Gotowe bibliografie tematyczne / Cut-up poetry

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Cut-up poetry”

Autor: Grafiati
Data publikacji: 18 września 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Cut-up poetry"

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Hare, Kathleen (Kaye) A. "“Institutionalized States of Information Abstinence”." Art/Research International: A Transdisciplinary Journal 6, no. 2 (2021): 415–41. http://dx.doi.org/10.18432/ari29540.

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In this study, I provide applied examples of using cut-up poetic inquiry as an arts-based research method for analyzing erasure poetry. The erasure poetry was composed by five poet-participants and me during a sensory ethnography that explored embodied experiences of a sexual educator training program. I first overview erasure poetics in the context of sexuality education. I explain how erasure poetry as method can interrupt authoritative proclamations of truth, while also providing a technique to grapple with complex, corporeal data – central topics in sex education research. I then theorize
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Turner, Ashley R., Roque Anthony F. Velasco, Kathleen Oman, and Karen H. Sousa. "Aesthetic Knowing: Cut-Ups and Haiku Poems." Nursing Science Quarterly 36, no. 2 (2023): 181–85. http://dx.doi.org/10.1177/08943184221150263.

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Enhancing course design and pedagogy to encourage engagement and creativity is fundamental in doctoral education. Using poetry is an innovative way to enrich nursing education through aesthetic knowing. The authors in this paper aim to describe an educational exercise utilizing the Cut-Up Method to create haiku poems. PhD nursing students used the Cut-Up Method to produce haiku poems describing the meaning of nursing science. Themes from the haiku poems include relationship building, caring and caring relationships, and the evolution of nursing. Learning activities promote aesthetic knowing to
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Stokes, Jessica Suzanne. "Suturing language: cut-up poetry as part of crip, ecological close-reading/writing." Changing English 32, no. 1 (2025): 93–102. https://doi.org/10.1080/1358684x.2024.2439884.

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Miloykovitch, Vladimir Vladda. "The Art of Vanishing." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 5, no. 1 (2017): 90. http://dx.doi.org/10.14195/2182-8830_5-1_18.

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The audio poetry mix titled "Umetnost Gubljenja" (The Art of Losing / Vanishing) uses cut-up technique in order to mix and adjust the text of the poem "Umetnost Gubljenja" to the audio poetry form. An unknown program was used for mixing in this totally homemade art work, authored by Vladimir Milojković (sometimes published under the name Vladimir Vladda Miloykovitch). The mix is 6 minutes and 35 seconds long, mono sound, mp3 format. Conceptually, it is, in a certain way, socially engaged poetry, questioning the role of art in the modern world. Effects influencing the listeners were achieved th
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Petievich, Carla, and Max Stille. "Emotions in performance: Poetry and preaching." Indian Economic & Social History Review 54, no. 1 (2017): 67–102. http://dx.doi.org/10.1177/0019464616683481.

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Emotions are largely interpersonal and inextricably intertwined with communication; public performances evoke collective emotions. This article brings together considerations of poetic assemblies known as ‘mushāʿira’ in Pakistan with reflections on sermon congregations known as ‘waʿz mahfil’ in Bangladesh. The public performance spaces and protocols, decisive for building up collective emotions, exhibit many parallels between both genres. The cultural history of the mushāʿira shows how an elite cultural tradition has been popularised in service to the modern nation state. A close reading of th
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Babnis, Tomasz. "The River Araxes in the Roman Poetry." Classica Cracoviensia 22 (October 29, 2020): 7–46. http://dx.doi.org/10.12797/cc.20.2019.22.01.

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The River Araxes In the Roman Poetry
 The Araxes flowing through the Armenian Highlands was one of the rivers mentioned quite often in Roman poetry from the Augustan Age up to the 5th century. In line with the traditional tendency of classical literature, the Araxes was usually shown as a pars pro toto of a country, in this case Armenia, which was one of the aims of the Roman eastern policy and the object of rivalry between the Empire and Parthia/Persia. The great majority of references to the Araxes was connected with the theme of Roman expansion in the East (especially with the campaign
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Izenson, Andy. "“… that which wishes to articulate itself in you”." Religion and the Arts 27, no. 1-2 (2023): 230–53. http://dx.doi.org/10.1163/15685292-02701003.

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Abstract Jewish anarchist mysticism weaves elusively through the worlds of art, politics, and religion, informing all three with the concept of do’ikayt, or “hereness.” This essay will bring together threads of the Jewish roots of the Dada and Surrealist movements as they burst into queerness with the work of Claude Cahun, William S. Burroughs, and Genesis Breyer P-Orridge, and examine in particular the cut-up method as employed by those artists across media before examining an application of the same method to a pantheist Jewish transness through the mystical practice of gender confirmation s
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Kazlauskaitė, Rūta. "The mental image of lightning in Lithuanian poetry." Lietuvių kalba, no. 12 (December 15, 2018): 1–27. http://dx.doi.org/10.15388/lk.2018.22516.

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The aim of the present article is to compose and to evaluate the image of lightning that has been formed in Lithuanian poetry. The fragments of 148 poets’ 509 poems have been analysed. In the poetical worldview lightning is active. It is natural energy. It naturally manifests itself during the warm season and time of day (at evening, at night). Lightning usually acts as a living being (a human being, a reptile, less often as a bird or an ungulate), a plant or as a part of the body of a living being or a plant, an instrument of a living being. Less often lightning manifests itself as fire, wate
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Wilcox, David. "The Clothing of a Regency Poet, Lord Byron (1788–1824)." Costume 55, no. 2 (2021): 212–39. http://dx.doi.org/10.3366/cost.2021.0200.

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Byron was a best-selling poet and a celebrity with a notorious reputation. This article seeks to examine how his public image and private person were related, the part clothing played in the projection of his public image, and the degree of control he exerted over his body and his self-image. The article examines a number of sources relating to Lord Byron — his journals and letters, his poetry and public output, biographies, bills and accounts, paintings and illustrations, and the surviving clothing associated with the poet. From these a clothing narrative of the poet's early life, up until th
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Torres Núñez del Prado, Paola. "AIELSON: A neural spoken-word poetry generator with a distinct South American voice." Journal of Interdisciplinary Voice Studies 7, no. 1 (2022): 11–33. http://dx.doi.org/10.1386/jivs_00052_1.

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Human‐computer interaction will soon be framed as a dialogue in-between two agents, rather than the imposition of the needs and desires of the human entity over the inert machine. As the latter become seemingly more intelligent, we will witness how they reshape art, knowledge and society in general even more in the not-so-distant future. In this framework, decolonization of their algorithms becomes imperative so as not to reproduce the ethnic and cultural biases that prevail in contemporary human society. By using a pre-trained transformer-based language model (GPT-2) (Radford et al. 2019a), r
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Rozprawy doktorskie na temat "Cut-up poetry"

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Damjanovich-Napoleon, Natalie. "The Commonwealth of Amnesia: A collection of erasure and cut-up poems exploring the forgotten histories of Croatian and Yugoslav peoples in Australia and an exegesis examining the wreck of history through whiteout, blackout and cut-up erasure poetry." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2821.

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This thesis consists of two parts, a collection of poems, “The Commonwealth of Amnesia”, and an accompanying exegesis. The collection explores the forgotten histories of Croatian and Yugoslav immigrants in Australia from 1901 to 1957 through the medium of erasure and cut-up poetry, re-arranging words found in nonfiction documents to posit that forgetting can be metaphorically and visually represented through erasure while also re-narrativising a text. Erasure poetry takes a textual document and using whiteout or blackout erases portions of a text, transforming that text into a poem; cut-up poe
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Ryding, Karin. "Poetry is for everyone : A comparative analysis of the cut-up technique, Magnetic poetry and the casual word game Words of Oz." Thesis, Uppsala universitet, Institutionen för speldesign, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-228190.

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Language is a system that fundamentally influences us as human beings. There are numerous schools of thought critiquing our use of language and celebrating attempts to break free of the control it has over our lives. In that perspective a transformative play with language can be seen as critical play, and a game design approach supporting this kind of play can be defined as critical. The cut-up technique is an aleatory literary technique invented by the Dadaists in the 1920s. It was the fundamental lack of belief in society and language that gave birth to the cut-up method. Mary Flanagan inclu
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Dumoulin, Gilles. "Du collage au cut-up (1912-1959) Procédures de collage et formes de transmédiation dans la poésie d'avant-garde." Phd thesis, Université de Grenoble, 2012. http://tel.archives-ouvertes.fr/tel-00943454.

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Le collage et le cut-up sont deux " procédés " apparus, comme pratique et comme concept, dans le courant du XXe siècle : dans la première décennie pour ce qui est du collage et, pour le cutup, à la fin des années cinquante. Le terme de collage est issu des arts plastiques, et des pratiques qui ont succédé aux expérimentations des " papiers collés " de Georges Braque et Pablo Picasso à partir de 1912, tandis que celui de cut-up est emprunté à l'écrivain américain Brion Gysin expérimentant cette technique, avec William Burroughs, en 1959. Une cinquantaine d'années sépare les deux " procédés ", q
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Naccache, Marion. "Bernard Heidsieck & Cie : une fabrique du poétique." Phd thesis, Ecole normale supérieure de lyon - ENS LYON, 2011. http://tel.archives-ouvertes.fr/tel-00680287.

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De même que le ready-made, il y a maintenant presque un siècle, avait transformé la question " qu'est-ce que l'art " en son contraire (" comment faire pour que quelque chose ne soit pas de l'art ?", ne soit pas transformé en objet d'art puisqu'une simple parole d'artiste, fiat ars, suffisait ainsi à transfigurer tout élément du réel), de même, il devient difficile aujourd'hui de repérer ce qui ne pourrait être, jamais ou par essence, un objet poétique. Devant l'œuvre poétique et plastique de Bernard Heidsieck, il convient de mettre en place une série de critères permettant de distinguer la poé
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Troin-Guis, Marie Anysia. "Pratiques et poésies expérimentales de1960 à 1980 : enjeux esthétiques, éthiques et politiques : Julien Blaine, William S. Burroughs, Eugenio Miccini." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0457.

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Cette thèse se propose de dégager les enjeux esthétiques, éthiques et politiques des poésies et pratiques expérimentales de 1960 à 1980, à partir de l’étude des œuvres de J. Blaine, W. S. Burroughs et E. Miccini. Ce travail développe une réflexion sur les expérimentations poétiques qui ont lieu durant une période de fortes mutations sociétales, économiques et médiatiques. Après la mise en place d’une généalogie des pratiques expérimentales que sont le collage et le montage, il s’agit d’inscrire ces poésies expérimentales, généralement occultées des histoires littéraires, dans un modèle néo-ava
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Książki na temat "Cut-up poetry"

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Lastovica, Paul. Inventory Clerk: Fragments and Cut-Up Poems. Lemures Books, 2022.

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Lastovica, Paul. Inventory Clerk: Fragments and Cut up Poems. Lemures Books, 2022.

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Hashtagpoetry#: The hidden poetry of Twitter, cut-up, painted and posted to Instagram. Burning Eye Books, 2016.

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Części książek na temat "Cut-up poetry"

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Woolsey, Caitlin. "Concrete Voices and Resonant Bodies." In Music, the Avant-Garde, and Counterculture. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-69514-8_19.

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AbstractIn 1955, the French artist Henri Chopin acquired a small portable tape recorder, newly commercially available. This impulsive purchase would prove decisive in the development of a new kind of experimental sound poetry, one in which the voice was rendered both “concrete” and heterogeneous. Chopin used the device to project, amplify, and multiply the sonic micro-particles and intensities of his own voice. Around the same time, William S. Burroughs deployed the metaphor of tape-recorded transmissions to explore how the voice might function like a virus, as in his cut-up novel The Ticket t
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"Cut-up." In The Craft of Poetry. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1hztrbd.120.

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Løgstrup, K. E. "Poetry and Ethics." In The Ethical Demand, translated by Bjørn Rabjerg and Robert Stern. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198855989.003.0012.

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This chapter considers the underexplored topic of the relation between ethics and poetry. It is argued that what draws us to poetry is not to experience the beautiful, but rather the way in which poetry has the capacity to cut through the triviality of much of our daily lives, and thus to pay proper attention to our surroundings. This kind of attention is equally necessary if we are to engage with others in an ethically responsive manner, which is where the connection between poetry and ethics can be seen. The poet could not achieve this effect if their poetry were merely a matter of subjectiv
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Lefteratou, Anna. "Unweaving Crossweave Poems." In The Homeric Centos. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197666555.003.0001.

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Abstract This introduction discusses the function of cut-up techniques, modern and ancient, and cento. It places the analysis within the State of the Art and discusses the methodologies used. It calls for the re-contextualizing of the first edition of Homeric Centos within the framework of Late Antiquity and re-evaluating it with an eye for the biblical poetry of that period. It introduces the reader to authors that had compiled Homeric and Virgilian centos, long poems that repurposed lines from Homer and Virgil’s poetry by weaving the lines together with at least two interlinked strands: the
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Lecky, Katarzyna. "Spenser’s Miniature Map of Faerie." In Pocket Maps and Public Poetry in the English Renaissance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198834694.003.0001.

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Chapter 1 reads Spenser’s 1590 Faerie Queene in light of the miniature cartographic aesthetic exemplified by William Bowes’s 1590 county playing cards. I show that in the poem, which earned Spenser a pension from Elizabeth I, Amoret’s cut-up body represents in microcosm the imperial dissection of England and Wales by Christopher Saxton’s 1579 royally-funded county atlas. The romance heroine’s small size and unadorned beauty, which closely parallel the raw aesthetic of cheap maps, reveal the miniature’s potential to resist monarchical illusions of grandeur. This aesthetic reappears in Spenser’s
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Field, Douglas, and Jay Jeff Jones. "Running with the Underdog." In Harold Norse. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040163.003.0015.

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Between the 1950s and the 1970s, Harold Norse became a key figure in a generation of American expatriate writers whose work was mainly published through a transatlantic network of little magazines. Referred to as the Mimeo, or Mimeograph Revolution, its publications were essential outlets for writing that was risk-taking in style and content. It also supported innovations such as the cut-up process, which Norse contributed to while living at the Beat Hotel in Paris. Norse’s sojourns in Europe–Italy, France, Greece and North Africa–saw his poetry and prose featured in a number of fugitive, now
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Gardner, Colin. "On Truth and Lie in an Extra-Formal Sense: Silence as Resistant Punctum in Abbas Kiarostami’s The Chorus (1982), Homework (1989) and Close-Up (1990)." In Chaoid Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474494021.003.0010.

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Working in the pre-and post-revolutionary periods for the Center for the Intellectual Development of Children and Young Adults (Kānun-e parvaresh-e fekti-e kudakān va nowjavānān), Kiarostami was heavily influenced by the Modernist poetry of Ezra Pound and Wallace Stevens but also Arabic and Iranian poets such as Sohrab Sepheri and Forugh Farrokzhad. Indeed, his whole objective is to create a cinematic equivalent of such sources, which means eschewing a solid structure or clear-cut conclusion. Kiarostami thus creates holes and fissures which the audience can climb through so that they can provi
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"Cut-up Consciousness and Talking Trash." In Poetic Inquiry. Brill | Sense, 2009. http://dx.doi.org/10.1163/9789087909512_006.

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Heal, Benjamin J. "Beat Hotel." In Harold Norse. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040163.003.0012.

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The plaque celebrating the writers who resided at the Beat Hotel, 9 Rue Git le Coeur in Paris, was unveiled in 2009 to mark the 50th anniversary of William Burroughs’ Naked Lunch, with Harold Norse’s name added almost as afterthought. At the event poet Eddie Woods indelibly linked the unveiling with Norse by reading from the little known 1983 cut-up novella Beat Hotel. Written between 1960-63, the work is disconnected from the other cut-up texts published at the time such as Minutes to Go (1960), as it was not published until a German edition came out in 1975, the English edition in 1983. It f
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Millgate, Michael. "Pessimistic Meliorist." In Thomas Hardy, A Biography Revisited. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780199275656.003.0022.

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Abstract Reviewers of Wessex Poems, echoing the reception of Hardy ‘s later novels, repeatedly invoked the term ‘pessimism ‘, as if in so doing they were simultaneously defining a distinctive philosophical position and enforcing an adverse critical judgement. Hardy ‘s exasperation at being so crudely categorized was exceeded only by his overwhelming sense of the inconceivability of ‘optimism ‘ in a world of such radical imperfection. Picking up a reference to Browning in an article on ‘Form in Poetry ‘ for which Gosse had taken Wessex Poems as his text, Hardy exclaimed: ‘The longer I live the
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Streszczenia konferencji na temat "Cut-up poetry"

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Storozhuk, Alexander. "BAI JUYI AND ORIGINS OF THE NEW YUEFU." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.07.

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The first poetic cycle of 50 New Yuefu was written by Bo Juyi (白居易, 772–846) in 809 after the works of by his friend Li Shen (李紳, 772–846). Bo Juyi wrote it simultaneously with another great Tang poet Yuan Zhen (元稹, 779–831), and the new literary style has been known for centuries as Yuan-Bo (元白). Both of the poets shared the same attitude towards the role of letters in the society and aspired to implement their credo at the official posts they held. The origin of New Yuefu philosophy dates back at least to 806, when he together with Yuan Zhen created the illustrious political composition know
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