Gotowe bibliografie tematyczne / Cuban American wit and humor

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  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek

Gotowa bibliografia na temat „Cuban American wit and humor”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Cuban American wit and humor"

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Schwartz, Benjamin. "“Making Such Spaces . . . Where None Previously Existed”: Interstitial Wit in Fran Ross’s Oreo." Studies in American Humor 9, no. 1 (2023): 13–30. http://dx.doi.org/10.5325/studamerhumor.9.1.0013.

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ABSTRACT This article explores how Fran Ross’s 1974 novel Oreo uses humor to challenge static notions of Black, Jewish, and American identity. Through her mock heroic quest, Oreo’s eponymous protagonist develops WIT (“Way of the Interstitial Thrust”), a system of self-defense that draws on her multifaceted identity as a Jewish, African American woman and that she uses to successfully navigate spaces that threaten her with physical violence and symbolic erasure. In its hilarious exploration of the complexity and commodification of identity in the late twentieth century United States, Oreo provi
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Mendiburo-Seguel, Andrés, and Sonja Heintz. "Comic styles and their relation to the sense of humor, humor appreciation, acceptability of prejudice, humorous self-image and happiness." HUMOR 33, no. 3 (2020): 381–403. http://dx.doi.org/10.1515/humor-2018-0151.

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AbstractThe present study investigates the relationships of eight comic styles (fun, benevolent humor, nonsense, wit, irony, satire, sarcasm, and cynicism) with acceptability of prejudice (laughing at different groups and topics), humorous self-image (funniness and frequency of laughter), humor appreciation (funniness and aversiveness of cartoons with different structures and contents), and happiness. A representative Chilean adult sample (N=857, 60.8% women; age M=40.50, SD=17.28) was recruited in face-to-face interviews and online surveys. They completed self-reports of all variables as well
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Sugg, Katherine. "Migratory Sexualities, Diasporic Histories, and Memory in Queer Cuban-American Cultural Production." Environment and Planning D: Society and Space 21, no. 4 (2003): 461–77. http://dx.doi.org/10.1068/d366.

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Interrogations of diasporic relations between place, subjectivity, and sexuality have transformed representational practices and paradigms of both Cuban and Cuban-American identity on multiple fronts. Through a consideration of two texts representing the Cuban diaspora-Achy Obejas's 1996 novel Memory Mambo and Carmelita Tropicana's performance piece “Milk of amnesia/Leche de amnesia”, first developed in 1994–I explore the centrality of sexuality in constructions of self, community, and nation. These works effectively ‘queer’ notions of immigrant belonging and Cuban diasporic consciousness, par
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Sillin, Sarah. "The Cuban Question and the Ignorant American: Empire's Tropes and Jokes in Yankee Notions." Studies in American Humor 7, no. 2 (2021): 304–28. http://dx.doi.org/10.5325/studamerhumor.7.2.304.

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Abstract By reading antebellum-era jokes about Cuba in conversation with Judith Yaross Lee's argument that imperialism has persistently shaped American humor, this essay considers how US humorists located pleasure in the nation's fraught foreign relations. Examining a variety of comics, anecdotes, and malapropisms from Yankee Notions demonstrates how this popular, long-running magazine mocked US Americans’ efforts to assert their cosmopolitan knowledge of Cuba while nonetheless naturalizing US global power. Together, such jokes participated in a larger cultural project that shaped late ninetee
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Montes-Alcalá, Cecilia. "Code-switching in US Latino literature: The role of biculturalism." Language and Literature: International Journal of Stylistics 24, no. 3 (2015): 264–81. http://dx.doi.org/10.1177/0963947015585224.

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While mixing languages in natural speech production has often been inaccurately ascribed to illiteracy or lack of linguistic competence, doing so in writing is a long-standing practice in bilingual literature. This practice may fulfill stylistic or aesthetic purposes, be a source of credibility and/or communicate biculturalism, humor, criticism, and ethnicity, among other functions. Here, I analyze a selection of contemporary Spanish–English bilingual literature (poetry, drama, and fiction) written by Mexican American, Nuyorican, and Cuban American authors focusing on the types, and significan
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AL-HUSSEINI, MIFTEN I., and HAITHAM K. AL-ZUBBAIDI. "Towards a Humanitarian Race." Al-Adab Journal 3, no. 142 (2022): 37–46. http://dx.doi.org/10.31973/aj.v3i142.3816.

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The purpose of this article is to analyze selected poetic works of Billy Collins (1941- ), the most popular American poet in the present time, to show a clear line of moral humanitarian preaching that runs under the surface of his often humorous and entertaining poems. The topics discussed in this article include manners, respecting privacy, personal responsibility, self-acceptance, practical living advice, gratitude for life and finding meaning in death. The poems analyzed in this study address a wide range of human issues that are relatable in a global sense. The way Collins delivers these u
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Tse, Sheung Hei. "(Im)politeness Strategies in Workplace Interviews –A Case Study of Characterization in The Pursuit of Happyness." Proceedings of The International Conference on Future of Social Sciences and Humanities 2, no. 1 (2024): 1–13. http://dx.doi.org/10.33422/fshconf.v2i1.572.

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The Pursuit of Happyness is a famous movie directed in 2006 about the life struggle of Chris Gardner. This paper would analyse an excerpt of The Pursuit of Happyness to explore how (im)politeness characterizes Chris Gardner with Brown and Levinson’s politeness model and Culpeper’s impoliteness model. The excerpt is the scene when Chris has just left the prison to attend the interview for a broker internship. This paper argues that impoliteness reflects Chris’s underprivileged background while the use of politeness characterizes honesty, respect, confidence, humor, and wit. Despite his inherent
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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 3-4 (2006): 253–323. http://dx.doi.org/10.1163/22134360-90002497.

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Ileana Rodríguez; Transatlantic Topographies: Islands, Highlands, Jungles (Stuart McLean)Eliga H. Gould, Peter S. Onuf (eds.); Empire and Nation: The American Revolution in the Atlantic World (Peter A. Coclanis)Michael A. Gomez; Reversing Sail: A History of the African Diaspora (James H. Sweet)Brian L. Moore, Michele A. Johnson; Neither Led Nor Driven: Contesting British Cultural Imperialism in Jamaica, 1865-1920 (Gad Heuman)Erna Brodber; The Second Generation of Freemen in Jamaica, 1907-1944 (Michaeline A. Crichlow)Steeve O. Buckridge; The Language of Dress: Resistance and Accommodation in Ja
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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 3-4 (2008): 253–323. http://dx.doi.org/10.1163/13822373-90002497.

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Ileana Rodríguez; Transatlantic Topographies: Islands, Highlands, Jungles (Stuart McLean)Eliga H. Gould, Peter S. Onuf (eds.); Empire and Nation: The American Revolution in the Atlantic World (Peter A. Coclanis)Michael A. Gomez; Reversing Sail: A History of the African Diaspora (James H. Sweet)Brian L. Moore, Michele A. Johnson; Neither Led Nor Driven: Contesting British Cultural Imperialism in Jamaica, 1865-1920 (Gad Heuman)Erna Brodber; The Second Generation of Freemen in Jamaica, 1907-1944 (Michaeline A. Crichlow)Steeve O. Buckridge; The Language of Dress: Resistance and Accommodation in Ja
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Мартынова, И. Н. "ОСОБЕННОСТИ ФУНКЦИОНИРОВАНИЯ КАЛАМБУРОВ В СКАЗКАХ НОРТОНА ДЖАСТЕРА". Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, № 2(127) (11 липня 2025): 035–41. https://doi.org/10.37972/chgpu.2025.127.2.005.

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Настоящая статья посвящена исследованию особенностей функционирования каламбуров в сказках американского писателя Нортона Джастера. Вопросам использования этих средств выразительности в произведениях различных авторов посвящены работы как российских, так и зарубежных лингвистов. Каламбуры являются не только мощным юмористическим средством, но и эффективным инструментом коммуникации. Они могут использоваться для привлечения внимания и создания запоминающихся образов в рекламе и маркетинге. Кроме того, каламбуры широко употребляются в литературе и политической сатире, добавляя элементы игры слов
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Rozprawy doktorskie na temat "Cuban American wit and humor"

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Boswell, Brian T. "From scat to satire toward a taxonomy of humor in twentieth century American media /." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/637.

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Bartholomew, Sherlene Hall. "An Annotated Bibliography of Literary Mormon Humor." Diss., CLICK HERE for online access, 1998. http://contentdm.lib.byu.edu/u?/MTAF,40619.

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Dahl, Tracy A. "Lake Wobegon nation : imagining a community of Norwegian bachelor farmers /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1421129.

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Chastain, Stephanie G. "The gendering of humor : toward a feminist narrative /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/6673.

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Carruthers, John R. "The effects of a course in American jokes on a class of intermediate level ESL students." PDXScholar, 1987. https://pdxscholar.library.pdx.edu/open_access_etds/3657.

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Teachers of English to speakers of other languages have often incorporated humor in the curriculum, yet a recent computer search revealed that there were no empirical studies which have shown that curricular humor enhances English language learning. The three specific questions of the thesis are: does the use of curricular humor 1) improve memory/recall, 2) improve over-all English proficiency, and 3) result in the subjects' having more positive attitudes towards Americans, and if so, does a more positive attitude correlate with improved memory/proficiency?
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Sobiech, Michael James. "A Mock Rhetoric: The Use of Satire in First-Year Composition." TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/45.

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Webb, Joel C. "Drawing Defeat: Caricaturing War, Race, and Gender in Fin de Siglo Spain." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/283/.

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Lorts, Justin T. "Black laughter/Black protest civil rights, respectability, and the cultural politics of African American comedy, 1934-1968." 2008. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17523.

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Hunt, Irvin. "Investing in Stereotypes: Comic Second-Sight in Twentieth-Century African American Literature." Thesis, 2014. https://doi.org/10.7916/D8M906TZ.

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"Investing in Stereotypes" unearths a tradition of humor that may initially sound counter-intuitive: it sees stereotypes as valuable. Zora Neale Hurston, Ralph Ellison, Charles Wright, and Suzan-Lori Parks reveal the way racial and sexual stereotypes paradoxically complicate their subjects in the very attempt to simplify them. The compulsive repetition of stereotypes and the contradictory meanings that stereotypes embody create absurdly comical effects that are, in the hands of these writers, surprisingly humanizing. To unveil the tensions in, say, Sambo, the happy plantation slave who is at o
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Perks, Lisa Glebatis. "A sketch comedy of errors: Chappelle's show, stereotypes, and viewers." Thesis, 2008. http://hdl.handle.net/2152/3946.

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Celebrities such as Halle Berry, Dave Chappelle, Kathy Griffin, and Don Imus have recently evoked public ire for making what some people have seen as tasteless jokes. Their notorious humorous communication shares two notable qualities: the discourse was mass mediated and the “jokes” were all premised on stereotypes. This two-part dissertation addresses the complicated subject of understanding the meanings viewers co-create with humorous mediated communication that is premised on racial stereotypes. I focus on Chappelle’s Show as my primary text of analysis, but the findings here have applicabi
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Książki na temat "Cuban American wit and humor"

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Fundora, Carlos. Humor, plagio y otros vicios. Ediciones Liber, 2011.

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Toledo, Adán Iglesias. Humor rebelde. Casa Editora Abril, 2010.

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Reyes, Rolando González. Humor tajadas. Ediciones Capiro, 1994.

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Cubanas, Editorial Letras, ed. Las Mujeres y el sentido del humor. Editorial Letras Cubanas, 1986.

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Martirena Hernández, Alfredo, 1965- illustrator, ed. Jape vs Martirena: 0 : 0. Ediciones La Luz, 2018.

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Pérez, Antonio Santana. Las cosquillas de Adán. Liber, 2014.

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Eguren, Gustavo. Los papelillos de San Amiplín. Ediciones Unión, 1997.

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Rodríguez, Enrique Núñez. Gente que yo quise--. Ediciones UNIÓN, Unión de Escritores y Artistas de Cuba, 1995.

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Zumbado, H. Un zoom a Zumbado: Breve pero sabrosa selección de la obra de Héctor Zumbado. Liber, 2012.

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Nuez. Humor amargo: La aldea global. Unión de Periodistas de Cuba, 2003.

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Części książek na temat "Cuban American wit and humor"

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"Louis Dalrymple: “School Begins” Cartoon." In Milestone Visual Documents in American History. Schlager Group Inc., 2022. https://doi.org/10.3735/9781935306733.book-part-057.

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This cartoon appeared in the January 25, 1899, issue of Puck, a leading American humor magazine. It was published in support of American expansionism, which seemed to be cresting in the late 1890s. The United States had already annexed Texas, acquired California and the American Southwest as a result of war with Mexico, and purchased Alaska from Russia. Cuba, the Philippines, Puerto Rico, and Hawaii had come under U.S. hegemony in the 1890s as the nation was continuing to achieve its “Manifest Destiny” by expanding into the Pacific and the Caribbean.
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Tucker, Mark. "Abbe Niles on Ellington (1929)." In The Duke Ellington Reader. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195054101.003.0007.

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Abstract From the mass of American music, or something, that has been thus passed through my ears, I select a few examples as the richest in the strangeness, the bitter, salty wit and humor, and the flashes of defiant, unwilling beauty which characterize good jazz; examples, in short, by hearing which anyone who will take the trouble may learn whether he likes jazz or not. They are presented, not as great music, nor as the American music, but as good jazz. Some are harsh, raucous and unrefined. Only two might be said to have individual importance.But they have ideas and vitality, of a peculiar
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Carpio, Glenda R. "“Laffin’ Fit Ter Kill” Black Humor in the Fiction of William Wells Brown and Charles W. Chesnutt." In Laughing Fit To Kill. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195304701.003.0002.

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Abstract African American oral culture is rich in tales that use humor to represent the violence of slavery. The trickster animal tales featuring Brer Rabbit and Brer Fox, first popularized by Joel Chandler Harris in Uncle Remus, His Songs and Sayings: The Folklore of the Old Plantation (1880), are but one, albeit complicated, example. The tales, in which weaker animals like the Rabbit often outsmart stronger ones such as the Fox through wit and cunning, allegorize the great imbalance of power between master and slave and the ways that the enslaved found to sabotage it. As Mel Watkins notes, t
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