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1

Gonçalves, Reynaldo. "Joseph Conrad." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106190.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1982.<br>Made available in DSpace on 2013-12-05T19:33:35Z (GMT). No. of bitstreams: 1 321742.pdf: 4635971 bytes, checksum: 4b46f82077a2a3a968ff6b7315d4ef0b (MD5)
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2

Fox, Emma. "Conrad and masculinity." Thesis, University of Birmingham, 1995. http://etheses.bham.ac.uk//id/eprint/4072/.

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The thesis seeks to demonstrate that Conrad does not fit at all into the manly-heroic tradition which his work is often approached as belonging to. By tracing the entwining of masculine and homoerotic imagery in his major and minor works, as well as in the often neglected late novels, it is possible to discover ample evidence to suggest that he would be more accurately- if somewhat shockingly for critical tradition placed in the tradition of homosexual literature. Appended to the main body of the thesis is a glossary of homosexual codewords- words that were widely understood to refer to what w
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3

Teng, Hong-Shu. "Joseph Conrad and conspiracy." Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313431.

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4

Jenvey, Brandon John. "Subject of Conrad : a Lacanian reading of subjectivity in Joseph Conrad's fiction." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23438.

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This thesis examines how the fiction of Joseph Conrad anticipates and enacts the elaborate model of subjectivity that is later formalised in the psychoanalytic theory of Jacques Lacan. While modernist criticism has often utilised the work of post‐structuralism in reading key texts of modernism, the complexity and profundity of the conceptual relationship between Conrad and Lacan has not yet been explored in depth. Conrad’s work captures the impact and influence of emerging transnational capital upon forms of the subject in the later nineteenth and early twentieth centuries. Further, his fictio
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5

Vali, Gholami. "Conrad and narrative theory : a narratological reading of selected novels of Joseph Conrad." Thesis, Royal Holloway, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669219.

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6

Tourchon, Patrick. "Joseph Conrad et Borneo, 1895-1920 : chronotopes bornéens dans l'oeuvre de J. Conrad." Lyon 2, 2004. http://theses.univ-lyon2.fr/documents/lyon2/2004/tourchon_p.

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Les critiques conradiens font souvent peu de cas de la topographie. De Robert Lee à John Stape, nombre d'érudits nient la pertinence des références géographiques au nom d'un allégorisme, d'un symbolisme ou d'un psychologisme plus ou moins explicite. Le point de départ de cette thèse est de remettre en question ces présupposés et d'accepter la possiblilité pour l'espace et le temps, en tant que ce sont aussi des catégories littéraires, d'être essentiels dans les romans et les nouvelles de Conrad. Dès que Conrad se réinsère ainsi dans l'espace-temps, le concept bakhtinien de chronotope devient a
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7

Tourchon, Patrick Paccaud-Huguet Josiane. "Joseph Conrad et Borneo, 1895-1920 chronotopes borneens dans l'oeuvre de J. Conrad /." Lyon : Université Lumière Lyon 2, 2004. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2004/tourchon_p.

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8

Kang, Sukjin. "Joseph Conrad : his dialogic poetics." Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244330.

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9

Conrad, Dieter [Verfasser]. "Freiheitsrechte und Arbeitsverfassung. / Dieter Conrad." Berlin : Duncker & Humblot, 2019. http://d-nb.info/1237891604/34.

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10

Conrad, Sebastian [Verfasser]. "Der sogenannte Justizverwaltungsakt. / Sebastian Conrad." Berlin : Duncker & Humblot, 2011. http://d-nb.info/1238364357/34.

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11

Wong, Man Olive. "Men at work : masculinity, solidarity and solitude in Conrad's Fiction /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161768.

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12

West, Russell Brian. "Conrad and Gide : translation and intertextuality." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387504.

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13

Erdinast-Vulcan, D. "Joseph Conrad and the modern temper." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384049.

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14

Berry, Robert James. "Conrad and Dostoevsky : an unsuspected brotherhood." Thesis, University of Stirling, 1993. http://hdl.handle.net/1893/2015.

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This thesis attempts a comparative study of Conrad and Dostoevsky. In doing so, it proposes a significant relationship between the ideological, political and literary worlds of both authors. The work is undertaken in eight chapters. Chapter One explores Conrad and Dostoevsky's respective national and cultural identities. It reflects on Conrad's recorded reactions to Dostoevsky and his work, and speculates on the latter's likely response to Conrad. Chapter Two challenges established critical formulae that suggest Dostoevsky is a purely 'Dionysian' writer. The view that Conrad is a consummate 'A
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15

Bell, John. "Telling tales : Conrad and narrative technique." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285346.

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This thesis seeks to suggest that prevailing critical approaches to Conrad's work serve to restrict interpretative possibilities rather than to free them. I argue that the segmenting methods of classical narratology have been carried over to Conradian criticism, but that these methods prove inadequate to the technical versatility of Conradian narrative. Furthermore, I suggest that these methods have sometimes been applied inflexibly, to the extent that some of Conrad's most technically original works have been condemned simply because they do not adhere to the narrative structures narratology
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16

Marques, Édi Vieira. "Conrad Hotel: uma experiência em hospitalidade." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/29956.

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O presente relatório de estágio curricular intitulado de “Conrad Hotel: Uma Experiência em Hospitalidade” foi desenvolvido e apresentado tendo como meta a obtenção do grau de habilitação de mestre do curso de Mestrado em Turismo e Desenvolvimento de Destinos e Produtos, da Universidade de Évora. Decorre da oportunidade que o aluno teve em realizar um estágio curricular na unidade hoteleira Conrad Algarve que comercializa a marca da empresa multinacional Hilton Worldwide. A hospitalidade está inserida nas entidades hoteleiras, nos serviços, transportes ou produtos turísticos. Assim sendo, foi r
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17

Lepaludier, Laurent. "Ordres et désordres chez Joseph Conrad." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb375949057.

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18

Wald, Conrad [Verfasser]. "Wittgenstein and the Nonsense Predicament / Conrad Wald." Bonn : Universitäts- und Landesbibliothek Bonn, 2016. http://d-nb.info/1109790481/34.

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19

Massie, Eric. "Stevenson, Conrad and the proto-modernist novel." Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/21610.

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This thesis argues that Robert Louis Stevenson's South Seas writings locate him alongside Joseph Conrad on the 'strategic fault line' described by the Marxist critic Fredric Jameson that delineates the interstitial area between nineteenth-century adventure fiction and early Modernism. Stevenson, like Conrad, mounts an attack on the assumptions of the grand narrative of imperialism and, in texts such as 'The Beach of Falesa' and The Ebb Tide, offers late-Victorian readers a critical view of the workings of Empire. The present study seeks to analyse the common interests of two important writers
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20

Day, Marisa. "Conrad Wise Chapman and the Mexican Landscape." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/228.

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This thesis focuses on several paintings of the Mexican landscape produced by Conrad Wise Chapman (1842 – 1910) and held by the Valentine Richmond History Center in Richmond, Virginia. Chapman lived in Mexico from 1865 to 1867 and from 1883 to 1908 (with a few short absences), and during this period, produced a large number of landscapes, which are the subject of this thesis and will be considered as an amalgamation of both nineteenth-century Mexican landscape painting and traveler-art. It is the purpose of this study to demonstrate that Chapman’s artistic style embodies both classical compone
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21

Brodsky, G. W. S. "Victory in defeat : Joseph Conrad and the idea of honour." Thesis, University of York, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234937.

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22

Kim, Jong-Seok. "Seeing the self in the other : narcissism and the double in Joseph Conrad's fiction /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901249.

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23

Kopkowski, Rafał. "Polskie dziedzictwo Conrada." Doctoral thesis, Katowice : Uniwersytet Śląski, 2012. http://hdl.handle.net/20.500.12128/5335.

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Rozprawa niniejsza podejmując zagadnienie polskiego dziedzictwa Conrada-Korzeniowskiego koncentruje się przede wszystkim na dwóch jego wymiarach: biograficznym i ideowym. Poza obszarem bezpośredniego zainteresowania pozostaje w niej aspekt literacki wpływu tradycji polskiej na całokształt dzieła autora „Nostromo”. Celem pracy nie jest więc wskazanie i analiza szczegółowych związków prozy Conrada z literaturą polską: czy to w warstwie językowej – stylu, składni i słownictwa; czy w zakresie licznych zapożyczeń, aż do przeniesienia do własnych utworów całych fragmentów dzieł pisarzy polskich; czy
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24

Sugars, Cynthia Conchita. "The letters of Conrad Aiken and Malcolm Lowry." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28178.

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The fascinating relationship between Conrad Aiken (1889-1973) and Malcolm Lowry (1909-1957) has formed the subject of a number of critical studies and fictional treatments. The study of this relationship is of value both for its biographical interest and literary significance, particularly in terms of the literary influence of one writer upon the other. Through Aiken and Lowry's entertaining and extremely articulate correspondence, one has access to what is possibly the most intimate view of this relationship available to date. Although a number of these letters have been previously published,
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25

Weavis, Daniel. "Exploring literary impressionism : Conrad, Crane, James and Ford." Thesis, University of Leicester, 2002. http://hdl.handle.net/2381/30276.

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As a literary category, 'impressionism' has only recently begun to receive regular critical attention. Where impressionism is firmly enshrined in Art History, the term has often been thought redundant in literary criticism. Several scholars have attempted to define and defend impressionism as a literary phenomenon, and while the present study seeks also to bolster its status emphasising how it constitutes a crucial moment in the development of modern literature it also scrutinises the deeper implications of the aesthetic. It is, in addition, the first comprehensive exploration of the literary
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26

Cigdem, Turasan Ferruh. "Othering And Hybridity In Joseph Conrad&#039." Master's thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615593/index.pdf.

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This thesis studies Joseph Conrad&rsquo<br>s Almayer&rsquo<br>s Folly in terms of two theoretical concepts<br>othering and hybridity. The first theoretical concept, othering, is analysed from various perspectives for three main reasons: 1) The question of &ldquo<br>Who is other to whom?&rdquo<br>cannot be answered thoroughly because there is a continuous power struggle between the European and the non-European characters. 2) The theme of othering in the novel is based on a view of humanity and its conflicts that is radically ambivalent, and thus cannot be analyzed from one perspective only. 3)
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27

Conrad, Rachel [Verfasser]. "Trafficking of voltage-activated calcium channels / Rachel Conrad." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2017. http://d-nb.info/1136717919/34.

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28

Lurk, Tabea [Verfasser]. "Tony Conrad : Video – und darüber hinaus / Tabea Lurk." Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften, 2015. http://d-nb.info/1144802458/34.

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29

Smith, Jeremy Mark. "Conviction in the everyday : Joseph Conrad and skepticism." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59889.

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Heart of Darkness, Chance, and Lord Jim can be described as philosophical works if considered in light of "ordinary language" philosophy. Conrad wrestled with skepticism much as Wittgenstein later would, but his struggle with the "bewitchment" of skeptical thinking took a narratival form. His champion was Marlow, raconteur of the three novels, who recurrently loses and recovers his words and his capacity to tell (to judge, to narrate). In these works the Marlovian investigation of human convention, linguistic and otherwise, is shown to be a necessary but perilous task. The possibility that we
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30

Lepaludier, Laurent. "Ordres et désordres dans l'oeuvre de Joseph Conrad." Limoges, 1985. http://www.theses.fr/1985LIMO2001.

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31

Warodell, Johan. "Distracted by detail : Joseph Conrad, margins and marginalia." Thesis, Lancaster University, 2016. http://eprints.lancs.ac.uk/83587/.

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32

Cheng, Yuan-Jung. "Madness and fiction in Conrad, Woolf, and Lessing /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/6695.

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33

Griffith, John Wylie. "Joseph Conrad and the anthropological dilemma : "bewildered traveller /." Oxford [GB] : Clarendon press, 1995. http://catalogue.bnf.fr/ark:/12148/cb36153927n.

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34

Martin, Sylvia. "Das Unbestimmte in den informellen Werken Conrad Westpfahls... /." Köln : Universität zu Köln, 1997. http://catalogue.bnf.fr/ark:/12148/cb37048726q.

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35

Baang, Kyung-Sook. "Conrad, Flaubert et Maupassant influence et pratique littéraire /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376080636.

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36

Caminero-Santangelo, Byron. "African fiction and Joseph Conrad : reading postcolonial intertextuality /." Albany : State university of New York press, 2004. http://catalogue.bnf.fr/ark:/12148/cb40052366r.

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37

Oliveira, Antonio Eduardo de. "Colonialism in the fictional works of Joseph Conrad." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106167.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1981.<br>Made available in DSpace on 2013-12-05T19:28:53Z (GMT). No. of bitstreams: 1 321728.pdf: 3522951 bytes, checksum: e7232afdf1936a14d2a12d5ae304c893 (MD5)
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38

Gaczol, Jean. "Les Substrats étrangers dans la langue de Joseph Conrad." Lille : A.N.R.T., Université de Lille III, 1986. http://catalogue.bnf.fr/ark:/12148/cb361054460.

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39

Köllermann, Antje-Fee. "Conrad Laib : ein spätgotischer Maler aus Schwaben in Salzburg /." Berlin : Deutscher Verlag für Kunstwissenschaft, 2007. http://catalogue.bnf.fr/ark:/12148/cb41293019z.

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40

Turner, Jennifer Christine. "Conrad, Freud and the 'Female Spectre' : a comparative analysis of women in the life and works of Joseph Conrad and Sigmund Freud." Thesis, University of Hull, 2004. http://hydra.hull.ac.uk/resources/hull:11251.

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41

Hampson, Robert Gavin. "Identity and Betrayal in the Novels of Joseph Conrad." Thesis, King's College London (University of London), 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731950.

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42

Conrad, Ines [Verfasser]. "Einfluss von Erwerbslosigkeit auf Lebensqualität im Alter / Ines Conrad." Aachen : Shaker, 2009. http://d-nb.info/1126378747/34.

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43

Niland, Richard. "History and Representation in the Works of Joseph Conrad." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487246.

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This thesis examines the representation of time and history in the literature of Joseph Conrad. It explores the importance of nineteenth-century Polish Romantic philosophies of history on Conrad's literary development, arguing that the Polish response to the Hegelian tradition of historiography in nineteenth-century Europe influenced.Conrad's interpretation of history and time. After investigating Conrad's early career in the context of the philosophy of history and the philosophy of time, the thesis analyses Conrad's major works, Nostromo (1904), The Secret Agent (1907), and Under Western Eye
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44

Conrad, François [Verfasser]. "Variation durch Sprachkontakt : Lautliche Dubletten im Luxemburgischen / François Conrad." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1142096955/34.

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45

Reilly, James Dominic. "History and representation in George Eliot, Hardy and Conrad." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240043.

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46

Acheraïou, Amar. "Voix et regard dans l'oeuvre romanesque de Joseph Conrad." Paris 3, 1998. http://www.theses.fr/1998PA030195.

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Les limites de la voix narrative exhortent conrad a recourir au regard, en guise de soutien a ses narrateurs souvent paralyses par l'indecision, les craintes et les doutes de toutes sortes qu'engendre &lt;&lt; l'evacuation de dieu &gt;&gt;. La necessite de retrouver une forme d'unite a travers l'art s'exprime dans la fusion de la voix et du regard en un meme ensemble, qui enveloppe les diverses strates du texte. En accordant la primaute a ces deux composantes, aussi bien au niveau narratologique que diegetique, conrad met en relief leur importance en tant que vecteurs (receptacles) epistemolog
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47

Boudinaud, Magali. "Figures de diplomates dans l'oeuvre de Conrad Ferdinand Meyer." Aix-Marseille 1, 1998. http://www.theses.fr/1999AIX10065.

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Cette these a pour objet l'etude des personnages de diplomates dans l'oeuvre de l'ecrivain helvetique conrad ferdinand meyer (1825-1898). Il s'agit, au moyen d'une approche historique et linguistique, de determiner dans quelle mesure ces diplomates sont conformes a leurs modeles historiques et sont capables d'agir sur leur environnement et de manipuler autrui. Il est necessaire de s'appuyer aussibien sur une recherche historique que sur une etude linguistique et comportementale des personnages de diplomates. En effet, l'outil principal de ces acteurs de l'histoire est le langage, qu'ils manien
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48

Gaye, Mamadou. "Crime et culpabilite dans quelques recits de joseph conrad." Université Marc Bloch (Strasbourg) (1971-2008), 1989. http://www.theses.fr/1989STR20008.

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Le theme du crime et de la culpabilite dans les recits de conrad occupe une place centrale dans son oeuvre. Les etudes psychologiques approfondies d'etres conscients dans des situations particulieres s'appuient sur une maitrise claire des donnees qui affectent la quietude humaine. Conrad soupconne tres tot l'equivalent des curiosites et des formules que la psychanalyse vulgarise plus tard. Bien que dans une intention toute differente, il decrit les dessous obscurs et complexes du moi partage par le jugement de ses actes et par ses motivations intimes. En toile de fond a ce bouillonnement d'ide
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49

Neuhold, Birgit. "Measuring the sadness Conrad, Joyce, Woolf and European epiphany." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/995943214/04.

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50

Conrad, Annegret [Verfasser]. "Ein verhängnisvolles Zusammenspiel : Misslungene Psychotherapie aus Klientensicht / Annegret Conrad." Berlin : Freie Universität Berlin, 2010. http://d-nb.info/1027814166/34.

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