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Artykuły w czasopismach na temat „Dazai”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 27 kwietnia 2022

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1

Orbaugh, Sharalyn, i Alan Wolfe. "Suicide and Dazai". Journal of the Association of Teachers of Japanese 24, nr 2 (listopad 1990): 185. http://dx.doi.org/10.2307/488953.

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2

Devi, Rima, Aminah Hasibuan i Ferdinal Ferdinal. "The Reflection of Wabi Sabi in the Novel Joseito by Dazai Osamu". Lingua Cultura 15, nr 2 (30.11.2021): 167–73. http://dx.doi.org/10.21512/lc.v15i2.7004.

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The research examined the life’s perspective of the author that was reflected in wabi sabi in the novel ‘Joseito’ by Dazai Osamu. The life of the Joseito character described by Dazai Osamu in the Joseito novel had individual values (honne), and Joseito desired to equate it with collective values (tatemae). However, Joseito could not unite the two contradictory values and accepted the contradiction. The method used was descriptive qualitative, with the sociology of literature approach and focused on the sociology of the author using the concept of wabi sabi. Data on wabi sabi were collected from reading Joseito’s novels. The research results find that Dazai Osamu sincerely accepts the contradictions in Japanese society because Dazai can place himself where he is. Dazai is willing to accept contradictions in Japanese society by understanding the meaning of wabi sabi. He learns to appreciate, accept what it is, and be grateful for the contradictions in society because these contradictions can establish harmony in a beautifully ordered life through wabi sabi.

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3

Rogers, Lawrence, Dazai Osamu i James O'Brien. "Dazai Osamu: Selected Stories and Sketches". Journal of the Association of Teachers of Japanese 21, nr 1 (kwiecień 1987): 113. http://dx.doi.org/10.2307/488901.

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4

Kim, Na-kyung. "The attitude of the middle dazai". Japanese Language and Literature Association of Daehan ll, nr 46 (maj 2010): 129–40. http://dx.doi.org/10.18631/jalali.2010..46.007.

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5

中嶋駒子. "A study of Dazai Osamu's "Chikyuzu"". Japanese Language and Literature Association of Daehan ll, nr 73 (luty 2017): 125–44. http://dx.doi.org/10.18631/jalali.2017..73.007.

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6

전봉이. "The Study of Dazai osamu “Sinrou”". Journal of Japanese Studies ll, nr 33 (wrzesień 2007): 139–54. http://dx.doi.org/10.15733/jast.2007..33.139.

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7

정부용. "Dazai Osamu's ‘Art for Art's Sake’". Journal of the society of Japanese Language and Literature, Japanology ll, nr 38 (sierpień 2007): 449–76. http://dx.doi.org/10.21792/trijpn.2007..38.022.

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8

Rabson, Steve, i James O'Brien. "Akutagawa and Dazai: Instances of Literary Adaptation". Journal of the Association of Teachers of Japanese 23, nr 2 (listopad 1989): 176. http://dx.doi.org/10.2307/489063.

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9

Wilson, Michiko N., i James O'Brien. "Akutagawa and Dazai: Instances of Literary Adaptation." Monumenta Nipponica 44, nr 3 (1989): 352. http://dx.doi.org/10.2307/2384615.

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10

황진. "A study on “sarumenkanja” by Dazai Osamu". Japanese Language and Literature Association of Daehan ll, nr 56 (listopad 2012): 275–87. http://dx.doi.org/10.18631/jalali.2012..56.016.

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11

전수미. "The Study of Dazai Osamu's Pandora's Hako". Journal of Japanese Culture ll, nr 36 (luty 2008): 291–306. http://dx.doi.org/10.21481/jbunka..36.200802.291.

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12

Morita, James R., i James O'Brien. "Akutagawa and Dazai: Instances of Literary Adaptation". World Literature Today 64, nr 1 (1990): 195. http://dx.doi.org/10.2307/40146085.

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13

정부용. "Osamu Dazai and the City of Tokyo". Journal of the society of Japanese Language and Literature, Japanology ll, nr 74 (sierpień 2016): 185–210. http://dx.doi.org/10.21792/trijpn.2016..74.010.

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14

GANTAR, Lija. "Ancient Greek Legend in Modern Japanese Literature: “Run, Melos!” by Dazai Osamu". Acta Linguistica Asiatica 7, nr 2 (29.12.2017): 51–68. http://dx.doi.org/10.4312/ala.7.2.51-68.

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Dazai Osamu (1909-1948), a modern Japanese writer, wrote “Run, Melos!” in 1940. The short story is a rework of an Ancient Greek legend of Damon and Pythias from the 4th century B.C., which was introduced to Dazai through Schiller’s version of the legend, “The Hostage”. The legend, based on a true event, represents the perfect friendship and was reworked a number of times by different antique writers. After having been forgotten for a while, it reappeared in the Middle Ages as a fictional story and has gotten many new adaptations from then on. One of them was Schiller’s ballad in 1798, which – alongside an anecdote from Dazai’s own life – represented the basis for Dazai’s story. Even though “Run, Melos!” is not an autobiographical work, Dazai managed to pass his own feelings onto the characters, add some biblical elements, and included a never-before-employed dark twist in the story, thus making his version more realistic than the preceding ones. Despite the distance in time and place between him and the legend, with “Run, Melos!”, Dazai managed to retell a Western literature story, making it a part of the Japanese literature as well, adding motifs and themes influenced by his own life, time, and place.

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15

정부용. "Dazai Osamu and Joris Karl Hysmans 『À Rebours』". Journal of the society of Japanese Language and Literature, Japanology ll, nr 54 (sierpień 2011): 247–72. http://dx.doi.org/10.21792/trijpn.2011..54.013.

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16

Kawana, Karen Kazue. "Ficção e realidade nas obras de Dazai Osamu." Estudos Japoneses, nr 33 (25.11.2013): 35–44. http://dx.doi.org/10.11606/issn.2447-7125.v0i33p35-44.

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17

Shigeto, Yukiko. "Entering history through ‘weak’ prose: Dazai Osamu's ‘Sange’". Japan Forum 25, nr 4 (grudzień 2013): 540–55. http://dx.doi.org/10.1080/09555803.2012.758166.

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18

Kawana, Karen Kazue. "Destesto Ficção: Osamu Dazai e o Watakushi Shôsetsu". Revista Criação & Crítica, nr 17 (22.12.2016): 61. http://dx.doi.org/10.11606/issn.1984-1124.v0i17p61-74.

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Este artigo traz uma introdução ao conceito de watakushi shôsetsu, uma forma de autoficção derivada do naturalismo e do realismo europeu que se tornou popular no Japão na primeira metade do século XX, e algumas reflexões sobre a questão da ficção e da realidade por meio da análise de textos de um dos representantes do gênero, o escritor Osamu Dazai.

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19

홍명희. "The Postwar Japanese Society in the Literature of DAZAI Osamu - In Conjunction with the ‘DAZAI myth’ Formed by the Postwar Media -". Journal of the society of Japanese Language and Literature, Japanology ll, nr 82 (sierpień 2018): 473–92. http://dx.doi.org/10.21792/trijpn.2018..82.023.

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20

야노다카요시. "The Sexual Il-treatment on the Literature of Dazai". Japanese Modern Association of Korea ll, nr 51 (luty 2016): 167–84. http://dx.doi.org/10.16979/jmak..51.201602.167.

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21

이경희. "Variations on ‘Sado’ by Yasuda Yojūrō and Dazai Osamu". Journal of Japanese Language and Literature 73, nr 2 (maj 2010): 311–27. http://dx.doi.org/10.17003/jllak.2010.73.2.311.

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22

O'Brien, James, Phyllis I. Lyons, Osamu Dazai i James Westerhoven. "The Saga of Dazai Osamu: A Critical Study with Translations". Journal of the Association of Teachers of Japanese 20, nr 2 (listopad 1986): 279. http://dx.doi.org/10.2307/488999.

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23

Walker, Janet A., Phyllis I. Lyons, Osamu Dazai i James Westerhoven. "The Saga of Dazai Osamu; A Critical Study with Translations". Journal of Japanese Studies 13, nr 2 (1987): 457. http://dx.doi.org/10.2307/132478.

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24

Heinrich, Amy Vladeck, Phyllis I. Lyons i James Westerhoven. "The Saga of Dazai Osamu: A Critical Study with Translations." Monumenta Nipponica 40, nr 4 (1985): 438. http://dx.doi.org/10.2307/2384830.

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25

Pollack, David, i Alan Wolfe. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu." Monumenta Nipponica 46, nr 1 (1991): 112. http://dx.doi.org/10.2307/2385151.

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26

신현선. "A Study of The Author’s Consciousness in Dazai Osamu’s “Yosiamun”". Journal of Japanese Culture ll, nr 60 (luty 2014): 175–89. http://dx.doi.org/10.21481/jbunka..60.201402.175.

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27

Andō, Hiroshi. "La genèse de La Déchéance d'un homme de Dazai Osamu". Littérature 125, nr 1 (2002): 42–54. http://dx.doi.org/10.3406/litt.2002.1744.

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28

Layoun, Mary N., i Alan Wolfe. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu". Journal of Japanese Studies 18, nr 1 (1992): 200. http://dx.doi.org/10.2307/132718.

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29

Chow, Rey, i Alan Wolfe. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu". Comparative Literature 45, nr 3 (1993): 297. http://dx.doi.org/10.2307/1771511.

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30

Morita, James R., i Phyllis L. Lyons. "The Saga of Dazai Osamu: A Critical Study with Translations". World Literature Today 59, nr 4 (1985): 658. http://dx.doi.org/10.2307/40142170.

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31

Miller, Marilyn Jeanne, i Alan Wolfe. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu". World Literature Today 65, nr 2 (1991): 369. http://dx.doi.org/10.2307/40147322.

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32

Liman, Anthony V., i Phyllis I. Lyons. "The Saga of Dazai Osamu. A Critical Study With Translation." Pacific Affairs 59, nr 2 (1986): 332. http://dx.doi.org/10.2307/2758973.

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33

Kawana, Karen Kazue. "Mulheres pela perspectiva masculina na literatura japonesa: As protagonistas-narradoras de Dazai". Literatura e Sociedade, nr 22 (7.12.2016): 30. http://dx.doi.org/10.11606/issn.2237-1184.v0i22p30-41.

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Na literatura japonesa, homens escrevem como mulheres ao menos desde o século X, portanto, o fato de Dazai Osamu (1909-1948) escrever contos com narradoras na segunda metade do século XX não é algo novo, entretanto, neste artigo, procuramos mostrar que elas possuem características peculiares que as distinguem das figuras femininas presentes nas obras de contemporâneos como Kawabata Yasunari e Tanizaki Jun’ichirô.

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34

Kim, Ock Hee. "Dazai Osamu's View on Sports : Based on Run Meros and Tokatonton". Journal of Japanology 43 (30.11.2016): 95–117. http://dx.doi.org/10.21442/djs.2016.43.05.

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35

Mulyaningrum, Meilia, Dian Bayu Firmansyah i Haryono Haryono. "Analisis Kekerasan Simbolik dalam Cerpen Viyon no Tsuma Karya Dazai Osamu". Chi'e: Journal of Japanese Learning and Teaching 8, nr 1 (28.03.2020): 68–76. http://dx.doi.org/10.15294/chie.v8i1.36737.

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This study aims to described the symbolic violence done by Otani and its mechanism on Dazai Osamu’s short story, Viyon No Tsuma. Close reading and note taking method was conducted to collect the data. Collected data such as form of words, sentences, sentence fragments, paragraph, and paragraph fragments, were grouped in a table form and analyzed using analytic descriptive method. Data analysis results showed that (1) Otani’s habits are calm, even when he was drunk, and dress neatly. However, by the time flies, Otani changes to be rude and irresponsible man; (2) the fields existed in the short story are economic field and social field; (3) the highest capital is owned by Otani, it is a symbolic capital in the form of the nobility of Otani’s family; (4) All of symbolic violences are done by mechanism of eufemisation.

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36

이지현. "Romantic Irony Shown in Dazai Osamu’s “Judas” - Focusing on “Kakekomi Uttae” -". Journal of the society of Japanese Language and Literature, Japanology ll, nr 73 (maj 2016): 275–92. http://dx.doi.org/10.21792/trijpn.2016..73.013.

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37

야노다카요시. "Psychological Interpretation to the Sexual Insult andTrauma in the Literature of Dazai". Japanese Modern Association of Korea ll, nr 48 (maj 2015): 171–90. http://dx.doi.org/10.16979/jmak..48.201505.171.

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38

이지현. "Dazai, Family Ideology and Alienated people - Focused on “A Snowy Night’s Tale”". Japanese Language and Literature Association of Daehan ll, nr 67 (sierpień 2015): 179–93. http://dx.doi.org/10.18631/jalali.2015..67.011.

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39

하정민. "A study of symbol in the early part of Dazai Osamu’s literature". Japanese Language and Literature Association of Daehan ll, nr 69 (luty 2016): 261–73. http://dx.doi.org/10.18631/jalali.2016..69.014.

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40

정부용. "A study on the unreal world in the works of Dazai Osamu". Journal of the society of Japanese Language and Literature, Japanology ll, nr 51 (listopad 2010): 351–76. http://dx.doi.org/10.21792/trijpn.2010..51.018.

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41

Field, Norma. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu. Alan Wolfe". Modern Philology 90, nr 4 (maj 1993): 567–72. http://dx.doi.org/10.1086/392114.

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42

Marcus, Marvin. "Suicidal Narrative in Japan: The Case of Dazai Osamu (review)". MFS Modern Fiction Studies 37, nr 2 (1991): 335–36. http://dx.doi.org/10.1353/mfs.0.0482.

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43

Choi, Hye Yun, i Jee Hyun Ha. "Psychoanalytic Perspectives of Social Phobia: Based on Dazai Osamu’s Novel ‘Human Lost’". Psychoanalysis 32, nr 2 (30.04.2021): 41–51. http://dx.doi.org/10.18529/psychoanal.2021.32.2.41.

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44

蒋, 海跃. "An Investigation of the Chinese Translation of “Gijougo” in Dazai Osamu’s “Joseito”". Modern Linguistics 10, nr 03 (2022): 349–56. http://dx.doi.org/10.12677/ml.2022.103044.

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45

Cohn, Joel, i Ralph F. McCarthy. "Self Portraits: Tales from the Life of Japan's Great Decadent Romantic, Osamu Dazai." Monumenta Nipponica 46, nr 4 (1991): 545. http://dx.doi.org/10.2307/2385192.

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46

Yee, Sun Kyung. "Subcultural Adaptations of Dazai, Osamu in Light Novel : Focused on the Creative Techniques". Journal of Japanology 47 (30.11.2018): 185–205. http://dx.doi.org/10.21442/djs.2018.47.10.

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47

이지현. "Dazai Osamu: ‘Alienated Persons’ and ‘Neighborly Love’ - Based on ‘A Farewell with Regret’ -". Journal of the society of Japanese Language and Literature, Japanology ll, nr 83 (listopad 2018): 429–47. http://dx.doi.org/10.21792/trijpn.2018..83.021.

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48

OHNOGI, Hiroaki. "An analysis of the images of characters in “KOBU-TORI” written by Osamu DAZAI". Proceedings of the Annual Convention of the Japanese Psychological Association 74 (20.09.2010): 1PM083. http://dx.doi.org/10.4992/pacjpa.74.0_1pm083.

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49

Choi, Soon Yook. "A Study on Dazai Osamu’s Literature and Bible Quotation - Concerning on Justice and Smile -". Journal of Humanities and Social sciences 21 9, nr 1 (28.02.2018): 873–84. http://dx.doi.org/10.22143/hss21.9.1.69.

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50

김성희. "Consideration of "the leaf" in "later years" of Osamu Dazai -Mainly on "life awareness"-". Japanese Language and Literature Association of Daehan ll, nr 53 (luty 2012): 211–26. http://dx.doi.org/10.18631/jalali.2012..53.012.

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