Gotowe bibliografie tematyczne / Continental Philosophy and Aesthetics

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Continental Philosophy and Aesthetics”

Autor: Grafiati
Data publikacji: 3 czerwca 2025
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Continental Philosophy and Aesthetics"

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Miller, Elaine. "The Continental Aesthetics Reader." Teaching Philosophy 25, no. 3 (2002): 273–76. http://dx.doi.org/10.5840/teachphil200225337.

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Dr, Divya Sharma. ""Philosophy of Art and Indian Aesthetics." VEDA'S JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) An International Peer Reviewed Journal 5, no. 3 (2018): 50–56. https://doi.org/10.5281/zenodo.6527262.

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ABSTRACT “It has always been acknowledged by those who have cared for literature that at least a part of the reader’s judgements on a work, provided he reads it as a literary work, will be concerned with its aesthetic qualities.” –Stein H. Olsen Language or oral form (vernacular) is considered a gift from God across the globe because of the magnificent engineering of the organs of articulation among humans. In India especially since goddess Saraswati is called “Vac Devi” which means the goddess of the word (speech and sound) it might come across as a liberat
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Schulenberg, Ulf. "Pragmatist Aesthetics and Nietzsche." Transactions of the Charles S. Peirce Society: A Quarterly Journal in American Philosophy 59, no. 2 (2023): 167–89. http://dx.doi.org/10.2979/trancharpeirsoc.59.2.02.

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Abstract: It is difficult to approach a phenomenon as complex as the renaissance of pragmatism without considering the contemporary significance of pragmatist aesthetics. At the same time, however, one ought to note that pragmatist aesthetics has not yet reached its full potential. This is primarily due to the legacy of John Dewey's aesthetics. In pragmatist studies, the problematic consequences of Dewey's idealism in aesthetics have been insufficiently criticized. In order to confront this desideratum, pragmatist aesthetics ought to establish a dialogue with continental aesthetics. This essay
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Schulenberg, Ulf. "Pragmatist Aesthetics and Nietzsche." Transactions of the Charles S. Peirce Society: A Quarterly Journal in American Philosophy 59, no. 2 (2023): 167–89. http://dx.doi.org/10.2979/csp.2023.a906860.

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Abstract: It is difficult to approach a phenomenon as complex as the renaissance of pragmatism without considering the contemporary significance of pragmatist aesthetics. At the same time, however, one ought to note that pragmatist aesthetics has not yet reached its full potential. This is primarily due to the legacy of John Dewey's aesthetics. In pragmatist studies, the problematic consequences of Dewey's idealism in aesthetics have been insufficiently criticized. In order to confront this desideratum, pragmatist aesthetics ought to establish a dialogue with continental aesthetics. This essay
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Hetrick, Jay. "Deleuze and the Kyoto School II." Asian Studies 11, no. 1 (2023): 139–80. http://dx.doi.org/10.4312/as.2023.11.1.139-180.

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The aim of this paper is to bring Gilles Deleuze and the Kyoto School into an imaginary conversation around the idea of philosophy as a way of life, or what I call ethico-aesthetics. I first show how ethico-aesthetics in the Kyoto School modernizes the traditional notion of geidō, or ways of art, through the language of continental philosophy. Even though the discourse they construct in this respect remains less rigorous than that of the other domains of philosophy with which they engage, the ethico-aesthetic concepts of Nishida Kitarō, Nishitani Keiji, and Ōhashi Ryōsuke provide a starting po
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Howe, Callum. "Nihilist Aesthetics." Groundings Undergraduate 10 (November 1, 2017): 53–63. http://dx.doi.org/10.36399/groundingsug.10.187.

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Drawing upon continental philosophy and literary theory of the 20th and 21st centuries, this article examines the destabilisation of textual hermeneutics under poststructuralism. As meaning in language is destabilised, a crisis occurs in which it threatens to evaporate entirely. The nihilism of Gianni Vattimo is used as a backdrop to a discussion of the nihilist implications of postmodern philosophy. Through an examination of two postmodernist texts – Crash by J. G. Ballard and C by Tom McCarthy – this article seeks to illustrate this central nihilistic crisis of the postmodern condition, as w
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Nutas, Andrei. "Review of Sorgner's Philosophy of Posthuman Art." International Journal of Technoethics 13, no. 1 (2022): 1–7. http://dx.doi.org/10.4018/ijt.313197.

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The paper deals with a review of Sorgner's new book, Philosophy of Posthuman Art. The review highlights Sorgner's positioning of postmodern art as emerging from a way of dealing with the realities of ontological naturalism and epistemic perspectivism. It is also highlighted why the author believes that the avant-garde and modernist aesthetic is lacking in dealing with a world of technology embedded post-modernity. In this sense, Sorgner's arguments for the totalitarian aspects of the avant-garde are presented. The paper also offers a critique regarding Sorgner's continental focus, and an argum
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Schulenberg, Ulf. "Dewey, Adorno, and Pragmatist Aesthetics." Contemporary Pragmatism 21, no. 1 (2024): 77–99. http://dx.doi.org/10.1163/18758185-bja10081.

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Abstract Pragmatist aesthetics has not yet reached its full potential. This is primarily due to the legacy of John Dewey’s aesthetics. In order to confront the shortcomings and insufficiencies of his aesthetics, pragmatist aestheticians ought to establish a dialogue with continental aesthetics. The attempt to clarify what pragmatist aesthetics can learn from Theodor W. Adorno’s materialist aesthetics is still a desideratum. This essay focuses on two aspects. First, it shows that pragmatist aestheticians can use Adorno’s modern aesthetics in order to gain a deeper and more complex understanding
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De Boer, Julia. "A Modal Ontology of Imagination." Aesthetic Investigations 7, no. 1 (2024): 8–27. https://doi.org/10.58519/et0jby17.

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Everyday aesthetics has been accused of being ontologically and systematically juvenile for a variety of reasons, such as the rejection of some major claims of Kantian aesthetics, its relative newness, its disparate methodologies, and the theoretical and ethical difficulties of outlining a systematic apparatus without reimposing rationalist and colonial perspectives. While it is untrue that everyday aesthetics as a new sub-discipline lacks systematic rigour, another ontology of the everyday will be introduced here. Calvin Seerveld’s aesthetic theory will be outlined and then offered as a resou
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Fuyarchuk, Andrew. "Gadamer and the Yijing’s Language of Nature: Hermeneutics and Chinese Aesthetics." Journal of Chinese Philosophy 47, no. 3-4 (2020): 174–92. http://dx.doi.org/10.1163/15406253-0470304005.

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Although their value-judgments diverge, neo-Confucian and American continental philosophers agree that Gadamer’s hermeneutics is anti-foundationalist. Neither side, however, has asked why he frequently appeals to standards of harmony, or why he models the art of medicine on the order of nature. These indicate a commitment to trans-historical foundation of One and many that forms the basis for comparisons with Chinese aesthetics in the Yijing tradition. These foundations are grounded in Gadamer’s reading of Plato and shape his onto-dialogical interpretive method. In contrast to Whitehead, Gadam
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Rozprawy doktorskie na temat "Continental Philosophy and Aesthetics"

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Fugmann, Nicole Elisabeth. "The poetics of critical space and postmodernity : critique, aesthetics, and cultural memory: a comparative study of critique and the sublime across literary theory, continental philosophy, literature and the Avant-Garde in the visual arts." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367446.

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Sheets, Andrew. "Kierkegaard's Nihilistic Leveling and the Internet." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1733.

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In the 1840s, Søren Kierkegaard argued that the creation of impersonal media through the newspaper would level down human possibilities by turning every action into a spectacle for publicity. Nearly 200 years later, with smartphones whipped out to capture the most meaningful and trivial events as soon as they begin, we can ask the question—was Kierkegaard right to be worried? This essay will construct a Kierkegaardian analytic argument that our society has been leveled derived from Kierkegaard’s views as expressed in his philosophical analysis of leveling and the present age contained in Two A
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Browne, Paul Leduc. "Lukacs's aesthetics and ontology, 1908-23." Thesis, University of Sussex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339014.

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This thesis examines the development of Georg Lukacs's early philosophy, and specifically of his concept of the subject-object dialectic, from the History of Development of Modern Drama (1908) to History and Class Consciousness (1923). Between 1908 and 1918, Lukacs came to see as the only possible philosophical options either Hegel's ontology or a resolutely anti-ontological Neo-Kantian value-philosophy inspired by Lask, combined with a quasi-religious metaphysic inspired by Fichte, Kierkegaard and Dostoevsky. In the Heidelberg Aesthetics (1916-1918), the programme of Hegel's metaphysics (the
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Van, der Berg Servaas de V. "On depiction and expression : two essays in philosophical aesthetics." Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5203.

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Thesis (MA (Philosophy))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: This thesis consists of two essays, each focussing on a current topic in aesthetics in the tradition of analytic philosophy. First paper (On depiction) Given broad consensus that resemblance theories do not do well at explaining depiction, two alternative approaches have dominated the literature in recent decades: (1) Perceptual accounts try to ground depiction in the phenomenology of our pictorial experiences; (2) Structural accounts understand pictures as symbols in pictorial symbol systems. I follow Domin
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Rowe, M. W. "Philosophy, psychology, criticism : A defence of traditional aesthetics." Thesis, University of York, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377287.

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Razumovskaya, Maria. "Heinrich Neuhaus : aesthetics and philosophy of an interpretation." Thesis, Royal College of Music, 2014. http://researchonline.rcm.ac.uk/355/.

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This thesis investigates one of the key figures of Russian pianism in the twentieth century, Heinrich Gustavovich Neuhaus (1888 - 1964). Although Neuhaus is known, particularly in the West, as an important pedagogue of the Moscow Conservatory rather than a performing artist in his own right, this thesis seeks to address the tension between Neuhaus's identities as a pedagogue and his overshadowed conception of himself as a performer - thus presenting a fuller understanding of his specific attitude to the task of musical interpretation. The reader is introduced to aspects of Neuhaus's biography
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Thomas, Robert Christopher. "Broken thought-images of life in the state of exception /." Diss., Online access via UMI:, 2005.

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Bailey, Rowan. "The philosophy of sculpture : the sculpture of philosophy : casting bodies of thought." Thesis, University of Leeds, 2009. http://eprints.hud.ac.uk/16898/.

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This thesis explores both the conceptual register and tropic play of sculpture as a fine art in some of the key writings of Plato, Immanuel Kant, Johann Gottfried Herder, and Georg Wilhelm Friedrich Hegel. It serves to show how sculpture is both shaped by and reshapes in turn philosophy's explicit register of sculpture as an art form. The central argument within this thesis is that sculpture turns its back on philosophy as soon as philosophy casts sculpture out of its mould. Registering sculpture as a fine art within philosophy reveals that whilst specific examples of sculpture may appear to c
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Rubin, Ariel. "The Tale of Tomorrow." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1681.

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I am analyzing Nietzsche's idea of independence found in Thus Spoke Zarathustra, Beyond Good and Evil, and Genealogy of Morals. I am arguing that democracy can lead us to the ultimate form of independence, yet Nietzsche seems to disagree.
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MacDonald, Alistair Innes. "Under the mountain : freedom and subjectivity in contemporary continental philosophy." Thesis, Lancaster University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337587.

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Książki na temat "Continental Philosophy and Aesthetics"

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Cazeaux, Clive. The Continental aesthetics reader. 2nd ed. Routledge, 2011.

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Lories, Danielle. Expérience esthétique et ontologie de l'œuvre: Regard "continental" sur la philosophie analytique de l'art. Académie royale de Belgique, 1989.

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Meretoja, Hanna. The Event of Encounter in Art and Philosophy: Continental Perspectives. Gaudeamus Helsinki University Press, 2010.

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Rudd, Anthony. The Philosophy of Camus. Oxford University Press, 2024. https://doi.org/10.1093/9780198924869.001.0001.

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Abstract Although Albert Camus is recognized as an important novelist and political commentator, he is often still underrated as a philosopher. This study, focusing on Camus’s explicitly philosophical writings, provides a detailed examination of his intellectual development, and argues that his work constitutes a coherent, carefully argued meditation on central philosophical themes. A systematic comparison of Camus with Søren Kierkegaard provides an interpretive ‘lens’ through which Camus’s central philosophical concerns are brought into sharper focus. Camus’s three thematic ‘cycles’—dealing w
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Clive, Cazeaux, ed. The continental aesthetics reader. Routledge, 2000.

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White, Boyd. Aesthetics primer. Peter Lang, 2009.

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White, Boyd. Aesthetics primer. Peter Lang, 2009.

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1954-, Smith Gary, ed. Benjamin: Philosophy, aesthetics, history. University of Chicago Press, 1989.

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Gary, Smith, ed. Benjamin: Philosophy, history, aesthetics. University of Chicago Press, 1989.

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1947-, Lewis Peter, ed. Wittgenstein, aesthetics, and philosophy. Ashgate, 2004.

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Części książek na temat "Continental Philosophy and Aesthetics"

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Sim, Stuart. "Continental Aesthetics." In Contemporary Continental Philosophy. Routledge, 2021. http://dx.doi.org/10.4324/9781315200293-10.

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Murphy, Rob. "Mutant - Infiltration of the Hallucinated Mountain." In Weaponising Speculation. punctum books, 2014. https://doi.org/10.21983/p3.0077.1.11.

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A mutant subsists within contemporary continental theory. It endures on ridicule, horror, skepticism, comedy, excess, and groundless specula-tion. Conspiracy and contingency are at once its detraction and tactic. This mutant tricks unconditionally as an interpreter and paradoxical maker of meaning. It is what I call here: Optimistic Absurdity.Absurdist philosophy has been haunted by its ancestral considerations as nihilist, meaningless, and devastatingly regressive. My responsibility and intention here is not to deny any of those potent conditions – it is rather to reveal how it can operate as
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Morelle, Louis. "Speculative Realism." In Speculations 3, translated by Leah Orth. punctum books, 2012. https://doi.org/10.21983/p3.0010.1.11.

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Presented as the first signifi-cant movement in continental philosophy since structuralism, speculative realism (SR) vociferously announces the end of correlationism and anthropocentrism in philosophy in favor of a “speculative turn.” By accommodating things, matter, sci-ence, and the real qua objects as important as (if not more so than) language, thought, the phenomenal, and the social, SR has garnered attention and criticism from all sides these past few years. “Speculative Realism” was originally the title of a conference in 2007 that brought together four lesser-known but promising philos
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Wolfendale, Peter. "The Noumenon's New Clothes (Part 1)." In Speculations 3. punctum books, 2012. https://doi.org/10.21983/p3.0010.1.13.

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A spectre is haunting conti-nental philosophy—the spectre of Object-Oriented Ontology(OOO). All the disciplines and groupings that have traditionally allied themselves with continental theory in the anglophone world are poised to greet its manifestation: aesthetic theory and artistic practice, political philosophy and heterodox ge-ography, Francophile post-post-structuralists and Germanist neo-romantics. Who among them has not heard the siren song of OOO’s litanies of inhuman objects (menageries of stock markets and stock cubes, quarks and clerks, etc.)? Who among them has not begun to shrug o
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Hughes, Robert. "Badiou on the aesthetic subject's intimations of the void." In The Aesthetic Subject in Contemporary Continental Philosophy and Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003471493-3.

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Hughes, Robert. "Nancy on sense and the disidentification of the aesthetic subject." In The Aesthetic Subject in Contemporary Continental Philosophy and Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003471493-4.

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Hughes, Robert. "Rancière on the body as a political figure of order in the shared life of the aesthetic subject." In The Aesthetic Subject in Contemporary Continental Philosophy and Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003471493-7.

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Hughes, Robert. "Sloterdijk on the body's indifference to the supposed mastery of consciousness." In The Aesthetic Subject in Contemporary Continental Philosophy and Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003471493-6.

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Hughes, Robert. "Perniola on visuality as a mode of sense." In The Aesthetic Subject in Contemporary Continental Philosophy and Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003471493-5.

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Hughes, Robert. "Introduction." In The Aesthetic Subject in Contemporary Continental Philosophy and Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003471493-1.

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Streszczenia konferencji na temat "Continental Philosophy and Aesthetics"

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Tanabayeva, Anar, Alina Urazova, and Adiya Kosseit. "ARTIFICIAL INTELLIGENCE AND ART." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/vs16/93.

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Artificial Intelligence (AI) has changed paradigms of creativity and art, raising questions about the capacity of machines to create works that evoke emotional response and possess originality. This article explores whether AI systems can create �real� art and what this means in terms of philosophy, aesthetics and cultural norms. Examples of AI art such as �Theatre D�opera Spatial� and �Portrait of Edmond de Belamy� are analyzed to assess their emotional and artistic value. The question of originality of AI art is discussed through the lens of copyright, imitation theory and cultural perceptio
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Vestre Helge, I. "Norwegian Regulatory Requirements Related to the Utilization of Intelligent Pigs in Pipeline Integrity Monitoring." In CORROSION 1996. NACE International, 1996. https://doi.org/10.5006/c1996-96047.

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Abstract Since the first steps of the Norwegian Offshore Petroleum Industry were taken in the late sixties, several philosophies and generations of tools for pipeline integrity monitoring have been utilized. This paper presents and discusses the Norwegian Regulatory Requirements relevant for internal integrity monitoring of pipelines on the continental shelf. It is pointed out that, for several pipeline systems, the establishment of an internal baseline and subsequent inspections by intelligent pigs at intervals that are partly adjusted based on operational experience, is of vital importance i
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Vestre, Principal engineers Helge I., and Kjell Arild Anfinsen. "Development of a Regulatory Framework for Material Selection Corrosion Management and Pipeline Integrity Monitoring." In CORROSION 2003. NACE International, 2003. https://doi.org/10.5006/c2003-03157.

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Abstract The Norwegian Petroleum Directorate (NPD) started the development of a regulatory framework for different petroleum activities immediately after its establishment in 1972. The majority of the technical regulations developed in the folowing 10-15 years were written by NPD’s own employees in close cooperation with the workers- and employers- associations in what is described as the “tripartite cooperation”. In some areas internationally developed standards and norms, which could be referenced, were available. However, in other areas the specific environmental aspects relating to operati
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Subbotina, N. "AESTHETIC MODUS OF G. SHPET'S PHILOSOPHY." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2566.978-5-317-06726-7/145-148.

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The theses of the report are devoted to the analysis of the aesthetic views of the representative of philosophical hermeneutics, professor of Moscow University G. G. Shpet. The questions of the essence of aesthetics as a science, its relationship with philosophy and art, their role in the spiritual culture of society are considered.
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Kondratyev, E. A. "AESTHETIC AND HERMENEUTIC RESEARCHS IN THE CONTEXT OF CONTEMPORARY PHILOSOPHY." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2535.978-5-317-06726-7/11-13.

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The article is devoted to the problem of the relationship of the hermeneutic method with modern aesthetic theories, which interpret in different ways the central categories of aesthetics: aesthetic experience, mediality, environment, aesthetic meaning. The possibilities of dialogue of various interpretative strategies influencing the process of forming a system of new aesthetic categories are analyzed, the hermeneutic aspects of the analytical and pragmatist approaches are compared.
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Polmeer, Gareth. "Sublating Time: Hegel’s speculative philosophy and digital aesthetics." In Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.49.

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Mankovskaya, N. "POST-RECEPTIVE HERMENEUTICAL METHOD IN THE AESTHETICS OF FRENCH SYMBOLISM." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2540.978-5-317-06726-7/32-35.

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The report discusses the features of the post-receptive hermeneutical method in the philosophy of art of P. Claudel,representing the Catholic line in the aesthetics of French symbolism,and J. Péladan,critic of official Catholicism,interpreting art in the mystical and esoteric way. The author reveals the symbolic essence of Claudel's reflections on Dutch, Spanish and French painting and contemporary art. The author reveals the character of J. Péladan's interpretation of Dante's “Divine Comedy”,which he read as an esoteric,rather than a love story,mystical revelation.
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Chudoba, Eva. "JOHN DEWEYS AESTHETICS OF EVERY DAY LIFE." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s11.100.

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Iakovleva, L. "ON THE PROBLEM OF PHENOMENOLOGICAL AND HERMENEUTIC ANALYSIS OF ARCHITECTURAL SPACE." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2553.978-5-317-06726-7/90-92.

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In the philosophy of architecture, phenomenological aesthetics has acquired particular relevance. It focuses on the problems of perception, atmospheres, and physicality. However, along with phenomenology,the hermeneutics of architecture plays an equally important role. The purpose of this report is to identify the common starting positions of phenomenological aesthetics and hermeneutics in the analysis of architecture; to point out the various tasks of the phenomenology and hermeneutics of architecture. Phenomenology starts from the description of space and its impact on a person. Hermeneutics
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Lopez Melendez, Miguel. "Whatever Happened to Aesthetics within Urbanism? Oblivion or Prejudice?" In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2022. http://dx.doi.org/10.5821/siiu.11979.

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Most contemporary architectural and urban debates have overlooked, if not diminished, the critical character of aesthetics as branch of philosophy and mediator of our social interactions. Urban transformations entail social, economic, environmental, political, technological, psychological, and aesthetics changes. Thus, the ubiquity of aesthetics demands more sophisticated critical methods to counter the pragmatism and technocratic approaches within contemporary design practices. But the urgency to tackle the challenges of urbanization has condemned the critical framework that aesthetics provid
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