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Artykuły w czasopismach na temat „Cultural heritage”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Song, Wonseob. "Reconceptualizing Safeguarding Intangible Cultural Heritage : The case of Jeju Haenyeo Culture, a UNESCO Intangible Cultural Heritage." Association of Korean Cultural and Historical Geographers 37, no. 1 (2025): 100–116. https://doi.org/10.29349/jchg.2025.37.1.100.

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This paper aims to introduce a novel perspective on socio-cultural sustainability by critically examining the foundational assumptions embedded in current sustainability discourses. It challenges the prevailing notion that current efforts are inherently sufficient to guarantee sustainability, thus leading to a utopian future for humanity. The paper argues that while ongoing efforts towards sustainability are essential, there is a need to recognize that these efforts alone may not ensure a positive and optimistic future. Therefore, a reevaluation of the sustainability concept is crucial. To sub

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Karl, Barbara. "Cultural Heritage." Textile History 50, no. 2 (2019): 218–24. http://dx.doi.org/10.1080/00404969.2019.1653639.

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Çalışkan, Uğur. "Cultural heritage." Journal of Heritage Tourism 15, no. 2 (2019): 236–37. http://dx.doi.org/10.1080/1743873x.2019.1637057.

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Vandeput, Lutgarde, and Veli Köse. "Cultural heritage." Heritage Turkey 2 (December 1, 2012): 33–35. http://dx.doi.org/10.18866/biaa2015.048.

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Mancini, Marina. "CULTURAL HERITAGE." Italian Yearbook of International Law Online 26, no. 1 (2017): 624–29. http://dx.doi.org/10.1163/22116133-90000192a.

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Mazzaggio, Greta, and Neri Binazzi. "Valorizzare il patrimonio immateriale: un’esperienza di digitalizzazione del dialetto." DILEF. Rivista digitale del Dipartimento di Lettere e Filosofia, no. 3 (January 4, 2024): 1–19. http://dx.doi.org/10.35948/dilef/2024.4348.

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In un contesto in cui la cultura e il patrimonio culturale rivestono un'importanza fondamentale per la continuità storica e l'identità nazionale, la digitalizzazione emerge come un mezzo essenziale per la loro preservazione e promozione. Questo articolo sottolinea l'importanza della preservazione del patrimonio culturale immateriale legato alle lingue soffermandosi sul progetto di digitalizzazione delle trascrizioni delle interviste sul campo che hanno costituito la documentazione di riferimento di Manzini e Savoia (2005). Tale lavoro è previsto dal programma "Cultural Heritage Active Innovati

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7

Kim, Changjin. "Does Cultural Heritage Disaster Management Protect Cultural Heritage?: Focusing on Cultural Heritage Disaster Management Projects." Korean Policy Studies Review 33, no. 3 (2024): 55–85. http://dx.doi.org/10.33900/kaps.2024.33.3.3.

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8

Vigneron, Sophie. "International cultural heritage law (cultural heritage law and policy)." International Journal of Heritage Studies 23, no. 3 (2016): 288–89. http://dx.doi.org/10.1080/13527258.2016.1232302.

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9

Van, Vu Hong. "THE BUDDHISM CULTURAL HERITAGE IN THE CULTURAL LIFE OF VIETNAMESE PEOPLE." Humanities & Social Sciences Reviews 8, no. 3 (2020): 811–23. http://dx.doi.org/10.18510/hssr.2020.8386.

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Purpose: This research focuses on analyzing how did Buddhism creates heritages, how did that the Buddhism heritage becomes the cultural heritage of the Vietnamese people, how have Buddhist heritage is involved in cultural life, and the contribution of Buddhist cultural heritage to Vietnamese culture. The value of Buddhism’s cultural heritage in the current life of the Vietnamese people. Methodology: It was a qualitative study and data were collected by observation, in-depth interviews; each interview took between 15 – 25 minutes. I have also studied many ancient documents that have valua

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10

Craith, Máiréad Nic. "Intangible Cultural Heritages." Anthropological Journal of European Cultures 17, no. 1 (2008): 54–73. http://dx.doi.org/10.3167/ajec.2008.01701004.

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Heritage has traditionally been associated with material objects, but recent conventions have emphasized the significance of intangible culture heritage. This article advocates a holistic approach towards the concept and considers key challenges for Europe's heritage at the beginning of the twenty-first century. Reflecting on the notion of 'European', it considers the question of how one defines European heritage and which European heritage is to be protected. It explores links between national and European conceptions of identity and heritage and queries issues of ownership, language and repr

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11

Prott, Lyndel V., and Patrick J. O'Keefe. "‘Cultural Heritage’ or ‘Cultural Property’?" International Journal of Cultural Property 1, no. 2 (1992): 307–20. http://dx.doi.org/10.1017/s094073919200033x.

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12

Beljanski-Ristic, Ljubica, Masa Vukanovic, and Aleksandar Krel. "Cultural participation and cultural heritage." Kultura, no. 146 (2015): 297–313. http://dx.doi.org/10.5937/kultura1546297b.

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13

Reguant-Aleix, Joan, M. Rosaria Arbore, Anna Bach-Faig, and Lluís Serra-Majem. "Mediterranean Heritage: an intangible cultural heritage." Public Health Nutrition 12, no. 9A (2009): 1591–94. http://dx.doi.org/10.1017/s1368980009990413.

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14

Hakala, Ulla, Sonja Lätti, and Birgitta Sandberg. "Operationalising brand heritage and cultural heritage." Journal of Product & Brand Management 20, no. 6 (2011): 447–56. http://dx.doi.org/10.1108/10610421111166595.

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15

Portalés, Cristina, João Rodrigues, Alexandra Rodrigues Gonçalves, Ester Alba, and Jorge Sebastián. "Digital Cultural Heritage." Multimodal Technologies and Interaction 2, no. 3 (2018): 58. http://dx.doi.org/10.3390/mti2030058.

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16

Rabinovich, Daniel. "Cultural Heritage Chemistry." Chemistry International 40, no. 2 (2018): 58–59. http://dx.doi.org/10.1515/ci-2018-0234.

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Abstract The tools of analytical chemistry, and the expertise and enthusiasm of many of its practitioners, have had a profound influence in the field of cultural heritage [1, 2]. Analytical techniques, especially those involving non-destructive methods of examination, have played a key role in the characterization, restoration, and preservation of an incredible range of works of art and cultural heritage, including ceramics, textiles, paintings, books, drawings, sculptures, jewelry, and a myriad of artifacts made of glass, wood, or metal. In addition, modern analytical instrumentation has been

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17

Baker, Kevin, and Steven Verstockt. "Cultural Heritage Routing." Journal on Computing and Cultural Heritage 10, no. 4 (2017): 1–20. http://dx.doi.org/10.1145/3040200.

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18

Grebeža, Kristīne, Anda Abuže, and Artis Teilāns. "CULTURAL HERITAGE REPOSITORY." HUMAN. ENVIRONMENT. TECHNOLOGIES. Proceedings of the Students International Scientific and Practical Conference, no. 22 (April 25, 2018): 25–30. http://dx.doi.org/10.17770/het2018.22.3641.

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The author of the article develops a Heritage object database on the DSpace platform, which would provide an international heritage ontologies, so to the digital media for object metadata and objects, documents, articles, images, and 3d (three Dimensions) storing virtual 3d objects. To create the required metadata module, the authors conducted heritage ontologies standards and 2 Digital museum metadata analysis by comparing the descriptive data. By performing metadata analysis, author have created the descriptive data sets that will be used by the new system. The newly acquired metadata set wi

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19

Williams, Stephen. "Cultural heritage shared." Nature 415, no. 6869 (2002): 259. http://dx.doi.org/10.1038/415259c.

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20

Aaltonen, Satu, Aleksej Heinze, Giuseppe Ielpa, and Dorella De Tommaso. "Enterprise Cultural Heritage." International Journal of Entrepreneurship and Innovation 16, no. 2 (2015): 73–83. http://dx.doi.org/10.5367/ijei.2015.0178.

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Remaining in business and growing is a challenge for small and medium-sized enterprises (SMEs) in the food sector. The focus of this paper is the internal innovation avenue for SMEs that have been trading for decades and have developed the asset of enterprise cultural heritage (ECH). The authors examine ECH as a source of sustainable competitive advantage, using the value, rarity, imitability and organization (VRIO) framework and evaluating the practical potential of ECH to create sustainable competitive advantage through case studies of two international companies. The authors argue that comp

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21

Bergamasco, Massimo, Perla Gianni Falvo, and Giovanni Valeri Manera. "Perceiving Cultural Heritage." Studies in Digital Heritage 2, no. 1 (2018): II—V. http://dx.doi.org/10.14434/sdh.v2i1.27979.

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 Over the years, we have undertaken research projects in the field of cultural heritage perception, trying to analyze the response of the human cognitive system when immersed in Virtual Reality, Augmented Reality or other multimedia supports. Our goal has been to study how to improve design exhibition, utilizing these technologies in museums and cultural heritage sites and to study alternative ways to promote human development through deeper contact with art.

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22

Ezeh, P. J. "Cultural Heritage protection." Anthropology Today 24, no. 2 (2008): 26. http://dx.doi.org/10.1111/j.1467-8322.2008.00575.x.

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23

Enges, Pasi Alfred. "Dreaming Cultural Heritage." Ethnologia Fennica 50, no. 1 (2023): 192–95. http://dx.doi.org/10.23991/ef.v50i1.128725.

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24

Nightingale, Eithne. "Children, childhood and cultural heritage (key issues in cultural heritage)." International Journal of Heritage Studies 23, no. 1 (2016): 79–81. http://dx.doi.org/10.1080/13527258.2016.1218914.

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25

Guangyu, Ding. "Cultural Heritage Rights and Rights Related to Cultural Heritage: A Review of the Cultural Heritage Rights System." Santander Art and Culture Law Review 9, no. 2 (2023): 167–90. http://dx.doi.org/10.4467/2450050xsnr.23.027.18647.

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Previous decades have witnessed the widespread use of human rights discourses in explaining cultural heritage issues. The content of the cultural heritage right (a term used interchangeably with “right to cultural heritage” in this text), and the relationship between cultural heritage and human rights are diversely demonstrated in international cultural heritage instruments and previous studies. Some of them may overlap or even contradict each other, causing confusion about the relevant concepts. This article aims to answer the twin question: What is the relationship between the “right to cult

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26

Vigneron, Sophie. "From Cultural Property to Cultural Heritage." International Journal of Cultural Property 31, no. 1 (2024): 1–3. http://dx.doi.org/10.1017/s0940739124000201.

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27

Kim, Jae-Hak. "Stakeholder perceptions of cultural heritage utilization - Focusing on cultural heritage yahaeng -." International Journal of Tourism and Hospitality Research 33, no. 1 (2019): 51–66. http://dx.doi.org/10.21298/ijthr.2019.1.33.1.51.

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28

Zhao, Zhi Qing, and Li Tao. "Study on Intangible Cultural Heritage Protection of the Architectural Cultural Heritage." Applied Mechanics and Materials 638-640 (September 2014): 2312–15. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2312.

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In the current context of globalization and regional characteristics of urban and rural culture general lacking, due to the long history and has the heavy connotation, the historical cultural heritage reflected the rich local culture and traditional cultural imprint. According to the definition, the content and relationship of material cultural heritage and intangible cultural heritage, this paper intensively study the non-material cultural heritage factors loaded by buildings architecture cultural heritage, and presented the problems and coping methods during the course of the Intangible Cult

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29

Dombrowski, Quinn, Anna Kijas, and Sebastian Majstorovic. "DIGITAL CULTURAL HERITAGE UNDER ATTACK: SAVING UKRAINIAN CULTURAL HERITAGE ONLINE (SUCHO)." Text and Image: Essential Problems in Art History, no. 1 (2022): 6–12. http://dx.doi.org/10.17721/2519-4801.2022.1.01.

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Cultural heritage is at the heart of Russia’s war on Ukraine, still underway five months after the invasion on February 24, 2022. Statements from the Kremlin indicate that the fundamental goal of Putin’s regime is to undermine and eliminate the distinct and distinctive Ukrainian national identity, culture, and language – three concepts that are manifested through cultural heritage. During a war with such an agenda, internationally recognized frameworks such as the 1954 Hague Convention can be subverted, turning the blue shield symbol meant to protect cultural property into a target. While prac

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30

Tonta, Yaşar. "Future of Cultural Heritage." New Review of Information Networking 21, no. 1 (2016): 63–78. https://doi.org/10.1080/13614576.2016.1234844.

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Everything we do, create, and produce, such as intellectual and artistic works, performances, and so forth, can be defined as culture. We own a very rich cultural heritage of the past. Yet, the common cultural heritage that belongs to the humanity continues to be looted and destroyed due to negligence, armed conflicts, and wars. In this article, the causes of the destruction of cultural heritage and the question of to whom the neglected cultural heritage belongs are discussed and the economic and social values of cultural heritage are examined by means of the game theory.

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31

Julkowska, Violetta. "CULTURAL HERITAGE AS THE HERITAGE OF MEMORY." Historia@Teoria 1, no. 1 (2016): 7. http://dx.doi.org/10.14746/ht.2016.1.1.01.

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Bilotta, Giuliana, Rossella Nocera, and Pier Matteo Barone. "Cultural Heritage and Obia." WSEAS TRANSACTIONS ON ENVIRONMENT AND DEVELOPMENT 17 (May 5, 2021): 449–65. http://dx.doi.org/10.37394/232015.2021.17.44.

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The historic centre of a town is its oldest and original core. It needs special protection in order to ensure the conservation of its historical, artistic and environmental heritage. In Italy, the definition of historic centres and the protection of their cultural heritage evolved in time, up to the current special attention for the historical aspects. The main threats to historical centres are real estate speculation and mass tourism. The purpose of this study is to catalog and monitor historic centers over time, in the context of urban planning. High-resolution satellite images and geographi

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Arif Jafarova, Aytaj. "Our vocal cultural heritage." SCIENTIFIC WORK 61, no. 12 (2020): 143–47. http://dx.doi.org/10.36719/2663-4619/61/143-147.

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All archives have always served the same purpose. The archives preserve the most beautiful examples of cultural heritage. Efforts have been made to transmit historical documents, transcripts, rock inscriptions, manuscripts, manuscripts to future generations, protecting the collections of certain items. One of such archives is the Azerbaijan State Archive of Sound Recordings. Along with other historical monuments, audio and video recordings need to be protected as valuable archival documents. Because they are considered to be one of the spiritual treasures of the people. Key words: archive, vid

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34

Stathopoulou, E. K., A. Georgopoulos, G. Panagiotopoulos, and D. Kaliampakos. "Crowdsourcing Lost Cultural Heritage." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences II-5/W3 (August 12, 2015): 295–300. http://dx.doi.org/10.5194/isprsannals-ii-5-w3-295-2015.

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Cultural Heritage all over the world is at high risk. Natural and human activities endanger the current state of monuments and sites, whereas many of them have already been destroyed especially during the last years. Preventive actions are of utmost importance for the protection of human memory and the prevention of irreplaceable. These actions may be carried out either in situ or virtually. Very often in situ preventive, or protective or restoration actions are difficult or even impossible, as e.g. in cases of earthquakes, fires or war activity. Digital preservation of cultural heritage is a

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35

Del Giudice, M., and A. Osello. "BIM FOR CULTURAL HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W2 (July 19, 2013): 225–29. http://dx.doi.org/10.5194/isprsarchives-xl-5-w2-225-2013.

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36

Senda, Yasuko. "Bunraku – intangible cultural heritage." Móin-Móin: Revista de estudos sobre teatro de formas animadas 1, no. 15 (2018): 210–19. http://dx.doi.org/10.5965/2595034701152016210.

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37

Ballard, Linda-May. "Curating Intangible Cultural Heritage." Anthropological Journal of European Cultures 17, no. 1 (2008): 74–95. http://dx.doi.org/10.3167/ajec.2008.01701005.

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This article discusses a range of pragmatic issues associated with curating intangible cultural heritage, including collection, preservation, interpretation, presentation and representation. It uses as a case study work undertaken with Lough Neagh eel fishermen in preparation for and at the Smithsonian Folklife Festival in 2007, setting this in a much wider curatorial context.

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Kaschuba, Wolfgang. "Cultural Heritage in Europe." Anthropological Journal of European Cultures 17, no. 2 (2008): 34–46. http://dx.doi.org/10.3167/ajec.2008.170203.

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This article deals with the often problematic connection between European and ethnological world images. After a short retrospective on the ethnological heritage, it elaborates current social and political problems and determines the ethnological position in these discourses. Finally, it recommends the imagination of an 'ethnology of the present', which increasingly focuses its lens on the European margins, across boundaries, and on movements: ethnology as a 'social ethnography' of the culturally vagrant, ambivalent and fluid.

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Bogdanova, Galina, Todor Todorov, and Nikolay Noev. "Digital Cultural Heritage APIs." Digital Presentation and Preservation of Cultural and Scientific Heritage 9 (September 13, 2019): 231–36. http://dx.doi.org/10.55630/dipp.2019.9.21.

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In the paper we present services provided by some of the popular cultural heritage application programming interfaces (API). We show how they could be used from third applications software applications. Finally, we develop tools that use this APIs in order to search and visualize data.

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40

Khan, Nadim Akhtar, S. M. Shafi, and Humma Ahangar. "Digitization of Cultural Heritage." Journal of Cases on Information Technology 20, no. 4 (2018): 1–16. http://dx.doi.org/10.4018/jcit.2018100101.

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The potential of digital technologies in safeguarding and preserving valuable assets have been established over time, predominantly in preserving our increasingly threatened heritage. Technological advancements in digitization and preservation aspects in the form of more sophisticated digitization gadgets have resulted in the practical implications of many digital preservation initiatives. The article discusses the concept of cultural heritage and need of digital preservation for managing and distributing cultural heritage collections through cooperative endeavors. It highlights the importance

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41

Velho, Gilberto. "Anthropology and cultural heritage." Vibrant: Virtual Brazilian Anthropology 10, no. 1 (2013): 145–50. http://dx.doi.org/10.1590/s1809-43412013000100007.

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The author argues that anthropology can help define a much broader, richer and culturally more diverse concept of heritage. He advocates for a more democratic and pluralist State policy that takes into account the diversity and complexity of Brazilian society, valuing traditions, symbolic systems and cultural manifestations from all sectors. The preservation of the Terreiro de Candomblé Casa Branca, in Salvador, Bahia, is presented as an example of recognizing the legitimacy of a tradition that was until recently subject to discrimination and persecutions. The author argues that this broadenin

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42

Ang, James. "CULTURAL HERITAGE AND INNOVATION." Buletin Ekonomi Moneter dan Perbankan 21, no. 2 (2018): 142–48. http://dx.doi.org/10.21098/bemp.v21i1.961.

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Cultural heritage is a major driver of behavioral, social and economic norms in a society. This paper studies the relationship between culture and economic development by focusing on how individualism is related to technological innovation. It hypothesizes that individualistic people tend to have beliefs and views that emphasize the importance of innovation and creativity. Using individual-level data from the World Values Survey, the results provide some evidence in favor of this hypothesis.

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Artioli, Gilberto. "Mineralogy and Cultural Heritage." CHIMIA International Journal for Chemistry 64, no. 10 (2010): 712–15. http://dx.doi.org/10.2533/chimia.2010.712.

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Baer, Norbert S., and Dario Camuffo. "Microclimate for Cultural Heritage." Studies in Conservation 45, no. 2 (2000): 143. http://dx.doi.org/10.2307/1506674.

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Forrest, Craig J. S. "Defining ‘underwater cultural heritage’." International Journal of Nautical Archaeology 31, no. 1 (2002): 3–11. http://dx.doi.org/10.1111/j.1095-9270.2002.tb01396.x.

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Melo, Maria J., Austin Nevin, and Piero Baglioni. "Chemistry and Cultural Heritage*." Chemistry International 40, no. 2 (2018): 20–25. http://dx.doi.org/10.1515/ci-2018-0205.

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Abstract The conservation of works of art makes them accessible, and will ensure the transfer of cultural heritage to future generations,. For long term preservation, the development of effective and sustainable conservation materials is of fundamental importance. Although in the past traditional approaches in restoration have used highly effective natural materials for cleaning, modern research has focused on the systematic design of materials and methodologies. For instance, during the nineteenth century conservators reported the use of materials such as vinegar, wine, lemon juice, and today

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Carrera, Jesús. "PROTECTING UNDERWATER CULTURAL HERITAGE." Spanish Yearbook of International Law 21 (December 31, 2017): 373–85. http://dx.doi.org/10.17103/sybil.21.26.

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DURING CASPERS, E. C. L. "The Meluḫḫan Cultural Heritage". Persica 15 (1 січня 1995): 7–27. http://dx.doi.org/10.2143/pers.15.0.2003524.

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Achille, Cristiana, Nora Lombardini, and Cinzia Tommasi. "BIM and Cultural Heritage." International Journal of 3-D Information Modeling 5, no. 1 (2016): 29–44. http://dx.doi.org/10.4018/ij3dim.2016010103.

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Nowadays, when people talk about BIM software, they refer to new constructions, made of regular elements and standard parameters. The question is: what happens when one, instead of a new building, considers an ancient or existing one? To answer this question, the possibility of using effectively the BIM process for the maintenance and the conservation of Cultural Heritage has to be evaluated. In particular, the research examines the case study of the archaeological site of the Sanctuary of Diana in Nemi (Rome), which is an important example in the National Heritage. The final product consists

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50

Singh, Gary. "CultLab3D: Digitizing Cultural Heritage." IEEE Computer Graphics and Applications 34, no. 3 (2014): 4–5. http://dx.doi.org/10.1109/mcg.2014.48.

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