendance boomed the music industry in 2016 and set record sales already halfway into the year. However, there are still people that cannot attend music concerts or performances due to other factors. It was not only the music industry that boomed in 2016; artists started producing music concerts in Virtual Reality (VR) enabling them to reach out to a wider audience. This study shows how mu

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Bidgood, Lee. "Consort Cooperative Concert." Digital Commons @ East Tennessee State University, 2017. https://vimeo.com/239922609.

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Fogdall, Todd Stephen. "Concept booklets : examining the performance effects of journaling of mathematics course concepts /." [Boise, Idaho] : Boise State University, 2009. http://scholarworks.boisestate.edu/td/49/.

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Bidgood, Lee, and ETSU Faculty Bluegrass Band. ""Biscuits and Bluegrass" Concert." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1072.

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Reed, Delanna. "United We Stand Interfaith Storytelling Concert." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1273.

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Tellers from a variety of faiths will celebrate their traditions in story, song and dance in "United We Stand," an interfaith storytelling concert to benefit the Katheleen M. Stern and Milagros M. Argueta Endowment for Storytelling at ETSU. This endowment will provide scholarships and an endowed chair in storytelling with a focus on therapeutic, homiletic and community-building story. The storytelling concert will be held Saturday, Jan. 7, from 2-5 p.m. at the McKinney Center, 103 Franklin Ave., Jonesborough. Storytellers representing Christian, Jewish, Muslim and Native American faiths will p

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Kumamoto, Yuki. "Soviet Music as Bricolage: The Case of the Piano Works of Nikolai Rakov (1908-1990)." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703341/.

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Much socialist realism art from Soviet-era Russia has been misunderstood by scholars. It has been considered "synthetic art," which ordinary citizens were forced to admire under the Soviet regime. It also has been interpreted as peasant kitsch art because of its seemingly unacademic and unchallenging theoretical language utilized in order to meet the expectations of Soviet communism. This ideology conditioned artists to make art accessible and nationalistic to serve the perceived needs of the Russian proletariat. Nikolai Rakov (1908-1990), a Soviet-era composer, is also all too often received

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Książki na temat "Concert performances"

Trémine, René. Wilhelm Furtwängler concert listing 1906-1954. Tahra, 1997.

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Tony, Brown. Jimi Hendrix concert files. Omnibus, 1999.

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1947-, Nicolas François, and Centre de documentation de la musique contemporaine., eds. Les enjeux du concert de musique contemporaine. Cdmc, 1997.

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Pimm Jal de la Parra. U2 live!: A concert documentary. Omnibus, 1994.

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Consejo Nacional de la Cultura (Venezuela) and Instituto Latinoamericano de Investigaciones y Estudios Musicales Vicente Emilio Sojo., eds. Homenaje nacional a Inocente Carreño: Caracas, 9 al 20 de julio de 1986. Consejo Nacional de la Cultura (CONAC), 1986.

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Rudas, Tibor. Encore! 3 tenors: José Carreras, Plácido Domingo, Luciano Pavarotti with Zubin Mehta. Collins Publishers San Francisco, 1994.

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Tibor, Rudas, ed. Encore! 3 tenors: José Carreras, Plácido Domingo, Luciano Pavarotti with Zubin Mehta. Collins Publishers San Francisco, 1994.

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Bonn, Stadtmuseum, ed. On tour: Clara Schumann als Konzertvirtuosin auf Europas Bühnen. StadtMuseum Bonn, 2019.

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Parker, Maurice. Sir Thomas Beecham, Bart, C.H. (1879-1961): A calendar of his concert and theatrical performances. (Sir Thomas Beecham Society), 1985.

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Kenzo, Amoh, ed. Yevgeni Mravinsky: A concert listing 1930-1987. Japanese Mravinsky Society, 2000.

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Części książek na temat "Concert performances"

Chelouche, Noga Rachel. "13. Futuring Classical Music through Contemporary Visual Art." In Classical Music Futures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.13.

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This chapter focuses on the alternative performance of classical compositions created in the works of the renowned contemporary artist Anri Sala (b. 1974). A visual artist, Sala uses music as a central element in his films, installations, and performances. He manipulates the music according to different artistic ideas, thus creating unconventional performances. Through his works, Sala enables different perspectives and new contexts which lead classical music through unpredictable paths. The chapter focuses on three seminal works created by Sala in the last decade: The Present Moment (2014), Th

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Smith, Neil Thomas. "14. Changing Rooms." In Classical Music Futures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.14.

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This chapter presents a diary of unconventional concert spaces, two pre- and four post-pandemic. The aim is to explore the effects of spatial innovation, providing insights for the future of performances outside the concert hall. Already a hot topic in attempts to innovate the classical music concert, the pandemic has seen an unprecedented (if enforced) explosion of experimentation in this area, whether online, outdoors, or in unusual buildings. What we have learnt from these experiences is far from clear. Indeed, vacating the concert hall may simply make people desperate to return. While inno

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Walker, Tal. "15. Monsieur Croche." In Classical Music Futures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.15.

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This chapter is a case study of the concert series, Monsieur Croche (Antwerp). Founded in 2017, the concert series brings French music to its audience in an approachable and engaging way. The series’ performances take place in unconventional concert venues such as art galleries, museums, and cathedrals. The small venue and the proximity to the artists, make the events intimate and exclusive - at eye level with our audience. The venue itself is rich with art and provides a creative environment. Each concert is one-of-a-kind, as it tells the story of one specific composer. Monsieur Croche did no

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Siefert, Marsha. "Entrepreneurial Tapists." In Music and Democracy. mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-002.

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This article takes a participatory approach to the reproduction of live music performance by looking at the history of »bootleg« sound recordings in two formations during the 1960s and 1970s. The first builds on the history of how opera lovers, mostly in concert and sometimes in conflict with formal opera institutions and commercial recording companies, created their own community for reproduced live opera performances through surreptitious live recording, record producing, distributing, cataloging, trading, and collecting. Marsha Siefert relates these activities to the world of magnitizdat, t

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Grey, Thomas S. "Wagner Introduces Wagner (and Beethoven): Program Notes Written for Concert Performances by and of Richard Wagner 1846–1880." In Richard Wagner and His World, edited by Thomas S. Grey. Princeton University Press, 2009. http://dx.doi.org/10.1515/9781400831784.479.

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Chow, Yiu Fai, Jeroen de Kloet, and Leonie Schmidt. "“It’s My Party”." In Contemporary East Asian Visual Cultures, Societies and Politics. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6710-0_5.

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AbstractIn Hong Kong, despite its overwhelming capitalist logic, pop music makers have established a tradition of political engagement, stretching from the anxiety towards the 1997 Handover, the post-Tiananmen fury and fear, to the more recent articulations against increasing intervention of the Beijing regime. While previous chapters provide a textual analysis and explore the political engagement of Tat Ming Pair’s work—their songs, performances, and music videos—Chapter 5 will take a different approach by conducting a production analysis of Tat Ming’s 2012 and 2017 concerts. The concerts tha

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Andersen, Bjørn, Harald Bredrup, Reinholdt Bredrup, and Karianne Prytz. "Management Concepts." In Performance Management. Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-1212-3_14.

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Jestrovic, Silvija. "Spatial Concepts." In Performance Studies. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-46315-9_18.

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Booth, Eric. "Interactive Performances." In The Music Teaching Artist’s Bible. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195368390.003.0026.

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Abstract An ensemble’s educational impulses can find expression beyond the classroom workshop or lecture, the preconcert talk, or instrument “petting zoo.” One extension of education practice reaches right inside a performance to create an interactive concert (IC). This chapter presents some IC basics. I wrote it with David Wallace, a former student of mine and now a well-established teaching artist, musician, and an innovator who has done ground breaking IC work. David’s name is becoming synonymous with interactive concerts; he has published a popular new book that is a bible in its own right

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Hutchings, Arthur. "Concerto In D, K. 451." In A Companion to Mozart’s Piano Concertos. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198167082.003.0009.

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Abstract There are signs that make one hope for honoured places in concert programmes for many a neglected Mozart .concerto. One can hardly hope for performances of this D major Concerto except in a series of concerts which follows the complete list of mature concertos, including this specimen along with its two predecessors of March-April 1784.

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Streszczenia konferencji na temat "Concert performances"

Genovese, Andrea F., Zack Nguyen, Marta Gospodarek, Robert Pahle, Corinne Brenner, and Agnieszka Roginska. "Holodeck: A Research Framework for Distributed Multimedia Concert Performances." In 2024 IEEE 5th International Symposium on the Internet of Sounds (IS2). IEEE, 2024. http://dx.doi.org/10.1109/is262782.2024.10704113.

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Cipriano, Raffaele. "Interactive Concert Programs for Live Performances." In HT'17: 28th Conference on Hypertext and Social Media. ACM, 2017. http://dx.doi.org/10.1145/3078714.3078743.

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Sarinastiti, Widi, Citra Devi Murdaningtyas, and Sopannadi. "The interplay of lighting and graphics in musical performances concert." In ANNUAL SYMPOSIUM ON APPLIED AND INNOVATION TECHNOLOGICAL ENVIRONMENT 2023 (ASAITE2023): Smart Technology based on Revolution Industry 4.0 and Society 5.0. AIP Publishing, 2024. http://dx.doi.org/10.1063/5.0230684.

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Amarie, Nicusor, Gianluca Fadda, Vlad Popescu, Jean-Marius Ghenta, Maurizio Murroni, and Anderson Augusto Simiscuka. "Live Feedback for Immersive Music Performances - A Case Study." In Proceedings of the ACM International Conference on Interactive Media Experiences Workshops. Sociedade Brasileira de Computação, 2025. https://doi.org/10.5753/imxw.2025.8520.

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This paper presents the architecture of an Extended Reality (XR) system for real-time streaming and spatial rendering of live music performances, along with a comprehensive setup for the acquisition of multichannel audio and three-dimensional performer motion data. The system enables remote users to experience live performances in immersive virtual environments, where each musician is represented by an avatar. Audio input is captured via a digital mixing console, enabling the transmission of synchronized multitrack audio streams using low-latency networking protocols. These streams are spatial

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Yanaze, Shogo, Keiichi Watanuki, and Yusuke Osawa. "Construction of a VR music live performance system to support improved sense of presence." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006068.

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Entertainment such as live music performances (live performances) and events are often held in urban centers for reasons such as transportation accessibility and venue size, resulting in regional disparities in entertainment. On the other hand, recent years have seen the emergence of virtual reality (VR)-based live performances, which could solve regional disparities in entertainment. VR live performances can provide many opportunities for people who are unable to attend live performances due to location and time constraints.However, the quality of the experience is expected to deteriorate due

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Takatama, Mirai, and Wonseok Yang. "Remote Cheering System with Voice in Live Streaming." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001753.

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In recent years, live streaming has become the mainstream. Because the music live has been canceled or postponed by the influence of the new coronavirus infection. Even now that the number of infected people is decreasing, hybrid live performances with both concert and live streaming are being held. Live streaming can reduce travel costs and time, so it has the merit of being able to watch it easily. However, it is difficult to feel a sense of unity and presence, and it does not create more excitement than concert. It has become a problem in the music industry. In order to solve this problem,

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Blindu, Natalia. "The decade of Moldovan art and literature in Moscow in 1960: the success of Doina choir chapel." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.16.

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This article deals with the performance of the Doina Choir Chapel within the Decade of Moldovan Art and Literature in Moscow from May 27 to June 7, 1960, as the first wide recognition of the collective. The work on the preparation of the concert programs is considered, reports and reviews are given in the Union press about the high level of the performances of the chapel, which took place on various stage venues in Moscow. It is concluded that the participation of the Choir in such a significant cultural event of all-Union level was a key event in the formation and development of the collectiv

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""Concrete Technology, the Key to Current Concrete Platform Concepts"." In "SP-149: High-Performance Concrete - Proceedings, International Conference Singapore, 1994". American Concrete Institute, 1994. http://dx.doi.org/10.14359/4065.

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IAȚEȘEN, Loredana. "Emilia Petrescu – The Outstanding Performer of the Baroque Cantata." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0002.

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This year marks two decades since the passing away of the distinguished performer and singing teacher Emilia Petrescu, a symbol of the generation of singers from the second half of the 20th century, a refined artist who has always been remembered for her unique interpretive versions of various lied, oratorio and cantata opuses. Her fascinating and solid musical culture, her rigorous singing technique or her search for original vocal approaches to the scores that she performed are just some of the basic components of the purity of her interpretive style, which deserves to be commented on based

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"Concrete Mix Proportioning to Meet Durability Concerns For Confederation Bridge." In SP-186: High-Performance Concrete: Performance and Quality of Concrete Structures. American Concrete Institute, 1999. http://dx.doi.org/10.14359/5553.

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Raporty organizacyjne na temat "Concert performances"

Noga, Andrew J. Adjustable Bandwidth Concept (ABC) Performance Evaluation. Defense Technical Information Center, 2003. http://dx.doi.org/10.21236/ada416986.

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Olek, J., Aijsing Lu, and Xiuping Feng. Performance-Related Specifications for Concrete Bridge Superstructures, Volume 2: High-Performance Concrete. Purdue University, 2002. http://dx.doi.org/10.5703/1288284313290.

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Pence, Earl C., Robert L. Welp, and David J. Stenstrom. A Measurement Concept for Assessing Corps Performance. Defense Technical Information Center, 1990. http://dx.doi.org/10.21236/ada228275.

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FACHINELLI, ANA CRISTINA, TAN YIGITCANLAR, TATIANA TUCUNDUVA PHILIPPI CORTESE, JAMILE SABATINI MARQUES, DEBORA SOTTO, and BIANCA LIBARDI. SMART CITIES DO BRASIL: Performance of Brazilian Capital Cities. UCS - Universidade de Caxias do Sul, 2022. http://dx.doi.org/10.18226/9786500438604.

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This report is an outcome of close collaboration between the Australia-Brazil Smart City Research and Practice Network's member institutions. The report focuses on understanding the smartness levels of the Brazilian capital cities through the lens of a smart city performance assessment framework. This report focuses on Brazilian cities to develop an evaluation model for smart cities and bring metrics that contribute to public managers seeking balance and smartness in the life of their cities. The smart city concept in this report concerns of smart economy, smart society, smart environment, sma

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Meeks, Kenneth W., and Nicholas J. Carino. Curing of high-performance concrete:. National Institute of Standards and Technology, 1999. http://dx.doi.org/10.6028/nist.ir.6295.

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Carino, Nicholas J., and Kenneth W. Meeks. Curing of high-performance concrete:. National Institute of Standards and Technology, 2001. http://dx.doi.org/10.6028/nist.ir.6505.

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Scott, Dylan, Stephanie Wood, Bradford Songer, et al. Development and characterization of ultra-high-performance concrete for the rehabilitation of navigation lock structures. Engineer Research and Development Center (U.S.), 2023. http://dx.doi.org/10.21079/11681/47684.

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This report details the history of vertical lock wall repairs and the development and laboratory characterization of an ultra-high-performance concrete (UHPC) using locally sourced materials for improved durability of lock walls subjected to impact and abrasion from navigational vessels. This UHPC, referred to as Lock-Tuf, has been designed for use in a precast environment with ambient curing methods and serves as a material proof-of-concept for future lock wall rehabilitations. Mechanical properties such as unconfined compressive strength, flexural response, tensile capacity, impact resistanc

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Castro, Javier, Robert Spragg, and Phil Kompare. Portland Cement Concrete Pavement Permeability Performance. Purdue University, 2010. http://dx.doi.org/10.5703/1288284314244.

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Nantung, Tommy. High Performance Concrete Pavement in Indiana. Purdue University, 2011. http://dx.doi.org/10.5703/1288284314644.

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Phan, L. T. Fire performance of high-strength concrete:. National Institute of Standards and Technology, 1996. http://dx.doi.org/10.6028/nist.ir.5934.

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