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Rozprawy doktorskie na temat „Costume in literature”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 12 lutego 2022

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1

Cieskowski, Babette. "Costume Party With Blood." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu152335917211272.

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Crocker-Aulenback, Heather Lee. "Dressing cultures costume designs for Pericles /." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/369/.

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Weiss, Katherine. "‘… gentle light unfading …’: Set and Costume Designs for Samuel Beckett’s Neither." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/2261.

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Priebe, Rebekah Elisabeth. "Costume Design for a Production of The Coast of Illyria." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461249481.

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Bierschenk, Elisa Dianne. "Costume Design and Production for O Pioneers!, by Darrah Cloud." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274731821.

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6

Lublin, Robert I. "Costuming the Shakespearean stage visual codes of representation in early modern theatre and culture /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1060614385.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Document formatted into pages; contains x, 256 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2005 Aug. 11.

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7

Ferrara, Flora. "Translating History of Fashion on Screen : A study of Piero Tosi’s costumes in Senso and their power of divulgation as historiophoty." Thesis, Stockholms universitet, Modevetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-183256.

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The aim of this thesis is to demonstrate that historical costumes can be a valid tool to crystallize and disseminate visual knowledge about fashion and dress history. In the specific, this thesis argues that the screen representation of dress and fashion of the 1860s in the adaptation Senso (1954) provides an evocative contextualization of their past use and meaning for modern viewers. It also discusses the historical accuracy attained by one of the film’s costume designers, Piero Tosi, and his mediation between on-page story and reality. To do this, it visually and textually compares the film

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Kim, Jeena. "Tea Parties, Fairy Dust, and Cultural Memory: The Maintenance and Development of Alice in Wonderland and Peter Pan Over Time." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1404780148.

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Tsoumpra, Natalia. "Comic leadership and power dynamics in Aristophanes." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:1b3d4779-609e-4638-81f2-2e7f0d410477.

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This thesis investigates the concept of leadership in four comedies of Aristophanes. In the first chapter (Lysistrata) I focus on the relationship of the female leadership with religious rituals and medical pathology, and I show that the power of women lies in their important biological role and their ability to conceive and (re)produce life in the context of marriage. In chapter two (Knights) I examine the operation of leadership through the alimentary and sacrificial codes of the play. I argue that the Sausage-seller gradually manifests himself as the sacrificial cook Agorakritos who sacrifi

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10

Albrizio, Eileen M. "Wearing costumes and crossing borders : search for self in Chicano/a literature /." Abstract, 2008. http://eprints.ccsu.edu/archive/00000551/01/1995Abstract.htm.

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Thesis (M.A.) -- Central Connecticut State University, 2008.<br>Thesis advisor: Katherine Sugg. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 114-116). Abstract available via the World Wide Web.

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11

Bucher, Danijela. "Le voyage et l’image : l’appropriation visuelle et matérielle de la Suisse et des Alpes par les voyageurs anglais (du XVIIIe au XXe siècle)." Electronic Thesis or Diss., Angers, 2018. http://www.theses.fr/2018ANGE0072.

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Cette thèse met en relation les voyageurs et les alpinistes anglais et le lien qu’ils ont entretenu avec l’image de la Suisse sur environ 250 ans. Tout au long de cette période, les raisons et la manière de voyager ont évolué. En ce qui concerne l’image, le point de départ et le fil conducteur sont des centaines d’estampes produites au XVIIIe siècle par un groupe d’artistes suisses connu sous le nom de « petits maîtres suisses ». Le corpus principal se constitue d’estampes suisses provenant de collections anglaises comme celles du National Trust, de la British Library et du British Museum. De

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12

Dupuy-Olivier, Anaïs. "Jacques Le Marquet (1927-2017), une conjonction de talents et de pratiques au service de la scénographie." Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30047.

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Né en 1927, Jacques Le Marquet a été, tour à tour, de 1950 à 2009, technicien et régisseur au Théâtre National Populaire (1952-1972), scénographe de théâtre (1956-1990), conseiller auprès d’architectes pour la construction de salles de spectacles (1963-2009), professeur à l’École nationale supérieure des Arts Décoratifs (1969-1992), tout en écrivant des textes de fiction, notamment théâtraux (1960-2015). Notre thèse poursuit deux objectifs : retracer la globalité de ce parcours en soulignant les liens et les interactions entre ces différentes activités ; montrer comment un parcours se construi

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13

Acosta, Bianca Ramires. "O Maruí: presença literária na imprensa do século XIX (1880 – 1882)." reponame:Repositório Institucional da FURG, 2007. http://repositorio.furg.br/handle/1/2546.

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Dissertação(mestrado) - Universidade Federal do Rio Grande, Programa de Pós-Graduação em Letras, Instituto de Letras e Artes, 2007.<br>Submitted by Cristiane Silva (cristiane_gomides@hotmail.com) on 2012-09-17T15:04:35Z No. of bitstreams: 1 biancaacosta.pdf: 3263415 bytes, checksum: 3113c80a11c1df85cea4ec337c1d77e0 (MD5)<br>Approved for entry into archive by Bruna Vieira(bruninha_vieira@ibest.com.br) on 2012-09-20T17:28:41Z (GMT) No. of bitstreams: 1 biancaacosta.pdf: 3263415 bytes, checksum: 3113c80a11c1df85cea4ec337c1d77e0 (MD5)<br>Made available in DSpace on 2012-09-20T17:28:41Z (GMT). No.

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14

Newell, Marilee. "The wyvern's tale : a thought experiment in Bakhtinian dual chronotope occupation." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/2154.

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The non-fiction introduction to The Wyvern’s Tale: A Thought Experiment in Bakhtinian Dual Chronotope Occupation documents the evolution of the novel, The Wyvern’s Tale, from the ideas that inspired it to its current incarnation as a full-length novel intended for an adult audience. It comprises an explanation of the novel’s main concept, Bakhtinian dual chronotope occupation, as well as an idea-focused account of the creative-writing process. Detailed in the introduction’s theoretical premise is the relationship between Mikhail Bakhtin’s theories of chronotope and the carnivalesque and the id

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15

Volpini, Javer Wilson. "Lucíola, na literatura e no cinema: a protagonista e a indumentária no contexto do século XIX." Centro de Ensino Superior de Juiz de Fora (CES/JF), 2013. https://repositorio.ufjf.br/jspui/handle/ufjf/7030.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-08-23T14:54:25Z No. of bitstreams: 1 javerwilsonvolpini.pdf: 1866228 bytes, checksum: aa3eac1637a9b002660b1b4791baab6e (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-08-24T11:14:26Z (GMT) No. of bitstreams: 1 javerwilsonvolpini.pdf: 1866228 bytes, checksum: aa3eac1637a9b002660b1b4791baab6e (MD5)<br>Made available in DSpace on 2018-08-24T11:14:26Z (GMT). No. of bitstreams: 1 javerwilsonvolpini.pdf: 1866228 bytes, checksum: aa3eac1637a9b002660b1b4791baab6e (MD5) Previous issue date: 2

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Nogueira, Maria Lúcia Porto Silva. "A norma dos "bons costumes" e as resistências femininas nas obras de João Gumes (Alto Sertão Baiano, 1897-1930)." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/12636.

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Made available in DSpace on 2016-04-27T19:30:09Z (GMT). No. of bitstreams: 1 Maria Lucia Porto Silva Nogueira.pdf: 3016821 bytes, checksum: 47abd7644496b30cfe6340d009290a25 (MD5) Previous issue date: 2010-12-01<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This research has as its object of analysis the gender representations in the Alto Sertão of Bahia, at the turn of the XIX century and the first decades of the XX century. It aims to evidence some cultural practices and social tensions that permeated the experiences of women and men in the society at that time. Based

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Nascimento, Patrício Alves do. "Uma costura de tempo: memória e utopia na poesia de Manuel Bandeira." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/14858.

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Made available in DSpace on 2016-04-28T19:59:11Z (GMT). No. of bitstreams: 1 Patricio Alves do Nascimento.pdf: 299993 bytes, checksum: 030e1ee38955136db9ef52ca92089dfc (MD5) Previous issue date: 2008-05-21<br>Secretaria da Educação do Estado de São Paulo<br>The purpose of that dissertation is to analyze as they are configured, in Manuel Bandeira's poetry, themes as the memory and the Utopia. For so much, the poems were selected Vou-me embora pra Pasárgada and Teresa, texts that are shown open to the analysis of those themes. In our analysis, we began by thinking what is the poetic and what c

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18

Souza, Érica Fernanda Brasil Carosia Paulino de. "O traje medieval português e sua função alegórica no Auto da Barca do Inferno e no Auto da Alma de Gil Vicente." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/14665.

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Made available in DSpace on 2016-04-28T19:58:39Z (GMT). No. of bitstreams: 1 Erica Fernanda Brasil Carosia Paulino de Souza.pdf: 4921179 bytes, checksum: e84c84d017fcbfe4da9382c710a93b55 (MD5) Previous issue date: 2011-05-12<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This dissertation examines the role of the allegorical medieval costume Portuguese, Auto da Barca do Inferno (1517) and Auto da Alma (1518) Gil Vicente. As specific objectives, we demonstrate the relationship between clothing and the characters, explain the symbolism of each piece of clothing, and elucidat

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19

Grüdtner, Carla Denise. "Sewing and quilting in alice walker the color purple "and everyday use"." reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/129515.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2014<br>Made available in DSpace on 2015-02-05T21:11:17Z (GMT). No. of bitstreams: 1 329137.pdf: 1103202 bytes, checksum: 76086ed233f11435bb9940ab47477983 (MD5) Previous issue date: 2014<br>Mulheres e escravos não tinham acesso à educação formal nos Estados Unidos no século XIX. Por outro lado, costurar era uma atividade obrigatória até mesmo para meninas da mais tenra infância. O exercício da costura propor

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20

Machit, Melissa Renee. "Bad Habits: Gender Made and Remade in Guillén de Castro's La fuerza de la costumbre." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11147.

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Guillén de Castro's play La fuerza de la costumbre (1625) depicts the process of re-teaching gender to Hipólita and Félix, a sister and brother who have grown up performing the gender opposite to their physical sex. This dissertation provides the first edition of the play since 1927, and the first ever critical edition, which contains notes, critical apparatus and essays, and compiles information from all extant sources, including the manuscripts (not used in the 1927 edition). The 1625 print edition serves as the base text, with variants from the four manuscript witnesses compiled in an index

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21

Souza, Filho Vinebaldo Aleixo de 1977. ""O Carro do Êxito" de Oswaldo de Camargo = a literatura de um negro em transição." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281964.

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Orientador: Fernando Antônio Lourenço<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-20T04:17:18Z (GMT). No. of bitstreams: 1 SouzaFilho_VinebaldoAleixode_M.pdf: 2581385 bytes, checksum: 50169ecc670ae45e793c6146824f757d (MD5) Previous issue date: 2012<br>Resumo: A dissertação tem como objetivo analisar a relação entre a vida e a obra de Oswaldo de Camargo, jornalista, músico, poeta, ficcionista e estudioso de literatura negra brasileira. Interessa-nos interpretar o modo como esse autor se inseriu

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22

Gatty, Fiona K. A. "Ideal beauty in late eighteenth- and early nineteenth-century French art and art criticism with special reference to the role of drapery and costume." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:9c3f5f9e-0a0c-4c1e-a7c1-62ed972cfd12.

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Scholarly attention to late eighteenth- and early nineteenth-century French art has focused on the importance that Johann Joachim Winckelmann attributed to the male nude figure in his definition of ideal beauty, and the impact of his work on debates over the 'beau idéal' in French art and art criticism. In contrast, Winckelmann's extensive interest in the detail of ancient costume, the folds of drapery, and the teleological and aesthetic significance that he ascribed to them, has been underplayed. The role played by costume and drapery as components of the 'beau idéal' in French

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23

Pereira, Marcos Paulo Torres. "Resíduos Culturais e Literários do Medievo Europeu Cristalizados na Identidade do Herói Sertanejo." http://www.teses.ufc.br, 2010. http://www.repositorio.ufc.br/handle/riufc/3467.

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PEREIRA, Marcos Paulo Torres. Resíduos culturais e literários do medievo europeu cristalizados na identidade do herói sertanejo. 2010. 145 f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2010.<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-07-09T12:05:06Z No. of bitstreams: 1 2010_DIS_MPTPEREIRA.pdf: 1330788 bytes, checksum: 5fba4716a5e2425e26f6ac5a58f3d46e (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-24T11:22:44Z (GMT) No

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Pires, Monica Kalil. "A tradução cultural em romances históricos : análise comparativa entre Léon, l'Africain, de Amin Maalouf, e A Incrível e Fascinante História do Capitão Mouro, de Georges Bourdoukan." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/17654.

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La traduction culturelle, indispensable pour la communication entre les peuples, est une tâche complexe en raison de la subjectivité de ceux qui sont impliqués et des différents aspects qu´interviennent à la présentation de la culture d'origine pour la culture de la réception. La littérature est un moyen privilégié de faire la médiation entre cultures. Léon, l'Africain et A incrível e fascinante história do Capitão Mouro, de Amin Maalouf et Georges Bourdoukan, respectivement, sont des romans historiques qui présentent la culture arabo-musulmane au lecteur occidental. À travers l'Histoire, la l

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Sousa, José Josberto Montenegro. "Culturas tradicionais no Ceará: nas dobras de narrativas em contendas sertanejas." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/13150.

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Made available in DSpace on 2016-04-27T19:32:29Z (GMT). No. of bitstreams: 1 Jose Josberto Montenegro Sousa.pdf: 965677 bytes, checksum: 1a1760474c0bd557750ce7438e9bb38d (MD5) Previous issue date: 2009-06-08<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This work aimed to study traditional cultures of Ceará State, Brazil, with emphasis on the experiences and the way of being and living of poor backwoodsmen population. We agreed to discuss conceptions about the backwoods and backwoodsmen, disseminated by folklorits´ onset, the instance of literacy, of sciences, and pub

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Andrade, Silvana Bento. "Caldeirão: Resíduos do Medievo na Guerra dos Beatos." http://www.teses.ufc.br, 2009. http://www.repositorio.ufc.br/handle/riufc/3449.

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ANDRADE, Silvana Bento. Caldeirão: resíduos do medievo na guerra dos beatos. 2009. 270f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2009.<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-07-13T14:00:55Z No. of bitstreams: 1 2009_DIS_SBANDRADE.pdf: 12088275 bytes, checksum: 98ff436d6f017a33305ca5383d7edb6e (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-23T16:05:03Z (GMT) No. of bitstreams: 1 2009_DIS_SBANDRADE.pdf: 12088275

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Moura, Fabiana Silveira. "A rua e seus olhares: A Belle Époque Carioca nas Crônicas de João do Rio e de Machado de Assis." http://www.teses.ufc.br, 2007. http://www.repositorio.ufc.br/handle/riufc/3426.

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MOURA, Fabiana Silveira. A rua e seus olhares: a belle époque carioca nas crônicas de João do Rio e de Machado de Assis. 2007. 132f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2007.<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-06-27T11:58:31Z No. of bitstreams: 1 2007_DIS_FSMOURA.pdf: 763555 bytes, checksum: 936bdf464e943c19ad69653e7b45e95e (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-23T11:49:37Z (GMT) No. of bitstrea

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Costa, Luciana Cavalcanti. "A Mulher e a Cidade: Um Estudo das Relações entre as Personagens Femininas e o espaço Romanesco em José de Alencar e Machado de Assis." http://www.teses.ufc.br, 2010. http://www.repositorio.ufc.br/handle/riufc/3446.

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COSTA, Luciana Cavalcanti. A mulher e a cidade: um estudo das relações entre as personagens femininas e o espaço romanesco em José de Alencar e Machado de Assis. 2010. 98f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2010.<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-07-03T13:19:23Z No. of bitstreams: 1 2010_DIS_LCCOSTA.pdf: 527985 bytes, checksum: f954af5a9128c3a95cc766cc5320f859 (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2

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Sadat, Schaffai Jasmin 1982. "The Bilingual cost in speech production : studies of phonological and articulatory processes." Doctoral thesis, Universitat Pompeu Fabra, 2012. http://hdl.handle.net/10803/128680.

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The main objective of this dissertation is to examine the consequences of bilingualism on speech production. Previous research has shown that bilingual speakers experience a cost compared to monolinguals in a variety of linguistic experiments. We investigated the origins of the bilingual cost by exploring influences of particular variables such as phonological similarity. Moreover, we investigated the scope of the bilingual cost by assessing speech performance, focusing on articulatory durations and noun-phrase production. We provide evidence that increased phonological similarity among words

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Almeida, Luciana Andrade de. "Francisca Clotilde e a palavra em ação (1884-1921)." www.teses.ufc.br, 2008. http://www.repositorio.ufc.br/handle/riufc/2911.

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ALMEIDA, Luciana Andrade de. Francisca Clotilde e a palavra em ação (1884-1921). 2008. 262 f. Dissertação (Mestrado em História) - Universidade Federal do Ceará, Departamento de História, Programa de Pós-Graduação em História Social, Fortaleza-CE, 2008.<br>Submitted by Raul Oliveira (raulcmo@hotmail.com) on 2012-06-27T15:41:44Z No. of bitstreams: 1 2008_Dis_LAAlmeida.pdf: 16283120 bytes, checksum: 1bc7a33df86c85cbf01b40203f27188e (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-06-27T15:49:19Z (GMT) No. of bitstreams: 1 2008_Dis_LAAlmeida.pdf: 16283

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HODGES, LAURA F. "CHAUCER'S COSTUME RHETORIC IN HIS PORTRAIT OF THE PRIORESS (ENGLAND)." Thesis, 1985. http://hdl.handle.net/1911/15908.

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In Chaucer's General Prologue there is a complex cultural code embodied in costume signs which, when decoded, enriches our perception of his portraits. Critics have never discussed the costume signs in Chaucer's portrait of the Prioress with consideration given, simultaneously, to contemporary historical records, literature, and visual arts that inform these signs. It is the purpose of this dissertation to begin a study of the Prioress with an examination of her costume and Chaucer's costume rhetoric, an approach opposite to the traditional approach that first assesses the Prioress' character

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(8774834), Cody W. Krumrie. "Dressing for the Part(s): Costume Transformations on the Early Modern English Stage." Thesis, 2020.

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<div>This dissertation brings together studies of early modern subjectivity, material culture, and dramatic performance in ways that address the myriad ways in which material objects—in this case, clothing and costumes—can act as catalysts for change in a work of the dramatic literature of the period. Literary studies of the twenty-first century has done little to examine the ways in which costumes on the early modern English stage functioned to convey relationships between outward expression and inner self. Despite critical agreement that staged objects in early modern England were significan

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Putnam, Laura Katherine. "Surpassing loveliness and grace knitting culture in nineteenth-century New England /." 2010. http://hdl.handle.net/10090/15185.

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Davie, Nicole Lynn. "Establishing roles and accuracy of historical costume references in select nineteenth century literature with a view to the establishment of a resource guide." 2002. http://hdl.handle.net/1993/18920.

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Therriault, Isabelle. "'Oh! La Que Su Rostro Tapa/No Debe Valer Gran Cosa': Identidad Y Critica Social En La Cultura Transatlantica Hispanica (1520 - 1860) / 'Oh! The one who covers her face / surely is not worth much': Identity and Social Criticism in Transatlantic Hispanic Culture (1520-1860)." 2010. https://scholarworks.umass.edu/dissertations/AAI3412061.

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In 1639, a law prohibiting women any head covering; veil, mantilla, manto for example, is promulgated for the fifth time in the Iberian Peninsula under the penalty of losing the garment, and subsequently incurring more severe punishments. Regardless of these edicts this social practice continued. My dissertation investigates the cultural representation of these covered women (tapadas) in Spain and the New World in a vast array of early modern literary, historical and legal documents (plays, prose, and regal laws, etc.). Overall, critics associate the use of the veil in the Spanish territories

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Falcon, ANA-JOEL. "The Orient Imagined, Experienced and Remembered in the Work of Alexandre Gabriel Decamps (1803-1860): A Study of the Artist’s Personal Orient." Thesis, 2008. http://hdl.handle.net/1974/1625.

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Alexandre-Gabriel Decamps (1803-1863) set out on his only trip to Greece and Turkey in 1828 to return to France and produce visual images of the Orient at a time when no major European artist had traveled to the Near East and at a time when the Orient had yet to be experienced, understood, and interpreted. Decamps’ highly original and personal interpretation of the Orient in painting has been studied by present-day scholars exclusively within the context of Romantic Orientalist genre painting. Studying criticism written on his work throughout the 19th century and working closely with his paint

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Hollows, Emma. "Kofifi/Covfefe: How the Costumes of "Sophiatown" Bring 1950s South Africa to Western Massachusetts in 2020." 2020. https://scholarworks.umass.edu/masters_theses_2/933.

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This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.

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Amélio, Vasco Cassinda Evaristo. "Formas de saudação, tratamento e cortesia no grupo dos ovimbundos no centro e sul de Angola : contributo para análise." Master's thesis, 2017. http://hdl.handle.net/10400.2/7143.

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A presente investigação tem como objetivo o estudo de um corpus sociolinguístico constituído por diferentes formas de saudação, tratamento, cortesia, despedidas e desculpas resultado de um estudo e inquérito feito junto da população umbundo de Angola que ocupa maioritariamente as províncias do Bié, Huambo, Benguela, Huila e a parte Sul do Kwanza Sul. Durante a nossa investigação fizemos referência a diferentes formas que nos levaram a uma conclusão: este povo possui muitas semelhanças na sua maneira de viver e conviver que também nos dá o sentido de uso dessas formas em Português, língua

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Fina, Rosa Maria Canarim Rodrigues. "Portugal nocturno e a ameaça do dia : a ideia de noite na cultura portuguesa : séculos XVIII a XX." Doctoral thesis, 2016. http://hdl.handle.net/10451/25043.

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Esta dissertação tem como objectivo estudar a noite na cultura portuguesa entre os séculos XVIII e início do século XX. Tamanha amplitude temporal e conceptual exige um trabalho estruturado e bem argumentado. Assim, movendo-nos no campo da história da cultura portuguesa, pretendemos numa primeira parte determinar o conceito de noite no seu carácter mais mitológico e fundacional, na cultura europeia em geral depois na portuguesa em particular, passando obrigatoriamente pelas tradições e superstições populares. Em seguida, acendemos o nosso enfoque histórico sobre a cidade de Lisboa setecentist

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Sá, Carla Maria Ribeiro. "Lendas sintrenses recolhidas e relatadas por Luiz da Cunha de Oliveira: divulgação e estudo da obra." Master's thesis, 2020. http://hdl.handle.net/10400.2/9456.

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Este tema surgiu a partir da descoberta de um texto datilografado, ainda por editar, cedido por Eugénia Martins, viúva de Consiglieri Martins, à Biblioteca Municipal de Sintra. Pretende-se assim proceder à divulgação desta obra, complementada pelo respetivo estudo. O trabalho que agora se apresenta, no que ao estudo se refere, centrou-se na apresentação dos Testemunhos Orais, recolhidos na obra em estudo, entendendo-os como forma de conhecimento, dado que se trata de textos que têm como característica comum a pesquisa de explicações para o enigma que envolve a vivência humana. De índole fant

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Eduardo, Pacheco Quiesse Monteiro. "Visualismo narrativo de expressão portuguesa e angolana." Master's thesis, 2018. http://hdl.handle.net/10451/37243.

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A presente dissertação tem por tema a poesia visual enquanto forma específica de produção poética e cultural. Ainda que se verifique, no caso da poesia visual, uma forte componente teórica, é também certo que a ela estão associadas ideias ou (pre)conceitos nem sempre compatíveis entre si. Assim, o nosso primeiro objetivo foi traçar um mapa crítico de referência que permitisse chegar a algumas conclusões sobre as particularidades da poesia visual portuguesa, bem como sobre a forma como esta se articula (ou pode ser integrada), não só na poesia em geral, mas também no contexto das novas artes vi

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