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Artykuły w czasopismach na temat „Deportation – Fiction”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Honcharenko, Nadiia. "The Deportation of 1944 in the Cultural Memory of Crimean Tatar People (the Case of Literary Works of Ervin Umerov and Shamil Aladin)." Culturology Ideas, no. 17 (1'2020) (2020): 139–48. http://dx.doi.org/10.37627/2311-9489-17-2020-1.139-148.

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The article deals with the coverage in works of literature of the forceful deportation of Crimean Tatar people in May, 1944. Here, literary works are seen as functioning elements of cultural memory of the people. The works in question are Ervin Umerov’s short stories Loneliness, The Black Trains, The Permit, and Shamil Aladin’s novels Invitation to Devil’s Banquet and I’m Your King and God, recently published in Ukrainian translations. The importance of Ukrainian publications of works of Crimean Tatar literature, telling i. a. about the deportation of 1944, is determined by the persistence of

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Camerlynck, Nathalie. "Raymond Federman, Dying with Beckett." Samuel Beckett Today / Aujourd’hui 33, no. 1 (2021): 152–64. http://dx.doi.org/10.1163/18757405-03301010.

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Abstract Raymond Federman (1928–2009), known as a Beckett scholar, postmodern theorist and avant-garde novelist, was singularly devoted to the one he called Sam. Having escaped death, deportation in the Holocaust, his fiction recounts his experiences from the day of his “birth into death,” the 16th of July 1942. Writing what he called surfiction, fiction which exposes the fictionality of reality, Federman fashioned himself as a Beckett creature. This article outlines aspects of his devotion and its links to death and dying, starting with how he used Beckett’s words to confront his terminal ill

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Abdulaziz, Hanan Talib, and Luma Ibrahim Shakir. "Voluntary Exile and Deportation in Sebastian Barry's On Canaan's Side." JOURNAL OF LANGUAGE STUDIES 6, no. 2 (2023): 89–102. http://dx.doi.org/10.25130/jls.6.2.7.

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In recent times, exile and deportation have shaped the insights and works of many authors, because the current era is the era of political crises and immigration in which people migrate voluntarily or forcibly. Exile is often framed by the idea of disconnect. Thus, one of the key ideas that the study tries to prove is exile conceived as a connection rather than a separation. The experiences of voluntary exile and deportation, for political reasons, influence the human psyche and change the way humans perceive life. Therefore, the study sheds light on the psychological effects of these confusin

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Łyjak, Konrad. "History, Culture and Memory in the Novel "Grunowen oder Das vergangene Leben" by Arno Surminsk." Lublin Studies in Modern Languages and Literature 48, no. 1 (2024): 31–41. http://dx.doi.org/10.17951/lsmll.2024.48.1.31-41.

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Arno Surminski is a writer who was born in the former German province of East Prussia. His life and tough experiences at the end of World War II had an enormous influence on his literature. The novels of Surminski are not only full of references to his biography, but they are also the author’s commentary to lots on many other topics, e.g. the evacuation of East Prussia due to fear of the Red Army, the forced displacement of German civilians, the deportation to Siberia or mass rapes committed by the Soviet Army. The aim of the article is to analyse the novel Grunowen oder Das vergangene Leben b

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Denić, Nadica. "Towards the Right to Cinematic Opacity: Navigating Transparency, Migration and Whiteness in Europe." Film-Philosophy 29, no. 2 (2025): 356–79. https://doi.org/10.3366/film.2025.0309.

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This article traces the relationship between, on the one hand, the aesthetic values of opacity and transparency, and, on the other hand, the ethics and politics of Europe's regulation of migration. I approach transparency as inherently tied to white hegemony, which results in an aesthetic regime that keeps authority centralised, meaning stabilised, and identity regulated. An aesthetic of opacity, in contrast, resists these normative demands, instead claiming one's right to opacity: the right to preserve the irreducible singularity of one's identity in the face of white hegemony. I argue that E

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Gruner, Wolf. "The Factory Action and the Events at the Rosenstrasse in Berlin: Facts and Fictions about 27 February 1943 — Sixty Years Later." Central European History 36, no. 2 (2003): 179–208. http://dx.doi.org/10.1163/156916103770866112.

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On 27 February 1943 in Nazi Germany the Gestapo brutally arrested more than ten thousand Jewish men and women. Martin Riesenburger, later the Chief Rabbi of the German Democratic Republic, recalled that day as “the great inferno.” This large-scale raid marked the beginning of the final phase of the mass deportations, which had been under way since October 1941. Also interned in Berlin were people who, according to NS terminology, lived in so-called mixed marriages. But new documents show that no deportation of this special group was planned by the Gestapo. In the past decade, in both the Germa

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Yarova, Aliona. "Haunted by Humans: Inverting the Reality of the Holocaust in Markus Zusak’s The Book Thief." Papers: Explorations into Children's Literature 24, no. 1 (2016): 54–81. http://dx.doi.org/10.21153/pecl2016vol24no1art1110.

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   Inversion in The Book ThiefIn Gabriel García Márquez’s A Very Old Man with Enormous Wings a strange angel-like man appears in the human world. A different kind of other-worldly visitor features in Markus Zusak’s The Book Thief 1. In this text it is Death who takes a journey into the hellish realms of Nazi Germany to discover the humanity of the humans who were dehumanised in the Holocaust. The Book Thief is the story of a nine-year-old Liesel Meminger who lives in Germany during the escalation of World War II. The novel has several levels of the plot development: Liesel’

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Oziewicz, Marek. "Bloodlands Fiction: Cultural Trauma Politics and the Memory of Soviet Atrocities inBreaking Stalin's Nose,A Winter's Day in 1939andBetween Shades of Gray." International Research in Children's Literature 9, no. 2 (2016): 146–61. http://dx.doi.org/10.3366/ircl.2016.0199.

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The field of trauma theory emerged in the 1990s out of the confluence of psychoanalysis, deconstruction and Holocaust studies. It soon consolidated into a trauma paradigm with hegemonic pretensions, which was ill-equipped to recognise traumatic experiences of non-Western and postcolonial groups or nations. It likewise tended to dismiss from trauma fiction any narratives that deviated from the aporetic model of normative trauma aesthetic. These limitations were exposed by the postcolonial turn in history and memory studies, which made it incumbent upon trauma theory to expand its focus to other

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Ochrem, Marek. "An Iron Grip on Society in Vladimir Voinovich’s Moscow 2042: The Historical Context of Dystopia." Rusycystyczne Studia Literaturoznawcze 33 (November 22, 2023): 1–29. http://dx.doi.org/10.31261/rsl.2023.33.10.

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In his article, Marek Ochrem discusses the issue of control over society in Vladimir Voinovich’s dystopian novel Moscow 2042 against the background of Aldous Huxley’s Brave New World and George Orwell’s 1984. The analysis focuses on methods of subordinating people to the will of the rulers and manipulating them. Ochrem is interested in the impact of the oppressive features of the fictional city-state on citizens: the cult of personality (Genialissimus), poor living conditions, the threat of deportation of dissidents, lack of access to information and entertainment, influencing the shape of the

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Predoiu, Grazziella. "Die Essayistik Herta Müllers." Germanistische Beiträge 48, no. 1 (2022): 34–49. http://dx.doi.org/10.2478/gb-2022-0002.

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Abstract The article follows the two volumes of essays The King Bows and Kills (2003) and Always the same snow and always the same uncle (2011) written by Herta Müller. Politics and aesthetics define the Nobel laureate’s writing, with her essays anchored in Romania’s recent history. They are of a political nature, offer retrospectives on their life in Romania beyond the Iron Curtain, insights into the dictatorial past, persecution by the secret service, the betrayal of closest friends, but also contain reflections on the role of the language, the preference for Romanian, on the use of “The Kin

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11

David Ramos. "Shared experiences among Mexican American mixed-status families." International Journal of Science and Research Archive 11, no. 2 (2024): 2013–22. http://dx.doi.org/10.30574/ijsra.2024.11.2.0727.

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The purpose of this research is to gain an in-depth understanding of the lived experiences, beliefs, values, and norms among Mexican-American mixed-status families, living in the Californian cities of South Los Angeles, South Gate, and Santa Ana. Through a qualitative approach, 5 Mexican-American mixed-status family members were interviewed and given the opportunity to tell their story and share their unique experiences. The qualitative data was then analyzed to search for patterns, in which 3 themes emerged. The main findings from this study revealed that Mexican-American mixed-status familie

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Brittingham. "“Millions of Jews Died in That War… It Was a Bad Time”: The Holocaust in Adventures in Odyssey’s Escape to the Hiding Place." Genealogy 3, no. 4 (2019): 63. http://dx.doi.org/10.3390/genealogy3040063.

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In 2012, the Christian evangelical organization Focus on the Family published Escape to the Hiding Place, the ninth book in Adventures in Odyssey’s Imagination Station book series. This short children’s book is a creative reimagining of Corrie ten Boom’s Holocaust memoir The Hiding Place (1971). Corrie was a Christian who lived in Haarlem during the Nazi occupation of the Netherlands. Corrie and her family helped hide Jews and non-Jews from arrest and deportation at the hands of the Nazis and their collaborators. Corrie’s story has played a significant role in the evangelical Christian encount

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13

Vrăbiescu, Ioana. "Embodying the nation, representing the state: Performativity of police work in the Franco-Romanian bilateral agreement." Environment and Planning C: Politics and Space 38, no. 7-8 (2020): 1429–46. http://dx.doi.org/10.1177/2399654420931865.

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The French police and Romanian forces seek to identify, surveil and control Romanian citizens who are suspected to be ‘irregular migrants’ or ‘criminals’ in France. The two states sealed a bilateral agreement to deploy Romanian police forces on French territory: twice a year Romanian uniformed officers patrol next to the French police, whereas liaison officers work throughout the year in several French police units. Policing its own citizens on another state territory becomes part of police work in the EU, a police model encouraged and criticized at the same time. This article engages in debat

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Borsari, Andrea, and Giovanni Leoni. "Hypermnesia and Amnesia: Remembering (with) the Body and Post-Conflict Memorials and Architectures." International Journal of Heritage, Memory and Conflict 2 (January 12, 2022): 29–38. http://dx.doi.org/10.3897/hmc.2.70827.

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The article consists of two parts. The first part (§§ 1–2) investigates the indiscriminate and absolute remembering and forgetting of everything, hypermnesia and amnesia as the extreme terms that research has used and uses for the different phenomena of memory, both in individuals and in social and political forms. In the face of these shifts it is thus indispensable to re-establish a critique of the paradoxical effects of memory aids and, at the same time, to seek new forms of remembrance that by mixing an experiential dimension and public sphere refocus the attention on the connection betwee

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Borsari, Andrea, and Giovanni Leoni. "Hypermnesia and Amnesia: Remembering (with) the Body and Post-Conflict Memorials and Architectures." International Journal of Heritage, Memory and Conflict 2, no. () (2022): 29–38. https://doi.org/10.3897/hmc.2.70827.

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The article consists of two parts. The first part (§§ 1–2) investigates the indiscriminate and absolute remembering and forgetting of everything, hypermnesia and amnesia as the extreme terms that research has used and uses for the different phenomena of memory, both in individuals and in social and political forms. In the face of these shifts it is thus indispensable to re-establish a critique of the paradoxical effects of memory aids and, at the same time, to seek new forms of remembrance that by mixing an experiential dimension and public sphere refocus the attention on the connection betwee

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Chernyshova, Svitlana. "(Im)migration and food in Chimamanda Ngozi Adichie’s novel ‘Americanah’." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 15, no. 26-27 (2022): 202–13. http://dx.doi.org/10.34079/2226-3055-2022-15-26-27-202-213.

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The importance of food as a material object in fictional texts has attracted attention of literary scholars. The interest in the materiality of food helps to analyze the historical and cultural contexts, described in literary works. Moreover, the physicality of food in literature and the way of its consumption leads to a better understanding of individual and collective identities. Food and its rituals constitute the significant part in migratory novels. Customs and traditions surrounding food provide the unity of immigrant communities threatened by the disconnection from a native country. Com

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Quadros, Wesley, and Akeem Sule. "Depictions of Mental Health in “ Top Boy ”." BJPsych Open 9, S1 (2023): S33. http://dx.doi.org/10.1192/bjo.2023.152.

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AimsSocial psychiatry faces a challenging relationship with pop culture. Understanding pop culture portrayals of mental health culture could be valuable to public mental health. ‘ Top Boy ‘ is a fictional show touching upon the experience of individuals living in the grip of a mental health syndemic in inner-city London.MethodsAS & WQ had structured discussions to analysing themes, social determinants and psychiatric correlations in Top Boy.ResultsTop Boy touches on aspects of mental health including immigration, the impact of violence, the impacts of urbanicity and deprivation syndemics,

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18

Paskočiumaitė, Greta. "Historical Memory of the Lithuanian Anti-Soviet Partisan War in the Narratives of the Third Generation." Tautosakos darbai 62 (December 30, 2021): 86–103. http://dx.doi.org/10.51554/td.21.62.05.

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The article focuses on the historical memory maintained by the families of the members of the partisan armed anti-Soviet resistance in the 1944–1953. This memory is reconstructed on the grounds of the narratives by the third generation family members born in 1985–1989. The author discusses ways that memory of the partisan war is revealed by the generation born in the eve of restoration of the Lithuanian independence (which was proclaimed in 1990): how it was transferred in the families, and how experiences of the family members impacted and shaped the values and personal attitudes of the third

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Cheyroux, Emilie. "Crossing the lines between fiction and reality: The Infiltrators and the De-criminalization of Unauthorized Immigrants." Motifs, no. 9 (December 24, 2024). https://doi.org/10.56078/motifs.1229.

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The Infiltrators (2019) is a docuthriller directed by Latino directors Cristina Ibarra and Alex Rivera. It combines documentary scenes and fictionalized re-enactments to tell the story of two DREAMers who purposefully got arrested to infiltrate a for-profit immigrant detention center in Broward, Florida in order to help a few detainees stop their deportation. This paper first investigates the way the film balances the use of traditional documentary techniques (interviews, observation) with fictionalized re-enactments using the concepts of performance and fictionality – developed by Richard Wal

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Սողոմոնյան, Ամալյա. "Ինքնության պահպանման խնդիրը Միգրացիայի դարաշրջանում". Գրականագիտական հանդես=Literary Journal, 13 вересня 2022, 261–71. http://dx.doi.org/10.54503/1829-0116-2022.1-261.

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The topic of deportation has always been and will always be in the world literature. The eras are changing, so are the literary themes, new realities are emerging, but, unfortunately, there are always reasons why a person is forced to emigrate. Evidence of this is the last Artsakh war, which after some time will be reflected in fiction. The purpose of the article is to show the influence of various factors (including war) on an individual’s psychology and the desire to emigrate. In literary works, the authors do everything so that love wins, but in real life, the opposite happens. Explosions,

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Albarrán-Torres, César. "Migrant arrests and deportations on fictional television during the Trump era (2017–2021): from tokenistic storytelling to narrative activism." Continuum, March 22, 2024, 1–17. http://dx.doi.org/10.1080/10304312.2024.2332903.

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Kiarszys, Grzegorz. "A Nuclear Generator of Clouds: Accidents and Radioactive Contamination Identified on Declassified Satellite Photographs in the Mayak Chemical Combine, Southern Urals." Cambridge Archaeological Journal, September 30, 2021, 1–21. http://dx.doi.org/10.1017/s0959774321000494.

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The Mayak Chemical Combine was one of the most secretive places in the Soviet Union. It was built in the southern Urals, close to Kyshtym. The facility produced weapons-grade plutonium and other radioactive isotopes for the Soviet nuclear military programme. Fugitives from behind the Iron Curtain mentioned the site, usually due to accidents and peculiar, unexplained observations. Such reports were often treated in the West as exaggerated or fictional, as they spoke of large-scale disasters, deportations and vast landscape transformations. This paper aims to present the research potential of de

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Kitzinger, Charlotte. "Fan-Fiction, Liebesgeschichten, Erzählungen über Deportationen und Konzentrationslager: Eine Skizze zur digitalen Literatur über den Holocaust und Nationalsozialismus auf der Online-Plattform Wattpad." Poznańskie Studia Slawistyczne, no. 24 (September 30, 2023). http://dx.doi.org/10.14746/pss.2023.24.14.

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E-book platforms, such as Wattpad (wattpad.com) offer authors and readers, often rather young, the opportunity to publish their own stories on a wide varietyof topics and in different genre categories, e.g., fanfiction, time travel, love stories. Hundreds of texts in numerous languages and in different phases of creation and editing are to be found on Wattpad under the keywords Holocaust and National Socialism. This article introduces some examples of the wide range of texts and shows their form and content. Finally, the article seeks to point outsome aspects that make it worthwhile to take a

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Mukherjee, Indrajit. "Who Remembers those “Undocumented Minors”? Locating the Genealogy of the Oppressed in Valeria Luiselli’s Tell Me How It Ends." Rupkatha Journal on Interdisciplinary Studies in Humanities 13, no. 3 (2021). http://dx.doi.org/10.21659/rupkatha.v13n3.35.

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We can always look upon the intersection of history and events as an exciting façade, full of deceptions, half-baked truths, and awkward reconciliations in the framework of cultural studies. The Mexican author Valeria Luiselli’s Tell Me How It Ends (2017) attempts to trace the evolution of a set of social, political, and cultural circumstances that are pregnant with significance in the traumatic past of millions of Latin-American children refugees in the United States. First, the article will unpack how Luiselli’s impalpable domain tries to connect the unresolved experiences of the violent wou

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М., Майофис, та Кукулин И. "Позднесоветская литература об этнических депортациях в полемике с советским романом воспитания". Novoe Literaturnoe Obozrenie, № 188 (23 липня 2024). http://dx.doi.org/10.53953/08696365_2024_188_4_255.

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В русской литературе 1980-х были сформированы несколько моделей постколониального и посттравматического романа воспитания (Bildungsroman), которые были «вытеснены» (в психоаналитическом смысле) и забыты в ходе постсоветских трансформаций исторического сознания общества. В этой статье обсуждаются две повести: «Декада» Семена Липкина (1979—1980) и «Ночевала тучка золотая» Анатолия Приставкина (1981). В центре сюжета обеих этих повестей — депортации народов Северного Кавказа, осуществленные по решению Сталина и советского руководства в 1944 году: у Приставкина речь идет о чеченцах, у Липкина — о

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Brabon, Katherine. "Wandering in and out of Place: Modes of Searching for the Past in Paris, Moscow, and St Petersburg." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1547.

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IntroductionThe wandering narrator is a familiar figure in contemporary literature. This narrator is often searching for something abstract or ill-defined connected to the past and the traces it leaves behind. The works of the German writer W.G. Sebald inspired a number of theories on the various ways a writer might intersect place, memory, and representation through seemingly aimless wandering. This article expands on the scholarship around Sebald’s themes to identify two modes of investigative wandering: (1) wandering “in place”, through a city where a past trauma has occurred, and (2) wande

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MELKONYAN, RUBEN. "Türk çağdaş edebiyatinda ermeni soykirimi konusu." «Էջմիածին» կրոնագիտական և հայագիտական ամսագիր=“Etchmiadzin” Theological and Armenological Journal=«Эчмиадзин» религиоведческий и арменоведческий журнал, October 4, 2023, 132–45. http://dx.doi.org/10.56737/2953-7843-2022.13-132.

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Հայոց ցեղասպանութիւնն ուրանալու եւ ժխտելու Թուրքիայի պաշտօնական քաղաքականութիւնը դրսեւորւում է տարբեր ոլորտներում։ Բացառութիւն չէ նաեւ գեղարուեստական գրականութիւնը: Հայոց ցեղասպանութեանը յաջորդող տարիներին թուրքական գրականութիւնը եւս հետեւելով այդ պարտադրանքին` կամ լռութիւն է պահպանել, կամ սատարել է ցեղասպան քաղաքականութեանը: Սակայն արդէն 1950-ական թուականներից ընդդիմադիր թուրք գրողներից ոմանք իրենց ստեղծագործութիւններում սկսում են անուղղակի կամ ակնարկներով խօսել հայերի կոտորածների, տեղահանութեան մասին: 2000-ական թուականների կէսերից, Թուրքիայի արտաքին եւ ներքին քաղաքական որոշ փոփոխութիւնների ա

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Hollo, Maarja. "Lapsed ja sõda. Sõjatrauma Tiina Kurnimi autobiograafias „Sõrve rahva elukeerdkäigud“ ja Ülo Tuuliku romaanis „Sõja jalus“ / Children and War. War trauma in Tiina Kurnim’s Ups and Downs in the Life of the People of Sõrve and Ülo Tuulik’s novel In the Way." Methis. Studia humaniora Estonica 23, no. 29 (2022). http://dx.doi.org/10.7592/methis.v23i29.19035.

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Artikkel uurib mäletamismustrit, mis joonistub välja kahes lapsepõlvekogemust vahendavas teoses, mille autorite lapsepõlv jäi Teise maailmasõja aastatesse: Tiina Kurnimi autobiograafias „Sõrve rahva elukeerdkäigud“ (2014) ja Ülo Tuuliku dokumentaalromaanis „Sõja jalus“ (1974; kärpimata versioon 2010). Nii Kurnim kui ka Tuulik vaatavad tagasi oma lapsepõlvele Saaremaal Sõrve säärel, kust sakslased evakueerisid 1944. aasta sügisel sunniviisiliselt suurema osa kohalikust elanikkonnast, nende hulgas Kurnimi ja Tuuliku ning nende perekonnad. Mõlemas teoses ilmneb selle sündmuse psühholoogiliselt tr

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Harrison, Paul. "Remaining Still." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.135.

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A political minimalism? That would obviously go against the grain of our current political ideology → in fact, we are in an era of political maximalisation (Roland Barthes 200, arrow in original).Barthes’ comment is found in the ‘Annex’ to his 1978 lecture course The Neutral. Despite the three decade difference I don’t things have changed that much, certainly not insofar as academic debate about the cultural and social is concerned. At conferences I regularly hear the demand that the speaker or speakers account for the ‘political intent’, ‘worth’ or ‘utility’ of their work, or observe how spea

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Gill, Nicholas. "Longing for Stillness: The Forced Movement of Asylum Seekers." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.123.

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IntroductionBritish initiatives to manage both the number of arrivals of asylum seekers and the experiences of those who arrive have burgeoned in recent years. The budget dedicated to asylum seeker management increased from £357 million in 1998-1999 to £1.71 billion in 2004-2005, making the Immigration and Nationality Directorate (IND) the second largest concern of the Home Office behind the Prison Service in 2005 (Back et al). The IND was replaced in April 2007 by the Border and Immigration Agency (BIA), whose expenditure exceeded £2 billion in 2007-2008 (BIA). Perhaps as a consequence the nu

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