Zaloguj się

Gotowe bibliografie tematyczne / Contemporary art / Artykuły w czasopismach

Kliknij ten link, aby zobaczyć inne rodzaje publikacji na ten temat: Contemporary art.

Artykuły w czasopismach na temat „Contemporary art”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Sprawdź 50 najlepszych artykułów w czasopismach naukowych na temat „Contemporary art”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Przeglądaj artykuły w czasopismach z różnych dziedzin i twórz odpowiednie bibliografie.

1

Muraz, Özlem. "BODY AS AN ART OBJECT IN CONTEMPORARY ART." E-journal of New World Sciences Academy 14, no. 2 (2019): 136–44. http://dx.doi.org/10.12739/nwsa.2019.14.2.d0232.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

2

Kesarwani, Sachin. "IN THE CONTEXT OF CONTEMPORARY INDIAN ART-CONTEMPORARY ART." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 281–84. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3755.

Pełny tekst źródła

Streszczenie:

English: The overall development of art is part of the historical, social process. The artist establishes new dimensions through innovative experiments. In present times, not only in India but in the whole world, experimentism can be clearly marked. As change is a continuous process that exists from time to time in which the prevailing beliefs go on being accepted by generations. But a thoughtful conscious community rejects those beliefs and leads the society towards a new direction and new values. This is where change starts, as fast as the meanings of life are changing, the art is changing a

Style APA, Harvard, Vancouver, ISO itp.

3

Oguibe, Olu, and Nicole Guez. "L'Art Africain Contemporain/Contemporary African Art: Guide." African Arts 30, no. 1 (1997): 91. http://dx.doi.org/10.2307/3337485.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

4

Oh, Younjung. "Two Approaches to Discussing Japanese Contemporary Art : Japan’s Contemporary Art or the Art of Contemporary Japan." Journal of Korean Modern & Contemporary Art History 46 (December 31, 2023): 119–43. http://dx.doi.org/10.46834/jkmcah.2023.12.46.119.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

5

Sladkova, Hanka. "Framing Contemporary Art." International Journal of Communication and Linguistic Studies 12, no. 2 (2015): 15–27. http://dx.doi.org/10.18848/2327-7882/cgp/v13i02/43649.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

6

Herwitz, Daniel, Stephen Bann, and William Allen. "Interpreting Contemporary Art." Journal of Aesthetics and Art Criticism 50, no. 3 (1992): 265. http://dx.doi.org/10.2307/431243.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

7

Mirfenderesky, Jamshid, Stephen Bann, and William Allen. "Interpreting Contemporary Art." Circa, no. 58 (1991): 39. http://dx.doi.org/10.2307/25557645.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

8

Belik, Eva, and Matthew Cullerne Bown. "Contemporary Russian Art." Leonardo 23, no. 4 (1990): 447. http://dx.doi.org/10.2307/1575353.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

9

Cooper, John, Stephen Bann, and Willian Allen. "Interpreting Contemporary Art." Leonardo 24, no. 5 (1991): 631. http://dx.doi.org/10.2307/1575685.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

10

Ezra, Kate, and Sidney Littlefield Kasfir. "Contemporary African Art." African Arts 34, no. 1 (2001): 11. http://dx.doi.org/10.2307/3337728.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

11

Sylla, Abdou, and Mara Bertelsen. "Contemporary African Art." Diogenes 46, no. 184 (1998): 51–70. http://dx.doi.org/10.1177/039219219804618406.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

12

Niemojewski, Rafal. "Contemporary Art Biennials." Cultural Politics 14, no. 1 (2018): 135–37. http://dx.doi.org/10.1215/17432197-4313065.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

13

Owerka, Carolyn. "Contemporary African Art." African Arts 18, no. 2 (1985): 78. http://dx.doi.org/10.2307/3336197.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

14

Alberro, Alexander. "Periodising Contemporary Art." Australian and New Zealand Journal of Art 9, no. 1-2 (2008): 66–73. http://dx.doi.org/10.1080/14434318.2008.11432794.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

15

Workman, Jason. "Breathing Contemporary Art." Third Text 25, no. 5 (2011): 515–21. http://dx.doi.org/10.1080/09528822.2011.608953.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

16

Hibbert-Jones, Dee. "Contemporary Art from Studio to SituationandSituation(Documents of Contemporary Art series)." Public Art Dialogue 1, no. 1 (2011): 139–41. http://dx.doi.org/10.1080/21502552.2011.537113.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

17

Lawson, Louise, and Deborah Potter. "Contemporary art, contemporary issues—conservation at Tate." Journal of the Institute of Conservation 40, no. 2 (2017): 121–32. http://dx.doi.org/10.1080/19455224.2017.1318079.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

18

UKHOV, Artem, Eleonora SIMONYAN, and Susanna MURADYAN. "Contemporary Art vs Totalitarian Art: Semiotic Analysis." WISDOM 23, no. 3 (2022): 167–77. http://dx.doi.org/10.24234/wisdom.v23i3.821.

Pełny tekst źródła

Streszczenie:

The article provides a semiotic analysis of the types of totalitarian culture and its manifestation in art, both classical and modern. On the basis of totalitarian culture semiotic analyses, it is shown that mass culture (and its attributes) may be considered a modern type of totalitarian culture. Particularly, the antidogmatic and antitotalitarian essence of the contemporary art phenomenon is highlighted. Based on the semiotic methodology, a key moment of demarcation between contemporary art and the ‘totalitarian’ one has been emphasized. The conclusion about the inconsistency of signs and sy

Style APA, Harvard, Vancouver, ISO itp.

19

Zhyrov, Vasyl. "Assemblage as Art Technique in Contemporary Art." ART Space, no. 3 (2018): 73–75. http://dx.doi.org/10.28925/2519-4135.4.2018.3.12.

Pełny tekst źródła

Streszczenie:

In this article the content of the notions of “collage” and “аssemblage” is covered. The characteristic to аssemblage as a style of painting is given . Stylization of an artistic image through аssemblage is analysed.

Style APA, Harvard, Vancouver, ISO itp.

20

KRIVOLAPOVA, G. A., and A. N. KRIVOLAPOV. "Art and Science in Contemporary Art Glass." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 3-2 (2021): 252–61. http://dx.doi.org/10.37485/1997-4663-2021-3-2-252-261.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

21

Smith, Terry. "The State of Art History: Contemporary Art." Art Bulletin 92, no. 4 (2010): 366–83. http://dx.doi.org/10.1080/00043079.2010.10786119.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

22

Jiménez, J. L. L. "Mobile Telephony in Contemporary Art (Mobile Art)." Afluir, no. 6 (November 2, 2022): 7–26. http://dx.doi.org/10.48260/ralf.6.116.

Pełny tekst źródła

Streszczenie:

El teléfono móvil no solo se ha convertido en un objeto cultural de uso cotidiano sino que su uso ha traspasado las fronteras de la comunicación telefónica interpersonal, han aparecido nuevos usos como por ejemplo herramienta para la creación artística. El uso del teléfono móvil para la creación de proyectos artísticos, se ha convertido en una práctica muy habitual de múltiples artistas en los últimos años, estos artistas ven a esta herramienta como el objeto tecnológico más adecuado para desarrollar una gran variedad de proyectos audiovisuales. Aunque es una práctica aún muy desconocida para

Style APA, Harvard, Vancouver, ISO itp.

23

Guangsheng, Ma. "Using VR art apps in contemporary art." Science and School, no. 1 (February 29, 2024): 238–45. http://dx.doi.org/10.31862/1819-463x-2024-1-238-245.

Pełny tekst źródła

Streszczenie:

The relevance of the study is due to the need to integrate modern computer technologies into the environment of contemporary art. Given the current changes in the world and specifically in the field of virtual technologies, it must be said that the problem of studying the possibilities of these technologies in various fields is becoming extremely relevant. Virtual technologies are introduced today in the economy, law, technology, as well as in the field of art, which is of the greatest interest to us. Virtual reality today has become not only a means of entertainment, but also a way that allow

Style APA, Harvard, Vancouver, ISO itp.

24

Coronado, Vibrina. "Ndn Art: Contemporary Native American Art (review)." American Indian Quarterly 32, no. 2 (2008): 229–33. http://dx.doi.org/10.1353/aiq.2008.0020.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

25

Smith. "Contemporary Art and Contemporaneity." Critical Inquiry 32, no. 4 (2006): 681. http://dx.doi.org/10.2307/3877131.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

26

Roberto Barbanti. "Contemporary Art and Degrowth." Korean Journal of Art and Media 15, no. 3 (2016): 11–32. http://dx.doi.org/10.36726/cammp.2016.15.3.11.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

27

Danto, Arthur C. "Kalliphobia in Contemporary Art." Art Journal 63, no. 2 (2004): 24. http://dx.doi.org/10.2307/4134518.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

28

Chio, Jenny. ":Contemporary Art and Anthropology." Visual Anthropology Review 22, no. 2 (2006): 94–95. http://dx.doi.org/10.1525/var.2006.22.2.94.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

29

W. Mohd Apandi, Wan Nurhasyimah, and Ahmad Rashdi Yan Ibrahim. "Metaphors in Contemporary Art." Idealogy Journal 3, no. 2 (2018): 235–40. http://dx.doi.org/10.24191/idealogy.v3i2.69.

Pełny tekst źródła

Streszczenie:

The use of metaphors in producing contemporary works of art is often used by artists to convey current ideas and issues in the era of contemporary visual art. The metaphor used is as a symbol for the meaning of a work in conveying the ideas and narrative of the story more creatively. In addition, the use of metaphors should be in line with the selection of subjects and meanings to be used and conveyed more accurately and effectively in the production of works to be seen and studied by art critics.

Style APA, Harvard, Vancouver, ISO itp.

30

Neumaier, Diane. "Contemporary Russian Art Photography." Art Journal 53, no. 2 (1994): 18. http://dx.doi.org/10.2307/777477.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

31

Kanatani, Kim. "Contemporary Art Start®." Art Education 51, no. 2 (1998): 33. http://dx.doi.org/10.2307/3193740.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

32

Schtein, Sergey Yu. "ONTOLOGY OF “CONTEMPORARY ART”." Articult, no. 3 (2017): 55–72. http://dx.doi.org/10.28995/2227-6165-2017-3-55-72.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

33

Malysse, Stéphane. "Contemporary art and anthropology." Revista de Antropologia 48, no. 2 (2005): 739–47. http://dx.doi.org/10.1590/s0034-77012005000200010.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

34

Fowler, Joan, and Richard Hertz. "Theories of Contemporary Art." Circa, no. 27 (1986): 40. http://dx.doi.org/10.2307/25557071.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

35

Casini, Silvia. "What is contemporary art?" Visual Studies 26, no. 2 (2011): 182–83. http://dx.doi.org/10.1080/1472586x.2011.571915.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

36

Esanu, Octavian. "What was Contemporary Art?" ARTMargins 1, no. 1 (2012): 5–28. http://dx.doi.org/10.1162/artm_a_00003.

Pełny tekst źródła

Streszczenie:

This article contributes to a recent debate around the question “What Is Contemporary Art?” It brings into discussion certain key aspects of the activities of the Soros Centers for Contemporary Art (SCCA)—a network of contemporary art centers established by the Open Society Institute in Eastern Europe during the 1990s. The author draws upon distinctions between this new type of art institution and the Union of Artists (the organizations which represented the interests of artists under socialism), highlighting distinct artistic, aesthetic and economic characteristics of each institutional model

Style APA, Harvard, Vancouver, ISO itp.

37

ARNOLD, MARION. "THEMES IN CONTEMPORARY ART." Art Book 12, no. 4 (2005): 68–69. http://dx.doi.org/10.1111/j.1467-8357.2005.00621_8.x.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

38

Smith, Terry. "Contemporary Art and Contemporaneity." Critical Inquiry 32, no. 4 (2006): 681–707. http://dx.doi.org/10.1086/508087.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

39

Jyrämä, Annukka, and Anne Äyväri. "Marketing contemporary visual art." Marketing Intelligence & Planning 28, no. 6 (2010): 723–35. http://dx.doi.org/10.1108/02634501011078129.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

40

Chung, Nak-Rim. "Play and Contemporary Art." Journal of the Daedong Philosophical Association 108 (September 30, 2024): 331–61. http://dx.doi.org/10.20539/deadong.2024.108.13.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

41

Williams, Drid. "Contemporary Art and Anthropology." Visual Anthropology 21, no. 5 (2008): 429–39. http://dx.doi.org/10.1080/08949460802341894.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

42

Danto, Arthur C. "Kalliphobia in Contemporary Art." Art Journal 63, no. 2 (2004): 24–35. http://dx.doi.org/10.1080/00043249.2004.10791123.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

43

CRAVEN, D. "Art in Contemporary Nicaragua." Oxford Art Journal 11, no. 1 (1988): 51–63. http://dx.doi.org/10.1093/oxartj/11.1.51.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

44

Langlitz, Nicolas. "Contemporary physiology of art." BioSocieties 7, no. 2 (2012): 208. http://dx.doi.org/10.1057/biosoc.2012.2.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

45

MILLER, JAY. "Contemporary Coast Salish Art." Museum Anthropology 29, no. 2 (2006): 151–53. http://dx.doi.org/10.1525/mua.2006.29.2.151.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

46

Slifkin, R. "Is Contemporary Art History?" Oxford Art Journal 35, no. 1 (2012): 111–14. http://dx.doi.org/10.1093/oxartj/kcr048.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

47

Imperato, Pascal James. "Contemporary Art in Greenland." African Arts 21, no. 3 (1988): 78. http://dx.doi.org/10.2307/3336459.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

48

Watson, Ruth. "Mapping and Contemporary Art." Cartographic Journal 46, no. 4 (2009): 293–307. http://dx.doi.org/10.1179/000870409x12549997389709.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

49

Blakeney, Michael. "Contemporary art and patents." Queen Mary Journal of Intellectual Property 9, no. 3 (2019): 244–61. http://dx.doi.org/10.4337/qmjip.2019.03.01.

Pełny tekst źródła

Streszczenie:

This article investigates whether contemporary art can or should be protected by patent law. The investigation commences with a working definition of contemporary art and then examines the way that patent law has treated fine art in the US, UK and Australia, and whether this treatment would extend to contemporary art. A number of examples of patents granted to types of contemporary art are reviewed.

Style APA, Harvard, Vancouver, ISO itp.

50

Papastergiadis, Nikos. "Modernism and Contemporary Art." Theory, Culture & Society 23, no. 2-3 (2006): 466–69. http://dx.doi.org/10.1177/026327640602300286.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!