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1

Rotondo, Francesco, Francesco Selicato, Vera Marin, and Josefina Lopez Galdeano, eds. Cultural Territorial Systems. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-20753-7.

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Panzera, Elisa. Cultural Heritage and Territorial Identity. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94468-1.

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Bignami, Daniele Fabrizio. Towards a Territorial Multi-Disaster Buildings’ Resistance Certification. Springer Milan, 2014. http://dx.doi.org/10.1007/978-88-470-5223-9.

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Haymes, Stephen, Vladimir Camacho, and Llewellyn Cornelius. Land, Cultural Dispossession, and Resistance. Routledge, 2024. http://dx.doi.org/10.4324/9781003483472.

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Tazza, Juliana Zevallos, and François Soulages. Memoria territorial y patrimonial: Artes & fronteras. Universidad Nacional Mayor de San Marcos, Fondo Editorial, 2014.

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6

Romero-Ruiz, Maria Isabel, and Pilar Cuder-Domínguez, eds. Cultural Representations of Gender Vulnerability and Resistance. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95508-3.

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7

Kista, Hunt, and University of Toronto at Mississauga. Dept. of Women's and Gender Studies., eds. WGS 369Y: Gender, colonialism and cultural resistance. University of Toronto at Mississauga, 2007.

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8

Kista, Hunt, and University of Toronto at Mississauga. Dept. of Women's and Gender Studies., eds. WGS 369Y: Gender, colonialism and cultural resistance. University of Toronto at Mississauga, 2008.

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9

Prins, Harald E. L. The Mik̉maq: Resistance, accomodation, and cultural survival. Harcourt Brace College Pub., 1996.

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10

1947-, Hawley John C., ed. Cross-addressing: Resistance literature and cultural borders. State University of New York Press, 1996.

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11

Krista, Hunt, and University of Toronto at Mississauga. Dept. of Women's and Gender Studies., eds. WGS 369Y5: Gender, colonialism and cultural resistance. utprint, 2006.

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12

Kista, Hunt, and University of Toronto at Mississauga. Dept. of Women's and Gender Studies., eds. WGS 369Y: Gender, colonialism and cultural resistance. University of Toronto at Mississauga, 2007.

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13

1966-, Butcher Melissa, and Velayutham Selvaraj 1968-, eds. Dissent and cultural resistance in Asia's cities. Routledge, 2009.

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14

Dellacioppa, Kara Z., and Clare Weber, eds. Cultural Politics and Resistance in the 21st Century. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012968.

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15

Maistry, Thumida. Resistance cultural formations in S. A.: A directory. Centre for Development Studies, University of the Western Cape, 1991.

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16

Wallin, Johanna. The freedom theatre: Performing cultural resistance in Palestine. LeftWord, 2018.

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17

Vieira, Evaldo Amaro. Poder político e resistência cultural. Editora Autores Associados, 1998.

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18

Smith, David J., Ivan Dodovski, and Flavia Ghencea, eds. Realising Linguistic, Cultural and Educational Rights Through Non-Territorial Autonomy. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-19856-4.

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19

Holm-Hansen, Jorn. Territorial and ethno-cultural self-government in nation-building Kazakhstan. Norwegian Institute for Urban and Regional Research, 1997.

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20

Perez, Patricia Zarate de. Reimagining Panama's Musical and Cultural Narratives of Jazz. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978722125.

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Reimagining Panama’s Musical and Cultural Narratives of Jazz: Panamanian Suite narrates the complex relationship between Panama and the United States by tracing the paths of their music, tracking the development of jazz in Panama from the mid-nineteenth century to the modern day through three movements: pre-jazz, jazz, and global jazz. As a vital port of Caribbean migration in the twentieth century, Panama played an essential role in the emergence and shaping of jazz and other cultural forms, many of which influenced culture on the mainland United States. Patricia Zarate de Perez explores new
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21

Weingarten, Kaethe. Cultural Resistance. Routledge, 2013. http://dx.doi.org/10.4324/9781315801063.

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22

Napolitano, David, and Kenneth J. Pennington, eds. A Cultural History of Democracy in the Medieval Age. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350042766.

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The Middle Ages are not generally associated with democracy. The term was never widely employed during this period, the dominant attitude towards democracy was outright hostility, and none of the medieval polities thought of itself as a democracy. Nevertheless, this volume claims that the Middle Ages deserve to be included in a general history of democracy. To this end, it highlights a wide variety of ideas, practices, procedures, and institutions that, although different from their ancient predecessor (direct democracy) or modern successor (liberal representative democracy), played a signific
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23

Cultural Resistance Reader. Verso, 2002.

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24

Duncombe, Stephen. Cultural Resistance Reader. Verso, 2002.

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25

Resistance. transcript Verlag, 2017.

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26

Cuesta, José Luis García, and Fernando Manero Miguel. Patrimonio cultural y desarrollo territorial. Aranzadi, 2016.

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27

Rasnake, Roger Neil. Domination and Cultural Resistance. Duke University Press, 1988. http://dx.doi.org/10.1215/9780822381518.

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Towards a Territorial Multi-Disaster Buildings' Resistance Certification. Springer, 2013.

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29

Bignami, Daniele Fabrizio. Towards a Territorial Multi-Disaster Buildings' Resistance Certification. Springer London, Limited, 2014.

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30

Bignami, Daniele Fabrizio. Towards a Territorial Multi-Disaster Buildings' Resistance Certification. Springer, 2014.

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31

Talukdar, Sharmila Das. Khasi Cultural Resistance to Colonialism. Spectrum Publications, 2004.

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32

Girls, Cultural Productions, and Resistance. Peter Lang, 2012.

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33

Girls, cultural productions, and resistance. Peter Lang, 2012.

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34

Hickey-Moody, Anna, and Tara Page, eds. Arts, Pedagogy and Cultural Resistance. Published by Rowman & Littlefield International, Ltd., 2015. https://doi.org/10.5040/9798881809713.

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Arts, Pedagogy and Cultural Resistance brings cultural studies’ perspectives to bear on Arts practices. Each contribution synthesizes creative approaches to philosophy and new materialist understanding of practice to show how human-nonhuman interaction at the core of Arts practice is a critical post human pedagogy. Across fine art, dance, gallery education, film and philosophy, the book contends that certain kinds of Arts practice can be a critical pedagogy in which tactical engagements with community, space, place and materiality become means of not only disrupting dominant discourse but also
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35

Inventing Destiny: Cultural Explorations of US Expansion. University Press of Kansas, 2019.

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36

Khader, Serene J. Gender Role Eliminativism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190664190.003.0006.

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This chapter asks whether postcolonial defenses of feminized power and criticisms of the incorporation of women into a gender-neutral public sphere can be understood as compatible with feminism. It argues that the tools of nonideal universalism can explain why many such postcolonial views are more compatible with feminism than is often thought. Three missionary-feminist confusions identified here—the idealization of the territorial public, the idealization of Western cultural forms, and the culturalist category error—impede Western feminist attempts to render accurate normative judgments about
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37

Cultural Memory: Resistance, Faith, and Identity. University of Texas Press, 2007.

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38

Cultural Resistance and Security from Below. Taylor & Francis Group, 2019.

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39

Marriage, Zoë. Cultural Resistance and Security from Below. Taylor & Francis Group, 2021.

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40

Fortier, Ted, and Jeanette Rodríguez. Cultural Memory: Resistance, Faith, and Identity. de Gruyter GmbH, Walter, 2009.

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41

Cultural Memory: Resistance, Faith, and Identity. University of Texas Press, 2007.

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42

Imagining Resistance Cultural Studies Wilfrid Laurier. Wilfrid Laurier University Press, 2011.

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43

Makombe, Rodwell. Cultural Texts of Resistance in Zimbabwe. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9798881814335.

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Cultural Texts of Resistance in Zimbabwe explores how ordinary citizens appropriate and deploy cultural texts such as internet memes, songs, political cartoons and social media discussions as vehicles to contest hegemonic narratives of the state and insert alternative ways of imagining the future of the nation. This book is a timely attempt to examine the multiple and complex dimensions of resistance in post-millennial Zimbabwe through analysing different cultural productions. It centres the voices of ordinary Zimbabweans by examining popular cultural texts that reflect their experiences and w
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44

El patrimonio cultural territorial: Paisaje, historia y gestión. Ediciones EyC, 2014.

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45

Deneke, Wegene Mengistu. Cultural Hybridization or Cultural Homogenization?: The Resistance of the Others. LAP Lambert Academic Publishing, 2012.

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46

Bryan, Jimmy L. Inventing Destiny: Cultural Explorations of US Expansion. University Press of Kansas, 2019.

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47

Hviid, Pernille, Giuseppina Marsico, Nandita Chaudhary, and Jakob Waag Villadsen. Resistance in Everyday Life: Constructing Cultural Experiences. Springer, 2018.

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48

Hickey-Moody, Anna, and Tara Page. Arts, Pedagogy and Cultural Resistance: New Materialisms. Rowman & Littlefield Publishers, Incorporated, 2015.

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49

Callahan, William A. Cultural Governance and Resistance in Pacific Asia. Routledge, 2006. http://dx.doi.org/10.4324/9780203029251.

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50

Donehower, Kim, and Sara Webb-Sunderhaus. Rereading Appalachia: Literacy, Place, and Cultural Resistance. University Press of Kentucky, 2015.

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