Gotowe bibliografie tematyczne / Cultural performances

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Gotowa bibliografia na temat „Cultural performances”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Cultural performances"

Kagumba, Andrew Kalyowa. "The Batwa Trail: developing agency and cultural self-determination in Uganda through Indigenous tourism and cultural performance." AlterNative: An International Journal of Indigenous Peoples 17, no. 4 (2021): 514–23. http://dx.doi.org/10.1177/11771801211058503.

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This article examines how Batwa—the Indigenous peoples of Southwestern Uganda—negotiate agency and cultural self-determination through touristic cultural performances held during the Batwa Trail, an Indigenous tourist attraction in Mgahinga Forest, Southwestern Uganda. I take a theoretical model that approaches Indigenous tourism and touristic cultural performances as a site of social interaction where identity and representation are negotiated. The touristic performances are crucial in articulating Batwa performance culture and as a forum where counter-narratives against the stereotypes and m

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Tahana, Ngaroma, and Martin Oppermann. "Maori Cultural Performances and Tourism." Tourism Recreation Research 23, no. 1 (1998): 23–30. http://dx.doi.org/10.1080/02508281.1998.11014816.

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Furkatovich, Akromov Hasan. "Socio-cultural Features of Uzbek People's Games and Performances." International Journal of Psychosocial Rehabilitation 24, no. 4 (2020): 5920–33. http://dx.doi.org/10.37200/ijpr/v24i4/pr2020399.

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Picard, Michel. ""Cultural Tourism" in Bali: Cultural Performances as Tourist Attraction." Indonesia 49 (April 1990): 37. http://dx.doi.org/10.2307/3351053.

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Diamond, Elin, and Penny Farfan. "Performance and Cultural Politics." Canadian Theatre Review 90 (March 1997): 89–90. http://dx.doi.org/10.3138/ctr.90.013.

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In Performance and Cultural Politics, editor Elin Diamond has brought together thirteen essay s that articulate the relationship between cultural studies and performance. As Diamond notes in her introduction, though “performance” and “performativity” have emerged as keywords of postmodernism, performance has generally been neglected within the field of cultural studies. The contributors to Diamond’s volume forward the project of redressing this omission. Treating such diverse topics as the trial of Oscar Wilde, lesbian sado-masochism, the excavation of the Rose Theatre, Holocaust museums in th

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Phipps, Peter. "Performances of Power: Indigenous Cultural Festivals as Globally Engaged Cultural Strategy." Alternatives: Global, Local, Political 35, no. 3 (2010): 217–40. http://dx.doi.org/10.1177/030437541003500303.

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Laermans, Rudi. "Cultural Unconsciousness in Meg Stuart's Allegorical Performances." Performance Research 2, no. 3 (1997): 97–102. http://dx.doi.org/10.1080/13528165.1997.10871576.

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Vilela, Anne Araujo. "Performances socioculturais e as telenovelas." Proa: Revista de Antropologia e Arte 8, no. 1 (2018): 72–85. http://dx.doi.org/10.20396/proa.v8i1.17314.

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Este trabalho apresenta por meio de revisão bibliográfica, avaliações críticas sistematizadas dos constituintes que fazem a telenovela brasileira uma performance cultural, por meio de elementos associados, principalmente, ao seu contexto social, histórico e cultural. A performance acontece como ação, interação e inter-relação. Portanto, tendo em vista que as performances culturais não são apenas linguagem formal, pois tudo pode ser convertido em códigos e em outros tipos de comunicação, analisa-se aqui a telenovela sob este prisma.

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Casey, Maryrose. "Aboriginal performance as war by other means in the nineteenth century." International Journal of Critical Indigenous Studies 8, no. 2 (2015): 2–15. http://dx.doi.org/10.5204/ijcis.v8i2.123.

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Commercial performances for entertainment are usually assumed to be lightweight, cultural activities that serve little or no serious purpose. Perhaps because of this typical perspective, prior to the mid-twentieth century, Indigenous Australian performances drawing on their cultural practices for entertainment are often styled as either the result of oppressive exploitation by colonisers or cultural tourism. However, an examination of Indigenous Australian initiated and controlled performances, for entertainment in the nineteenth century, reveals a more complicated picture. In Australia, acros

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Cho, Seog yeon. "A Basic Study on the Reproduction (再現) of Performing Arts of 'Munheeyeon' (聞喜宴) as a Local Cultural Content". Society of Pansori 58 (31 жовтня 2024): 139–78. http://dx.doi.org/10.18102/jp.2024.10.58.139.

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This study presents foundational research on utilizing 'Munheeyeon' performance culture as cultural content. It explains the significance of 'Munheeyeon' and analyzes the performance forms before and after the rise of pansori, proposing desirable directions for leveraging its original form. The key points are as follows: Definition and Historical Background of 'Munheeyeon': 'Munheeyeon' (聞喜宴) refers to a celebratory performance hosted by parents for a successful candidate in the Goryeo Dynasty's civil service examination. This event, lasting approximately 1000 years during the examination syst

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Rozprawy doktorskie na temat "Cultural performances"

Marra, Juliana Ribeiro. "Catira: performance e tradição na dança caipira." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/7293.

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Summerhayes, Catherine, and catherine summerhayes@anu edu au. "Film as Cultural Performance." The Australian National University. School of Art, 2002. http://thesis.anu.edu.au./public/adt-ANU20090210.095136.

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This thesis investigates how Victor Turners concept of cultural performance can be used to explore and analyse the experience of film. Drawing on performance theory, hermeneutics, phenomenology and Bakhtins dialogism, Sections One and Two develop this investigation through a theoretic discussion which relates and yet distinguishes between three levels of performance in film: filmmaking performance, performances as text and cultural performances. The theory is grounded within four films which were researched for this thesis: Once Were Warriors (Lee Tamahori, 1994), Rats in the Ranks (Bob

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Bernard, Jennifer. "Expressions of identity : tourism and acadian cultural performances /." Access restricted. DAL users only, 2008.

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Costa, Grasielle Aires da. "Ritual em Richard Schechner e Victor Turner: aspectos de um diálogo interdisciplinar." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5704.

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Santos, Lucas Monteiro dos. "Narrativas do rock and roll: sociabilidades, liminaridades e performances." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/9070.

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Submitted by Liliane Ferreira (ljuvencia30@gmail.com) on 2018-11-14T13:45:52Z No. of bitstreams: 2 Dissertação - Lucas Monteiro dos Santos - 2018.pdf: 3504501 bytes, checksum: 0d4c0230e5a5a9653bc0e517810747c3 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-11-19T10:21:59Z (GMT) No. of bitstreams: 2 Dissertação - Lucas Monteiro dos Santos - 2018.pdf: 3504501 bytes, checksum: 0d4c0230e5a5a9653bc0e517810747c3 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<

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Young, Michael A. "Cultural performances of German national identity| Popular music, body culture, and the 2006 FIFA World Cup." Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1535413.

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This thesis explores the intersection of nationalism, popular music, and sport as they collided with German identity politics and discourses of twentieth-century history. I contextualize public performances of German national identity during the 2006 World Cup within the broader historical context of national identity construction through music and sport in the last two hundred. I contextualize Germans' public performance of national pride and hospitality during the World Cup as the latest in a long line of cultural performances of German identity that have shaped and been shaped by histor

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Faria, Marcelo Fecunde de. "Zé Pereira: a performance carnavalesca em Itaberaí-GO." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5464.

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Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-04-05T20:11:44Z No. of bitstreams: 2 Dissertação - Marcelo Fecunde de Faria - 2015.pdf: 6260416 bytes, checksum: 4dca3bb231aec3c8aa9c7a16ecbdcd74 (MD5) license_rdf: 19874 bytes, checksum: 38cb62ef53e6f513db2fb7e337df6485 (MD5) Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-04-06T13:35:18Z (GMT) No. of bitstreams: 2 Dissertação - Marcelo Fecunde de Faria - 2015.pdf: 6260416 bytes, checksum: 4dca3bb231aec3c8aa9c7a16ecbdcd74 (MD5) license_rdf: 19874 bytes, checksum: 38cb62ef53e6f513db2fb7e337df6485

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Lima, Maria do Socorro Pereira. "Arpilleras: o bordado como performance cultural chilena, em favor do drama social." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8440.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-07T12:10:17Z No. of bitstreams: 2 Dissertação - Maria do Socorro Pereira Lima - 2018.pdf: 8884808 bytes, checksum: 9db5d7bd63960f7488937a887cf325c0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-07T12:57:40Z (GMT) No. of bitstreams: 2 Dissertação - Maria do Socorro Pereira Lima - 2018.pdf: 8884808 bytes, checksum: 9db5d7bd63960f7488937a887cf325c0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf84

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Peck, RaShelle R. "Imperfect Resistance: Embodied Performances in Nairobi Underground Hip Hop." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397664120.

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Beer, Lorena Rivero de. "Guillermo Gomez-Pena's performances : cultural politics, aesthetics, representatio n and subjectivity." Thesis, University of Essex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496277.

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Książki na temat "Cultural performances"

G, Reinelt Janelle, ed. Gender in cultural performances. Wissenschaftlicher Verlag Berlin, 2005.

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Heidrun, Brückner, Schömbucher Elisabeth, and Zarrilli Phillip B. 1947-, eds. The power of performance: Actors, audiences, and observers of cultural performances in India. Manohar Publishers & Distributors, 2007.

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Richard, Bauman, ed. Folklore, cultural performances, and popular entertainments: A communications-centered handbook. Oxford University Press, 1992.

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1940-, Bauman Richard, ed. Folklore, cultural performances and popular entertainments: A communications-centred handbook. Oxford University Press, 1992.

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Anjali, Padhi, ed. Cultural performances: Folk songs and folk dances of Kalahandi, Orissa. Mayur Publications, 2008.

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1945-, Novy Marianne, ed. Cross-cultural performances: Differences in women's re-visions of Shakespeare. University of Illinois Press, 1993.

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Fieled, Adam. Disturb the Universe: The Collected Essays of Adam Fieled (2nd Ed.). 2nd ed. Edited by Jeffrey Side. Argotist Online/IA, 2010.

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Jān̲, Caiman̲. Folk narratives, rituals and performances: An intangible cultural heritage of Tamil Nadu. DK Printworld, 2016.

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Freeman, Regalado Nancy, Doss-Quinby Eglal 1953-, Krueger Roberta L, and Burns E. Jane 1948-, eds. Cultural performances in medieval France: Essays in honor of Nancy Freeman Regalado. D. S. Brewer, 2007.

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Miller, Ken B. Highwire Gallery: Calendars: January/April 2005. Edited by Ken B. Miller. Highwire Gallery, 2005.

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Części książek na temat "Cultural performances"

James, Malcolm. "Cultural Performances." In Urban Multiculture. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137473813_4.

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Saurisse, Pierre. "Performance Art in the 1990s and the Generation Gap." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_17.

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In the 1990s, the question of the legacy of historical performance was posed with a particular sense of urgency. In the context of most pioneers of the art form having retired from live performance, reenactments not only reproduced past works but positioned artists within the genealogy of performance. The sense of the passage of a generation and the transmission of the memory of past performances were made explicit by Marina Abramović in The Biography (1992), a theatre piece in which she stages the very process of accounting for her past, as well as by Takashi Murakami and Oleg Kulik, who emer

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Morrow, Paul. "Relaxed performances and venues." In Cultural Inclusion for Young People with SEND. Routledge, 2022. http://dx.doi.org/10.4324/9781003122258-12.

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Jacobs, Ronald N. "Rituals, repertoires, and performances in postmodernity." In Routledge Handbook of Cultural Sociology. Routledge, 2018. http://dx.doi.org/10.4324/9781315267784-33.

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Clare, David, and Nicola Morris. "The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_4.

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Abstract In Gate Theatre studies, the venue’s original artistic directors, Hilton Edwards and Micheál mac Liammóir, are commonly described as ‘Englishmen’. This chapter breaks new ground by exploring the Irish roots of Edwards and mac Liammóir, and the rumours that mac Liammóir had Spanish and Jewish ancestry. ‘The Boys’ were not the only figures associated with the early Gate to have transnational backgrounds. Coralie Carmichael, the theatre’s biggest female star in its early years, was of mixed Moroccan and Scottish ancestry, and Nancy Beckh, who worked as an actor, costume designer and mill

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Tiatco, Sir Anril Pineda, Bryan Levina Viray, and Jem Roque Javier. "The Philippine Performance Archive on Cultural Performances: Archive as Performative Cultural Memory and Pedagogy." In Digital Humanities and New Ways of Teaching. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1277-9_3.

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Čic, Živa Veingerl, Samo Bobek, and Simona Šarotar Žižek. "Difference between Individual Work Performances in Researched Countries." In Cross-Cultural Exposure and Connections. Apple Academic Press, 2020. http://dx.doi.org/10.4324/9780429275968-4.

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Mollenhauer, Jeanette. "In the Spotlight: Public Performances of Cultural Dance in Australia." In Cultural Dance in Australia. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5900-4_5.

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Barker, Tanuja, Darma Putra, and Agung Wiranatha. "14. Authenticity and Commodification of Balinese Dance Performances." In Cultural Tourism in a Changing World, edited by Melanie Kay Smith and Mike Robinson. Multilingual Matters, 2006. http://dx.doi.org/10.21832/9781845410452-016.

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Streszczenia konferencji na temat "Cultural performances"

Čížiková, Zuzana. "K „figúram spomínania“ v slovenskej vojvodinskej literatúre." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-16.

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In this paper, I base my work on the theory of cultural memory and the definition of “figures of remembrance”. These are culturally created and socially binding images of remembrance (M. Halbwachs), with the concept of figure being preferred to image because it is required not only for iconic but also for narrative formation (Assmann 2001). The three established aspects of figures of remembrance include the relationship to space and time, the relationship to the group, and the specific process of reconstructivity. If we perceive literature as the (linguistic) objectification of images and memo

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Peightal, Christopher, and Joseph Singerhouse. "The Rebranding of a Safety Culture." In Coatings+ 2019. SSPC, 2019. https://doi.org/10.5006/s2019-00039.

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Whether we choose to recognize it or not, every company has a safety culture that continuously changes, and even rebrands itself from time to time. An opportunity for safety performance improvement is created by choosing to recognize the need and manage the rebranding of the culture. The concept of a safety culture can be divided into broad and narrow aspects. The broad aspects derive from the definition of a safety culture, while the narrow aspects of a system are relevant to the physical, institutional, behavioral and spiritual cultures. Rebranding towards an advanced, sustainable safety cul

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Koroliova, Elfrida. "Cultural identity of Andrei Baleanu’s performances." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.20.

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Clever, highly artistic performances by Andrei Baleanu entered the golden fund of the Moldovan theatrical culture. His performances are distinguished by cultural and civic identity - Rops by Boris Kabur, the comedy Inspector General by Nicolai Gogol, the tragedy Romeo and Juliet by William Shakespeare, On the Night of the Lunar Eclipse by Mustai Karim, the heroic-romantic play Th e Blue Deer by Alexei Kolomiets, the play Solo for a Striking Clock by Osvald Zahradnik, the production drama Bonus by Alexandr Gelman, the play Th e Lower Depth by Maxim Gorky, the comedy Man and Gentleman by Eduardo

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Li, Tianze, Xiaofei Xu, and Zhongjie Wang. "Architecture Design of Fourth-Party Cultural Performances Service Platform." In 2016 9th International Conference on Service Science (ICSS). IEEE, 2016. http://dx.doi.org/10.1109/icss.2016.17.

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Mustafa, Nurulhuda Adabiah, and Nuraisyah Chua Abdullah. "Preserving the Prohibited Cultural Performances in Kelantan, Malaysia: The Way Forward." In International Law Conference 2018. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0010051400240029.

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Крулица, Анна. "Conversation with the past in contemporary choreography." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.18.

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My article examines the problem of the archival turn in scientific works and discourse that affects artistic practice, including the choreographic one. In recent years, we can find several attempts to reconstruct the performances of famous choreographers who worked in the 1920s and 1930s. Modern choreographers have recalled forgotten performances of the former era, but recalling these choreographic works, they want to give them a modern meaning. This attempt is similar to rewriting history. In this context of rewriting history, I want to emphasize the importance of bodily memory and bring the

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Jucu, Ioan Sebastian. "WHEN LIVE PERFORMANCES, SHOWS AND CONCERTS OF LEGENDARY ICONIC ARTISTS MARK THE HISTORY OF THE CITIES." In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s14.126.

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Some cities are frequently important venues for various spectacles, live performances, concerts and residency shows performed by the greatest artists of the world, therefore they contribute to the music tourism development and to the local economic development of the cities themselves through tourism and cultural events. A plenty of cities remain emblematic in this regard, but research on their cultural events are peripheral in the present geographical analysis. This paper discusses about an emblematic residency show of a legendary music icon held in Las Vegas as a major input both in the cult

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Madden, Marjorie. "Life Histories Performances Show Complex Interactions Between Life Experiences and Larger Cultural Contexts." In 2020 AERA Annual Meeting. AERA, 2020. http://dx.doi.org/10.3102/1579062.

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Harshini Dhavala, Divya, Sofia Ingegno, Gabe Gutierrez, and Debra Satterfield. "Expressions of Alamelu: A Cultural Narrative Enhanced with Technology." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006407.

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Expressions of Alamelu, is an interactive multimedia performance introducing non-Indian audiences to Kuchipudi, a classical Indian dance form. Through the use of generative AI imagery and multimedia elements, we aimed to create an engaging, curiosity-sparking experience that deepens appreciation for this traditional art form. The aim of this project was to develop a culturally informed performance that employed innovative storytelling techniques. Data collected through surveys and interviews indicated that audiences placed high value on sensory engagement, educational components, and clarity o

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Chokron, Sylvie, Seta Kazandjian, and Maria De Agostini. "Effects of Reading Direction on Visuospatial Organization: A Critical Review." In International Association of Cross Cultural Psychology Congress. International Association for Cross-Cultural Psychology, 2009. http://dx.doi.org/10.4087/wvik1820.

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Over the past decades, a growing literature on perceptual bias has investigated the factors that determine normal performance in simple visuospatial tasks, such as line bisection and aesthetic preference. Normal right-handed participants may exhibit spatial asymmetries in these tasks with a tendency to bisect to the left of the objective middle in line bisection and a preference for images with the center of interest in their right half in aesthetic preference tasks. These patterns of performance have mostly been attributed to hemispheric imbalance. Other explanations have also been put forth

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Raporty organizacyjne na temat "Cultural performances"

Rogers, Amanda. Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season. Swansea University, 2023. http://dx.doi.org/10.23889/sureport.65084.

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Project Report There is growing research on arts audiences - particularly regarding theatre and dance (Sedgman 2019; Walmsley 2019; Reason et al 2022). However, much of this work remains centred on the ‘Global North’ and there is little published research on arts audiences in South East Asia in general, and Cambodia in particular. The exception to this is our previous report (Rogers et al 2021) which was the first time that research has examined audience composition, understanding and preferences for the performing arts in Phnom Penh. This research raised a bigger question around who the arts

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Rogers, Amanda. Creative Expression and Contemporary Arts Making Among Young Cambodians. Swansea University, 2021. http://dx.doi.org/10.23889/sureport.56822.

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This project analysed the creative practices and concerns of young adult artists (18-35 years old) in contemporary Cambodia. It examined the extent to which the arts are being used to open up new ways of enacting Cambodian identity that encompass, but also move beyond, a preoccupation with the Khmer Rouge (1975-1979). Existing research has focused on how the recuperation and revival of traditional performance is linked to the post-genocidal reconstruction of the nation. In contrast, this research examines if, and how, young artists are moving beyond the revival process to create works that spe

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Chaitoo, Ramesh. The Entertainment Sector in CARICOM: Key challenges and Proposals for Action. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0009113.

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Although small in terms of population, the Caribbean is renowned for its creativity. Its cultural diversity is manifested in a variety of artistic expressions including folklore, crafts, performances, music festivals, and carnivals. Despite the Caribbean's great potential in the entertainment sector, important domestic challenges - emanating from both public and private sectors - have long impeded the successful growth of creative industries. The paper explains how the implementation of the Economic Partnership Agreement with the European Union should serve as an impetus for stakeholders in th

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Thunø, Mette, and Jan Ifversen. Global Leadership Teams and Cultural Diversity: Exploring how perceptions of culture influence the dynamics of global teams. Aarhus University, 2018. http://dx.doi.org/10.7146/aul.273.

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In the 21st century, business engagements are becoming increasingly global, and global teams are now an established form of organising work in multinational organisations. As a result, managing cultural diver-sity within a global team has become an essential part of ensuring motivation, creativity, innovation and efficiency in today’s business world.Global teams are typically composed of a diversity of experiences, frames of references, competencies, information and, not least, cultural backgrounds. As such, they hold a unique potential for delivering high performance in terms of innovative an

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Moyo, Unoda. Performance Appraisal in Organizational Cultural Context. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1154.

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Arnold, Samuel. The Cultural Trombone: A Contemporary View on National Performance Practices. Portland State University Library, 2014. http://dx.doi.org/10.15760/honors.119.

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Coffey, Wayne. Myths and Measures: The Cultural Performance of Portland’s Strip Club Identity. Portland State University Library, 2000. http://dx.doi.org/10.15760/geogmaster.14.

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Niederle, Muriel, and Alvin Roth. Market Culture: How Norms Governing Exploding Offers Affect Market Performance. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10256.

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Herrera, Cristian. How do strategies to change organizational culture affect healthcare performance? SUPPORT, 2016. http://dx.doi.org/10.30846/1608114.

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‘Organizational culture’ refers to characteristics shared by people who work within the same organization. These characteristics may include beliefs, values, norms of behaviour, routines, and traditions. The management of organizational culture is viewed increasingly as a necessary part of health system reform. It is therefore important for policymakers to be aware how strategies to improve organizational culture affect healthcare performance.

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Stanley, Louise, and Inke Näthke. School of Life Sciences Culture Strategy 2022-2025. University of Dundee, 2022. http://dx.doi.org/10.20933/100001258.

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We expect performance at the highest standard for everything we do. This must be supported by an excellent culture where contributions from everyone in our community are valued and recognised: academics with responsibilities in research, learning and teaching, and professional support. For staff and their work to flourish, everyone needs to feel part of a creative, open, equitable, and inclusive environment where we actively help and support each other to succeed and reach our full potential. A positive culture in our school is the foundation for our high performance community. It sustains ou

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